Ehrgott & Forbriger Lithography Company, Andrew Hull Foote, c. 1862–64, Lithograph on paper; Image: 25.7 × 23.8 cm (10 1/8 × 9 3/8"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805365-0

Edgar Degas, James-Jacques-Joseph Tissot (1836–1902), c. 1867–68, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436144

Sir Edward Coley, Bt Burne-Jones, Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram, c.1862, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00104

Thomas S. Sinclair, Col. Ellsworth's Funeral March, 1861, Color lithograph on paper; Sheet: 35.8 x 27cm (14 1/8 x 10 5/8"); Mat: 55.9 x 40.6cm (22 x 16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816350-1

Jean Baptiste Camille Corot, The Ferryman, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435969

Ernest Meissonier, On a Terrace, 1867, oil on wood panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153382

Charles-François Daubigny, A River Landscape with Storks, 1864, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436083

Martin Johnson Heade, Jersey Meadows at Sunset, c. 1866, oil on canvas; 14 1/4 x 30 1/4 in., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1739012949917-1739012968221-0

Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629

Albert Bierstadt, Shady Pool, White Mountains, New Hampshire, (c. 1869), Oil on paper mounted on canvas; 22 1/8 x 30 1/8 in. (56.2 x 76.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858555-1

Sir Edward Coley, Bt Burne-Jones, Study of Ezekiel’s Hand for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01165

William Holman Hunt, Mary Walker Waugh, 1868, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151969

Robert Charles Dudley, Landing at Newfoundland, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436227

Ferdinand Gaillard, Gattamelata, 1866, engraving on gray chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/863

Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661

Sir Edward Coley, Bt Burne-Jones, Lovers in a Garden, ?1863, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01169

Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755

Clodion, Monumental Urn, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/577

George Jakob Hunzinger, Reclining Armchair, after 1866, Cherry, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/224

Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593

Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9080

Mathew Brady Studio, James William Denver, c. 1861, Albumen silver print; Image/Sheet: 8.9 x 5.5 cm (3 1/2 x 2 3/16"); Mount: 9.7 x 6.1 cm (3 13/16 x 2 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813658-0

Otto Scholderer, Der Geiger am Fenster, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3166

Honoré Daumier, The Third-Class Carriage, 1864, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436095

William Callow, Markt, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00139

Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9111

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110682

Jesse Briggs, Jesse Briggs, c. 1865, Albumen silver print; Image/Sheet: 7.9 x 5.8 cm (3 1/8 x 2 5/16"); Mount: 8.2 x 6.2 cm (3 1/4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813202-1

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00083

Sir Edward Coley, Bt Burne-Jones, Figure of a Queen, 1861, Watercolour and graphite on fabric, Tate, London. https://dartabase.art/cite/tate/A01170

Édouard Manet, The Toilette, 1862, Etching in black on ivory laid Chinese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45808

Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550

Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893

Charles-François Daubigny, The Banks of the Oise, 1863, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436080

Adolphe Yvon, Portrait of Napoleon III, 1868, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.95

James McNeill Whistler (1834-1903), The Punt, 1861, Etching; ink on paper; H x W: 11.8 x 16.2 cm (4 5/8 x 6 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183322-0

Sir Edward Coley, Bt Burne-Jones, Head of a Girl, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00097

Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590

Édouard Manet, A Cat Curled Up, Sleeping, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334638

Hermann Wilhelm Vogel, Sonnenblick (beim Großen Stern), 1866, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102630

Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00086

Sir Edward Coley, Bt Burne-Jones, Two Studies of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00079

Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554

Gustave Courbet, Nude with Flowering Branch, 1863, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436018

Jean Baptiste Camille Corot, The Letter, c. 1865, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435976

James McNeill Whistler, Trouville (Grey and Green, the Silver Sea), 1865, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81572

Sir Edward Coley, Bt Burne-Jones, Head of a Woman: ?Georgiana Burne-Jones, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00099

Mathew Brady Studio, John Eillis Wool, c. 1862, Albumen silver print; Image/Sheet: 8.3 x 5.5 cm (3 1/4 x 2 3/16"); Mount: 9.1 x 6.1 cm (3 9/16 x 2 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813675-1

