Honoré Daumier, Le Beau sexe a l'école de natation, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6365

Honoré Daumier, Un Chemin dangereux, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6388

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032

Jean Baptiste Camille Corot, The Willows of Marissel, 1857, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.194

Jean-Louis Forain, Farniente, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7026

Jean-Louis Forain, Le cafe concert des reservistes, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7023

Jean Baptiste Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855, cliché-verre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6000

Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9095

Charles Meryon, Chateau de Chenonceau, 2e planche (The Chateau of Chenonceau, 2nd plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9143

Honoré Daumier, Un Jour de représentation a bénéfice..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6370

Charles Meryon, L'arche du Pont Notre-Dame, Paris (An Arch of the Notre-Dame Bridge, Paris), 1853, etching and drypoint on laid green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9094

Charles Meryon, Le Pont-au-Change, Paris, 1854, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9102

Honoré Daumier, Ovide Remilly, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6373

Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9124

Charles Meryon, River Dredges and Lighters, probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9128

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515

Charles Meryon, La Rue des Mauvais Garçons, Paris (The Street of the Bad Boys), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9081

Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9472

Jean-François Millet, Man with Wheelbarrow (Le paysan rentrant du fumier), 1855, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9193

Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7024

Honoré Daumier, Pourriez-vous me dire...? J'ai la grippe!..., 1858, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6405

Honoré Daumier, Fugitives (Emigrants), model c. 1850/1852, cast 1893, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3237

Charles Meryon, Entrée du Couvent des Capucins français à Athenes (Entrance to the French Capuchin Convent at Athens), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9140

Charles Meryon, Seated Female Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9134

Honoré Daumier, Une Leçon de botanique, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6348

Honoré Daumier, Suffrage universel (Universal Suffrage), probably 1850, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6378

Charles Meryon, Les trois cochons couchés devant l'étable (Three Swine Lying In Front of a Sty), 1850, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6299

Charles Meryon, La salle des pas-perdus à l'ancien Palais-de-Justice, Paris (The Antechamber of the Palace of Justice, Paris), 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9471

Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9099

Charles Meryon, La petite pompe, Paris (The Notre Dame Pump, small plate), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9082

Charles Meryon, Seine Boat for "Le Pont-au-Change", probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9129

Eugène Delacroix, View of Tangier from the Seashore, 1856–58, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.4

Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587

Edgar Degas, The Infanta Margarita, after Velázquez, c. 1861–62, Etching and drypoint; second state of two (only known impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334667

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9127

Constant Troyon, Landscape with Cattle and Sheep, c. 1852–58, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.6

Alexandre-Gabriel Decamps, Job and His Friends, c. 1852, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.48

Honoré Daumier, A Naples - Le meilleur des rois... (1st plate), 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6349

Edgar Degas, Two Dancers, Half-length, 1854, Pastel and charcoal on tracing paper with a joined strip, laid down on cardboard, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436167

Honoré Daumier, Oui, madame Chaboulard... vingt-quatre épiciers... [recto], 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6353

Jean-François Millet, Nächtliche Szene im Wald, c. 1855, Schwarze Kreide auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/23937

Félix Bracquemond, Charles Meryon, 1853, heliogravure on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5260

Honoré Daumier, Le Jour de l'an, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6358

Honoré Daumier, Comment, Saint-Gervais a pris cette..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6264

Honoré Daumier, (1er Bas Bleu) - Profitons de l'occasion..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6356

Honoré Daumier, (Le Domestique) - Monsieur ferait bien..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6347

Léon Marcotte, Armchair, c. 1860, Maple, gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/227

Jean-Louis Forain, a) Chimney Corner (recto); b) Two Figures (verso), 1852, a) pen and brown ink and brown wash on wove Chapron Coquelin paper; b) pen and brown ink on wove Chapron Coquelin paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7016

Jean-Louis Forain, To Each His Own, 1852, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7032

Honoré Daumier, Actionnaires Californiens, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6351

Charles Meryon, La Rue des Toiles, à Bourges, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9145

Honoré Daumier, Oui, monsieur Chapuzot..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6369

