George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in black, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61572

George Baxter, The Great Exhibition (Small Exterior), 1851, Steel etching and stipple printed in puple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54196

Honoré Daumier, Le Beau sexe a l'école de natation, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6365

George Baxter, View from Windsor Forest, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54340

Nadar (Gaspard Félix Tournachon), Antoine Gustave Droz (French writer, 1832-1895), c. 1853/72, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144597

George Baxter, Religious Events No. 2, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54152

Honoré Daumier, Un Chemin dangereux, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6388

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032

George Baxter, His Royal Highness, the Prince of Wales, also called Prince of Wales' Galop, 1859, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper titlepage with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61527

James McNeill Whistler (1834-1903), Couple seated at a table, 1858, Pencil on off-white wove paper; H x W: 16.8 x 11.8 cm (6 5/8 x 4 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183199-0

William R. Phipps, John Cabell Breckinridge, c. 1855, Daguerreotype; Image: 7.1 x 6 cm (2 13/16 x 2 3/8"); Case Open: 9.4 x 16.2 x 1 cm (3 11/16 x 6 3/8 x 3/8"); Case Closed: 9.4 x 8.1 x 1.7 cm (3 11/16 x 3 3/16 x 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399811904-0

Jean Baptiste Camille Corot, The Willows of Marissel, 1857, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.194

George Baxter, La Tarantella Needle Box, also called The Small Tarantella, c. 1850, Box with color wood engraving on ivory wove paper, laid down on box lid, and with ten small boxes, each with color wood engraving on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61601

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00891

Henry Lewis, St. Anthony Falls as It Appeared in 1848, 1855, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/28.79

Jean-Louis Forain, Farniente, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7026

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00882

Harriet Beecher Stowe, <I>Uncle Tom's Cabin; or, Life Among the Lowly</I>, 1852, ink on paper; H x W x D (Closed): 9 5/16 × 6 5/16 × 7/8 in. (23.7 × 16 × 2.2 cm); H x W x D (Open): 9 5/16 × 12 1/2 × 7/8 in. (23.7 × 31.8 × 2.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744925-0

George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54285

George Baxter, Jenny Lind (Mademoiselle Jenny Lind), 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54246

Charles Loring Elliott, Captain Warren Delano, c. 1852, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3153

George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54182

Jean-Louis Forain, Le cafe concert des reservistes, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7023

George Baxter, The Gardener's Shed, 1856, Etching and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59503

Jean Baptiste Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855, cliché-verre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6000

Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9095

George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54349

Joseph Alexis Bailly, Sideboard, c. 1855, walnut, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152834

Charles Meryon, Chateau de Chenonceau, 2e planche (The Chateau of Chenonceau, 2nd plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9143

Honoré Daumier, Un Jour de représentation a bénéfice..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6370

George Baxter, Her Majesty, H.R.H. Prince Albert, and Family Leaving Kingston Harbour, Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111917

George Baxter, Christ Blessing Bread, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128186

Charles Meryon, L'arche du Pont Notre-Dame, Paris (An Arch of the Notre-Dame Bridge, Paris), 1853, etching and drypoint on laid green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9094

George Baxter, Hollyhocks, 1857, Aquatint on steel printed in brown, with block printing in colors, on wove paper, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59506

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655

Gustave Herter, Armchair, c. 1855, Walnut, original leather, modern velvet cushion, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/214

Charles Meryon, Le Pont-au-Change, Paris, 1854, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9102

Honoré Daumier, Ovide Remilly, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6373

Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598

Markus Lynge, Fortællingen om Akigssiak: Sælhundeboldspillet, hvor bedstefaderen overvindes, 1859–1860, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358d

George Baxter, The Slaves, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on thick wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59502

William Cardin, Bill of sale for a boy named Hall to Jerome B. Annis, January 16, 1854, ink on paper (fiber product); H x W: 5 1/8 × 7 9/16 in. (13 × 19.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751641-0

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9124

Alonzo Chappel, The Ride of General Marion's Men, c. 1850, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.15

Charles Meryon, River Dredges and Lighters, probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9128

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00902

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515

Charles Loring Elliott, Unfinished Portrait of Henry J. Brent, 1811-1850, c. 1850, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.26

