Conrad Martens, Cunningham's Gap, 1851, Pencil heightened with white, black and sepia on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5057 attrib. to LIPPERT & HAAS, Cup and saucer, c.1850–70, Hard-paste porcelain with polychrome overglaze colours and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7453 W.T. COPELAND & SONS LTD [SPODE], Plate, c.1851–85, Porcelain (bone china) the blue ground painted in overglaze colours with naturalistic ferns and butterflies. Gilt dentil edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15142 Alfred Jacob Miller, Buffalo Drinking and Bathing at Night, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.100 SHUZAN, Netsuke: (two-sided: mask of a demon and mask of Okame, Goddess of Mirth), c.1850–1900, Carved boxwood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6227 Conrad Martens, Franklyn Vale, c.1854, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3144 Ōtagaki Rengetsu, Flower vase, c.1855–60, Hand-built stoneware, glazed, painted calligraphy, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17986 Japanese, Tsuka with Lions, c. 1870 (Meiji), gold, ray skin, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1205.3 Ichiryusai Hiroshige, Ayase-gawa, Kane-ga-guchi (no. 69 from 'Meisho Edo hyakkei' series) (Kane-ga-fuchi, Ayase River (no. 69 from 'One hundred famous views of Edo' series)), 1857, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3133 James Whistler, The rag gatherers, 1858, Etching on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6846 George Jones, Interior, 1856, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6843 Ichiryusai Hiroshige, Sendagi, Dango-zaka Hana-yashiki (no. 16 from 'Meisho Edo hyakkei' series) (Flower pavilion, Dango Hill, Sendagi (no. 16 from 'One hundred famous views of Edo' series)), 1856, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1200 CANTONESE STYLE, Cup and saucer, c.1850, Hard-paste porcelain with red, pink, green and gilt. Cup with fluted edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1710 Kogetsu, Netsuké en ébène laqué représentant un masque chimérique, 19e siècle, ébène (laqué); doré, Musée de l'hôtel Sandelin, Saint-Omer. https://dartabase.art/cite/joconde/0650-100007 Frederic Terry, Court House and Scotch Church, Parramatta (no. 17 from 'Landscape scenery, illustrating Sydney, Parramatta, Richmond, Maitland, Windsor and Port Jackson, New South Wales' series), 1854, published 1855, Etching and engraving on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12746 Conrad Martens, Heifer Station, Canning Downs, 1854, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12368 BOHEMIAN STYLE, Perfume flask, c.1850–1900, Cobalt glass with pierced brass case, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9607 Kato Masayuki, Netsuke: (Tadatsune slaying a wild boar), 1850–1900, Carved ivory with flat base and inset red lacquer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7599 Silvester Diggles, Fortitude Valley, 1858, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12694 George Lacy, Native corroboree, c.1850–57, Watercolour and gouache over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7598 Henry Gritten, Main Road, Newtown (toward Mt Direction, Hobart, Tasmania), 1858, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6990 James Whistler, Fumette (from 'The French set'), 1858, Etching, drypoint on thin cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2526 Alfred Jacob Miller, Shoshone Female - Catching A Horse, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.137 UNKNOWN, Fan, c.1850, Carved ivory guards with finely carved pierced ivory spokes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6368 Utagawa Kuniyoshi, The grand battle of the castle Takadate in the province of Oshu, 1856, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1844 PFENNINGER, VUE D'ALSACE : PLAN DE LA MONTAGNE SAINTE-ODILE, 19e siècle, plume; encre noire; encre rouge; aquarelle; lavis brun; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066543 SÈVRES STYLE, Vase, c.1850–1900, Hard-paste porcelain with owl mask handles and polychrome rococo revival panels reserved from the bright aqua ground. Gilt and royal blue details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15108 VICTORIAN STYLE, Decanter, c.1850–1900, Clear glass mould blown and wheelcut with starbursts and facets at shoulder (stopper missing), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10997 LIPPERT & HAAS, Cup and saucer, c.1850–70, Hard-paste porcelain moulded and with gilt and floral details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7451 Thomas - Engraver, TULLOCH, after David Ham, Golden Point, Mount Alexander, 1852, Colour lithograph with handcolouring on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2058 KAENDLER, after J.J. Meissen - Manufacturer, Monkey musicians (conductor and violin, trumpet, flute and cello players), c.1850–1900, Hard-paste porcelain slip-cast from the 18th century models and decorated in polychrome overglaze enamels