Ehrgott & Forbriger Lithography Company, Andrew Hull Foote, c. 1862–64, Lithograph on paper; Image: 25.7 × 23.8 cm (10 1/8 × 9 3/8"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805365-0 Edgar Degas, James-Jacques-Joseph Tissot (1836–1902), c. 1867–68, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436144 Sir Edward Coley, Bt Burne-Jones, Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram, c.1862, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00104 Thomas S. Sinclair, Col. Ellsworth's Funeral March, 1861, Color lithograph on paper; Sheet: 35.8 x 27cm (14 1/8 x 10 5/8"); Mat: 55.9 x 40.6cm (22 x 16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816350-1 UNKNOWN, Fan, c.1860–70, Mother of pearl guards with gold and silver decoration and with green and pink bobbin lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11402 Jean Baptiste Camille Corot, The Ferryman, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435969 Ernest Meissonier, On a Terrace, 1867, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153382 Charles-François Daubigny, A River Landscape with Storks, 1864, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436083 Martin Johnson Heade, Jersey Meadows at Sunset, c. 1866, oil on canvas; 14 1/4 x 30 1/4 in., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1739012949917-1739012968221-0 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 John Pollard - Designer, THOMAS SEDDON Seddon, Pair of chairs, c.1862–70, Oak, carved, with replacement upholstery, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10019 Albert Bierstadt, Shady Pool, White Mountains, New Hampshire, (c. 1869), Oil on paper mounted on canvas; 22 1/8 x 30 1/8 in. (56.2 x 76.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858555-1 Sir Edward Coley, Bt Burne-Jones, Study of Ezekiel’s Hand for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01165 Qian Hui'an, Scene from the Novel ""The Red Chamber Dream"", 1860–1880, ink and color on paper mounted on cloth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.101L William Holman Hunt, Mary Walker Waugh, 1868, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151969 Robert Charles Dudley, Landing at Newfoundland, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436227 Ferdinand Gaillard, Gattamelata, 1866, engraving on gray chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/863 M Jackson, The Bremer Railway Bridge near Ipswich, Queensland (from 'The Illustrated London News' 31 March 1866), 1866, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17771 Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661 Sir Edward Coley, Bt Burne-Jones, Lovers in a Garden, ?1863, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01169 Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755 Utagawa Kunisada Ii, Ichikawa Kobunji as the labourer Shitabe Tadashichi (left-hand panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12779 Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225 Clodion, Monumental Urn, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/577 S.T. Gill, Prospecting (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/133 George Jakob Hunzinger, Reclining Armchair, after 1866, Cherry, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/224 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9080 Mathew Brady Studio, James William Denver, c. 1861, Albumen silver print; Image/Sheet: 8.9 x 5.5 cm (3 1/2 x 2 3/16"); Mount: 9.7 x 6.1 cm (3 13/16 x 2 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813658-0 Otto Scholderer, Der Geiger am Fenster, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3166 Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245 Muhammad Isma'il Isfahani, Pen Box with Scenes from the ""Haft Paykar"", 1283 AH/AD1866–1867 (Qajar), papier mâché with paint, gilding, and varnished lacquer, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/67.3 Utagawa Hiroshige Ii, Tsurumi (from ‘Scenes of Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4708 Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820 Honoré Daumier, The Third-Class Carriage, 1864, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436095 William Callow, Markt, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00139 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9111 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110682 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25742 Jesse Briggs, Jesse Briggs, c. 1865, Albumen silver print; Image/Sheet: 7.9 x 5.8 cm (3 1/8 x 2 5/16"); Mount: 8.2 x 6.2 cm (3 1/4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813202-1 Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00083 Sir Edward Coley, Bt Burne-Jones, Figure of a Queen, 1861, Watercolour and graphite on fabric, Tate, London. https://dartabase.art/cite/tate/A01170 Édouard Manet, The Toilette, 1862, Etching in black on ivory laid Chinese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45808 E.D. King, (Portrait of a young boy), c.1860, Cabinet card photograph on albumen paper laid down on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3602 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Julius - Designer, ERICHSEN, Conrad - Maker, HOGARTH, ERICHSEN & CO. Hogarth, Archer mourning brooch, c.1860, Matt gold with oval section (containing hair), embroidered over silk with seed pearls, chain and pin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9608 Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893 Charles-François Daubigny, The Banks of the Oise, 1863, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436080 Adolphe Yvon, Portrait of Napoleon III, 1868, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.95 UNKNOWN, Incense burner, 1868–1912 (Meiji Period), Bronze cast in the shape of a quail and set on a wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6425 James McNeill Whistler (1834-1903), The Punt, 1861, Etching; ink on paper; H x W: 11.8 x 16.2 cm (4 5/8 x 6 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183322-0 Sir Edward Coley, Bt Burne-Jones, Head of a Girl, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00097 UNKNOWN, Vase, c.1860–80, Cloisonné enamel with intricate designs in five registers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/320 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Édouard Manet, A Cat Curled Up, Sleeping, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334638 Hermann Wilhelm Vogel, Sonnenblick (beim Großen Stern), 1866, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102630 Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00086 Utagawa Kunisada Ii, Nakamura Shikan as Shuka (right-hand panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12777 Sir Edward Coley, Bt Burne-Jones, Two Studies of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00079 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Gustave Courbet, Nude with Flowering Branch, 1863, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436018 Jean Baptiste Camille Corot, The Letter, c. 1865, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435976 James McNeill Whistler, Trouville (Grey and Green, the Silver Sea), 1865, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81572 Taiso Yoshitoshi, Untitled (from 'Twenty-four accomplishments of Imperial