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00895

Edward K. Thomas, View of Fort Snelling, c. 1850, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.21

Charles Meryon, La Rue des Mauvais Garçons, Paris (The Street of the Bad Boys), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9081

Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9472

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00898

George Baxter, Short Change, 1856, Steel etching and stipple printed in black, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54322

William Callow, Royal Palace, Dresden, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00144

George Baxter, Indian Settlement, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54190

Charles Robert Leslie, Head of Falstaff, c.1851, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00740

George Baxter, Cader Idris, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54432

Jean-François Millet, Man with Wheelbarrow (Le paysan rentrant du fumier), 1855, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9193

Rudolph T. Lux, Cup and Saucer, c. 1861, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2859

Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7024

Honoré Daumier, Pourriez-vous me dire...? J'ai la grippe!..., 1858, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6405

George Baxter, The Parting Look (without Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61565

Honoré Daumier, Fugitives (Emigrants), model c. 1850/1852, cast 1893, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3237

George Baxter, The Landing of Her Majesty and Her Royal Highness Prince Albert, in Ireland, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59579

Charles Meryon, Entrée du Couvent des Capucins français à Athenes (Entrance to the French Capuchin Convent at Athens), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9140

Sir Edward Coley, Bt Burne-Jones, Study for ‘Buondelmonte’s Wedding’, c.1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01161

John Henry Belter, Armchair, 1850–60, Rosewood, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/261

Thomas Eakins, Map of Switzerland, (c. 1856), Ink, watercolor, and pencil on paperboard; 16 x 20 in. (40.6 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859670-1

Charles Meryon, Seated Female Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9134

Honoré Daumier, Une Leçon de botanique, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6348

Honoré Daumier, Suffrage universel (Universal Suffrage), probably 1850, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6378

George Baxter, Victoria, Queen of Great Britain, also called Queen and Headdress, 1855, Steel etching and stipple printed in black, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54223

Charles Meryon, Les trois cochons couchés devant l'étable (Three Swine Lying In Front of a Sty), 1850, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6299

George Baxter, The Emperor Napoleon I, 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54263

Charles Meryon, La salle des pas-perdus à l'ancien Palais-de-Justice, Paris (The Antechamber of the Palace of Justice, Paris), 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9471

George Baxter, Fairy Scenes, c. 1851, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54164

Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9099

William Callow, Rathaus, Gotha, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00145

Eugene von Guerard, Stony Rises, Lake Corangamite, 1857, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801734

Samuel Palmer, The Sleeping Shepherd; Early Morning, 1857, etching, hand-colored with watercolor and opaque white with gold highlights, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9505

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00893

Charles Meryon, La petite pompe, Paris (The Notre Dame Pump, small plate), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9082

George Baxter, The Greek Dance, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54142

Aron fra Kangeq, Nordbosagaerne. Fortællingen om Oungortok: Kasape dræber høvdingen Oungortok., 1857–1861, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358h

Charles Meryon, Seine Boat for "Le Pont-au-Change", probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9129

Eugène Delacroix, View of Tangier from the Seashore, 1856–58, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.4

Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587

George Baxter, The Princess Royal, 1858, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54233

Edgar Degas, The Infanta Margarita, after Velázquez, c. 1861–62, Etching and drypoint; second state of two (only known impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334667

George Baxter, Hagar And Ishmael, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59539

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite with red chalk additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9127

Constant Troyon, Landscape with Cattle and Sheep, c. 1852–58, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.6

Alexandre-Gabriel Decamps, Job and His Friends, c. 1852, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.48

Honoré Daumier, A Naples - Le meilleur des rois... (1st plate), 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6349

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00907

Edgar Degas, Two Dancers, Half-length, 1854, Pastel and charcoal on tracing paper with a joined strip, laid down on cardboard, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436167

George Baxter, The Holy Family, also called The Large Holy Family, 1855, Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59497

Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122

George Baxter, Rev. John Wesley, c. 1858, Steel etching and stipple printed in black, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54281

Ateu Atsa, Commemorative figure (lefem), mid-1800s–1910, wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153765

George Baxter, River Carnel, Cornwall, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54346

