George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in black, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61572 George Baxter, The Great Exhibition (Small Exterior), 1851, Steel etching and stipple printed in puple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54196 Honoré Daumier, Le Beau sexe a l'école de natation, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6365 George Baxter, View from Windsor Forest, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54340 George Baxter, Religious Events No. 2, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54152 Honoré Daumier, Un Chemin dangereux, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6388 George Baxter, His Royal Highness, the Prince of Wales, also called Prince of Wales' Galop, 1859, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper titlepage with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61527 George Baxter, La Tarantella Needle Box, also called The Small Tarantella, c. 1850, Box with color wood engraving on ivory wove paper, laid down on box lid, and with ten small boxes, each with color wood engraving on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61601 George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54285 George Baxter, Jenny Lind (Mademoiselle Jenny Lind), 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54246 George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54182 George Baxter, The Gardener's Shed, 1856, Etching and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59503 Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9095 George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54349 Charles Meryon, Chateau de Chenonceau, 2e planche (The Chateau of Chenonceau, 2nd plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9143 Honoré Daumier, Un Jour de représentation a bénéfice..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6370 George Baxter, Her Majesty, H.R.H. Prince Albert, and Family Leaving Kingston Harbour, Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111917 George Baxter, Christ Blessing Bread, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128186 Charles Meryon, L'arche du Pont Notre-Dame, Paris (An Arch of the Notre-Dame Bridge, Paris), 1853, etching and drypoint on laid green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9094 George Baxter, Hollyhocks, 1857, Aquatint on steel printed in brown, with block printing in colors, on wove paper, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59506 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655 Charles Meryon, Le Pont-au-Change, Paris, 1854, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9102 Honoré Daumier, Ovide Remilly, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6373 Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598 Markus Lynge, Fortællingen om Akigssiak: Sælhundeboldspillet, hvor bedstefaderen overvindes, 1859–1860, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358d George Baxter, The Slaves, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on thick wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59502 Charles Meryon, La Rue des Mauvais Garçons, Paris (The Street of the Bad Boys), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9081 Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9472 George Baxter, Short Change, 1856, Steel etching and stipple printed in black, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54322 George Baxter, Indian Settlement, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54190 George Baxter, Cader Idris, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54432 Jean-François Millet, Man with Wheelbarrow (Le paysan rentrant du fumier), 1855, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9193 Honoré Daumier, Pourriez-vous me dire...? J'ai la grippe!..., 1858, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6405 George Baxter, The Parting Look (without Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61565 George Baxter, The Landing of Her Majesty and Her Royal Highness Prince Albert, in Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59579 Charles Meryon, Entrée du Couvent des Capucins français à Athenes (Entrance to the French Capuchin Convent at Athens), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9140 Honoré Daumier, Une Leçon de botanique, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6348 Honoré Daumier, Suffrage universel (Universal Suffrage), probably 1850, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6378 George Baxter, Victoria, Queen of Great Britain, also called Queen and Headdress, 1855, Steel etching and stipple printed in black, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54223 Charles Meryon, Les trois cochons couchés devant l'étable (Three Swine Lying In Front of a Sty), 1850, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6299 George Baxter, The Emperor Napoleon I, 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54263 Charles Meryon, La salle des pas-perdus à l'ancien Palais-de-Justice, Paris (The Antechamber of the Palace of Justice, Paris), 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9471 George Baxter, Fairy Scenes, c. 1851, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54164 Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9099 Charles Meryon, La petite pompe, Paris (The Notre Dame Pump, small plate), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9082 George Baxter, The Greek Dance, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54142 Aron fra Kangeq, Nordbosagaerne. Fortællingen om Oungortok: Kasape dræber høvdingen Oungortok., 1857–1861, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358h Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587 George Baxter, The Princess Royal, 1858, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54233 Edgar Degas, The Infanta Margarita, after Velázquez, c. 1861–62, Etching and drypoint; second state of two (only known impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334667 George Baxter, Hagar And Ishmael, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59539 Honoré Daumier, A Naples - Le meilleur des rois... (1st plate), 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6349 George Baxter, The Holy Family, also called The Large Holy Family, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59497 George Baxter, Rev. John Wesley, c. 1858, Steel etching and stipple printed in black, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54281 George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54346 George Baxter, His Royal Highness Prince Albert, 1855, Steel etching and stipple printed in brown, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54228 Honoré Daumier, Oui, madame Chaboulard... vingt-quatre épiciers... [recto], 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6353 George Baxter, Prince Frederick William of Prussia, 1858, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54240 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128211 George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54181 Honoré Daumier, Le Jour de l'an, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6358 Honoré Daumier, Comment, Saint-Gervais a pris cette..