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73172

J C Lanchenick, South Kensington Museum: South End of Iron Building, 1863, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O502259

Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 32.8 x 13.6 x 13.5 cm (12 15/16 x 5 3/8 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404720-0

Victor Müller, Ophelia, c. 1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1376

Jean Baptiste Camille Corot, The Muse: History, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435978

Sir Edward Poynter, Miriam, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00831

Victor Müller, Der Seidenpinscher Puss, 1863, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3512

Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9108

Henry Bonaventure Monnier, Artois, 1869, pen and red ink and watercolor over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9182

Wood and Hughes, Teapot, 1862–63, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/205

Charles Meryon, L.J.-Marie Bizeul, a Breton Archaeologist, 1861, etching, engraving, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9113

Anselm Feuerbach, Bildnis einer Römerin in weißer Tunika und rotem Mantel (Lucrezia Borgia), c. 1862–1866, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1141

Pierre Puvis de Chavannes, Work, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1194

Charles Meryon, Présentation du Valère Maxime au Rois Louis XI (The Printer Valerius Maximus Being Presented to King Louis XI), 1860, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9119

Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733

Gustave Courbet, Jo, La Belle Irlandaise, 1865–66, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436001

Jean Baptiste Camille Corot, Bacchante by the Sea, 1865, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435963

Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664

Sir John Everett, Bt Millais, The Importunate Friend, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00803

Edgar Degas, Two Men, c. 1865–69, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436168

Antoine Chintreuil, Der Regenschauer, c. 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1361

Sir John Everett, Bt Millais, The Labourers in the Vineyard, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00798

Jeremiah Fuller, Court petition regarding the children of Harriet, a freedwoman, November 4, 1867, ink on paper; H x W: 6 1/2 x 7 3/4 in. (16.5 x 19.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743018-0

Maxime Lalanne, Rue des Marmousets (Quartier de la cite, vieux Paris), 1862, etching on laid tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/864

Charles Meryon, Ancienne habitation à Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician's House"), 1860, etching with graphite additions on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9144

Félix Bracquemond, Hiver (Le Loup dans la neige), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5261

Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9466

Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506

Bernard Walter Evans, Meadows and Hills near Barmouth, North Wales, c. 1863–1876, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499802

Edgar Degas, Portrait of a Woman in Gray, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436152

Sir John Everett, Bt Millais, The Good Samaritan, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00808

Sir John Everett, Bt Millais, The Marriage Feast, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00799

Walker, Bill of Sale for Chloe from Z. B. Oakes to Elias N. Ball, October 25, 1862, ink on paper; H x W: 14 × 8 1/2 in. (35.6 × 21.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751749-0

Sir Edward Coley, Bt Burne-Jones, Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00088

Robert Charles Dudley, Landing the Shore End of the Atlantic Cable, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436223

M.H. Kimball, Rebecca, an Emancipated Slave, from New Orleans, 1863, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4585

John Stagenwalt, Letter written by Union occupation soldier John Stagenwalt, July 30, 1866, ink on wove paper; H x W (open): 9 13/16 × 15 1/2 in. (25 × 39.3 cm); H x W (closed): 9 13/16 × 7 13/16 in. (25 × 19.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752647-0

Isidore-Jules Bonheur, Lion Attacking a Gavial Crocodile, 1860, Terra-cotta; 14 5/8 × 13 5/8 × 12 1/2 in. (37 × 34 × 31.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858652-0

Philip Webb, Emblems of Saints Luke and John, 1863, Watercolour, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01018

Charles Meryon, Partie de la Cité vers la fin du XVIIe siècle (View of the City of Paris Towards the Close of the XVIIth Century), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9468

Sir Edward Coley, Bt Burne-Jones, Study of a Male Figure for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00094

Gustave Courbet, The Fishing Boat, 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436012

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73186

Louis Prang Lithography Company, Irvin McDowell, c. 1862, Lithograph on paper; Sheet: 13.3 x 8 cm (5 1/4 x 3 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810872-0