George Baxter, His Royal Highness Prince Albert, 1855, Steel etching and stipple printed in brown, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54228

Honoré Daumier, Oui, madame Chaboulard... vingt-quatre épiciers... [recto], 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6353

George Baxter, Prince Frederick William of Prussia, 1858, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54240

George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128211

Untitled (Eight Atalanta Crewmen), July 30, 1856, Daguerreotype, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27494

Jean-François Millet, Nächtliche Szene im Wald, c. 1855, Schwarze Kreide auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/23937

Dante Gabriel Rossetti, David, 1858–64, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00842

George Baxter, The Conchologists, also called The Large Conchologists, 1850, Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54181

Félix Bracquemond, Charles Meryon, 1853, heliogravure on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5260

Honoré Daumier, Le Jour de l'an, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6358

James McDougal Hart, A Stream in the Adirondacks, 1859, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.103

Honoré Daumier, Comment, Saint-Gervais a pris cette..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6264

Honoré Daumier, (1er Bas Bleu) - Profitons de l'occasion..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6356

George Baxter, Bala Lake, North Wales, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54426

George Baxter, Lovers' Seat, Hastings, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54411

Eugene von Guerard, Bush fire between Mount Elephant and Timboon, 1857. https://dartabase.art/cite/wikidata/Q74832709

Honoré Daumier, (Le Domestique) - Monsieur ferait bien..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6347

Léon Marcotte, Armchair, c. 1860, Maple, gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/227

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074

Jean-Louis Forain, a) Chimney Corner (recto); b) Two Figures (verso), 1852, a) pen and brown ink and brown wash on wove Chapron Coquelin paper; b) pen and brown ink on wove Chapron Coquelin paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7016

Jean-Louis Forain, To Each His Own, 1852, brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7032

George Baxter, The Salutation, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128187

Joseph Meeks & Sons, Side Chair, 1859, Rosewood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/249

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00890

George Baxter, Netley Abbey, 1850, Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54357

Bakewell, Pears and Company, Bitters Bottle, 1850–70, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/542

Honoré Daumier, Actionnaires Californiens, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6351

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00892

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00904

George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128208

Charles Meryon, La Rue des Toiles, à Bourges, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9145

Eugene von Guerard, From the verandah of Purrumbete, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794173

Max Rosenthal, Sun Bird, 1851, Color lithograph; Sheet: 27 × 17.5 cm (10 5/8 × 6 7/8"); Book (closed): 28.1 × 19.8 × 3.5 cm (11 1/16 × 7 13/16 × 1 3/8"); Book (opened): 28.1 × 41.2 cm (11 1/16 × 16 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399817474-0

Honoré Daumier, Oui, monsieur Chapuzot..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6369

George Baxter, Belle of the Village, 1854, Aquatint, stipple, and engraving on steel, printed in brown, with block printing in colors, on wove paper, varnished, laid down on wove paper mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61574

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00887

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654

Charles Meryon, Adresse de Rochoux, Marchand d'estampes (The Address-Card of Rochoux, a Printseller), probably 1856, etching in red and black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9086

Charles Meryon, Porte d'un ancien couvent, Rue Mirabeau, à Bourges (Doorway of an Ancient Convent, in the Rue Mirabeau, Bourges), 1851, etching and drypoint on Japanese wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9142

George Baxter, The Fruit Girl of the Alps, 1859, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59508

Charles Meryon, L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris), 1854, etching, drypoint, and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9103

Paul Gavarni, Alexander Gabriel Descamps, 1853, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7336

George Baxter, Paul and Virginia, also called The Large Paul and Virginia, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54187

Edgar Degas, Portrait of a Woman, after a Drawing in the Uffizi then attributed to Leonardo da Vinci, 1858–1859, Graphite on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1423

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00880

Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680

George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54275

George Baxter, The Daughter of the Regiment, 1856, Steel etching and stipple printed in blue, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54249

Jean-Louis Forain, a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso), 1852, a) black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7028

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00900

François Bonvin, Der kleine Zeichner, 1856, Kohle und schwarze Kreide, verwischt und gekratzt, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10482

