Nadar (Gaspard Félix Tournachon), Antoine Gustave Droz (French writer, 1832-1895), c. 1853/72, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144597

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28032

Honoré Daumier, A Family Scene, plate 37 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84598

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138515

Honoré Daumier, “- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84587

Ateu Atsa, Commemorative figure (lefem), mid-1800s–1910, wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153765

Untitled (Eight Atalanta Crewmen), July 30, 1856, Daguerreotype, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27494

Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243

Nadar (Gaspard Félix Tournachon), Élie-Louis, duc Decazes (French statesman and diplomat, 1819-1886), c. 1853/77, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 2, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144581

Honoré Daumier, At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84593

Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551

Nadar (Gaspard Félix Tournachon), Champfleury (born Jules François Felix Fleury-Husson, French critic and novelist, 1821-1889), c. 1855/59, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 6, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/144578

Adolph von Menzel, In a Railway Carriage (After a Night's Journey), 1851, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215327

Charles-François Daubigny, Villerville Seen from Le Ratier, 1855, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128363

Félix Bracquemond, Profile Portrait of Charles Meryon, 1854, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63640

Etienne Carjat, Charles Baudelaire (French poet, critic, and writer, 1821-1867), c. 1863, Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86945

David Johnson, Study, North Conway, New Hampshire, 1851, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143140

Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499

Honoré Daumier, The Bath at 4 Sous, plate 29 from Croquis D'été, 1858, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84589

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128808