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6264 Honoré Daumier, (1er Bas Bleu) - Profitons de l'occasion..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6356 George Baxter, Bala Lake, North Wales, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54426 George Baxter, Lovers' Seat, Hastings, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54411 Honoré Daumier, (Le Domestique) - Monsieur ferait bien..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6347 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074 George Baxter, The Salutation, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128187 George Baxter, Netley Abbey, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54357 Honoré Daumier, Actionnaires Californiens, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6351 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128208 Charles Meryon, La Rue des Toiles, à Bourges, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9145 Max Rosenthal, Sun Bird, 1851, Color lithograph; Sheet: 27 × 17.5 cm (10 5/8 × 6 7/8"); Book (closed): 28.1 × 19.8 × 3.5 cm (11 1/16 × 7 13/16 × 1 3/8"); Book (opened): 28.1 × 41.2 cm (11 1/16 × 16 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399817474-0 Honoré Daumier, Oui, monsieur Chapuzot..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6369 George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in brown, with block printing in colors, on wove paper, varnished, laid down on wove paper mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61574 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654 Charles Meryon, Adresse de Rochoux, Marchand d'estampes (The Address-Card of Rochoux, a Printseller), probably 1856, etching in red and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9086 Charles Meryon, Porte d'un ancien couvent, Rue Mirabeau, à Bourges (Doorway of an Ancient Convent, in the Rue Mirabeau, Bourges), 1851, etching and drypoint on Japanese wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9142 George Baxter, The Fruit Girl of the Alps, 1859, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59508 Charles Meryon, L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris), 1854, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9103 Paul Gavarni, Alexander Gabriel Descamps, 1853, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7336 George Baxter, Paul and Virginia, also called The Large Paul and Virginia, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54187 George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54275 George Baxter, The Daughter of the Regiment, 1856, Steel etching and stipple printed in blue, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54249 Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9100 Honoré Daumier, A l'instar d'Henri IV, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6361 George Baxter, "I Don't Like It!," also called "So Nasty!", 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54308 George Baxter, The Siege of Sebastopol, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54202 Edgar Degas, The Engraver Joseph Tourny (Le graveur Joseph Tourny), 1857 (third printing), etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6479 George Baxter, King Saul, from Religious Events, No. 1 and No. 2., c. 1852, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original mount with printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54155 George Baxter, The May Queen Set, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors (from 8 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54175 Honoré Daumier, Lannes, duc de Montebello, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6374 George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54272 George Baxter, The Late Duke of Wellington, also called Wellington without arm, 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54266 George Baxter, The Parting Look (with Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61563 George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59571 Honoré Daumier, Clytemnestre poussée par mimi Véron..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6332 George Baxter, Lake Lucerne, Switzerland, 1857, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61555 Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9091 George Baxter, His Royal Highness Prince of Wales, 1850, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54231 Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching and engraving on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/866 George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black, with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59569 George Baxter, Crucis Abbey, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54457 George Baxter, Edmund Burke, 1856, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54260 Charles Meryon, Titre des eaux-fortes sur Paris (Title Page to the Set of Etchings of Paris), 1852, etching on blue wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9088 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073 George Baxter, The Late Duke of Wellington (with Arm), 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54269 Honoré Daumier, Mais, monsieur, je vous assure que c'est du... veau!