Charles Meryon, La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9100

Honoré Daumier, A l'instar d'Henri IV, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6361

George Baxter, "I Don't Like It!," also called "So Nasty!", 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54308

George Baxter, The Siege of Sebastopol, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54202

Edgar Degas, The Engraver Joseph Tourny (Le graveur Joseph Tourny), 1857 (third printing), etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6479

Archer and Warner, Astral Lamp, c. 1855, Brass, glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/280

George Baxter, King Saul, from Religious Events, No. 1 and No. 2., c. 1852, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original mount with printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54155

Jean-Louis Forain, Nude on Rocks, 1852, watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7027

United States (New York), Rose of Sharon quilt, c. 1850, Cotton, hand appliquéd and pieced, quilted, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.260

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00908

George Baxter, The May Queen Set, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors (from 8 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54175

Honoré Daumier, Lannes, duc de Montebello, 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6374

George Baxter, "Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache, c. 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54272

George Baxter, The Late Duke of Wellington, also called Wellington without arm, 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54266

Charles Meryon, Moliere's Tomb, probably c. 1854, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9136

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00889

Jean-Louis Forain, a) Lady and Gentleman in Evening Dress (recto); b) Sketch of Figure (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7025

Charles Meryon, Seated Male Figure for "San Francisco", probably c. 1856, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9135

George Baxter, The Parting Look (with Man and Box), 1858, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61563

George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59571

Gustave Courbet, Spring Flowers, c. 1855–60, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436026

Honoré Daumier, Clytemnestre poussée par mimi Véron..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6332

George Baxter, Lake Lucerne, Switzerland, 1857, Steel engraving colored with wooden blocks, on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61555

Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9091

Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633

Gustave Courbet, Portrait of a Woman, Called Héloïse Abélard, 1850, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436028

Roger Fenton, London: The British Museum, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102504

Gustave Courbet, Apples, 1850, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436027

George Baxter, His Royal Highness Prince of Wales, 1850, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54231

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00896

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00899

Charles Meryon, La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris), 1853, etching and engraving on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/866

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00903

George Baxter, Dover Coast, 1855, Steel etching and aquatint printed in black, with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59569

George Baxter, Crucis Abbey, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54457

Charles Marville, Sky Study, Paris, 1856–57, albumen print from wet collodion negative, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154075

Édouard Manet, The Man in the Tall Hat, 1858/1859, watercolor and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8678

Clodion, Satyrs at Play, c. 1850, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1024

George Baxter, Edmund Burke, 1856, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54260

Charles Meryon, Titre des eaux-fortes sur Paris (Title Page to the Set of Etchings of Paris), 1852, etching on blue wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9088

Édouard Baldus, Orange: Die Mauer des Théâtre antique, 1858, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102465

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073

Eugene von Guerard, Purrumbete from across the lake, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797418

George Baxter, The Late Duke of Wellington (with Arm), 1853, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54269

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243

Honoré Daumier, Mais, monsieur, je vous assure que c'est du... veau!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6368

George Baxter, The Princess Royal (Ring Out Old England's Bells), 1858, Steel etching printed in black, with block printing in colors, on wove paper, laid down on sheet music cover page with gold printing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138634

George Baxter, View from Harrow-on-the-Hill, 1851, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54376

Jean-Louis Forain, On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!, 1852, graphite and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7017

Eugène Delacroix, Greek Cavalry Men Resting in Forest, 1858, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95259

George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, with color block printing, on ivory wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59491

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00879

George Baxter, Vah-ta-ah, the Feejeean Princess, 1857, Steel etching and stipple, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54118

George Baxter, The Bride, also called The Large Bride, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54178

Honoré Daumier, Oui, monsieur Gimblet, l'ordre ne sera... rétabli..., 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6262

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00905

George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138652

William Callow, Rathaus, Hanover, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00142

George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128209

Gustave Courbet, Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), c. 1852–57, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436016

George Baxter, Sir Robert Peel (without Finger), 1853, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54251

George Baxter, The Hop Garden, 1856, Steel etching, aquatint, and stipple printed in purple, with block printing in colors from 12 zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54363

Honoré Daumier, Madame Chapotard se disposant a faire ses confitures, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6366