Édouard Manet, The Races at Longchamp, 1866, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/81533

Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73196

Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666

Sir Edward Poynter, Joseph before Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00833

Honoré Daumier, Qu'on dise encore que la chasse..., 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6406

Jean Baptiste Camille Corot, River with a Distant Tower, 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435983

Sir Edward Coley, Bt Burne-Jones, Study of a Girl’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00060

Charles Meryon, College Henri IV, 1869, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9131

Pierre-Auguste Renoir, Romaine Lacaux, 1864, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/121188

John Chester Buttre, David G. Farragut, 1865, Engraving on paper; Sheet: 60.4 x 47.9cm (23 3/4 x 18 7/8"); Mat: 71.1 x 55.9cm (28 x 22"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816050-0

New York Tribune, New York Tribune, September 7, 1864, September 7, 1864, Wood engraving on paper; Image/Sheet: 52.5 × 40.1 cm (20 11/16 × 15 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822938-0

Charles Meryon, Passerelle du Pont-au-Change, Paris, après l'Incendie de 1621 (Footbridge Temporarily Replacing the Pont-au-Change, Paris, after the Fire of 1621), 1860, etching printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9469

Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586

Charles Loring Elliott, Portrait of Asher B. Durand, 1860, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.70

Maria Röhl, Julie (Julia Mathilda) Berwald, g. Åkerhielm af Margrethelund (1822-1877), operasångerska, gift med friherre hovmarskalk Gustaf Georg Knut Åkerhielm af Mergrethelund, 1860, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106377505

John Jelliff, Armchair, 1868–70, Rosewood, ash, mother-of-pearl, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/247

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854

Sanford Robinson Gifford, A Home in the Wilderness, 1866, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144968

Littlefield, Ambrotype of a Civil War soldier, 1861–1865, collodion and silver on glass photographic plates; Closed: 3 × 2 5/8 × 7/8 in. (7.6 × 6.7 × 2.2 cm); Open: 3 × 5 1/8 × 9/16 in. (7.6 × 13 × 1.4 cm); 3 x 5 in. (7.6 x 12.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742762-0

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00812

Honoré Daumier, Advice to a Young Artist, 1865/1868, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/895

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110679

Sir Edward Coley, Bt Burne-Jones, Head of a Man, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00106

Sir John Everett, Bt Millais, The Unmerciful Servant, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00809

Ehrgott & Forbriger Lithography Company, William H. Lytle, c. 1862–64, Lithograph on paper; Image: 33 × 24.7 cm (13 × 9 3/4"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805392-0

Pierre Puvis de Chavannes, Maria Magdalena in der Wüste (Madeleine à la Sainte-Baume), 1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1444

Édouard Manet, Marine, 1865–66, Etching, aquatint and roulette in brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103101

Charles Meryon, Jean Besly, 1861, etching on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9114

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00085

Anders Gustaf Koskull, The Verger's Collection, 1866, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360788

Jean Baptiste Camille Corot, The Banks of the Seine at Conflans, c. 1865–70, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435989

Maxime Lalanne, Rade de Bordeaux, 1868, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8247

Ehrgott & Forbriger Lithography Company, David Hunter, c. 1862–64, Lithograph on paper; Image: 24.5 × 24 cm (9 5/8 × 9 7/16"); Sheet: 43 × 29 cm (16 15/16 × 11 7/16"); Book closed: 43.5 × 31.5 × 1.5 cm (17 1/8 × 12 3/8 × 9/16"); Book open: 43.5 × 59 × 1.5 cm (17 1/8 × 23 1/4 × 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399805370-0

Johan Kristian Berger, The Liner Carl XIII getting its Sails dry behind Kastellholmen, 1862, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368274

Edgar Degas, The Collector of Prints, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436122

Sir Edward Coley, Bt Burne-Jones, Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’, c.1862, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00107

Currier & Ives Lithography Company, The National Game, 1860, Lithograph on paper; Sheet: 30.7 × 41 cm (12 1/16 × 16 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824130-0