with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6221 Ichiryusai Hiroshige, (Landscape) (from 'Fifty-three stations of the Tokaido' series), c.1850, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5836 Alfred Jacob Miller, The Indian Certificate, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.108 FLAVELLE BROS., Long case regulator, c.1852–56, Cedar, constructed with glass panel framing the pendulum and flame cedar panel inset on base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12186 Thomas - Engraver, TULLOCH, after David Ham, Forest Creek, Mount Alexander, 1852, Colour lithograph, hand-coloured on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9380 Utagawa Kuniyoshi, Raiko and the earth spider (from 'Japanese and Chinese comparisons of the Genji' series), 1855/56, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1716 Achille Leclerc, PLACE SAINT-PIERRE, 19e siècle, lavis brun; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000070642 Conrad Martens, North and South Brisbane from the South Brisbane rocks, 1851, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12856 Achille Leclerc, VUE DE LA PLACE SAN GIOVANNI IN LATERANO, 19e siècle, mine de plomb; lavis brun; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000070640 UNKNOWN, Mr and Mrs Caleb Morgan, c.1850, Daguerreotype on copper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/128 Ichiryusai Hiroshige, Suido-bashi, Surugadai (no. 63 from 'Meisho Edo hyakkei' series) (Suido Bridge, Surugadai (no. 63 from 'One hundred famous views of Edo' series)), 1857, Colour woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11284 Alfred Jacob Miller, The Thirsty Trapper, 1858–1860, watercolor heightened with white on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.26 Achille Leclerc, RECONSTITUTION DU PARTHENON, 19e siècle, lavis brun; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000068338 Conrad Martens, Brisbane, c.1852, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10809 Joseph-Théodore Deck, Gallic Rooster, c. 1880, earthenware with glazes, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2537 Isidore Pils, Zouave, 1850, watercolor and pen and ink with graphite underdrawing, white heightening,and gum heightening on beige, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.952 Ichiryusai Hiroshige, Tojiba hot springs (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty odd provinces)' series), 1853, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5617 UNKNOWN, Bracelet, c.1850–1900, Silver, three cats eyes surrounded with rope frames and scrolls with eleven silver beads on perimeter. Back two thirds undecorated, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1358 Jean-Marie Saint-Eve, Temptation on the Mount, 1854, watercolor, crayon and graphite on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.916 Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1449 after Katsushika Hokusai, Page from album with landscape (reprint), c.1850, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2918 Utagawa Hirosada, (Hatakeyama Shigetada, Kabuki actor) (Osaka print), 1855, Colour woodblock print on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12475 UNKNOWN, Garden stool, c.1850–1900, Stoneware, swelling cylindrical shape with pierced sides and modelled border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15228 Utagawa Kunisada, Four actors in the roles of Sadao Rinosuke, Shinagawa Okaminosuke, Chayasemari Manzo, Miura-ya Takao (centre panel of triptych 'Seven townsmen visiting the courtesan Takao'), c.1850, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11283 SATSUMA STYLE, Covered box, c.1850–1900, Porcelain, slip-cast and painted in apricot, blue, yellow, red and gilt overglaze colours. Interior painted, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1115 Frederick - Engraver, FRAIN, after Robert Bromley, General Sir Thomas Makdougall Brisbane, c.1850, Mezzotint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12969 IMARI STYLE, Five melon dishes, 1850–1900, Hard-paste porcelain decorated in underglaze cobalt blue with a melon, flowers and leaf, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4759 SÈVRES STYLE, Ink well, c.1850–70, Porcelain (soft-paste), the body partially glazed green with polychrome flowers and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5482 Utagawa Kunisada, Four actors in the roles of Yamanaka Shikanosuke, Izutsu Onnanosuke, (?) Densuke, Izumo-ya Okuni (right-hand panel of triptych 'Seven townsmen visiting the courtesan Takao'), c.1850, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6409 Alfred Jacob Miller, Crossing the Divide, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.132 Utagawa Hiroshige, Tango Province: Ama no hashidate (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4709 Kato Masayuki, Netsuke: (two figures with diadems (crowns) seated in a bath tub and teasing a demon), 1850–1900, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3656 Utagawa Kunisada, The gangster Banzui Chobei