Sir Edward Coley, Bt Burne-Jones, Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram, c.1862, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00104

Sir Edward Coley, Bt Burne-Jones, Study of Ezekiel’s Hand for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01165

William Callow, Markt, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00139

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00083

Sir Edward Coley, Bt Burne-Jones, Head of a Girl, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00097

Édouard Manet, A Cat Curled Up, Sleeping, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334638

Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00086

Sir Edward Coley, Bt Burne-Jones, Two Studies of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00079

Sir Edward Coley, Bt Burne-Jones, Head of a Woman: ?Georgiana Burne-Jones, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00099

Jeremiah Fuller, Court petition regarding the children of Harriet, a freedwoman, November 4, 1867, ink on paper; H x W: 6 1/2 x 7 3/4 in. (16.5 x 19.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743018-0

Walker, Bill of Sale for Chloe from Z. B. Oakes to Elias N. Ball, October 25, 1862, ink on paper; H x W: 14 × 8 1/2 in. (35.6 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751749-0

Sir Edward Coley, Bt Burne-Jones, Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00088

Sir Edward Coley, Bt Burne-Jones, Study of a Male Figure for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00094

Sir Edward Coley, Bt Burne-Jones, Study of a Girl’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00060

Charles Meryon, College Henri IV, 1869, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9131

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00812

Sir Edward Coley, Bt Burne-Jones, Head of a Man, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00106

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00085

Sir Edward Coley, Bt Burne-Jones, Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’, c.1862, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00107

Odilon Redon, Trees, c. 1865–68, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35854

Sir Edward Coley, Bt Burne-Jones, Study of the Head of a Female Attendant for ‘The Adoration of the Kings’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00103

Sir Edward Coley, Bt Burne-Jones, Nude Study of the Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00087

Sir Edward Coley, Bt Burne-Jones, Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00091

Théodule Ribot, War Scene (A Female Casualty), c. 1870–72, Pen and black ink, brush and gray wash, with touches of red ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334634

Odilon Redon, Portrait of a Young Man (after Holbein), c. 1866, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35970

Édouard Manet, A Cat Resting on All Fours, Seen from Behind, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334639

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00813

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01164

Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures: ‘Chant d’Amour’, c.1862–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00109

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01163

Shuyler, Portrait of Lincoln and Washington, after c. 1865-before 1900, pencil on paper; sheet: 15 3/8 x 19 1/4 in. (39.2 x 48.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381054549-0

Sir Edward Coley, Bt Burne-Jones, Study of a Man’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00059

William Callow, Cochem, 1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00136

Alfred Stevens, Studies of Angels etc. for the Dome of St Paul’s, c.1862–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00866

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00105

Odilon Redon, The Battle, 1865, Charcoal, on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35896

William Callow, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00140

Sir Edward Coley, Bt Burne-Jones, Study of the Head of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00078

Sir Edward Coley, Bt Burne-Jones, Study of Ezekiel’s Arm and Hand for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01166

Odilon Redon, The Head of Saint John the Baptist (after Andrea Solario), c. 1868, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35905

William Callow, Quai on the Moselle, 1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00147

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00090

Francis Seymour Haden, Griff, probably c. 1864, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6524

Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796

Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures for ?‘The Backgammon Players’, ?c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00110

Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00089

Honoré Daumier, Scene of the Tribunal (The Verdict), c. 1865–1867, pen and ink over charcoal, pieced on laid paper and laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6412

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00084

Charles Meryon, College Henri IV, 1863, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9130

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Woman for ‘The Hours’, c.1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00095

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00814

Arthur Hughes, Old Sal for ‘At the Back of the North Wind’, c.1869, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00211

Odilon Redon, Melancholy, c. 1868, graphite on beige wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109138