Alphonse Legros, Choir in a Spanish Church (La choeur d'une eglise espagnole), 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8307

Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580

Édouard Manet, Edgar Poe, 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8687

Frederick Sandys, Susanna Anderson Rose, 1862, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149769

Sir Edward Poynter, Joseph Presents his Father to Pharoah, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00825

Narcisse-Virgile Diaz de la Peña, Autumn: The Woodland Pond, 1867, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436192

Gustave Courbet, Deer in the Forest, 1868, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.76

Charles Meryon, Chevet de St. Martin-sur-Renelle (The Apsis of the Church of St. Martin-sur-Renelle), 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9141

Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9463

Odilon Redon, Trees, c. 1865–68, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35854

Alfred Sisley, View of Saint-Mammès, c. 1880, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.355

Gustave Courbet, Mme L . . . (Laure Borreau), 1863, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/137259

Jean Baptiste Camille Corot, Pond at Ville-d'Avray, late 1860s, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124078

Jean Baptiste Camille Corot, Mother and Child, probably 1860s, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435977

Clodion, Monumental Urn, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/578

Sir Edward Coley, Bt Burne-Jones, Study of the Head of a Female Attendant for ‘The Adoration of the Kings’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00103

Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601

Honoré Daumier, Un Criminel!, 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6380

Sir Edward Coley, Bt Burne-Jones, Nude Study of the Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00087

Édouard Manet, The Reader (Le liseur), 1861, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8685

Sir Edward Coley, Bt Burne-Jones, Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00091

Jean Baptiste Camille Corot, Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand, c. 1868, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1148

Théodule Ribot, War Scene (A Female Casualty), c. 1870–72, Pen and black ink, brush and gray wash, with touches of red ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334634

Jean Baptiste Camille Corot, A Woman Reading, 1869 and 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435991

Gustave Courbet, The Sea, 1865 or later, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436021

Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178

Harriet Goodhue Hosmer, The Sleeping Faun, modeled 1864, carved c. 1870, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159838

Harper's Weekly, September 5, 1863, September 5, 1863, Wood engraving on paper; Image/Sheet: 42 × 29.2 cm (16 9/16 × 11 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822969-0

Sir John Everett, Bt Millais, The Foolish Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00802

George D. Wakely, U.S. Patent Office, 1865, Photograph on paper; Image/Sheet: 25.7 × 33.7 cm (10 1/8 × 13 1/4"); Mount: 37.1 × 46.3 cm (14 5/8 × 18 1/4"); Mat: 66 × 71.1 cm (26 × 28"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806023-0

Jean Baptiste Camille Corot, The Environs of Paris, 1860s, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435968

Sir John Everett, Bt Millais, The Prodigal Son, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00811

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73174

Honoré Daumier, The Laundress, 186[3?], Oil on oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436091

Jean Baptiste Camille Corot, A Pond in Picardy, c. 1867, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435979

Odilon Redon, Portrait of a Young Man (after Holbein), c. 1866, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35970

Frederic Leighton, David:  "Oh, that I had wings like a Dove!  For then would I fly away, and be at rest." Psalm 55:6, 1865, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153389

Elizabeth Keckley (frontispiece to "Behind the Scenes"), c. 1868, Etching and engraving on paper; Image: 9.3 × 7.1 cm (3 11/16 × 2 13/16"); Sheet: 18.5 × 11.4 cm (7 5/16 × 4 1/2"); Book: 19 × 12.9 × 3.8 cm (7 1/2 × 5 1/16 × 1 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399824593-0

Charles-François Daubigny, Landscape on a River, 1863, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436081

Gustave Courbet, A Brook in the Forest, c. 1868–77, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436010

François Bonvin, Interior of a Tavern, 1867, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.837

Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9109

Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121

Gustave Courbet, Portrait of Anika Psalmon, Mrs. Robin, 1862, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.2

Gustave Courbet, A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), probably 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436009

Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065

Jean-François Millet, The Large Shepherdess (La grande bergere), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9191

Victor Müller, Hamlet und Horatio auf dem Kirchhof, 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1248