Japan' series), c.1860–92, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2675 S.T. Gill, Emu sneaking (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9301 James Whistler, Rotherhithe, 1860, Etching, drypoint on pale grey laid Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13082 Sir Edward Coley, Bt Burne-Jones, Head of a Woman: ?Georgiana Burne-Jones, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00099 Mathew Brady Studio, John Eillis Wool, c. 1862, Albumen silver print; Image/Sheet: 8.3 x 5.5 cm (3 1/4 x 2 3/16"); Mount: 9.1 x 6.1 cm (3 9/16 x 2 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813675-1 Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73172 Utagawa Kunisada, The Dolls' Festival (right-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3153 Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 32.8 x 13.6 x 13.5 cm (12 15/16 x 5 3/8 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404720-0 Felice (Felix) Beato, (Geisha at tea-house) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8252 Victor Müller, Ophelia, c. 1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1376 Jean Baptiste Camille Corot, The Muse: History, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435978 Sir Edward Poynter, Miriam, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00831 Victor Müller, Der Seidenpinscher Puss, 1863, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3512 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9108 Henry Bonaventure Monnier, Artois, 1869, pen and red ink and watercolor over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9182 Wood and Hughes, Teapot, 1862–63, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/205 Charles Meryon, L.J.-Marie Bizeul, a Breton Archaeologist, 1861, etching, engraving, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9113 Anselm Feuerbach, Bildnis einer Römerin in weißer Tunika und rotem Mantel (Lucrezia Borgia), c. 1862–1866, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1141 ROCHETTE - Decorator, SÈVRES Second Empire Style - Style, Table, c.1860–70, Black lacquer with ormolu and porcelain. Sevres (?) plaque depicting His Majesty Louis XVI of France with small oval portraits of the beauties of his court, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6126 C E Bevan, Father Power (Brisbane), c.1868, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34806 Felice (Felix) Beato, (Yakatabune (pleasure boat) on lake) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10187 Pierre Puvis de Chavannes, Work, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1194 Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314 Charles Meryon, Présentation du Valère Maxime au Rois Louis XI (The Printer Valerius Maximus Being Presented to King Louis XI), 1860, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9119 Eugène Von Guérard, Hobart Town, from Kangaroo Point, Tasmania (plate VI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1554 Utagawa Kunisada Ii, Sawamura Tanosuke as Princess Wakana (centre panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12778 S.T. Gill, Bush mailman (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/837 PULKA Nambo - Artist, Shield, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25739 UNKNOWN, Vase on stand, c.1860–80, Porcelain, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9288 Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733 AUSTRALIAN SCHOOL, (Landscape), 1863, Oil on wood panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15265 S.T. Gill, Bush funeral (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1557 Utagawa Kunisada, Nakamura Shikan as Fuwa Denzaemon (right-hand panel of triptych), c.1861, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11658 Eugène Von Guérard, The junction of the Buchan with the Snowy River (plate IX from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4511 Gustave Courbet, Jo, La Belle Irlandaise, 1865–66, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436001 Jean Baptiste Camille Corot, Bacchante by the Sea, 1865, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435963 Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664 Sir John Everett, Bt Millais, The Importunate Friend, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00803 Edgar Degas, Two Men, c. 1865–69, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436168 Antoine Chintreuil, Der Regenschauer, c. 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1361 Sir John Everett, Bt Millais, The Labourers in the Vineyard, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00798 UNKNOWN, Set of five cake plates, 1868–1912 (Meiji Period), Slab built stoneware with grey wavy edges. Decorated with three fine petalled cherry flowers in brown glaze and resist under an Oribe green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6290 Jeremiah Fuller, Court petition regarding the children of Harriet, a freedwoman, November 4, 1867, ink on paper; H x W: 6 1/2 x 7 3/4 in. (16.5 x 19.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743018-0 Maxime Lalanne, Rue des Marmousets (Quartier de la cite, vieux Paris), 1862, etching on laid tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/864 Charles Meryon, Ancienne habitation à Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician's House"), 1860, etching with graphite additions on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9144 Utagawa Kunisada, The Dolls' Festival (left-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11345 UNKNOWN, Snuff box, c.1860, Horn and silver lid set with a facetted stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10815 Félix Bracquemond, Hiver (Le Loup dans la neige), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5261 Utagawa Hiroshige Ii, Tsuchiyama (from ‘Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei’) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3822 Utagawa Kunisada Ii, Nakamura Shikan as Shuka, Sawamura Tanosuke as Princess Wakana and Ichikawa Kobunji as the labourer Shitabe Tadashichi, 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36126 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9466 HUNT & ROSKELL, Presentation vase, 1864, Sterling silver, cast and chased, with silver-plated insert, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8184 Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634 Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275 Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25740 SATSUMA STYLE, Vase, 1868–1912 (Meiji period), Earthenware on lacquer stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2193 Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645 Edgar Degas, Portrait of a Woman in Gray, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436152 S.T. Gill, Native sepulchre (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/648 S.T. Gill, Landscape with Aborigines, 1866, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/972 Louis Buvelot, Study for 'Summer Evening near Templestowe', c.1866, Charcoal on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2190 Sir John Everett, Bt Millais, The Good Samaritan, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00808 Camille Silvy, Queen Emma of Hawai’i in Paris, 1865, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34944 S.T. Gill, Stockman (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/312 Sir John Everett, Bt Millais, The Marriage Feast, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00799 Walker, Bill of Sale for Chloe from Z. B. Oakes to Elias N. Ball, October 25, 1862, ink on paper; H x W: 14 × 8 1/2 in. (35.6 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751749-0 attrib. to Utagawa Hiroshige Ii, Beauties alighting from a boat in cherry blossom season, c.1865, Brush and ink drawing for the key block of a colour woodblock print on thin Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15456 Sir Edward Coley, Bt Burne-Jones, Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00088 Eugène Von Guérard, The valley of the Ovens River (plate II from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4841 Robert Charles Dudley, Landing the Shore End of the Atlantic Cable, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436223 M.H. Kimball, Rebecca, an Emancipated Slave, from New Orleans, 1863, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4585 Eugène Von Guérard, Distant view of Ben Lomond, Tasmania (plate X from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5020 Taiso Yoshitoshi, Hirate Kenmotsu (from 'One hundred types of warriors' series), 1868, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5770 John Stagenwalt, Letter written by Union occupation soldier John Stagenwalt, July 30, 1866, ink on wove paper; H x W (open): 9 13/16 × 15 1/2 in. (25 × 39.3 cm); H x W (closed): 9 13/16 × 7 13/16 in. (25 × 19.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752647-0 W.M. Shew, Young woman with lace collar, 1866–70, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35569 Isidore-Jules Bonheur, Lion Attacking a Gavial Crocodile, 1860, Terra-cotta; 14 5/8 × 13 5/8 × 12 1/2 in. (37 × 34 × 31.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858652-0 Philip Webb, Emblems of Saints Luke and John, 1863, Watercolour, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01018 Charles Meryon, Partie de la Cité vers la fin du XVIIe siècle (View of the City of Paris Towards the Close of the XVIIth Century), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9468 Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526 Eugène Von Guérard, A view from Mt Franklin towards Mount Kooroocheang and the Pyrenees, c.1864, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5194 Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909 Sir Edward Coley, Bt Burne-Jones, Study of a Male Figure for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00094 Gustave Courbet, The Fishing Boat, 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436012 Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73186 Louis Prang Lithography Company, Irvin McDowell, c. 1862, Lithograph on paper; Sheet: 13.3 x 8 cm (5 1/4 x 3 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810872-0 Felice (Felix) Beato, (Ferry boat) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10903 UNKNOWN, Scene depicting Japanese troops in action during the Boxer Uprising (1900), an attack by Chinese anti-foreign elements on the Foreign Legations in Peking, 1868–1912 (Meiji Period), Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7583 Édouard Manet, The Races at Longchamp, 1866, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81533 Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600 Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73196 UZBEK, Main tent carpet, c.1860, Sheep's wool, warp, weft and pile with three series of octagonal motifs in blue white and brown on salmon red ground. Jagged edge diamond motif border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6043 attrib. to Felice (Felix) Beato, (Mother with children) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10907 Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666 Sir Edward Poynter, Joseph before Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00833 Utagawa Kunisada Ii, Scene from 'The Tale of Genji' (right-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12774 UNKNOWN, Images of St Leonard's Church and Magenta Monument; and Laying the foundation stone of the Brisbane Bridge, Queensland, New South Wales (from 'The Illustrated London News' 3 December 1864, page 568), 1864, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17770 Honoré Daumier, Qu'on dise encore que la chasse..., 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6406 Jean Baptiste Camille Corot, River with a Distant Tower, 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435983 Utagawa Hiroshige Ii, Kyoto: Arashiyama (from ‘Scenes of Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6881 Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362 Eugène Von Guérard, The sources of the River Wannon (plate I from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14614 Sir Edward Coley, Bt Burne-Jones, Study of a Girl’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00060 Charles Meryon, College Henri IV, 1869, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9131 Pierre-Auguste Renoir, Romaine Lacaux, 1864, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/121188 UNKNOWN, (The Archer brothers with Lionel Knight Rice), c.1867, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7304 John Chester Buttre, David G. Farragut, 1865, Engraving on paper; Sheet: 60.4 x 47.9cm (23 3/4 x 18 7/8"); Mat: 71.1 x 55.9cm (28 x 22"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816050-0 New York Tribune, New York Tribune, September 7, 1864, September 7, 1864, Wood engraving on paper; Image/Sheet: 52.5 × 40.1 cm (20 11/16 × 15 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822938-0 Charles Meryon, Passerelle du Pont-au-Change, Paris, après l'Incendie de 1621 (Footbridge Temporarily Replacing the Pont-au-Change, Paris, after the Fire of 1621), 1860, etching printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9469 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 BELLEEK POTTERY, Vases (pair), c.1863–91, Porcelain (parian) in the form of a tripod with goat feet legs and moulded with enthermia. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15088 S.T. Gill, Splitters (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5376 Charles Loring Elliott, Portrait of Asher B. Durand, 1860, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.70 UNKNOWN, Vase, c.1860–70, Flaring onion shaped vase in clear glass, enamelled with polychrome flowers and scrolls. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/750 John Jelliff, Armchair, 1868–70, Rosewood, ash, mother-of-pearl, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/247 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25744 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854 S.T. Gill, Night fishing (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2443 Sanford Robinson Gifford, A Home in the Wilderness, 1866, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144968 Littlefield, Ambrotype of a Civil War soldier, 1861–1865, collodion and silver on glass photographic plates; Closed: 3 × 2 5/8 × 7/8 in. (7.6 × 6.7 × 2.2 cm); Open: 3 × 5 1/8 × 9/16 in. (7.6 × 13 × 1.4 cm); 3 x 5 in. (7.6 x 12.