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00884

Gustave Courbet, Blick auf Frankfurt am Main mit der Alten Brücke von Sachsenhausen her, 1858, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4000

Honoré Daumier, Le Jour ou l'on dine chez Monsieur le Directeur..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6367

George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54441

Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9083

Gustave Courbet, Woman in a Riding Habit (L'Amazone), c. 1855–59, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436024

Rembrandt Peale, George Washington, c. 1850, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1094

Honoré Daumier, Je vous arrête, mauvais sujet..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6364

Honoré Daumier, Il y a la guerre... les loyers vont... diminuer..., 1859, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6404

Honoré Daumier, Art Lovers, c. 1863, Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109042

George Baxter, "So Tired!", 1853, Steel etching and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54328

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00894

Dante Gabriel Rossetti, King David, 1858–64, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00844

George Baxter, The Day before Marriage, 1854, Etching, aquatint, and roulette on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59510

Jean-Louis Forain, a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7015

Adolf Schreyer, Rastende Araber an einem Marmorbrunnen, 1856, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1370

Eugene von Guerard, View of Geelong, 1856, Geelong Art Gallery, Geelong. https://dartabase.art/cite/wikidata/Q7928775

Nadar (Gaspard Félix Tournachon), Élie-Louis, duc Decazes (French statesman and diplomat, 1819-1886), c. 1853/77, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144581

Francis Frith, Der Kiosk des Trajan auf der Nilinsel Philae, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102508

John Sartain, Sarah Childress Polk, c. 1850, Engraving on paper; Sheet: 25.4 × 15.7 cm (10 × 6 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399822700-1

Jean-Louis Forain, a) Nurse and Child (recto); b) Man on Horseback (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink and purple pencil on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7018

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00901

Félix Bracquemond, Charles Meryon, 1854, etching in brown-black and red on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5262

George Baxter, Christmas Time, 1859, Steel engraving printed in black, with block printing in colors, on wove paper, varnished, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54305

Gustave Courbet, Hunting Dogs with Dead Hare, 1857, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436014

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00888

George Baxter, Queen and the Heroes of India, 1857, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54172

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00897

Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079

Honoré Daumier, L'Inconvénient d'avoir un ami mélomane, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6357

George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54400

James McNeill Whistler (1834-1903), Etching plate: Becquet, 1859, Copper; H x W: 25.5 x 19.3 cm (10 1/16 x 7 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182511-0

Jean-Louis Forain, Comedie Parisienne, 1852, graphite and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7020

Nathaniel Currier, Jenny Lind, c. 1850, Color lithograph on paper; Sheet: 40.6 x 30.9 cm (16 x 12 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399814660-0

Joseph Meeks & Sons, Side Chair, 1859, Rosewood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/248

Pierre Joseph Chardigny, [Untitled], 1851, Waxed plaster, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/478

German 19th Century, Inkwell in the Form of a Grotesque Head, c. 1850, copper alloy with glass insert, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1436

Jean-Louis Forain, a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso), 1852, a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper; b) black crayon on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7021

George Baxter, The Saviour, also called Ecce Homo, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54298

Gustave Courbet, Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), 1858, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436000

George Baxter, The Pas des Trois, 1855, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54158

Charles Meryon, Armes symboliques de la ville de Paris (Symbolical Arms of the City of Paris), 1854, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9090

Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593

Thomas Chambers, View of West Point, c. 1850, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.12

Charles Meryon, Le Petit Pont, Paris, 1850, etching and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9093

Chief Justice Roger B. Taney, <I>The Case of Dred Scott in the United States Supreme Court</I>, 1857, ink on paper with string; H x W x D: 9 1/16 × 5 13/16 × 5/16 in. (23 × 14.7 × 0.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750333-1

George Baxter, St. Paul Preaching at Athens, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59559

Jean Baptiste Camille Corot, View near Epernon, 1850/1860, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1150

Charles Meryon, Plan du Combat de Sinope (Plan of the Battle of Sinope), 1853, etching with watercolor additions on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9139

George Baxter, Welsh Drovers, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54438

George Baxter, The Lovers' Letter-Box, 1856, Etching, stipple, and aquatint on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on secondary support, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59512