burning a letter, c.1850, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1247 Alphonse Legros, (Head of a small boy), c.1855–65, Metal point with opaque white on toned wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12661 Silvester Diggles, North Brisbane from the south side, 1858, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12691 Frederic Terry, King Street, Sydney, looking west (no. 33 from 'Landscape scenery, illustrating Sydney, Parramatta, Richmond, Maitland, Windsor and Port Jackson, New South Wales' series), 1854, published 1855, Etching and engraving on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11268 Conrad Martens, Brisbane, 1855, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14440 UNKNOWN, Decanter, c.1850, Clear glass wheel cut with facets (stopper missing), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3930 Utagawa Kunisada Ii, Kabuki actor as the samurai Makuwa Daiki Tsunetake from Bakin's 'Hakkenden', 1852, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4101 Ise-Kane, Tokaido Gojusan Tsugi no Uchi, 1852 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.758 Utagawa Kunisada Ii, A New Year's interview (right-hand panel of triptych), 1856, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3599 Utagawa Yoshitsuya, Battle of magic between Hakamadare no Mochisuke and Ichihara no Kido-maru, 1850, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9984 Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1444 Eliza Cox, Clematis and Thysanotis (Common Fringe lily), c.1852–83, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9086 Ichiryusai Hiroshige, Noto Province, Waterfall Bay (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8873 Conrad Martens, Coochin, 1851, Pencil on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11600 Alfred Jacob Miller, Caravan en Route, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.51 Conrad Martens, Forest, Cunningham's Gap, 1856, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8766 Alphonse Legros, (Head of a youth), c.1855–65, Metal point with opaque white on toned paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12662 Ichiryusai Hiroshige, Shimonoseki, Nagato Province (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1855, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20646 TADAKATSU, Netsuke: (nine masks), c.1850–1900, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/863 Conrad Martens, Killarney, Canning Downs, 1854, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8956 Toyohara Kunichika, Courtesan and her attendants, 1859, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/568 Ichiryusai Hiroshige, The Go Gorge at Bitchu Province (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20644 TAYLOR, Still life with fruit and vases, c.1850, Embroidered picturing depicting a still life of fruit (grapes, melon, peach) beneath an arch, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5553 Thomas Woolner, Portrait medallion of William Charles Wentworth, c.1854, Copper, black paint, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/243 Moritz Retzsch, Scene at Spa, 1851, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1277 Horatio Mcculloch, Scottish lime kilns, c.1850–63, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5118 UNKNOWN, Tea service (portion), c.1850–1900, Hard-paste porcelain printed in black with courtship scenes in a landscape setting hand coloured. Blue panels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1399 Abraham - Artist, SIMMONDS, William Henry - Engraver, E. GAMBART & Co. Solomon, The departure (second class) and The return (first class), 1857, Engravings with stipple and roulette on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10859 Alphonse Muscat, Nu féminin allongé, 19e siècle;20e siècle, modelage; ronde bosse; terre, Musées des pays de l'Ain, Bourg-en-Bresse. https://dartabase.art/cite/joconde/0964-004175 Ichiryusai Hiroshige, Shisa, Iki Province (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1856, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20647 Ichiryusai Hiroshige, Mount Kano, Kazusa Province (from 'Fuji sanjurokkei (Thirty-six views of Mount Fuji)' series), 1858, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20648 UNKNOWN, Garden stool, c.1850–1900, Stoneware hexagonal shape with studded top edge and pierced body. Glazed white, blue and green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15204 S.T. Gill, Untitled (at Cook's River, near Sydney), c.1850–60, Pencil highlighted with chalk on brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9414 UNKNOWN, Ink-well, c.1854–55, Glass, lead crystal cut with silver rim and lid, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9194 PERSIAN STYLE, Goose-necked sprinklers, c.1850, Hot-worked cobalt glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1655 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.25 Girardot Mlle de, BOUQUET DE FLEURS DE MAUVE, 19e siècle, aquarelle; papier (beige), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023095 