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6368 George Baxter, The Princess Royal (Ring Out Old England's Bells), 1858, Steel etching printed in black, with block printing in colors, on wove paper, laid down on sheet music cover page with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138634 George Baxter, View from Harrow-on-the-Hill, 1851, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54376 George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, with color block printing, on ivory wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59491 George Baxter, Vah-ta-ah, the Feejeean Princess, 1857, Steel etching and stipple, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54118 George Baxter, The Bride, also called The Large Bride, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54178 Honoré Daumier, Oui, monsieur Gimblet, l'ordre ne sera... rétabli..., 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6262 George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138652 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128209 George Baxter, Sir Robert Peel (without Finger), 1853, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54251 George Baxter, The Hop Garden, 1856, Steel etching, aquatint, and stipple printed in purple, with block printing in colors from 12 zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54363 Honoré Daumier, Madame Chapotard se disposant a faire ses confitures, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6366 Honoré Daumier, Le Jour ou l'on dine chez Monsieur le Directeur..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6367 George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54441 Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9083 Honoré Daumier, Je vous arrête, mauvais sujet..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6364 Honoré Daumier, Il y a la guerre... les loyers vont... diminuer..., 1859, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6404 George Baxter, "So Tired!", 1853, Steel etching and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54328 George Baxter, The Day before Marriage, 1854, Etching, aquatint, and roulette on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59510 John Sartain, Sarah Childress Polk, c. 1850, Engraving on paper; Sheet: 25.4 × 15.7 cm (10 × 6 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822700-1 Félix Bracquemond, Charles Meryon, 1854, etching in brown-black and red on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5262 George Baxter, Christmas Time, 1859, Steel engraving printed in black, with block printing in colors, on wove paper, varnished, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54305 George Baxter, Queen and the Heroes of India, 1857, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54172 Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079 Honoré Daumier, L'Inconvénient d'avoir un ami mélomane, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6357 George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54400 Nathaniel Currier, Jenny Lind, c. 1850, Color lithograph on paper; Sheet: 40.6 x 30.9 cm (16 x 12 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814660-0 George Baxter, The Saviour, also called Ecce Homo, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54298 George Baxter, The Pas des Trois, 1855, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54158 Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9090 Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593 Charles Meryon, Le Petit Pont, Paris, 1850, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9093 George Baxter, St. Paul Preaching at Athens, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59559 George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54438 George Baxter, The Lovers' Letter-Box, 1856, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on secondary support, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59512 George Baxter, The Greek Dance, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138631 Honoré Daumier, L'Esprit frappeur, probably 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6355 George Baxter, Needle Box with an impression of The Corn Field, 1857, Steel etching, with block printing in colors, on wove paper, laid down on box lid, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61604 Charles Meryon, Saint-Etienne-du-Mont, Paris (Church of St. Stephen of the Mount, Paris), 1852, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9098 George Baxter, The Circassian Lady at the Bath, 1850, Steel engraving, with stipple and roulette, printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61569 Honoré Daumier, L'Artiste - Voila qui est terminé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6377 George Baxter, The Crucifixion, also called The Small Crucifixion, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two zinc blocks, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54293 George Baxter, Lord Nelson, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54257 George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138636 Adolph von Menzel, Der Bärenzwinger im zoologischen Garten (The Bear Pit in the Zoological Gardens), 1851, lithograph on Chine appliqué on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9075 George Baxter, His Royal Highness Prince Albert (Buckskin Trousers), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54215 Honoré Daumier, Une Promenade conjugale, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6360 George Baxter, David, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128184 Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647 Charles-François Daubigny, Sunrise (Le Lever du soleil), 1850, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6093 Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551 George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59493 George Baxter, The Soldier's Farewell, The Parents' Gift, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54204 James McNeill Whistler (1834-1903), Soupe à Trois Sous, 1859, Etching; ink on paper; H x W: 15.3 x 22.7 cm (6 x 8 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183260-0 George Baxter, Religious Events No. 1, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54149 George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54287 Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9097 George Baxter, St. Peter and St. John Healing the Sick, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59561 Théodore Chassériau, Femmes Mauresques de Constantine, 1851, soft-ground and hard-ground etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5958 George Baxter, Flora, also called Flora the Gypsy Girl, 1852, Steel engraving, with stipple, printed in black, with block printing in 11 colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61577 George Baxter, The Saviour, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128185 Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9105 Honoré Daumier, Membre... du dix Décembre prenant le la..