George Baxter, The Greek Dance, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138631

Jean-Louis Forain, At an Evening Party, 1852, pen and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7031

William Holbrook Beard, Lightning Struck a Flock of Witches, c. 1859–1896, oil on cardboard; 12 1/4 × 17 5/8 in. (31.1 × 44.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381070102-1

Honoré Daumier, L'Esprit frappeur, probably 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6355

George Baxter, Needle Box with an impression of The Corn Field, 1857, Steel etching, with block printing in colors, on wove paper, laid down on box lid, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61604

Charles Meryon, Saint-Etienne-du-Mont, Paris (Church of St. Stephen of the Mount, Paris), 1852, etching on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9098

Gustave Courbet, Alphonse Promayet (1822–1872), 1851, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436008

George Baxter, The Circassian Lady at the Bath, 1850, Steel engraving, with stipple and roulette, printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61569

William Callow, Old Palais de Justice, Malines, 1850, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00153

Honoré Daumier, L'Artiste - Voila qui est terminé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6377

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00885

Ernest Meissonier, A Painter, 1855, oil on mahogany, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150841

Thomas Couture, Soap Bubbles, c. 1859, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436030

George Baxter, The Crucifixion, also called The Small Crucifixion, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two zinc blocks, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54293

Angilbert Göbel, Arme Leute, 1858, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1414

George Baxter, Lord Nelson, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54257

Albert Bierstadt, Gathering Storm, (c. 1857–1858), Oil on paper mounted on paperboard; 6 7/8 x 9 3/4 in. (17.4 x 24.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858554-0

George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138636

Adolph von Menzel, Der Bärenzwinger im zoologischen Garten (The Bear Pit in the Zoological Gardens), 1851, lithograph on Chine appliqué on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9075

George Baxter, His Royal Highness Prince Albert (Buckskin Trousers), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54215

Honoré Daumier, Une Promenade conjugale, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6360

George Baxter, David, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128184

William Callow, Unidentified Market Place, ? Lubeck or Leipzig, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00143

Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647

Charles-François Daubigny, Sunrise (Le Lever du soleil), 1850, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6093

Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551

George Baxter, Victoria, Queen of Great Britain, India, etc., also called The Large Queen, 1859, Etching, mezzotint, and roulette on steel, printed in black, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59493

Léopold Flameng, Charles Meryon, 1858, photogravure on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6851

Charles Robert Leslie, Falstaff Personating the King, c.1851, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00739

Jean Baptiste Camille Corot, The Gardens of Horace (Les Jardins d'Horace), 1855, cliché-verre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6001

George Baxter, The Soldier's Farewell, The Parents' Gift, 1855, Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54204

Gustave Courbet, View of Ornans, probably mid-1850s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436025

John Frederick Kensett, An October Day in the White Mountains, 1854, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143477

Nadar (Gaspard Félix Tournachon), Champfleury (born Jules François Felix Fleury-Husson, French critic and novelist, 1821-1889), c. 1855/59, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 6, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144578

James McNeill Whistler (1834-1903), Soupe à Trois Sous, 1859, Etching; ink on paper; H x W: 15.3 x 22.7 cm (6 x 8 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183260-0

George Baxter, Religious Events No. 1, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54149

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00881

Jasper Francis Cropsey, Catskill Mountain House, 1855, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.47

George Baxter, The Birth of the Saviour, also called The Nativity or The Adoration, 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54287

Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9097

Paul Gavarni [Chevalier], A Sailor Standing on the Shore, 1859–60, Pen and brown ink with wash and watercolor, heightened with white on cream wove paper, laid on card, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334666

George Baxter, St. Peter and St. John Healing the Sick, from The Raphael Cartoons, 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59561

Théodore Chassériau, Femmes Mauresques de Constantine, 1851, soft-ground and hard-ground etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5958

George Baxter, Flora, also called Flora the Gypsy Girl, 1852, Steel engraving, with stipple, printed in black, with block printing in 11 colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61577

Alexandre-Gabriel Decamps, The Turkish Patrol, c. 1855–56, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436116

George Baxter, The Saviour, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128185

Adolph von Menzel, In a Railway Carriage (After a Night's Journey), 1851, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215327

