UNKNOWN, Fan, c.1860–70, Mother of pearl guards with gold and silver decoration and with green and pink bobbin lace, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11402 John Pollard - Designer, THOMAS SEDDON Seddon, Pair of chairs, c.1862–70, Oak, carved, with replacement upholstery, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10019 Qian Hui'an, Scene from the Novel ""The Red Chamber Dream"", 1860–1880, ink and color on paper mounted on cloth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.101L M Jackson, The Bremer Railway Bridge near Ipswich, Queensland (from 'The Illustrated London News' 31 March 1866), 1866, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17771 Utagawa Kunisada Ii, Ichikawa Kobunji as the labourer Shitabe Tadashichi (left-hand panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12779 Honoré Daumier, The First Class Carriage, 1864, watercolor, ink wash and charcoal on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1225 S.T. Gill, Prospecting (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/133 Ludwig Knaus, Old Woman Leaning on a Stick, 1860, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1245 Muhammad Isma'il Isfahani, Pen Box with Scenes from the ""Haft Paykar"", 1283 AH/AD1866–1867 (Qajar), papier mâché with paint, gilding, and varnished lacquer, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/67.3 Utagawa Hiroshige Ii, Tsurumi (from ‘Scenes of Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4708 Jean-François Millet, La grande bergere (The large shepherdess), 1862, Etching on ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9820 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25742 E.D. King, (Portrait of a young boy), c.1860, Cabinet card photograph on albumen paper laid down on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3602 Julius - Designer, ERICHSEN, Conrad - Maker, HOGARTH, ERICHSEN & CO. Hogarth, Archer mourning brooch, c.1860, Matt gold with oval section (containing hair), embroidered over silk with seed pearls, chain and pin, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9608 UNKNOWN, Incense burner, 1868–1912 (Meiji Period), Bronze cast in the shape of a quail and set on a wooden base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6425 UNKNOWN, Vase, c.1860–80, Cloisonné enamel with intricate designs in five registers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/320 Utagawa Kunisada Ii, Nakamura Shikan as Shuka (right-hand panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12777 Taiso Yoshitoshi, Untitled (from 'Twenty-four accomplishments of Imperial Japan' series), c.1860–92, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2675 S.T. Gill, Emu sneaking (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9301 James Whistler, Rotherhithe, 1860, Etching, drypoint on pale grey laid Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13082 Utagawa Kunisada, The Dolls' Festival (right-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3153 Felice (Felix) Beato, (Geisha at tea-house) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8252 ROCHETTE - Decorator, SÈVRES Second Empire Style - Style, Table, c.1860–70, Black lacquer with ormolu and porcelain. Sevres (?) plaque depicting His Majesty Louis XVI of France with small oval portraits of the beauties of his court, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6126 C E Bevan, Father Power (Brisbane), c.1868, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34806 Felice (Felix) Beato, (Yakatabune (pleasure boat) on lake) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10187 Charles Meryon, Le Ministere de la Marine (The ministry of Marines), 1865–66, Etching on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5314 Eugène Von Guérard, Hobart Town, from Kangaroo Point, Tasmania (plate VI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1554 Utagawa Kunisada Ii, Sawamura Tanosuke as Princess Wakana (centre panel of triptych), 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12778 S.T. Gill, Bush mailman (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/837 PULKA Nambo - Artist, Shield, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25739 UNKNOWN, Vase on stand, c.1860–80, Porcelain, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9288 AUSTRALIAN SCHOOL, (Landscape), 1863, Oil on wood panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15265 S.T. Gill, Bush funeral (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1557 Utagawa Kunisada, Nakamura Shikan as Fuwa Denzaemon (right-hand panel of triptych), c.1861, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11658 Eugène Von Guérard, The junction of the Buchan with the Snowy River (plate IX from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4511 UNKNOWN, Set of five cake plates, 1868–1912 (Meiji Period), Slab built stoneware with grey wavy edges. Decorated with three fine petalled cherry flowers in brown glaze and resist under an Oribe green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6290 Utagawa Kunisada, The Dolls' Festival (left-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11345 UNKNOWN, Snuff box, c.1860, Horn and silver lid set with a facetted stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10815 Utagawa Hiroshige Ii, Tsuchiyama (from ‘Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei’) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3822 