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742762-0 Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00812 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1088 Honoré Daumier, Advice to a Young Artist, 1865/1868, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/895 Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110679 Sir Edward Coley, Bt Burne-Jones, Head of a Man, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00106 Sir John Everett, Bt Millais, The Unmerciful Servant, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00809 Ehrgott & Forbriger Lithography Company, William H. Lytle, c. 1862–64, Lithograph on paper; Image: 33 × 24.7 cm (13 × 9 3/4"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805392-0 Pierre Puvis de Chavannes, Maria Magdalena in der Wüste (Madeleine à la Sainte-Baume), 1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1444 Édouard Manet, Marine, 1865–66, Etching, aquatint and roulette in brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103101 Utagawa Kunisada, Kawarazaki Gonjuro as Nagoya Sanzo (left-hand panel of triptych), c.1861, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12005 S.T. Gill, Native police (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11976 Charles Meryon, Jean Besly, 1861, etching on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9114 S.T. Gill, Kangaroo stalking (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6041 Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00085 UNKNOWN, Alfred James Lutwyche, c.1865–80, Oil on paper adhered to fine cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7789 Jean Baptiste Camille Corot, The Banks of the Seine at Conflans, c. 1865–70, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435989 Maxime Lalanne, Rade de Bordeaux, 1868, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8247 Eugène Von Guérard, The Weatherboard Falls (plate VII from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3335 Ehrgott & Forbriger Lithography Company, David Hunter, c. 1862–64, Lithograph on paper; Image: 24.5 × 24 cm (9 5/8 × 9 7/16"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805370-0 Edgar Degas, The Collector of Prints, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436122 Sir Edward Coley, Bt Burne-Jones, Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’, c.1862, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00107 John Faed, Annie's tryst, c.1864, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7901 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 S.T. Gill, Homeward bound (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/768 Frederick Sandys, Susanna Anderson Rose, 1862, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149769 S.T. Gill, Cattle branding (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/390 Sir Edward Poynter, Joseph Presents his Father to Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00825 Felice (Felix) Beato, (Geisha "taking her toilet") (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10908 Narcisse-Virgile Diaz de la Peña, Autumn: The Woodland Pond, 1867, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436192 Gustave Courbet, Deer in the Forest, 1868, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.76 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9463 Odilon Redon, Trees, c. 1865–68, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35854 Alfred Sisley, View of Saint-Mammès, c. 1880, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.355 Gustave Courbet, Mme L . . . (Laure Borreau), 1863, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/137259 Jean Baptiste Camille Corot, Pond at Ville-d'Avray, late 1860s, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124078 Sir Edward Coley, Bt Burne-Jones, Study of the Head of a Female Attendant for ‘The Adoration of the Kings’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00103 S.T. Gill, Bushman's hut (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5738 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Eugène Von Guérard, Lake Illawarra, New South Wales (plate XI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6736 Honoré Daumier, Un Criminel!, 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6380 Jacob - Distributor, KIMBALL Shew, Rebecca, Augusta, and Rosa, emancipated slaves from New Orleans, c.1863, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35570 S.T. Gill, The Duff children (August 20, 1864) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3312 Sir Edward Coley, Bt Burne-Jones, Nude Study of the Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00087 UNKNOWN, Hanging scroll (kakemono): Listening to the waterfall in a valley of bamboo, 1868–1912 (Meiji Period), Ink on silk (depicting a Chinese man seated at a table with servants approaching; house beyond shrouded in mist), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6788 Édouard Manet, The Reader (Le liseur), 1861, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8685 Sir Edward Coley, Bt Burne-Jones, Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00091 S.T. Gill, The new rush (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6017 Jean Baptiste Camille Corot, Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand, c. 1868, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1148 Maizono Gen-ö, Cloisonné Goblet, c. 1876 (Meiji period (1868–1912)), Silver, gold, gilded silver, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.531 Théodule Ribot, War Scene (A Female Casualty), c. 1870–72, Pen and black ink, brush and gray wash, with touches of red ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334634 Jean Baptiste Camille Corot, A Woman Reading, 1869 and 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435991 Gustave Courbet, The Sea, 1865 or later, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436021 Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178 Harriet Goodhue Hosmer, The Sleeping Faun, modeled 1864, carved c. 1870, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159838 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25741 Harper's Weekly, September 5, 1863, September 5, 1863, Wood engraving on paper; Image/Sheet: 42 × 29.2 cm (16 9/16 × 11 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822969-0 Sir John Everett, Bt Millais, The Foolish Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00802 Felice (Felix) Beato, (Travelling by kago) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10918 George D. Wakely, U.S. Patent Office, 1865, Photograph on paper; Image/Sheet: 25.7 × 33.7 cm (10 1/8 × 13 1/4"); Mount: 37.1 × 46.3 cm (14 5/8 × 18 1/4"); Mat: 66 × 71.1 cm (26 × 28"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806023-0 Sir John Everett, Bt Millais, The Prodigal Son, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00811 UNKNOWN, Kinkozan satsuma baluster vase, 1868–1912, Porcelain with coloured enamels and gilding, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/102767 William Strutt, Study of a boy for 'Black Thursday, 6th February, 1851' and sketch of the head and shoulders of a girl, c.1861–63, Pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15427 Honoré Daumier, The Laundress, 186[3?], Oil on oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436091 Jean Baptiste Camille Corot, A Pond in Picardy, c. 1867, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435979 Odilon Redon, Portrait of a Young Man (after Holbein), c. 1866, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35970 