Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032
James McNeill Whistler (1834-1903), Couple seated at a table, 1858, Pencil on off-white wove paper; H x W: 16.8 x 11.8 cm (6 5/8 x 4 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183199-0
Harriet Beecher Stowe, Uncle Tom's Cabin; or, Life Among the Lowly, 1852, ink on paper; H x W x D (Closed): 9 5/16 × 6 5/16 × 7/8 in. (23.7 × 16 × 2.2 cm); H x W x D (Open): 9 5/16 × 12 1/2 × 7/8 in. (23.7 × 31.8 × 2.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744925-0
William Cardin, Bill of sale for a boy named Hall to Jerome B. Annis, January 16, 1854, ink on paper (fiber product); H x W: 5 1/8 × 7 9/16 in. (13 × 19.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751641-0
Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9124
Charles Meryon, River Dredges and Lighters, probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9128
Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515
William Callow, Royal Palace, Dresden, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00144
Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7024
Sir Edward Coley, Bt Burne-Jones, Study for ‘Buondelmonte’s Wedding’, c.1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01161
Charles Meryon, Seated Female Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9134
William Callow, Rathaus, Gotha, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00145
Charles Meryon, Seine Boat for "Le Pont-au-Change", probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9129
Charles Meryon, Moliere's Tomb, probably c. 1854, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9127
Edgar Degas, Two Dancers, Half-length, 1854, Pastel and charcoal on tracing paper with a joined strip, laid down on cardboard, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436167
Jean-Louis Forain, To Each His Own, 1852, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7032
Edgar Degas, Portrait of a Woman, after a Drawing in the Uffizi then attributed to Leonardo da Vinci, 1858–1859, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1423
Jean-Louis Forain, a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso), 1852, a) black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7028
Charles Meryon, Moliere's Tomb, probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9136
Charles Meryon, Seated Male Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9135
Jean-Louis Forain, On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!, 1852, graphite and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7017
William Callow, Rathaus, Hanover, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00142
Jean-Louis Forain, a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7015
Jean-Louis Forain, a) Nurse and Child (recto); b) Man on Horseback (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink and purple pencil on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7018
Jean-Louis Forain, Comedie Parisienne, 1852, graphite and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7020
Jean-Louis Forain, a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso), 1852, a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper; b) black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7021
Chief Justice Roger B. Taney, The Case of Dred Scott in the United States Supreme Court, 1857, ink on paper with string; H x W x D: 9 1/16 × 5 13/16 × 5/16 in. (23 × 14.7 × 0.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750333-1
William Callow, Old Palais de Justice, Malines, 1850, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00153
William Callow, Unidentified Market Place, ? Lubeck or Leipzig, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00143
Jean-Louis Forain, Consolation, 1852, black crayon and brush and ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7034
Jean-Louis Forain, a) Ludus pro Populo (recto); b) Head of a Man (verso), 1852, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7030
Sir Edward John Poynter (1836-1919), Portrait of Whistler, 1858, Pencil on paper; H x W: 18.6 x 13.2 cm (7 5/16 x 5 3/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183164-0
Edgar Degas, The Dancers, 1854, Pastel and charcoal on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436137
Sir Edward Coley, Bt Burne-Jones, Study for ‘Buondelmonte’s Wedding’, c.1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01162
Jean-Louis Forain, Sur le canape, 1852, brush and black ink and brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7033
Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9123
William Callow, Place St Pharailde, Ghent, 1850, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00148
Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9122
Dante Gabriel Rossetti, Fanny Cornforth, 1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00845
William Callow, Rathaus, Eisenach, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00146
Jean-Louis Forain, Children Looking over the Edge of a Crib, 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7022