Charles Meryon, Adresse de Rochoux, Marchand d'estampes (The Address-Card of Rochoux, a Printseller), probably 1856, etching in red and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9086

Charles Meryon, Porte d'un ancien couvent, Rue Mirabeau, à Bourges (Doorway of an Ancient Convent, in the Rue Mirabeau, Bourges), 1851, etching and drypoint on Japanese wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9142

Charles Meryon, L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris), 1854, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9103

Paul Gavarni, Alexander Gabriel Descamps, 1853, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7336

Edgar Degas, Portrait of a Woman, after a Drawing in the Uffizi then attributed to Leonardo da Vinci, 1858–1859, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1423

Jean-Louis Forain, a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso), 1852, a) black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7028

François Bonvin, Der kleine Zeichner, 1856, Kohle und schwarze Kreide, verwischt und gekratzt, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10482

Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9100

Honoré Daumier, A l'instar d'Henri IV, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6361

Edgar Degas, The Engraver Joseph Tourny (Le graveur Joseph Tourny), 1857 (third printing), etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6479

Jean-Louis Forain, Nude on Rocks, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7027

Honoré Daumier, Lannes, duc de Montebello, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6374

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9136

Jean-Louis Forain, a) Lady and Gentleman in Evening Dress (recto); b) Sketch of Figure (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7025

Charles Meryon, Seated Male Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9135

Gustave Courbet, Spring Flowers, c. 1855–60, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436026

Honoré Daumier, Clytemnestre poussée par mimi Véron..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6332

Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9091

Gustave Courbet, Portrait of a Woman, Called Héloïse Abélard, 1850, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436028

Gustave Courbet, Apples, 1850, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436027

Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching and engraving on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/866

Charles Marville, Sky Study, Paris, 1856–57, albumen print from wet collodion negative, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154075

Édouard Manet, The Man in the Tall Hat, 1858/1859, watercolor and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8678

Clodion, Satyrs at Play, c. 1850, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1024

Charles Meryon, Titre des eaux-fortes sur Paris (Title Page to the Set of Etchings of Paris), 1852, etching on blue wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9088

Édouard Baldus, Orange: Die Mauer des Théâtre antique, 1858, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102465

Honoré Daumier, Mais, monsieur, je vous assure que c'est du... veau!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6368

Jean-Louis Forain, On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!, 1852, graphite and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7017

Eugène Delacroix, Greek Cavalry Men Resting in Forest, 1858, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95259

Honoré Daumier, Oui, monsieur Gimblet, l'ordre ne sera... rétabli..., 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6262

Gustave Courbet, Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), c. 1852–57, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436016

Honoré Daumier, Madame Chapotard se disposant a faire ses confitures, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6366

Gustave Courbet, Blick auf Frankfurt am Main mit der Alten Brücke von Sachsenhausen her, 1858, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4000

Honoré Daumier, Le Jour ou l'on dine chez Monsieur le Directeur..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6367

Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9083

Gustave Courbet, Woman in a Riding Habit (L'Amazone), c. 1855–59, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436024

Honoré Daumier, Je vous arrête, mauvais sujet..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6364

Honoré Daumier, Il y a la guerre... les loyers vont... diminuer..., 1859, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6404

Honoré Daumier, Art Lovers, c. 1863, Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109042

Jean-Louis Forain, a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7015

Jean-Louis Forain, a) Nurse and Child (recto); b) Man on Horseback (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink and purple pencil on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7018

Félix Bracquemond, Charles Meryon, 1854, etching in brown-black and red on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5262

Gustave Courbet, Hunting Dogs with Dead Hare, 1857, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436014

Honoré Daumier, L'Inconvénient d'avoir un ami mélomane, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6357

Jean-Louis Forain, Comedie Parisienne, 1852, graphite and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7020

German 19th Century, Inkwell in the Form of a Grotesque Head, c. 1850, copper alloy with glass insert, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1436

Jean-Louis Forain, a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso), 1852, a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper; b) black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7021

Gustave Courbet, Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), 1858, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436000

Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9090

Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593

Charles Meryon, Le Petit Pont, Paris, 1850, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9093

Jean Baptiste Camille Corot, View near Epernon, 1850/1860, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1150

Charles Meryon, Plan du Combat de Sinope (Plan of the Battle of Sinope), 1853, etching with watercolor additions on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9139

Jean-Louis Forain, At an Evening Party, 1852, pen and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7031

Honoré Daumier, L'Esprit frappeur, probably 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6355

Charles Meryon, Saint-Etienne-du-Mont, Paris (Church of St. Stephen of the Mount, Paris), 1852, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9098

Gustave Courbet, Alphonse Promayet (1822–1872), 1851, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436008

Honoré Daumier, L'Artiste - Voila qui est terminé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6377

Ernest Meissonier, A Painter, 1855, oil on mahogany, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150841

Thomas Couture, Soap Bubbles, c. 1859, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436030

Angilbert Göbel, Arme Leute, 1858, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1414

Honoré Daumier, Une Promenade conjugale, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6360

Charles-François Daubigny, Sunrise (Le Lever du soleil), 1850, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6093

Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551

Léopold Flameng, Charles Meryon, 1858, photogravure on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6851

Jean Baptiste Camille Corot, The Gardens of Horace (Les Jardins d'Horace), 1855, cliché-verre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6001

Gustave Courbet, View of Ornans, probably mid-1850s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436025

Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9097

Paul Gavarni [Chevalier], A Sailor Standing on the Shore, 1859–60, Pen and brown ink with wash and watercolor, heightened with white on cream wove paper, laid on card, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334666

Théodore Chassériau, Femmes Mauresques de Constantine, 1851, soft-ground and hard-ground etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5958

Alexandre-Gabriel Decamps, The Turkish Patrol, c. 1855–56, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436116

Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9105

Charles-François Daubigny, Villerville Seen from Le Ratier, 1855, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128363

Honoré Daumier, Membre... du dix Décembre prenant le la..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6352

Alphonse Legros, Procession in the Sepulchre of Saint Medard(Procession dans le caveaux de St.-Medard), 1859, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8309

Jean Baptiste Camille Corot, Reverie, 1857 or later, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435981

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640

Jean-Louis Forain, Consolation, 1852, black crayon and brush and ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7034

Jean-Louis Forain, a) Ludus pro Populo (recto); b) Head of a Man (verso), 1852, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7030

Edgar Degas, The Dancers, 1854, Pastel and charcoal on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436137

Gustave Courbet, Portrait of a Man, probably c. 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436019

Honoré Daumier, Le Commerce un jour d'échéance, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6350

Honoré Daumier, Il me semble que j'aperçois...  un... chien... pas muselé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6363

Charles Meryon, La morgue, Paris (The Mortuary), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9104

Edgar Degas, Self-Portrait (Edgar Degas, par lui-même), 1857, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6478

Edgar Degas, Self-Portrait, c. 1855–56, Oil on paper, laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436158

Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9096

Gustave Courbet, After the Hunt, c. 1859, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436007

Eugène Delacroix, Christ Asleep during the Tempest, c. 1853, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436176

Jean-Louis Forain, Sur le canape, 1852, brush and black ink and brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7033

Charles Meryon, Le stryge (The Vampire), 1853, etching on Japanese laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9092

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9123

Charles Meryon, Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris), 1854, etching and drypoint on Jan Kool laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9089

Jean Baptiste Camille Corot, A Village Street: Dardagny, 1852, 1857, or 1863, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435987

Edgar Degas, The Old Italian Woman, 1857, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436120

Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9473

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9122

Charles Meryon, Le Pont Neuf, Paris, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9101

Jean Baptiste Camille Corot, Sommerlandschaft, 1855–1860, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1392

Jean-Louis Forain, Children Looking over the Edge of a Crib, 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7022

Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589

Honoré Daumier, C'est bête d'avoir en hiver, des..., 1851/1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6359

Honoré Daumier, Se réjouissant... de la fin de la Canicule, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6362

Charles Meryon, La Loi lunaire, 1er planche ("Lunar" Law, 1st plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9112

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128808