Frederic Leighton, David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153389 Elizabeth Keckley (frontispiece to "Behind the Scenes"), c. 1868, Etching and engraving on paper; Image: 9.3 × 7.1 cm (3 11/16 × 2 13/16"); Sheet: 18.5 × 11.4 cm (7 5/16 × 4 1/2"); Book: 19 × 12.9 × 3.8 cm (7 1/2 × 5 1/16 × 1 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824593-0 Charles-François Daubigny, Landscape on a River, 1863, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436081 Gustave Courbet, A Brook in the Forest, c. 1868–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436010 François Bonvin, Interior of a Tavern, 1867, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.837 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9109 Gustave Courbet, Portrait of Anika Psalmon, Mrs. Robin, 1862, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.2 Gustave Courbet, A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), probably 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436009 Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065 T.A. Brown, Clare Christ, May 13, 1867, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35566 Toyohara Kunichika, Actor Nakamura Shikan, 1864, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6820 Jean-François Millet, The Large Shepherdess (La grande bergere), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9191 S.T. Gill, Corroboree (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6720 Victor Müller, Hamlet und Horatio auf dem Kirchhof, 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1248 Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659 Sir Edward Poynter, Daniel’s Prayer, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00832 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 PAPWORTH Jr, Edgar George W.t. Copeland & Sons Ltd [spode] - Manufacturer, The young shrimper, 1862, cast 1868, Porcelain, slip-cast parian, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1282 UNKNOWN, Mrs (Mary) Lutwyche, c.1865–80, Oil on paper adhered to fine cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7790 Utagawa Kunisada Ii, A Daimyo and his retainers watching a woman and child diving for abalone, 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1091 Édouard Manet, A Cat Resting on All Fours, Seen from Behind, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334639 Boston & Sandwich Glass Company, Berry Dish, c. 1867, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/505 Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5999 Édouard Manet, Lola de Valence, 1862, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8686 George Baxter, The Wesleyan Chapel, Popham's Broadway, Madras, 1846, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54123 Sir John Everett, Bt Millais, The Rich Man and Lazarus, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00797 Gustave Courbet, The Source of the Loue, 1864, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436023 Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures: ‘Chant d’Amour’, c.1862–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00109 Pottier and Stymus Manufacturing Company, Armchair, c. 1870–75, Rosewood, prickly juniper veneer, gilding, brass, original tapestry upholstery, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/237 Conrad Martens, View of Brisbane (in 1851), 1862, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1809 AUSTRALIAN SCHOOL, (In the Grampians), c.1865, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7383 Édouard Manet, The Dead Toreador, probably 1864, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1179 Gustave Doré, Don Quixote and Sancho Panza Entertained by Basil and Quiteria, 1863?, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436207 Edgar Degas, A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436121 Jean-François Millet, Departure for Work (Le depart pour le travail), 1863, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9194 Pierre Puvis de Chavannes, Rest, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1193 Sir Edward Poynter, Moses Strikes the Rock, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00829 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Felice (Felix) Beato, (Buddhist priests) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9057 Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078 Shuyler, Portrait of Lincoln and Washington, after c. 1865-before 1900, pencil on paper; sheet: 15 3/8 x 19 1/4 in. (39.2 x 48.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381054549-0 Robert Charles Dudley, Awaiting the Reply, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436224 Sir John Everett, Bt Millais, The Tares, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00805 Sir Edward Coley, Bt Burne-Jones, Study of a Man’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00059 Charles Meryon, Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta"), 1863, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9120 Robert S. Duncanson, Vale of Kashmir, 1867, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/171296 Claude Monet, Das Mittagessen, 1868–1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3012 Édouard Manet, Dead Christ with Angels (Christ aux anges), 1866/1867, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8680 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1086 C B Hoare, Group of wild natives, c.1868–76, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34948 Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383 Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9138 Felice (Felix) Beato, (Shamisen street musicians) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10905 William Edgar Marshall, George Washington, 1862, engraving on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1085 Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401 UNKNOWN (initials GAM), Natives armed with spear and boomerang (from 'The Illustrated London News' 29 May 1866), 1866, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17772 Edgar Degas, Joseph-Henri Altès (1826–1895), 1868, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436145 Utagawa - Collaborating artist, HIROSHIGE II, Utagawa Kunisada, Ferryboat in the snow on the Sumida River, 1864, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2106 Taiso Yoshitoshi, Susukida Hayato (from 'One hundred types of warriors' series), 1868, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6815 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6298 BELLEEK POTTERY, Bowl, c.1863–91, Porcelain (parian) bowl woven imitating cane, modelled leaves and flowers around rim. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15092 S.T. Gill, Night camp (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3421 S.T. Gill, Frontispiece (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2610 Felice (Felix) Beato, (Shinto priests with portable mikoshi shrine) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10909 S.T. Gill, Attacking the mail (Bushranging, NSW, 1864) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4493 Honoré Daumier, Allons bon!... il parait... chasse réservée, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6381 Honoré Daumier, L'Ane et les deux voleurs, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6385 Honoré Daumier, Équilibre Européen, 1867, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6395 Andrew Burgess, Carte-de-visite portrait of Emperor Maximilian, 1864; printed later, albumen and silver on photographic paper on card mount; H x W (Image): 3 1/2 × 2 1/16 in. (8.9 × 5.3 cm); H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751667-0 G.F. Folingsby, The first lesson, 1869, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6303 Felice (Felix) Beato, (Barbers) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10911 Alfred Stevens, Studies of Angels etc. for the Dome of St Paul’s, c.1862–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00866 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00105 Sir John Everett, Bt Millais, The Wicked Husbandman, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00807 Claude Monet, The Beach at Sainte-Adresse, 1867, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14598 John Brown, c. 1861–62, Lithograph on paper; Sheet: 10.2 x 6.2 cm (4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814586-0 M.E. Dockree, On the River Dart, Totnes, Devon, 1867, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5227 Honoré Daumier, The Troubadour, 1868–73, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135214 Charles Meryon, Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9085 William Strutt, Studies of a man and details of costume for 'Black Thursday, 6th February, 1851', c.1861–63, Pencil on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15428 Sir John Everett, Bt Millais, The Good Shepherd, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00806 S.T. Gill, (Cover from 'The Australian sketchbook'), 1865, Lithograph on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2642 Charles Meryon, François Viète, 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9116 Henri Fantin-Latour, Marie-Yolande de Fitz-James, 1867, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150851 Honoré Daumier, Faut pas s'plaindre de c'temps-la..., 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6379 ERICHSEN & CO. - Manufacturer, HOGARTH, Julius - Designer, ERICHSEN, Conrad Attrib. To Hogarth, Bracelet, 1864, Gold modelled in high relief with rusticated frames. The central section with an emu and brolga separated by a palm tree and subsidiary links depicting snake, kangaroo, possum and lizard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3680 Odilon Redon, The Battle, 1865, Charcoal, on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35896 Robert Charles Dudley, Making the Splice between the Shore End and the Ocean Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436228 SATSUMA WARE (Kinkozan), Covered bowl, 1868–1912 (Meiji period), Squat shouldered bowl cream clay body with vari-shaped reserves against an iron red ground with blue, sepia and gilt decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1690 William Callow, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00140 Gustave Courbet, Monsieur Suisse, 1861, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436017 Martin Johnson Heade, Point Judith, Rhode Island, 1867–68, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144967 attrib. to Nicholas Chevalier, Fiesole and the river Arno, 1861, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1599 Sir Edward Coley, Bt Burne-Jones, Study of the Head of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00078 Felice (Felix) Beato, A social meal, c.1866, Hand-coloured albumen silver photograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33680 HOUSEWORTH, Thomas Thomas Houseworth & Co - Studio, 149 Montgomery St - Looking north from Market. (Instantaneous), 1866, published c.1870, Stereograph, albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35567 Sir Edward Poynter, By the Waters of Babylon, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00830 Sir Edward Coley, Bt Burne-Jones, Thisbe, 1861, Graphite and watercolour on fabric, Tate, London. https://dartabase.art/cite/tate/A01171 George Washington Bickley, c. 1861–65 (after earlier photograph), Albumen silver print; Sight: 8.2 × 5 cm (3 1/4 × 1 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399819876-1 Frederic Edwin Church, View of Wimmis, Valley of the Simmental, Switzerland, 1868, Oil on paper mounted on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5240 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Japanese, Tsuba with Clouds, 1868–1912 (?) (Meiji), sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1188.2 Jean Baptiste Camille Corot, Bacchante in a Landscape, 1865–70, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435965 Shibayama Soichi, Bamboo Section with Ants and a Worm, mid-late 19th century (Meiji), bamboo with lacquer and ivory inlay, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/61.227 Honoré Daumier, Deux saltimbanques, c. 1865–1873, Feder in Schwarzgrau, grau laviert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18477 Claude Monet, Spring Flowers, 1864, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130391 Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9078 attrib. to Albert Stafford Huntley, Engineer's camp, North Toolburra, near Warwick, 1864, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11775 UNKNOWN, Satsuma ware vase, 1868–1912 (Meiji period), Earthenware, crackle glaze, enamel, decoration of boys amongst chrysanthemums and butterflies, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16143 Charles Meryon, La Rue des Chantres, Paris (Chantrey Street, Paris), 1862, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9107 S.T. Gill, Digger's wedding in Melbourne, c.1862, Watercolour over pencil on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8182 Honoré Daumier, Les Tritons de la Seine, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6382 Winslow Homer, The Brierwood Pipe, 1864, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124040 Sir John Everett, Bt Millais, The Wise Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00794 Gustave Moreau, Pietà, 1867, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1363 Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Robert Herdman, Girl with bundle of straw, 1863, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5662 Sir John Everett, Bt Millais, The Lost Piece of Silver, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00801 Édouard Manet, Fish (Still Life), 1864, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44892 Jean Baptiste Camille Corot, The Evening Star, 1864, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.154 Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527 Ōtagaki - Master, KORYO, Kuroda Rengetsu, Tea bowl, c.1867, Hand-built stoneware, glazed, incised calligraphy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17987 Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297 Victor Müller, Bildnis der Berta von Radowitz als junges Mädchen, 1863, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1822 Eugène Von Guérard, Fall of the first creek, near Glen Osmond, South Australia (plate III from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2779 MARTIN HALL & CO. LTD., Inkstand, c.1867–68, Silver, pectin shell-shaped base with circular depression for ink-well, engraved with anthemion motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6020 Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663 Eugène Von Guérard, The crater of Mount Gambier, South Australia (plate XI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7643 Carleton E. Watkins, The Three Brothers, Yosemite, c. 1865–1866, printed after 1875, albumen silver print; sheet and image: 12 1/2 x 8 1/8 in. (31.7 x 20.