Utagawa Kunisada Ii, Nakamura Shikan as Shuka, Sawamura Tanosuke as Princess Wakana and Ichikawa Kobunji as the labourer Shitabe Tadashichi, 1864, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36126 HUNT & ROSKELL, Presentation vase, 1864, Sterling silver, cast and chased, with silver-plated insert, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8184 Jean Baptiste Fauvelet, Young Man with Pipe, 1862, watercolor and graphite on cream, moderately-thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1634 Édouard Manet, La toilette, 1862, published 1905, Etching on blue laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14275 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25740 SATSUMA STYLE, Vase, 1868–1912 (Meiji period), Earthenware on lacquer stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2193 Léon Bonvin, Lane beside a Building, 1865, watercolor with gum heightening, gouache details, iron gall ink and pen over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1645 S.T. Gill, Native sepulchre (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/648 S.T. Gill, Landscape with Aborigines, 1866, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/972 Louis Buvelot, Study for 'Summer Evening near Templestowe', c.1866, Charcoal on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2190 Camille Silvy, Queen Emma of Hawai’i in Paris, 1865, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34944 S.T. Gill, Stockman (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/312 attrib. to Utagawa Hiroshige Ii, Beauties alighting from a boat in cherry blossom season, c.1865, Brush and ink drawing for the key block of a colour woodblock print on thin Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15456 Eugène Von Guérard, The valley of the Ovens River (plate II from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4841 Eugène Von Guérard, Distant view of Ben Lomond, Tasmania (plate X from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5020 Taiso Yoshitoshi, Hirate Kenmotsu (from 'One hundred types of warriors' series), 1868, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5770 W.M. Shew, Young woman with lace collar, 1866–70, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35569 Léon Bonvin, Still Life with Fish, 1864, watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately-thick, beige wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1526 Eugène Von Guérard, A view from Mt Franklin towards Mount Kooroocheang and the Pyrenees, c.1864, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5194 Joseph-Théodore Deck, Large Plate, c. 1875, faience, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1909 Felice (Felix) Beato, (Ferry boat) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10903 UNKNOWN, Scene depicting Japanese troops in action during the Boxer Uprising (1900), an attack by Chinese anti-foreign elements on the Foreign Legations in Peking, 1868–1912 (Meiji Period), Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7583 Charles Edouard Armand-Dumaresq, Cavalry Officers, 1860, watercolor with graphite underdrawing on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1600 UZBEK, Main tent carpet, c.1860, Sheep's wool, warp, weft and pile with three series of octagonal motifs in blue white and brown on salmon red ground. Jagged edge diamond motif border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6043 attrib. to Felice (Felix) Beato, (Mother with children) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10907 Utagawa Kunisada Ii, Scene from 'The Tale of Genji' (right-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12774 UNKNOWN, Images of St Leonard's Church and Magenta Monument; and Laying the foundation stone of the Brisbane Bridge, Queensland, New South Wales (from 'The Illustrated London News' 3 December 1864, page 568), 1864, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17770 Utagawa Hiroshige Ii, Kyoto: Arashiyama (from ‘Scenes of Famous Places along the Tokaido Road’ (Tôkaidô meisho fûkei) series), 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6881 Célestin François Nanteuil, The Flight into Egypt, 1865, charcoal and wash heightened with white, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1362 Eugène Von Guérard, The sources of the River Wannon (plate I from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14614 UNKNOWN, (The Archer brothers with Lionel Knight Rice), c.1867, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7304 BELLEEK POTTERY, Vases (pair), c.1863–91, Porcelain (parian) in the form of a tripod with goat feet legs and moulded with enthermia. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15088 S.T. Gill, Splitters (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5376 UNKNOWN, Vase, c.1860–70, Flaring onion shaped vase in clear glass, enamelled with polychrome flowers and scrolls. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/750 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25744 S.T. Gill, Night fishing (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2443 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1088 Utagawa Kunisada, Kawarazaki Gonjuro as Nagoya Sanzo (left-hand panel of triptych), c.1861, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12005 S.T. Gill, Native police (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11976 S.T. Gill, Kangaroo stalking (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6041 UNKNOWN, Alfred James Lutwyche, c.1865–80, Oil on paper adhered to fine cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7789 H L Chase, Queen Kalama (Jane Lahilahi Mahienaena Kalama), c.1860, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35083 Eugène Von Guérard, The Weatherboard Falls (plate VII from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3335 John Faed, Annie's tryst, c.1864, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7901 Yokoyama Masayuki, Tsuba with a Snake and a Monkey on a Pine Branch, late 19th-early 20th century, iron, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.246 S.T. Gill, Homeward bound (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/768 S.T. Gill, Cattle branding (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/390 Felice (Felix) Beato, (Geisha "taking her toilet") (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10908 Charles-François Daubigny, Le grand parc a moutons (Sheep in a large field), 1860, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14109 S.T. Gill, Bushman's hut (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5738 Eugène Von Guérard, Lake Illawarra, New South Wales (plate XI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6736 Jacob - Distributor, KIMBALL Shew, Rebecca, Augusta, and Rosa, emancipated slaves from New Orleans, c.1863, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35570 S.T. Gill, The Duff children (August 20, 1864) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3312 UNKNOWN, Hanging scroll (kakemono): Listening to the waterfall in a valley of bamboo, 1868–1912 (Meiji Period), Ink on silk (depicting a Chinese man seated at a table with servants approaching; house beyond shrouded in mist), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6788 S.T. Gill, The new rush (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6017 Maizono Gen-ö, Cloisonné Goblet, c. 1876 (Meiji period (1868–1912)), Silver, gold, gilded silver, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.531 Utagawa Kunisada, The Dolls' Festival (centre panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5825 PULKA Nambo - Artist, Boomerang, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25741 Felice (Felix) Beato, (Travelling by kago) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10918 UNKNOWN, Kinkozan satsuma baluster vase, 1868–1912, Porcelain with coloured enamels and gilding, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/102767 William Strutt, Study of a boy for 'Black Thursday, 6th February, 1851' and sketch of the head and shoulders of a girl, c.1861–63, Pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15427 UNKNOWN, Mirror, c.1860, Gilt wood, eight bevelled mirror glass plates, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17370 T.A. Brown, Clare Christ, May 13, 1867, Albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35566 Toyohara Kunichika, Actor Nakamura Shikan, 1864, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6820 S.T. Gill, Corroboree (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6720 Antoine-Louis Barye, Nereid, 1869, yellow bronze with brown varnish patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.108 PAPWORTH Jr, Edgar George W.t. Copeland & Sons Ltd [spode] - Manufacturer, The young shrimper, 1862, cast 1868, Porcelain, slip-cast parian, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1282 UNKNOWN, Mrs (Mary) Lutwyche, c.1865–80, Oil on paper adhered to fine cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7790 Utagawa Kunisada Ii, A Daimyo and his retainers watching a woman and child diving for abalone, 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1091 Utagawa Kunisada, Kabuki actor, Bando Hikosaburo, as Teranishi Kanshin, c.1860, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2008 Utagawa Kunisada, In the village of Ishibe (from 'Actors in landscape along the Tokaido highway' series), c.1860, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3279 Conrad Martens, View of Brisbane (in 1851), 1862, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1809 AUSTRALIAN SCHOOL, (In the Grampians), c.1865, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7383 Hippolyte Bellangé, Soldier Assisting a Priest, 1860, watercolor with graphite underdrawing on cream, moderately thick, slightly textured, wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1368 Utagawa Kunisada Ii, Scene from 'The Tale of Genji' (left-hand panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12776 Felice (Felix) Beato, (Buddhist priests) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9057 YOSHITORA, Kabuki actor as a courtesan, 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4468 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1086 C B Hoare, Group of wild natives, c.1868–76, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/34948 Felice (Felix) Beato, (Shamisen street musicians) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10905 Isidore Patrois, Adoration of the Magi, 1865, crayon (?) on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1401 UNKNOWN (initials GAM), Natives armed with spear and boomerang (from 'The Illustrated London News' 29 May 1866), 1866, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17772 Utagawa - Collaborating artist, HIROSHIGE II, Utagawa Kunisada, Ferryboat in the snow on the Sumida River, 1864, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2106 Taiso Yoshitoshi, Susukida Hayato (from 'One hundred types of warriors' series), 1868, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6815 UNKNOWN, Sugar basin, c.1860, Moulded clear glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4933 BELLEEK POTTERY, Bowl, c.1863–91, Porcelain (parian) bowl woven imitating cane, modelled leaves and flowers around rim. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15092 UNKNOWN, Pair of shoes for bound feet, c.1860 (Qing dynasty), Embroidered silk, cloth, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16190 S.T. Gill, Night camp (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3421 S.T. Gill, Frontispiece (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2610 Felice (Felix) Beato, (Shinto priests with portable mikoshi shrine) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10909 S.T. Gill, Attacking the mail (Bushranging, NSW, 1864) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4493 G.F. Folingsby, The first lesson, 1869, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6303 Felice (Felix) Beato, (Barbers) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10911 M.E. Dockree, On the River Dart, Totnes, Devon, 1867, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5227 William Strutt, Studies of a man and details of costume for 'Black Thursday, 6th February, 1851', c.1861–63, Pencil on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15428 S.T. Gill, (Cover from 'The Australian sketchbook'), 1865, Lithograph on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2642 SATSUMA STYLE, Trinket tray, c.1860–80, Square footed stoneware tray with deep blue ground reserving a water lily leaf shape with gilt and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4236 ERICHSEN & CO. - Manufacturer, HOGARTH, Julius - Designer, ERICHSEN, Conrad Attrib. To Hogarth, Bracelet, 1864, Gold modelled in high relief with rusticated frames. The central section with an emu and brolga separated by a palm tree and subsidiary links depicting snake, kangaroo, possum and lizard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3680 SATSUMA WARE (Kinkozan), Covered bowl, 1868–1912 (Meiji period), Squat shouldered bowl cream clay body with vari-shaped reserves against an iron red ground with blue, sepia and gilt decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1690 attrib. to Nicholas Chevalier, Fiesole and the river Arno, 1861, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1599 Felice (Felix) Beato, A social meal, c.1866, Hand-coloured albumen silver photograph, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33680 HOUSEWORTH, Thomas Thomas Houseworth & Co - Studio, 149 Montgomery St - Looking north from Market. (Instantaneous), 1866, published c.1870, Stereograph, albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35567 Japanese, Tsuba with Clouds, 1868–1912 (?) (Meiji), sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1188.2 Shibayama Soichi, Bamboo Section with Ants and a Worm, mid-late 19th century (Meiji), bamboo with lacquer and ivory inlay, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/61.227 attrib. to Albert Stafford Huntley, Engineer's camp, North Toolburra, near Warwick, 1864, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11775 UNKNOWN, Satsuma ware vase, 1868–1912 (Meiji period), Earthenware, crackle glaze, enamel, decoration of boys amongst chrysanthemums and butterflies, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16143 S.T. Gill, Digger's wedding in Melbourne, c.1862, Watercolour over pencil on smooth cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8182 Robert Herdman, Girl with bundle of straw, 1863, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5662 Léon Bonvin, Bouquet of Wild Flowers, 1863, watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1527 Ōtagaki - Master, KORYO, Kuroda Rengetsu, Tea bowl, c.1867, Hand-built stoneware, glazed, incised calligraphy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17987 Eugène Von Guérard, Fall of the first creek, near Glen Osmond, South Australia (plate III from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2779 MARTIN HALL & CO. LTD., Inkstand, c.1867–68, Silver, pectin shell-shaped base with circular depression for ink-well, engraved with anthemion motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6020 Eugène Von Guérard, The crater of Mount Gambier, South Australia (plate XI from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7643 S.T. Gill, Overlanders (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5300 Eugène Von Guérard, View of the Murray River (plate VIII from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2233 Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862, watercolor, gouache, pen and iron gall ink heightened with gum varnish over graphite underdrawing on cream, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1505 UNKNOWN, Purse worn on the trousers of a groom, c.1860 (Qing dynasty), Silk, gold thread, embroidery, beads, scented raw silk with double happiness symbol, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16162 Daniel Marquis, Dr JF Berini with Queensland Aboriginal men, 1869, Albumen photograph mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5522 S.T. Gill, Attack on store dray (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11981 