George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in black, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61572 George Baxter, The Great Exhibition (Small Exterior), 1851, Steel etching and stipple printed in puple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54196 George Baxter, View from Windsor Forest, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54340 Nadar (Gaspard Félix Tournachon), Antoine Gustave Droz (French writer, 1832-1895), c. 1853/72, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144597 George Baxter, Religious Events No. 2, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54152 Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032 George Baxter, His Royal Highness, the Prince of Wales, also called Prince of Wales' Galop, 1859, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper titlepage with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61527 George Baxter, La Tarantella Needle Box, also called The Small Tarantella, c. 1850, Box with color wood engraving on ivory wove paper, laid down on box lid, and with ten small boxes, each with color wood engraving on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61601 George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54285 George Baxter, Jenny Lind (Mademoiselle Jenny Lind), 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54246 George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54182 George Baxter, The Gardener's Shed, 1856, Etching and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59503 George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54349 George Baxter, Her Majesty, H.R.H. Prince Albert, and Family Leaving Kingston Harbour, Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111917 George Baxter, Christ Blessing Bread, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128186 George Baxter, Hollyhocks, 1857, Aquatint on steel printed in brown, with block printing in colors, on wove paper, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59506 Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598 George Baxter, The Slaves, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on thick wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59502 George Baxter, Short Change, 1856, Steel etching and stipple printed in black, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54322 George Baxter, Indian Settlement, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54190 George Baxter, Cader Idris, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54432 George Baxter, The Parting Look (without Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61565 George Baxter, The Landing of Her Majesty and Her Royal Highness Prince Albert, in Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59579 George Baxter, Victoria, Queen of Great Britain, also called Queen and Headdress, 1855, Steel etching and stipple printed in black, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54223 George Baxter, The Emperor Napoleon I, 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54263 George Baxter, Fairy Scenes, c. 1851, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54164 George Baxter, The Greek Dance, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54142 Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587 George Baxter, The Princess Royal, 1858, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54233 George Baxter, Hagar And Ishmael, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59539 George Baxter, The Holy Family, also called The Large Holy Family, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59497 George Baxter, Rev. John Wesley, c. 1858, Steel etching and stipple printed in black, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54281 George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54346 George Baxter, His Royal Highness Prince Albert, 1855, Steel etching and stipple printed in brown, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54228 George Baxter, Prince Frederick William of Prussia, 1858, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54240 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128211 Untitled (Eight Atalanta Crewmen), July 30, 1856, Daguerreotype, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27494 George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54181 George Baxter, Bala Lake, North Wales, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54426 George Baxter, Lovers' Seat, Hastings, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54411 George Baxter, The Salutation, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128187 George Baxter, Netley Abbey, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54357 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128208 George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in brown, with block printing in colors, on wove paper, varnished, laid down on wove paper mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61574 George Baxter, The Fruit Girl of the Alps, 1859, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59508 George Baxter, Paul and Virginia, also called The Large Paul and Virginia, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54187 George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54275 George Baxter, The Daughter of the Regiment, 1856, Steel etching and stipple printed in blue, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54249 George Baxter, "I Don't Like It!," also called "So Nasty!", 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54308 George Baxter, The Siege of Sebastopol, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54202 George Baxter, King Saul, from Religious Events, No. 1 and No. 2., c. 1852, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original mount with printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54155 George Baxter, The May Queen Set, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors (from 8 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54175 George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54272 George Baxter, The Late Duke of Wellington, also called Wellington without arm, 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54266 George Baxter, The Parting Look (with Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61563 George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59571 George Baxter, Lake Lucerne, Switzerland, 1857, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61555 Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633 George Baxter, His Royal Highness Prince of Wales, 1850, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54231 George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black, with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59569 George Baxter, Crucis Abbey, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54457 George Baxter, Edmund Burke, 1856, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54260 George Baxter, The Late Duke of Wellington (with Arm), 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54269 Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243 George Baxter, The Princess Royal (Ring Out Old England's Bells), 1858, Steel etching printed in black, with block printing in colors, on wove paper, laid down on sheet music cover page with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138634 George Baxter, View from Harrow-on-the-Hill, 1851, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54376 George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, with color block printing, on ivory wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59491 George Baxter, Vah-ta-ah, the Feejeean Princess, 1857, Steel etching and stipple, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54118 George Baxter, The Bride, also called The Large Bride, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54178 George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138652 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128209 George Baxter, Sir Robert Peel (without Finger), 1853, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54251 George Baxter, The