A. R. Samuels, Bottle, 1860–70, Free-blown molded amber glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/630

Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659

Sir Edward Poynter, Daniel’s Prayer, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00832

John Kennedy, Rumbling Bridge, near Dunkeld, c. 1860, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O502910

Édouard Manet, A Cat Resting on All Fours, Seen from Behind, 1861, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334639

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00813

Boston & Sandwich Glass Company, Berry Dish, c. 1867, Blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/505

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5999

Édouard Manet, Lola de Valence, 1862, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8686

George Baxter, The Wesleyan Chapel, Popham's Broadway, Madras, 1846, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54123

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01164

Sir John Everett, Bt Millais, The Rich Man and Lazarus, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00797

Gustave Courbet, The Source of the Loue, 1864, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436023

Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures: ‘Chant d’Amour’, c.1862–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00109

Pottier and Stymus Manufacturing Company, Armchair, c. 1870–75, Rosewood, prickly juniper veneer, gilding, brass, original tapestry upholstery, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/237

Édouard Manet, The Dead Toreador, probably 1864, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1179

Gustave Doré, Don Quixote and Sancho Panza Entertained by Basil and Quiteria, 1863?, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436207

Edgar Degas, A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436121

Jean-François Millet, Departure for Work (Le depart pour le travail), 1863, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9194

Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136

Jean Baptiste Camille Corot, Girl Weaving a Garland, 1860–65, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435971

Pierre Puvis de Chavannes, Rest, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1193

Sir Edward Poynter, Moses Strikes the Rock, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00829

Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613

Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01163

Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078

Shuyler, Portrait of Lincoln and Washington, after c. 1865-before 1900, pencil on paper; sheet: 15 3/8 x 19 1/4 in. (39.2 x 48.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381054549-0

Robert Charles Dudley, Awaiting the Reply, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436224

Sir John Everett, Bt Millais, The Tares, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00805

Sir Edward Coley, Bt Burne-Jones, Study of a Man’s Head, 1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00059

Charles Meryon, Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta"), 1863, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9120

Robert S. Duncanson, Vale of Kashmir, 1867, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/171296

Claude Monet, Das Mittagessen, 1868–1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3012

Édouard Manet, Dead Christ with Angels (Christ aux anges), 1866/1867, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8680

Charles Meryon, Le malingre cryptogame (The Sickly Cryptogam), 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9084

Domenico Ghirlandaio, Copy after the Death of St Francis, Domenico Ghirlandaio in the Sassetti Chapel, Chiesa di Santa Trinita (Florence), 1860, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O502650

Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383

Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9138

Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069

William Edgar Marshall, George Washington, 1862, engraving on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1085

Edgar Degas, Joseph-Henri Altès (1826–1895), 1868, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436145

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075

Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6298

Charles Meryon, La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris), 1860, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9470

Honoré Daumier, Allons bon!... il parait... chasse réservée, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6381

Honoré Daumier, L'Ane et les deux voleurs, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6385

Honoré Daumier, Équilibre Européen, 1867, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6395

William Callow, Cochem, 1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00136

Andrew Burgess, Carte-de-visite portrait of Emperor Maximilian, 1864; printed later, albumen and silver on photographic paper on card mount; H x W (Image): 3 1/2 × 2 1/16 in. (8.9 × 5.3 cm); H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751667-0

Alfred Stevens, Studies of Angels etc. for the Dome of St Paul’s, c.1862–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00866

Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘Clerk Saunders’, c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00105

Sir John Everett, Bt Millais, The Wicked Husbandman, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00807

Albert Berg, The Harbour at Palermo, 1862, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106357906

Claude Monet, The Beach at Sainte-Adresse, 1867, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14598

John Brown, c. 1861–62, Lithograph on paper; Sheet: 10.2 x 6.2 cm (4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814586-0

Jean Baptiste Camille Corot, Boatman among the Reeds, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435966

Honoré Daumier, The Troubadour, 1868–73, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135214

Charles Meryon, Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers), 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9085

Sir John Everett, Bt Millais, The Good Shepherd, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00806