S.T. Gill, Wool drays (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1207 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9528 Eugène Von Guérard, North-east view from the top of Mount Kosciusko, New South Wales (plate IV from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/647 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25743 Maria Sarah Drake, Sampler, 1867, Linen embroidered with polychrome cotton, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/529 Edward William Cooke, St. Pietro de Castello, c.1863, Watercolour over pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8466 attrib. to Evan Jones, Table decoration, c.1865, Silver, emu eggs mounted on silver tree ferns on a blue velvet and ebonised wood base. Silver and rope edge and cast figures of a kangaroo and emu, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9132 PULKA Nambo - Artist, Club, c.1868–1900, Wood with incised decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25745 BELLEEK POTTERY, Jug, c.1863–91, Porcelain (parian) slip-cast with shells and seaweed. Pearly glaze with yellow glaze to handle, feet and seaweed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15120 S.T. Gill, Squatter's tiger (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7271 Léon Bonvin, Bouquet of Holly, 1863, watercolor with gum heightening, gouache details, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1662 Morimoto Shigeaki, Kozuka with Autumn Flowers, c. 1875 (Meiji), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1234.3 John Watson, (Bearded man), c.1862–75, Albumen photograph on paper mounted on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25774 Felice (Felix) Beato, (Fish market) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10904 Daniel Marquis, (Studio portrait of Indigenous group), c.1865, Gold-toned albumen photograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1087 UNKNOWN, Straits export lidded container, 1862–74 (Tongzhi period), Porcelain with famille rose enamels on crackle glaze ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17934 Jean Baptiste Camille Corot, Environs de Rome (Environs of Rome), 1866, Etching on cream laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12934 Louis Buvelot, Brisbane, 1866, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/35413 S.T. Gill, Surveyors (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6040 Eugène Von Guérard, The Castle Rock, Cape Schanck (plate V from 'Australian landscapes' portfolio), 1866–67, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3005 UNKNOWN, George III dining chair, c.1865, Mahogany with scroll-carved top rail, pierced interlaced ribbon back with acanthus-carved details, the seat covered in florette-patterned red silk, raised on square legs with arched corner brackets and stretchers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15985 UNKNOWN, Pair of imperial five-clawed dragon dishes, 1862–1874 (Tongzhi period), Porcelain, yellow, brown and green glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16127 Charles Bargue, Arab Kneeling in Prayer, c. 1875, charcoal on smooth, moderately thick, blued white wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1338 William Strutt, Study of a woman's head for 'Black Thursday, 6th February, 1851', c.1861–63, Pencil and watercolour wash on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12909 Joshua - Cabinetmaker, FERN, Matthew Ebenston, 'Glengallan' sideboard, 1868, Cedar, carved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13579 Harrison Wavis, Bush life in Queensland: Mustering day at a cattle station; "Running in" horses from the bush (page 144); and A bush road; Native police preparing for an engagement (page 145) (from 'The Illustrated London News' 8 August 1863), 1863, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17769 Utagawa Yoshikazu, Pygmy Island, 1863, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7577 English, Horse-Head Stick Pin, c. 1880, gold, crystal, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1122 attrib. to Felice (Felix) Beato, (Tea-house) (from 'Japan' album), 1867–68, Hand-coloured albumen photograph on board (originally bound in an album), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10925 UNKNOWN, Straits export ginger jar, 1862–74 (Tongzhi period), Porcelain with famille rose enamels on crackle glaze ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17935 Johan Jongkind, Soleil couchant, Port d'Anvers (Sunset at Antwerp Harbour), 1868, Etching on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/74 Louis Buvelot, The Wannon Falls, 1868, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1073 Utagawa Kunisada Ii, Scene from 'The Tale of Genji' (centre panel of triptych), 1860, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12775 BELLEEK POTTERY, Dish, c.1863–91, Porcelain (parian) slip-cast in the form of a naturalistic pectin shell with two shells forming feet. Pearly glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15097 YOSHITORA, Courtesan dressed in her finery, c.1860, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3762 S.T. Gill, Native miami (hut) (from 'The Australian sketchbook'), 1865, Colour lithograph on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5809 UNKNOWN, Snuff box, c.1860–61, Horn and silver lid set with a cabochon stone, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7511