Henry Short, Fruit and flowers, 1859, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15168 UNKNOWN, Garden stool, c.1850–1900, Stoneware with hexagonal base and circular top, honeycomb pierced sides and glazed green, blue and gold, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15208 Conrad Martens, Bottle tree, 1851, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3800 UNKNOWN, (Portrait of two gentlemen), c.1851–65, Hand-coloured ambrotype on glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10441 Utagawa Kuniyoshi, The drama of Chushingura (11th Act), 1854, Colour woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4420 Alfred Jacob Miller, The Trapper's Bride, 1858–59, watercolor heightened with white on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.12 MEISSEN, Triangular dishes, c.1850–1900, Hard-paste porcelain decorated in the 18th century revival manner with courtship and landscape in overglaze colours. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4642 William B. Dexter, Game, c.1853, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1573 UNKNOWN, Saucer, c.1850–1900, Hard-paste porcelain decorated in green, brown, black and blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5273 Conrad Martens, Coochin Run, 1854, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8767 Merian Matthäus (1593-1650), VUE DE WISSEMBOURG, 19e siècle, plume; encre noire; aquarelle; mine de plomb; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066510 Utagawa Hiroshige Ii, Kanazawa and Kamakura (from 'Famous views of the Tokaido' series), c.1858, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9401 Antoine-Louis Barye, Jaguar Devouring a Hare, modeled 1850, bronze with green and some black patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.180 Achille Leclerc, RECONSTITUTION D'UNE PARTIE DU FORUM A ROME, 19e siècle, mine de plomb; lavis brun; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000070756 Ichiryusai Hiroshige, Kannon Temple at Abuto, Bingo Province (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20645 Alfred Jacob Miller, Free Trappers in Trouble, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.163 UNKNOWN, Epergne, c.1850–70s, Ruby glass (hot-worked), the bowl with eight scallops rising in the centre to support a clear and spiral ruby glass trumpet with a crimped clear glass edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15401 MASAKAZU, Netsuke: (Shojo with long flowing hair), c.1850–91, Carved boxwood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/349 W.T. COPELAND & SONS LTD [SPODE], Fluted dish and cover, c.1850, Porcelain (bone china) painted in the Japan style with diaper patterns in underglaze cobalt and overglaze red and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1444 Utagawa Kunisada Ii, A New Year's interview (left-hand panel of triptych), 1856, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/410 UNKNOWN, Boulle work box, c.1850–1900, Black lacquered wood with elaborate brass and tortise shell (boulle) inlay. The interior lined with dark green silk and braid. (Scissors missing), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2773 UNKNOWN, Triangular cup and saucer, c.1850, White porcelain body with gilt scalloped and dentil rim and pendant polychromed swags of flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12253 Conrad Martens, The homestead, Canning Downs, 1852, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13598 Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1419 Ichiryusai Hiroshige, Ryogoku, hanabi (no. 98 from 'Meisho Edo hyakkei' series) (Fireworks at Ryogoku (no. 98 from 'One hundred famous views of Edo' series)), 1858, Colour woodblock print, crepe process on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8645 SÈVRES STYLE, Cabaret service, c.1850–70, Porcelain, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15123 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.1 Silvester Diggles, View from Kangaroo Point, 1858, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12693 Ichiryusai Hiroshige, Water at Komeido, c.1852, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4432 Utagawa Kuniyoshi, Benkei, Fuji musume, a blind masseur and a servant carrying a gourd, in Otsu-e style, c.1850, Colour woodblock print on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2631 French, Peasant Woman Embracing Crucifix, c. 1870, black crayon, watercolor and opaque watercolor on blue, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1331 James Tissot, A Patriarch, c. 1870, watercolor with graphite underdrawing on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2009 Alfred Jacob Miller, Indian Courtship, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.168 Thomas - Engraver, TULLOCH, after David Ham, Great meeting of gold diggers, December l5th 1851, 1852, Colour lithograph, hand-coloured on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2188 Eliza Cox, Billaridiera longfola, c.1852–83, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11784 