Charles Meryon, Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris), 1854, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9105

Charles-François Daubigny, Villerville Seen from Le Ratier, 1855, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128363

Honoré Daumier, Membre... du dix Décembre prenant le la..., 1850, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6352

New England Glass Company, Footed Bowl, 1850–70, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/810

Alphonse Legros, Procession in the Sepulchre of Saint Medard(Procession dans le caveaux de St.-Medard), 1859, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8309

Jean Baptiste Camille Corot, Reverie, 1857 or later, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435981

Dante Gabriel Rossetti, The Adoration, 1858–64, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00843

George Baxter, View from Richmond Hill, Noon, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54396

George Baxter, River Tiefy, Cardiganshire, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54436

George Baxter, Shall I Succeed?, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54325

Robert S. Duncanson, <I>Robbing the Eagle's Nest</I>, 1856, oil on canvas , wood; H x W (unframed): 36 × 46 1/8 in. (91.4 × 117.2 cm); Storage: 142.2 × 167.6 × 33 cm (56 × 66 × 13 in.); H x W x D (framed): 46 1/4 × 56 × 3 1/8 in. (117.5 × 142.2 × 8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742824-1

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640

Jean-Louis Forain, Consolation, 1852, black crayon and brush and ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7034

Jean-Louis Forain, a) Ludus pro Populo (recto); b) Head of a Man (verso), 1852, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7030

Sir Edward John Poynter (1836-1919), Portrait of Whistler, 1858, Pencil on paper; H x W: 18.6 x 13.2 cm (7 5/16 x 5 3/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183164-0

Edgar Degas, The Dancers, 1854, Pastel and charcoal on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436137

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077

Max Rosenthal, The Hen That Hatched This Egg, 1851, Color lithograph; Sheet: 27 × 17.5 cm (10 5/8 × 6 7/8"); Book (closed): 28.1 × 19.8 × 3.5 cm (11 1/16 × 7 13/16 × 1 3/8"); Book (opened): 28.1 × 41.2 cm (11 1/16 × 16 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399817485-0

Etienne Carjat, Charles Baudelaire (French poet, critic, and writer, 1821-1867), c. 1863, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86945

Gustave Courbet, Portrait of a Man, probably c. 1862, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436019

Honoré Daumier, Le Commerce un jour d'échéance, 1851, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6350

Honoré Daumier, Il me semble que j'aperçois...  un... chien... pas muselé!..., 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6363

George Baxter, See Saw Margery Daw, also known as Miss Mischief, 1858, Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54320

Charles Meryon, La morgue, Paris (The Mortuary), 1854, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9104

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665

George Baxter, The Crucifixion, also called The Large Crucifixion, 1855, Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid downon original blindstamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59495

Edgar Degas, Self-Portrait (Edgar Degas, par lui-même), 1857, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6478

George Baxter, Windsor Forest (Pocket Book version), 1850, Steel etching and stipple printed in brown, with block printing in colors from 11 blocks, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54343

Edgar Degas, Self-Portrait, c. 1855–56, Oil on paper, laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436158

George Baxter, Sir Robert Peel, also called Peel with Extended Finger, 1853, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54254

Charles Meryon, La Tour de l'Horloge, Paris (The Clock Tower, Paris), 1852, etching on wove Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9096

Gustave Courbet, After the Hunt, c. 1859, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436007

David Johnson, Study, North Conway, New Hampshire, 1851, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143140

Sir Edward Coley, Bt Burne-Jones, Study for ‘Buondelmonte’s Wedding’, c.1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A01162

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667

George Baxter, Dripping Well, Hastings, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54403

Eugène Delacroix, Christ Asleep during the Tempest, c. 1853, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436176

Jean-Louis Forain, Sur le canape, 1852, brush and black ink and brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7033

George Baxter, The Greek Dance And Harem Set, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54139

Markus Lynge, Fortællingen om Akigssiak: Akigssiak kaster indlandsboen ned fra et fjeld, 1859–1860, Træsnit på tyndt japanpapir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13358e

Charles Meryon, Le stryge (The Vampire), 1853, etching on Japanese laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9092