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061313-0 Charles Marville, Paris: Blick in die Rue Saint-Honoré, 1865, Albuminpapier auf Chine collé auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102546 S.T. Gill, Overlanders (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5300 Edgar Degas, Marie Dihau (1843–1935), 1867–68, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436150 Eugène Von Guérard, View of the Murray River (plate VIII from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2233 Sir John Everett, Bt Millais, The Pearl of Great Price, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00804 Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505 James McNeill Whistler (1834-1903), Etching plate: The Forge, 1861, Copper; H x W: 19.4 x 31.8 cm (7 5/8 x 12 1/2 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182514-0 Alexander Roux, Bench, c. 1865, Beech, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/461 Sir John Everett, Bt Millais, The Unjust Judge and the Importunate Widow, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00795 Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on brown wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9137 Charles-François Daubigny, Normannische Küstenlandschaft (Villerville-sur-Mer), 1868, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2214 Sir John Everett, Bt Millais, The Lost Sheep, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00792 Gustave Courbet, Dorfausgang im Winter, c. 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1394 Daniel Marquis, Dr JF Berini with Queensland Aboriginal men, 1869, Albumen photograph mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5522 Odilon Redon, The Head of Saint John the Baptist (after Andrea Solario), c. 1868, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35905 Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660 S.T. Gill, Attack on store dray (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11981 Édouard Manet, The Smoker (Le fumeur), 1866, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8682 Sir Edward Poynter, Joseph Distributes Corn, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00834 S.T. Gill, Wool drays (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1207 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9528 Eugène Von Guérard, North-east view from the top of Mount Kosciusko, New South Wales (plate IV from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/647 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25743 George Baxter, First Impression, also called First Impressions (Large), c. 1864, Etching and aquatint on steel, printed in black, with block printing in color, on white wove paper, varnished, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59489 Maria Sarah Drake, Sampler, 1867, Linen embroidered with polychrome cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/529 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 John Jelliff, Armchair, 1868–70, Rosewood, ash, mother-of-pearl, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/246 Sir Edward Poynter, Moses and Aaron before Pharoah, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00827 Sir Edward Coley, Bt Burne-Jones, Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00090 Albert Bierstadt, Mount Starr King, Yosemite, 1866, oil on canvas on panel-back stretcher, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/172815 Edward William Cooke, St. Pietro de Castello, c.1863, Watercolour over pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8466 Charles Meryon, Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9118 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Francis Seymour Haden, Griff, probably c. 1864, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6524 attrib. to Evan Jones, Table decoration, c.1865, Silver, emu eggs mounted on silver tree ferns on a blue velvet and ebonised wood base. Silver and rope edge and cast figures of a kangaroo and emu, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9132 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25745 Charles Meryon, Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields"), 1863, etching on D&C Blauw paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9121 Édouard Manet, The Absinthe Drinker (Le buveur d'absinthe), 1862, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8679 BELLEEK POTTERY, Jug, c.1863–91, Porcelain (parian) slip-cast with shells and seaweed. Pearly glaze with yellow glaze to handle, feet and seaweed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15120 Auguste Rodin, Bust of a Young Girl, 1868, terracotta with plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/997 Edward Lamson Henry, The Invalid, c. 1868–1870, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6009 S.T. Gill, Squatter's tiger (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7271 Victor Müller, Waldnymphe, 1862, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3515 Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662 Sir John Everett, Bt Millais, The Sower, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00800 Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796 Morimoto Shigeaki, Kozuka with Autumn Flowers, c. 1875 (Meiji), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1234.3 Claude Monet, The Red Kerchief, c. 1868–73, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135382 Charles Meryon, Le Grand Chatelet, Paris, vers 1780 (The Grand Chatelet, Paris, about 1780), 1861, etching and drypoint on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9467 John Watson, (Bearded man), c.1862–75, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25774 Jean Baptiste Camille Corot, Sibylle, c. 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435984 Giorgio Sommer, Pompeji: Brunnen in der Casa del gran balcone, c. 1865, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102592 Abraham Lincoln and Family, c. 1866, Albumen silver print; Image/Sheet: 8.8 × 5.8 cm (3 7/16 × 2 5/16"); Mount: 10.1 × 6.3 cm (4 × 2 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399809699-0 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9464 Alphonse Legros, Horse-driven Mill (Le manege), probably 1869, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8304 Felice (Felix) Beato, (Fish market) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10904 Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching in black and gold on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9110 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1087 Sir Edward Poynter, Pharoah Honours Joseph, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00828 Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures for ?