William Henry Rinehart, Brooch with Cameo of Spring after a relief by William Henry Rinehart, c. 1862, shell, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.854 Conrad Martens, House and garden, Goomburra, c.1853, Watercolour and pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3192 Alfred Jacob Miller, Indian Council, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.127 Ichiryusai Hiroshige, Horai Temple, Mikawa Province (from 'Rokujuyoshu meisho zue (Views of famous places of the sixty-odd provinces)' series), 1853, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20643 Utagawa Kunisada, Patriot girl, Princess Shiranui, 1854, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3239 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.9 JOSIAH WEDGWOOD & CO., Oinoche vase: Apollo Musagetes and the Muses Euterpe, Urania and Clio, c.1850–1900, figures designed c.1775–86, Porcelain (jasper ware) dark blue body dipped white and sprigged with male and female neoclassic figures, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15096 Alfred Jacob Miller, Camp Scene (Sioux), 1858–1860, watercolor heightened with white on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.64 Daguet Adrienne, ARMOIRIES D'YSSINGEAUX, 19e siècle, aquarelle; emploi d'or; papier (blanc); carton; matériaux colles l'un sur l'autre, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023135 Arthur - Engraver, FOSTER, after Myles Birket Willmore, (Shepherds with sheep and cattle overlooking sea), c.1855–88, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11466 SHUZAN, Netsuke: (Nara doll), c.1850–1900, Carved wood with polychrome details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4986 Kagaya Katsugoro of Hongo, Sugawara denju tenarai kagami, 1852 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.766 BOHEMIAN STYLE, Vase, c.1850–1900, Green glass cased white and painted with polychrome flowers. (Lustres missing), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8072 Utagawa Kunisada Ii, A New Year's interview, 1856, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/37122 BOHEMIAN STYLE, Mantle clock and cover, c.1850–1900, Porcelain, with polychrome floral motifs. Glass dome, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15267 Frederic Terry, Sydney Harbour from Watsons Bay (no. 5 from 'Landscape scenery, illustrating Sydney, Parramatta, Richmond, Maitland, Windsor and Port Jackson, New South Wales' series), 1854, published 1855, Etching and engraving on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10624 Conrad Martens, Middle Harbour, 1859, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7445 Augustin Jean Moreau-Vauthier, The Three Theological Virtues, 1855, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.584 Thomas - Engraver, TULLOCH, after David Ham, Commissioner's tent and officers' quarters, Forest Creek, December 1851, 1852, Colour lithograph with handcolouring on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2189 Jean-François Millet, La baratteuse (A woman churning butter), 1855, Etching on thin ivory laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12897 V Crozet, Portrait de Marie Anne Saint-Just, mère du conventionnel ; Madame Saint-Just, mère, 19e siècle, crayon noir; aquarelle; papier (beige), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/00000068436 Utagawa Kunisada Ii, A New Year's interview (centre panel of triptych), 1856, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/246 JOSIAH WEDGWOOD & CO., Bowl and servers, c.1850–1900, Stoneware (jasper) dipped blue and sprigged with neo-classic motifs. Plated silver rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8028 Ichiryusai Hiroshige, Ryogoku, hanabi (no. 98 from 'Meisho Edo hyakkei' series) (Fireworks at Ryogoku (no. 98 from 'One hundred famous views of Edo' series)), 1858, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8624 UNKNOWN, Platter, c.1850–70, Porcelain printed with overglaze colours and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6608 Utagawa Kunisada, Two kabuki actors with fan motif, c.1850, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4980 UNKNOWN, Fan, c.1850, Ivory guards with dragon embroidered on gauze with polychrome silks. Complete with black lacquered box, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8166 VICTORIAN STYLE, Fish server, c.1850–1900, Silver (Sheffield plate) pierced with a design of grapes and fish and engraved. Bone handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15083 Alfred Jacob Miller, Indian Girl with Papoose Crossing Stream, 1858–1860, wash heightened with white on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.14 UNKNOWN, Card case, c.1853–54, Silver with moulded scrolls and vertical engine- turned engraving, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15107 Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1455 Silvester Diggles, View from New Farm, 1858, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11737 LIPPERT & HAAS, Cup