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00886

George Baxter, Brighton Chain Pier, 1850, Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54414

George Baxter, Needle Box decorated with The Regal Set, 1850, Box with steel etching printed in brown, with block printing in colors, on ivory wove paper, laid down on box lid, and with ten small boxes, each with Baxter prints on ivory wove paper laid down on box lid, on the inside, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61607

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9123

Charles Meryon, Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris), 1854, etching and drypoint on Jan Kool laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9089

George Baxter, Puss Napping, 1856, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from four zinc blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54313

George Baxter, Llangollen, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54429

William Callow, Place St Pharailde, Ghent, 1850, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00148

George Baxter, The Princess Royal, Princess of Prussia, 1858, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54236

Union Glass Company, Ale Glass, 1850–70, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/41

Jean Baptiste Camille Corot, A Village Street: Dardagny, 1852, 1857, or 1863, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435987

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00883

George Baxter, The Allied Sovereigns and the Commanders of Their Forces, 1855, Steel etching and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54169

Francis Frith, Der Tempel von Kom Ombo in Oberägypten, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102507

Edward von Steinle, Der Geiger im Turmfenster, 1858, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1615

Edgar Degas, The Old Italian Woman, 1857, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436120

Parker Pottery, Bear figure and spill holder, c. 1850–75, Earthenware; Redware with slip decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435

Charles Meryon, Le Pont-au-Change, Paris, vers 1784, 1855, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9473

Reuben Townroe, [title not known], c.1858, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00906

Charles Meryon, Study for "Le Petit Pont", probably c. 1850, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9122

George Baxter, Queen's Floral Needle Box Set, also called Ten Bouquets, 1850, Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128210

George Baxter, "It is Finished!", 1855, Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount (Baxterotype process), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54295

George Baxter, Windsor Castle, also called Returning From Stag Hunting, 1850, Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54334

Dante Gabriel Rossetti, Fanny Cornforth, 1859, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00845

George Baxter, Windsor Castle, from the Long Walk, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54337

Charles Robert Leslie, Head of Prince Hal, c.1851, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00741

Charles Meryon, Le Pont Neuf, Paris, 1853, etching and drypoint on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9101

Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499

George Baxter, The Finding of Moses, from Religious Events No. 1, c. 1852, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138632

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646

George Baxter, The Houses of Parliament, 1851, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54199

Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076

William Callow, Rathaus, Eisenach, 1852, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00146

George Baxter, Infantine Jealousy, 1857, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from ten blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54311

Jean Baptiste Camille Corot, Sommerlandschaft, 1855–1860, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1392

Jean-Louis Forain, Children Looking over the Edge of a Crib, 1852, black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7022

George Baxter, The Finding of Moses, from Religious Events, No. 1 and No. 2, c. 1852, Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128179

George Baxter, Balmoral Castle, 1850, Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54331

George Baxter, The Bride, cover for The Prima Donna Waltz sheet music, 1850, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59541

Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589

George Baxter, News from Australia, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount (trimmed), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61505

George Baxter, Her Majesty Queen Victoria, also called The De la Rue Queen, c. 1850, Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54218

Eugene von Guerard, Warrenheip Hills near Ballarat, 1854, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20470339

George Baxter, The Harem, 1850, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54146

Honoré Daumier, C'est bête d'avoir en hiver, des..., 1851/1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6359

George Baxter, Eugenie, Empress of the French, 1854, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54278

George Baxter, Pas des Trois and Fairy Scenes (from Set of Needle Prints), c. 1851, Steel etching and stipple printed in black, with block printing in colors, on wove paper (two compositions on one sheet), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54167

George Baxter, The First Impression, 1850, Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54193

George Baxter, Jetty Treffz (Mademoiselle Jetty Treffz), 1850, Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54243

Honoré Daumier, Se réjouissant... de la fin de la Canicule, 1852, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6362

George Baxter, The Third Day He Rose Again, 1854, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59555

Charles Meryon, La Loi lunaire, 1er planche ("Lunar" Law, 1st plate), 1856, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9112

George Baxter, St. Ruth's Priory, 1850, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54473

George Baxter, "So Nice!", 1852, Steel etching, aquatint, and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54316

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128808