‘The Backgammon Players’, ?c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00110 Charles Meryon, Tourelle, Rue de l'École de Médecine, 22, Paris (House with a Turret, No. 22, Street of the School of Medecine, Paris), 1861, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9106 Charles Meryon, René Laudonnière Sablais (De Burdigale), 1861, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9115 Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00089 Carl Friedrich Mylius, Frankfurt am Main: Am Höchster Schloß, 1867, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/133738 UNKNOWN, Straits export lidded container, 1862–74 (Tongzhi period), Porcelain with famille rose enamels on crackle glaze ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17934 Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187 Stonewall Jackson, c. 1861–65 (after earlier photograph), Albumen silver print; Sight: 8.2 × 5 cm (3 1/4 × 1 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399819862-0 Gustave Courbet, The Source, 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436022 Honoré Daumier, Galileo, astonished by changes in the face of the earth, from "News of the Day", February 21, 1867, Lithograph on newsprint; second state of two (Delteil), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334758 Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934 Louis Buvelot, Brisbane, 1866, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35413 Winslow Homer, Army Boots, 1865, Oil on canvas; 14 x 18 in. (35.5 x 45.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860608-0 James G. Brayton, Carte-de-visite of a young girl in Napa, California, 1865–1888, albumen on wove paper and cardboard; H x W (image): 3 3/4 × 2 3/8 in. (9.6 × 6 cm); H x W (card): 4 1/8 × 2 9/16 in. (10.5 × 6.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063503853-0 Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759 Gustave Courbet, Woman with a Parrot, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436002 Philip Webb, Emblems of Saints Matthew and Mark, 1863, Watercolour, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01019 Sir Edward Coley, Bt Burne-Jones, Dido, 1861, Graphite and watercolour on fabric, Tate, London. https://dartabase.art/cite/tate/A01172 Édouard Manet, The Toilette (La toilette), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8681 Honoré Daumier, Le Dimanche au Jardin des Plantes, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6403 S.T. Gill, Surveyors (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6040 Honoré Daumier, En Chemin de fer... un voisin agréable (On the Railroad... an agreeable neighbor), 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6401 Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 34.4 x 13.5 x 13.5 cm (13 9/16 x 5 5/16 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404718-0 Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00084 Sir John Everett, Bt Millais, The Leaven, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00796 Sir John Everett, Bt Millais, The Hidden Treasure, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00810 Julia Margaret Cameron, Mrs Herbert Duckworth, 1867, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102493 Eugène Von Guérard, The Castle Rock, Cape Schanck (plate V from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3005 UNKNOWN, George III dining chair, c.1865, Mahogany with scroll-carved top rail, pierced interlaced ribbon back with acanthus-carved details, the seat covered in florette-patterned red silk, raised on square legs with arched corner brackets and stretchers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15985 Charles Meryon, College Henri IV, 1863, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9130 UNKNOWN, Pair of imperial five-clawed dragon dishes, 1862–1874 (Tongzhi period), Porcelain, yellow, brown and green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16127 Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338 William Strutt, Study of a woman's head for 'Black Thursday, 6th February, 1851', c.1861–63, Pencil and watercolour wash on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12909 Joshua - Cabinetmaker, FERN, Matthew Ebenston, 'Glengallan' sideboard, 1868, Cedar, carved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13579 Édouard Manet, At the Prado (Au Prado), 1865/1868, etching and aquatint on machine-made laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8684 Harrison Wavis, Bush life in Queensland: Mustering day at a cattle station; "Running in" horses from the bush (page 144); and A bush road; Native police preparing for an engagement (page 145) (from 'The Illustrated London News' 8 August 1863), 1863, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17769 Édouard Manet, Dead Toreador (Torero mort), 1868, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8688 Utagawa Yoshikazu, Pygmy Island, 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7577 English, Horse-Head Stick Pin, c. 1880, gold, crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1122 Robert Charles Dudley, Homeward Bound: "The Great Eastern", c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436226 Gustave Courbet, Die Woge, 1869–1870, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1421 Sir John Everett, Bt Millais, The Pharisee and the Publican, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00793 attrib. to Felice (Felix) Beato, (Tea-house) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10925 Edgar Degas, Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436149 UNKNOWN, Straits export ginger jar, 1862–74 (Tongzhi period), Porcelain with famille rose enamels on crackle glaze ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17935 Sir Edward Coley, Bt Burne-Jones, Study of a Seated Woman for ‘The Hours’, c.1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00095 James McNeill Whistler, Grey and Silver: Chelsea Wharf, c. 1864/1868, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1238 Charles Meryon, Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9117 Miller Iron Company, Birdhouse, 1868, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/522 Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paepr, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9465 Johan Jongkind, Soleil couchant, Port d'Anvers (Sunset at Antwerp Harbour), 1868, Etching on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/74 Louis Buvelot, The Wannon Falls, 1868, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1073 Adolphe Monticelli, Garden Party, c. 1868, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.51 BELLEEK POTTERY, Dish, c.1863–91, Porcelain (parian) slip-cast in the form of a naturalistic pectin shell with two shells forming feet. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15097 Herter Brothers, Armchair, 1865–70, Rosewood, marquetry, gilt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/221 Julien Antoine Peulot, Exposition universelle: L'Etranger trouve toutes les facilites desirables..., 1867, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6436 Robert Charles Dudley, Grappling for the Lost Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436225 S.T. Gill, Native miami (hut) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5809 Arthur Hughes, Old Sal for ‘At the Back of the North Wind’, c.1869, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00211 Sir Edward Poynter, Moses Keeping Jethro’s Sheep, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00826