Charles Meryon, François Viète, 1861, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9116

Henri Fantin-Latour, Marie-Yolande de Fitz-James, 1867, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150851

Honoré Daumier, Faut pas s'plaindre de c'temps-la..., 1864, lithograph (gillotype?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6379

Odilon Redon, The Battle, 1865, Charcoal, on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35896

Robert Charles Dudley, Making the Splice between the Shore End and the Ocean Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436228

William Callow, Coburg, 1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00140

Gustave Courbet, Monsieur Suisse, 1861, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436017

Martin Johnson Heade, Point Judith, Rhode Island, 1867–68, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144967

Sir Edward Coley, Bt Burne-Jones, Study of the Head of Tristram for ‘The Madness of Sir Tristram’, c.1862, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00078

Sir Edward Coley, Bt Burne-Jones, Study of Ezekiel’s Arm and Hand for ‘Ezekiel and the Boiling Pot’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01166

Sir Edward Poynter, By the Waters of Babylon, 1865, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00830

Sir Edward Coley, Bt Burne-Jones, Thisbe, 1861, Graphite and watercolour on fabric, Tate, London. https://dartabase.art/cite/tate/A01171

George Washington Bickley, c. 1861–65 (after earlier photograph), Albumen silver print; Sight: 8.2 × 5 cm (3 1/4 × 1 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399819876-1

Frederic Edwin Church, View of Wimmis, Valley of the Simmental, Switzerland, 1868, Oil on paper mounted on canvas, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5240

Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563

Jean Baptiste Camille Corot, Bacchante in a Landscape, 1865–70, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435965

Honoré Daumier, Deux saltimbanques, c. 1865–1873, Feder in Schwarzgrau, grau laviert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18477

Claude Monet, Spring Flowers, 1864, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130391

Charles Meryon, Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School, Paris), 1864, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9078

Mary E. Butler, Oleander Blossom, c. 1867–1912, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499784

Charles Meryon, La Rue des Chantres, Paris (Chantrey Street, Paris), 1862, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9107

Honoré Daumier, Les Tritons de la Seine, 1864, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6382

Winslow Homer, The Brierwood Pipe, 1864, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124040

Sir John Everett, Bt Millais, The Wise Virgins, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00794

Gustave Moreau, Pietà, 1867, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1363

Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768

Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568

Sir John Everett, Bt Millais, The Lost Piece of Silver, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00801

Édouard Manet, Fish (Still Life), 1864, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44892

Gustave Courbet, The Deer, c. 1865, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436011

Jean Baptiste Camille Corot, The Evening Star, 1864, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.154

Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297

Victor Müller, Bildnis der Berta von Radowitz als junges Mädchen, 1863, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1822

Charles DeForest Fredricks, John Carmel Heenan, 1860, Coated salted paper print; Image/Sheet: 20.4 × 15.5 cm (8 1/16 × 6 1/8"); Mount: 34.3 × 26.6 cm (13 1/2 × 10 1/2"); Mat: 55.9 × 40.6 cm (22 × 16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803275-1

Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663

Carleton E. Watkins, The Three Brothers, Yosemite, c. 1865–1866, printed after 1875, albumen silver print; sheet and image: 12 1/2 x 8 1/8 in. (31.7 x 20.6 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381061313-0

Charles Marville, Paris: Blick in die Rue Saint-Honoré, 1865, Albuminpapier auf Chine collé auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102546

Gustave Courbet, Jo, the Beautiful Irish Girl, 1866, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q10540242

Edgar Degas, Marie Dihau (1843–1935), 1867–68, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436150

Frederic Edwin Church, Twilight in the Wilderness, 1860, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141639

Sir John Everett, Bt Millais, The Pearl of Great Price, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00804

James McNeill Whistler (1834-1903), Etching plate: The Forge, 1861, Copper; H x W: 19.4 x 31.8 cm (7 5/8 x 12 1/2 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182514-0

Alexander Roux, Bench, c. 1865, Beech, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/461

Sir John Everett, Bt Millais, The Unjust Judge and the Importunate Widow, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00795