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6352 Alphonse Legros, Procession in the Sepulchre of Saint Medard(Procession dans le caveaux de St.-Medard), 1859, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8309 George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54396 George Baxter, River Tiefy, Cardiganshire, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54436 George Baxter, Shall I Succeed?, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54325 Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077 Max Rosenthal, The Hen That Hatched This Egg, 1851, Color lithograph; Sheet: 27 × 17.5 cm (10 5/8 × 6 7/8"); Book (closed): 28.1 × 19.8 × 3.5 cm (11 1/16 × 7 13/16 × 1 3/8"); Book (opened): 28.1 × 41.2 cm (11 1/16 × 16 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399817485-0 Honoré Daumier, Le Commerce un jour d'échéance, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6350 Honoré Daumier, Il me semble que j'aperçois... un... chien... pas muselé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6363 George Baxter, See Saw Margery Daw, also known as Miss Mischief, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54320 Charles Meryon, La morgue, Paris (The Mortuary), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9104 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665 George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid downon original blindstamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59495 Edgar Degas, Self-Portrait (Edgar Degas, par lui-même), 1857, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6478 George Baxter, Windsor Forest (Pocket Book version), 1850, Steel etching and stipple printed in brown, with block printing in colors from 11 blocks, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54343 George Baxter, Sir Robert Peel, also called Peel with Extended Finger, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54254 Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9096 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667 George Baxter, Dripping Well, Hastings, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54403 George Baxter, The Greek Dance And Harem Set, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54139 Markus Lynge, Fortællingen om Akigssiak: Akigssiak kaster indlandsboen ned fra et fjeld, 1859–1860, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358e Charles Meryon, Le stryge (The Vampire), 1853, etching on Japanese laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9092 George Baxter, Brighton Chain Pier, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54414 George Baxter, Needle Box decorated with The Regal Set, 1850, Box with steel etching printed in brown, with block printing in colors, on ivory wove paper, laid down on box lid, and with ten small boxes, each with Baxter prints on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61607 Charles Meryon, Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris), 1854, etching and drypoint on Jan Kool laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9089 George Baxter, Puss Napping, 1856, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from four zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54313 George Baxter, Llangollen, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54429 George Baxter, The Princess Royal, Princess of Prussia, 1858, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54236 George Baxter, The Allied Sovereigns and the Commanders of Their Forces, 1855, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54169 Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9473 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128210 George Baxter, "It is Finished!", 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54295 George Baxter, Windsor Castle, also called Returning From Stag Hunting, 1850, Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54334 George Baxter, Windsor Castle, from the Long Walk, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54337 Charles Meryon, Le Pont Neuf, Paris, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9101 George Baxter, The Finding of Moses, from Religious Events No. 1, c. 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138632 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646 George Baxter, The Houses of Parliament, 1851, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54199 Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076 George Baxter, Infantine Jealousy, 1857, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54311 George Baxter, The Finding of Moses, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128179 George Baxter, Balmoral Castle, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54331 George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59541 Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589 George Baxter, News from Australia, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount (trimmed), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61505 George Baxter, Her Majesty Queen Victoria, also called The De la Rue Queen, c. 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54218 George Baxter, The Harem, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54146 Honoré Daumier, C'est bête d'avoir en hiver, des..., 1851/1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6359 George Baxter, Eugenie, Empress of the French, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54278 George Baxter, Pas des Trois and Fairy Scenes (from Set of Needle Prints), c. 1851, Steel etching and stipple printed in black, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54167 George Baxter, The First Impression, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54193 George Baxter, Jetty Treffz (Mademoiselle Jetty Treffz), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54243 Honoré Daumier, Se réjouissant... de la fin de la Canicule, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6362 George Baxter, The Third Day He Rose Again, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59555 Charles Meryon, La Loi lunaire, 1er planche ("Lunar" Law, 1st plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9112 George Baxter, St. Ruth's Priory, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54473 George Baxter, "So Nice!", 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54316