and saucer, c.1850–70, Hard-paste porcelain with shell moulded details and painted in polychrome colours with roses. Gilt details and 'Souvenir' in Gothic script on side of cup, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5696 Utagawa Kunisada, Four actors in the roles of Tsutano Konosuke, Kurotsuka Murinosuke, Shishida Jusaburo, Miura-ya Ochigumo (left-hand panel of triptych 'Seven townsmen visiting the courtesan Takao'), c.1850, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11643 Alfred Jacob Miller, A ""Surround"" of Buffalo by Indians, 1858–1860, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1940.200 PAULY & C., Vases (pair), c.1850–1900, Royal blue glass applied with moulded coloured flowers and richly gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15132 Dr Noelas, DESSIN REPRESENTANT DES BRACELETS DE L'AGE DU BRONZE TROUVES AU BOIS JOLY A AMBIERLE, 19e siècle, plume; encre noire; aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023130 BOHEMIAN STYLE, Perfume flask, c.1850–1900, Ruby glass with a pierced brass case in the Rococo manner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3694 VICTORIAN STYLE, Tea table, c.1850, European hardwood, the folding rectangular top swivelling over a scalloped frieze on a turned column. The four scrolled legs terminating in scrolled foliate toes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7885 Thomas Woolner, Portrait medallion of Alfred Lord Tennyson, 1856, Bronze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10941 William Brownfield, Teapot, c. 1850–1871, Stoneware (white) moulded with anthemion motifs picked out in blue in the neo grecque taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5928 UNKNOWN, Shawl, c.1850–1900, Black silk embroidered with polychrome flowers and 40cm macrame fringe, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8251 Charles Meryon, La galerie, Notre Dame (from 'Eaux-fortes sur Paris' series) (The gallery, Notre Dame (from 'Views of Paris' series)), 1853, Etching on thin Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5069 YOSHITAKI, Three kabuki actors (Osaka print), 1855, Coloured woodblock print, embossed on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1105 Thomas - Engraver, TULLOCH, after David Ham, Golden Point, Ballarat - 1851, 1852, Colour lithograph with handcolouring on smooth wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2825 Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3100 Conrad Martens, Crossing place, Canning Downs, 1854, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8955 VICTORIAN STYLE, Pair of decanters, c.1850–1900, Glass, handblown and wheel cut with stylised foliate motifs, a crown and "GAV" in monogram, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1948 Masanao, Netsuké en bois représentant des champignons sur une boîte, 19e siècle, bois, Musée de l'hôtel Sandelin, Saint-Omer. https://dartabase.art/cite/joconde/0650-100069 Eliza Cox, Telopea oreades (Tasmanian waratah), 1852, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11785 after Ichiryusai Hiroshige, Album of thirty-two woodblock prints based on 'Fifty-three stations of the Tokaido' series, c.1850–90, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4769 Ichiryusai Hiroshige, Sun'en Oigawa (Oi River Suruga and Totomi Province) (from 'Fuji sanjurokkei (Thirty-six views of Mount Fuji)' series), 1858, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20649 Eliphalet Brown Jr, Temple at Tumai, Lew Chew, 1854, Lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/33671 PERSIAN STYLE, Ewer, c.1850, Hot-worked cobalt glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5996 George Lacy, Death of the explorer, c.1850–57, Watercolour and gouache over pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2664 Bernard Biswanger, Mantle clock and cover, c.1850–1900, Gilded metal, enamel facing and glass dome, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21 UNKNOWN, (Portrait of two young girls), c.1855–65, Hand-coloured ambrotype on glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11476 Shodo-sho, Leaf from Album Depicting the Sixteen Lohans (Arhats), 1851 (Edo), ink and colors on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.167.24 謝琯樵, 蘭石, 1857, Ink wash, National Taiwan Museum of Fine Arts, Taichung. https://dartabase.art/cite/ntmofa/08200048 Utagawa Kunisada Ii, Mitate on chapter 12 from 'The Tale of Genji', 1857, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6407 UNKNOWN, Circular collar, c.1850–1900, Machine made linen net lace with tambour embroidery and circular machine made motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/524 Hugh Cameron, (Unfinished portrait of a lady), 1858, Watercolour over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8480 UNKNOWN, Decanter, c.1850–1900, Blue green glass with clear rope twist handle and facetted stopper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1456 Silvester Diggles, Kangaroo Point, 1858, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12692