Charles Meryon, Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"), 1866, etching on brown wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9137

Charles-François Daubigny, Normannische Küstenlandschaft (Villerville-sur-Mer), 1868, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2214

Sir John Everett, Bt Millais, The Lost Sheep, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00792

Gustave Courbet, Dorfausgang im Winter, c. 1868, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1394

Odilon Redon, The Head of Saint John the Baptist (after Andrea Solario), c. 1868, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35905

Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660

Édouard Manet, The Smoker (Le fumeur), 1866, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8682

Sir Edward Poynter, Joseph Distributes Corn, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00834

Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668

George Baxter, First Impression, also called First Impressions (Large), c. 1864, Etching and aquatint on steel, printed in black, with block printing in color, on white wove paper, varnished, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59489

William Callow, Quai on the Moselle, 1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00147

Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873

John Jelliff, Armchair, 1868–70, Rosewood, ash, mother-of-pearl, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/246

Sir Edward Poynter, Moses and Aaron before Pharoah, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00827

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire, c.1863, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00090

Albert Bierstadt, Mount Starr King, Yosemite, 1866, oil on canvas on panel-back stretcher, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/172815

Charles Meryon, Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9118

Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184

Francis Seymour Haden, Griff, probably c. 1864, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6524

Charles Meryon, Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields"), 1863, etching on D&C Blauw paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9121

Édouard Manet, The Absinthe Drinker (Le buveur d'absinthe), 1862, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8679

Auguste Rodin, Bust of a Young Girl, 1868, terracotta with plaster, National Gallery of Art, Washington. https://dartabase.art/cite/nga/997

Edward Lamson Henry, The Invalid, c. 1868–1870, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6009

Victor Müller, Waldnymphe, 1862, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3515

Sir John Everett, Bt Millais, The Sower, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00800

Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072

Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796

Kongo artist, Tusk, c. 1860, Ivory; H x W x Diameter: 72.4 x 14.6 x 6 cm (28 1/2 x 5 3/4 x 2 3/8 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621406345-0

Claude Monet, The Red Kerchief, c. 1868–73, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135382

Charles Meryon, Le Grand Chatelet, Paris, vers 1780 (The Grand Chatelet, Paris, about 1780), 1861, etching and drypoint on D&C Blauw laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9467

Jean Baptiste Camille Corot, Sibylle, c. 1870, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435984

Giorgio Sommer, Pompeji: Brunnen in der Casa del gran balcone, c. 1865, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102592

Abraham Lincoln and Family, c. 1866, Albumen silver print; Image/Sheet: 8.8 × 5.8 cm (3 7/16 × 2 5/16"); Mount: 10.1 × 6.3 cm (4 × 2 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399809699-0

Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9464

Alphonse Legros, Horse-driven Mill (Le manege), probably 1869, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8304

Charles Meryon, Bain-froid chevrier, dit "de l'École" (Chevrier's Cold-Bath Establishment, Sometimes called the "School-Baths"), 1864, etching in black and gold on Hudelist laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9110

Sir Edward Poynter, Pharoah Honours Joseph, 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00828

Sir Edward Coley, Bt Burne-Jones, Sketch of Two Seated Figures for ?‘The Backgammon Players’, ?c.1861, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00110

Charles Meryon, Tourelle, Rue de l'École de Médecine, 22, Paris (House with a Turret, No. 22, Street of the School of Medecine, Paris), 1861, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9106

Charles Meryon, René Laudonnière Sablais (De Burdigale), 1861, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9115

Sir Edward Coley, Bt Burne-Jones, Nude Study of Knight for ‘The Merciful Knight’, c.1863, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00089

Carl Friedrich Mylius, Frankfurt am Main: Am Höchster Schloß, 1867, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/133738

Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187

Stonewall Jackson, c. 1861–65 (after earlier photograph), Albumen silver print; Sight: 8.2 × 5 cm (3 1/4 × 1 15/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399819862-0

Gustave Courbet, The Source, 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436022

Honoré Daumier, Scene of the Tribunal (The Verdict), c. 1865–1867, pen and ink over charcoal, pieced on laid paper and laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6412