Hop Garden, 1856, Steel etching, aquatint, and stipple printed in purple, with block printing in colors from 12 zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54363 George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54441 George Baxter, "So Tired!", 1853, Steel etching and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54328 George Baxter, The Day before Marriage, 1854, Etching, aquatint, and roulette on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59510 Nadar (Gaspard Félix Tournachon), Élie-Louis, duc Decazes (French statesman and diplomat, 1819-1886), c. 1853/77, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144581 George Baxter, Christmas Time, 1859, Steel engraving printed in black, with block printing in colors, on wove paper, varnished, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54305 George Baxter, Queen and the Heroes of India, 1857, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54172 George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54400 George Baxter, The Saviour, also called Ecce Homo, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54298 George Baxter, The Pas des Trois, 1855, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54158 Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593 George Baxter, St. Paul Preaching at Athens, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59559 George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54438 George Baxter, The Lovers' Letter-Box, 1856, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on secondary support, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59512 George Baxter, The Greek Dance, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138631 George Baxter, Needle Box with an impression of The Corn Field, 1857, Steel etching, with block printing in colors, on wove paper, laid down on box lid, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61604 George Baxter, The Circassian Lady at the Bath, 1850, Steel engraving, with stipple and roulette, printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61569 George Baxter, The Crucifixion, also called The Small Crucifixion, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two zinc blocks, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54293 George Baxter, Lord Nelson, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54257 George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138636 George Baxter, His Royal Highness Prince Albert (Buckskin Trousers), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54215 George Baxter, David, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128184 Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551 George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59493 George Baxter, The Soldier's Farewell, The Parents' Gift, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54204 Nadar (Gaspard Félix Tournachon), Champfleury (born Jules François Felix Fleury-Husson, French critic and novelist, 1821-1889), c. 1855/59, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 6, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144578 George Baxter, Religious Events No. 1, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54149 George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54287 George Baxter, St. Peter and St. John Healing the Sick, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59561 George Baxter, Flora, also called Flora the Gypsy Girl, 1852, Steel engraving, with stipple, printed in black, with block printing in 11 colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61577 George Baxter, The Saviour, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128185 Adolph von Menzel, In a Railway Carriage (After a Night's Journey), 1851, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215327 George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54396 George Baxter, River Tiefy, Cardiganshire, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54436 George Baxter, Shall I Succeed?, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54325 Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640 Etienne Carjat, Charles Baudelaire (French poet, critic, and writer, 1821-1867), c. 1863, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86945 George Baxter, See Saw Margery Daw, also known as Miss Mischief, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54320 George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid downon original blindstamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59495 George Baxter, Windsor Forest (Pocket Book version), 1850, Steel etching and stipple printed in brown, with block printing in colors from 11 blocks, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54343 George Baxter, Sir Robert Peel, also called Peel with Extended Finger, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54254 George Baxter, Dripping Well, Hastings, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54403 George Baxter, The Greek Dance And Harem Set, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54139 George Baxter, Brighton Chain Pier, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54414 George Baxter, Needle Box decorated with The Regal Set, 1850, Box with steel etching printed in brown, with block printing in colors, on ivory wove paper, laid down on box lid, and with ten small boxes, each with Baxter prints on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61607 George Baxter, Puss Napping, 1856, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from four zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54313 George Baxter, Llangollen, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54429 George Baxter, The Princess Royal, Princess of Prussia, 1858, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54236 George Baxter, The Allied Sovereigns and the Commanders of Their Forces, 1855, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54169 George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128210 George Baxter, "It is Finished!", 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54295 George Baxter, Windsor Castle, also called Returning From Stag Hunting, 1850, Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54334 George Baxter, Windsor Castle, from the Long Walk, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54337 George Baxter, The Finding of Moses, from Religious Events No. 1, c. 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138632 George Baxter, The Houses of Parliament, 1851, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54199 George Baxter, Infantine Jealousy, 1857, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54311 George Baxter, The Finding of Moses, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128179 George Baxter, Balmoral Castle, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54331 George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59541 Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589 George Baxter, News from Australia, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount (trimmed), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61505 George Baxter, Her Majesty Queen Victoria, also called The De la Rue Queen, c. 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54218 George Baxter, The Harem, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54146 George Baxter, Eugenie, Empress of the French, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54278 George Baxter, Pas des Trois and Fairy Scenes (from Set of Needle Prints), c. 1851, Steel etching and stipple printed in black, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54167 George Baxter, The First Impression, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54193 George Baxter, Jetty Treffz (Mademoiselle Jetty Treffz), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54243 George Baxter, The Third Day He Rose Again, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59555 George Baxter, St. Ruth's Priory, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54473 George Baxter, "So Nice!", 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54316