Honoré Daumier, Galileo, astonished by changes in the face of the earth, from "News of the Day", February 21, 1867, Lithograph on newsprint; second state of two (Delteil), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334758

J. H. Aylsworth, Carte-de-visite of women and children in a cotton field, 1860s, albumen and silver nitrate on photographic paper; H x W: 2 1/2 x 3 3/4 in. (6.4 x 9.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742764-0

Winslow Homer, Army Boots, 1865, Oil on canvas; 14 x 18 in. (35.5 x 45.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860608-0

James G. Brayton, Carte-de-visite of a young girl in Napa, California, 1865–1888, albumen on wove paper and cardboard; H x W (image): 3 3/4 × 2 3/8 in. (9.6 × 6 cm); H x W (card): 4 1/8 × 2 9/16 in. (10.5 × 6.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063503853-0

Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759

Gustave Courbet, Woman with a Parrot, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436002

Philip Webb, Emblems of Saints Matthew and Mark, 1863, Watercolour, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01019

Sir Edward Coley, Bt Burne-Jones, Dido, 1861, Graphite and watercolour on fabric, Tate, London. https://dartabase.art/cite/tate/A01172

Édouard Manet, The Toilette (La toilette), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8681

Honoré Daumier, Le Dimanche au Jardin des Plantes, 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6403

Honoré Daumier, En Chemin de fer... un voisin agréable (On the Railroad... an agreeable neighbor), 1862, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6401

Kongo artist, Tusk, 1861, Ivory, wood; H x W x D: 34.4 x 13.5 x 13.5 cm (13 9/16 x 5 5/16 x 5 5/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621404718-0

Sir Edward Coley, Bt Burne-Jones, Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’, c.1863, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00084

Sir John Everett, Bt Millais, The Leaven, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00796

Sir John Everett, Bt Millais, The Hidden Treasure, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00810

Julia Margaret Cameron, Mrs Herbert Duckworth, 1867, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102493

Charles Meryon, College Henri IV, 1863, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9130

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1860/80, Bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery);
drawstring (possibly suede), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228242

Édouard Manet, At the Prado (Au Prado), 1865/1868, etching and aquatint on machine-made laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8684

Édouard Manet, Dead Toreador (Torero mort), 1868, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8688

Robert Charles Dudley, Homeward Bound: "The Great Eastern", c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436226

Gustave Courbet, Die Woge, 1869–1870, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1421

Sir John Everett, Bt Millais, The Pharisee and the Publican, published 1864, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00793

Wilhelm Marstrand, Ottilia and Christy Marstrand, the Artist’s daughters, 1865, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368232

Edgar Degas, Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436149

Sir Edward Coley, Bt Burne-Jones, Study of a Seated Woman for ‘The Hours’, c.1866, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00095

James McNeill Whistler, Grey and Silver: Chelsea Wharf, c. 1864/1868, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1238

Charles Meryon, Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group), 1863, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9117

Miller Iron Company, Birdhouse, 1868, Cast iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/522

Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching on wove paepr, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9465

Sir John Everett, Bt Millais, Study for ‘The Black Brunswicker’, c.1860, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00814

Adolphe Monticelli, Garden Party, c. 1868, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.51

Herter Brothers, Armchair, 1865–70, Rosewood, marquetry, gilt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/221

Julien Antoine Peulot, Exposition universelle: L'Etranger trouve toutes les facilites desirables..., 1867, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6436

Robert Charles Dudley, Grappling for the Lost Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436225

Arthur Hughes, Old Sal for ‘At the Back of the North Wind’, c.1869, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00211

Odilon Redon, Melancholy, c. 1868, graphite on beige wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109138

Sir Edward Poynter, Moses Keeping Jethro’s Sheep, 1863, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00826

Alexander Hesler, Alexander Hesler, c. 1860, Albumen silver print; Image/Sheet: 9.4 x 5.6 cm (3 11/16 x 2 3/16"); Mount: 10.2 x 6.2 cm (4 x 2 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399813227-0