George Baxter, The Child's Companion and Juvenile Instructor, New Series 1849, 1849, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/139741 Honoré Daumier, Allons donc... que diable cocher..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6172 Honoré Daumier, J. Alexandre Bixio, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6326 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00753 Honoré Daumier, Comment!... tous mes moutons sont morts..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6209 Honoré Daumier, Ferdinand Flocon, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6335 Honoré Daumier, Plusieurs gardes nationaux qui n'avaient pas songé..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6275 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00757 George Baxter, Jerusalem, from the Mount of Olives, 1849, Steel etching, aquatint, roulette, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54290 Honoré Daumier, Inconvénient de mettre son logement..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6258 Honoré Daumier, Inconvénient d'un parapluie a ressorts trop compliqués, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6338 Honoré Daumier, Une Révolte a bord, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6170 Honoré Daumier, Un Locataire qui paie exactement son terme, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6281 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00789 Honoré Daumier, Ce char marchera toujours..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6386 Honoré Daumier, Les Barbotteuses, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6286 Honoré Daumier, L'Ami de collège, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6150 Honoré Daumier, La Première leçon de natation, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6252 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00754 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00761 Honoré Daumier, Les Crêpes, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6182 Honoré Daumier, Plaisirs de la paternité, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6253 Auguste Lepère, Storm on the Dune, Vendee (L'orage sur la dune, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8478 George Baxter, The Fisherman's Home, 1849, Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54302 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00750 Honoré Daumier, Comment trouvez-vous ce petit vin-la..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6210 Honoré Daumier, Le Supplice de Tantale, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6160 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00769 Honoré Daumier, On rend des comptes aux actionnaires, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6243 Honoré Daumier, Jean-Louis Greppo, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6320 Honoré Daumier, Les Fumeurs de Hadchids, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6178 George Baxter, Paul and Virginia, also called The Small Paul and Virginia, 1848, Steel etching printed in black, with block printing in colors, on wove paper, laid down on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54184 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00790 Honoré Daumier, Et parlant a sa portière ainsi déclarée..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6195 Honoré Daumier, Entrez donc, monsieur... ne vous gênez pas..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6231 Honoré Daumier, J'ai vu Seigneur... votre malheureux fils..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6157 Honoré Daumier, Vue d'une antichambre ministérielle..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6261 Honoré Daumier, Désolé, citoyenne... je ne reçois pas de chiens..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6293 Honoré Daumier, Au novel an, visite... a la tante Rabourdin, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6219 Honoré Daumier, Dis donc ma femme... je ne vois rien!, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6211 Honoré Daumier, Tiens... je ne te reconnaissais pas..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6270 Honoré Daumier, Ah! docteur... je crois... que j'suis poitrinaire!, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6339 Honoré Daumier, Un Père heureux, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6185 Honoré Daumier, Une Demande en séparation, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6175 Honoré Daumier, Au Café d'Aguesseau, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6199 Honoré Daumier, Le Compte est-il bien exact?..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6282 George Baxter, Destruction of the Tanjore by Lightening, off Ceylon, 1844, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54126 Honoré Daumier, Brigand de propriétaire..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6225 Honoré Daumier, Tiens, voilà un écriteau que ma femme a passé..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6284 Charles Meryon, Portrait of Edmond de Courtives, c. 1849, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74007 Honoré Daumier, Si ma machine est bonne? je crois bien..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6241 Honoré Daumier, Madame Rabourdeau a sa première leçon, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6285 Honoré Daumier, P.J. Proudhon, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6324 Honoré Daumier, Leçon d'équitation, haute école, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6245 John Cochran, Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery", 1843, Stipple engraving on paper; Sheet: 14.3 × 8.7 cm (5 5/8 × 3 7/16"); Book closed: 15.2 × 9.6 × 1.2 cm (6 × 3 3/4 × 1/2"); Book open: 15.2 × 19.1 × 1 cm (6 × 7 1/2 × 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399826157-1 Honoré Daumier, Un Locataire qui a eu un oubli le 1er janvier, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6226 Honoré Daumier, Carotte du restaurant, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6190 Honoré Daumier, La Rencontre sous bois, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6173 Honoré Daumier, A. Granier de Cassagnac, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6371 Honoré Daumier, Ton habit me convient, je te l'emprunte..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6205 Honoré Daumier, Une Visite du 1er Janvier, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6183 Honoré Daumier, Gibier qui peut être chassé en toutes les saisons, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6193 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00791 Honoré Daumier, Un Déménagement furtif, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6279 Honoré Daumier, Guide, allons-nous-en... au nom du ciel..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6227 Honoré Daumier, Les Journaux Napoléoniens sortant de l'Assemblée Nationale..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6278 Honoré Daumier, Adieu, mon cher, je vais chez mes éditeurs..., 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6189 Honoré Daumier, Tu m'reprendras encore... a aller souhaiter..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6267 Honoré Daumier, Inconvénient d'envoyer un mauvais tableau..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6266 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00778 Honoré Daumier, Les Journaux bienfaisans, 1842, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6165 Honoré Daumier, Antony Thouret, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6315 Honoré Daumier, Eus. Isidore Buvignier, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6318 Honoré Daumier, Le Placeur, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6152 Honoré Daumier, Un Mari brûlé du feu de la jalousie, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6340 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00764 George Baxter, Parhelia, from Astronomy and Scripture, 1843, Steel etching, printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61581 Honoré Daumier, Impressions de voyage d'un grand poete, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6164 Honoré Daumier, Le Barbillon entraine..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6147 Honoré Daumier, L.F. Raymond Wolowski, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6321 Honoré Daumier, Encore perdu en Cour Royale... et il se lamente..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6203 Auguste Lepère, Souvenir of St. Denis (Souvenir de Saint-Denis), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8491 George Baxter, Socrates, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54083 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00749 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00782 Honoré Daumier, L'Oeil du maitre, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6144 Honoré Daumier, Le Jour ou il s'agit de faire une conquête, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6221 Honoré Daumier, Fesant toutes partie de la plus belle moitié..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6288 Honoré Daumier, Il défend l'orphelin et la veuve, a moins..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6198 Honoré Daumier, Ah! Gringalet d'Paris... tu viendras faire danser..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6212 Honoré Daumier, F.J. Ducoux, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6319 Auguste Lepère, Storm on the Dune, Vendee (L'orage sur la dune, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8479 Honoré Daumier, Un Vainqueur de Steeple-chase, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6179 Charles-François Daubigny, Pool with Deer (La Mare aux cerfs), 1845, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6092 Auguste Lepère, Pastime of Rest, Vendee (Le jeu du reposoir, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8489 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00744 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00768 Auguste Lepère, Jewish Quarters in Amsterdam, 1849, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8473 Honoré Daumier, “Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63482 George Baxter, Miss Aldersey's School at Ningpo, 1847, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90029 Honoré Daumier, Ah! vous êtes fort en vers latins, jeune homme..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6216 Honoré Daumier, C'est t'y a vous c'hien la?, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6341 George Baxter, The Massacre of the Lamented Missionary, The Rev. J. Williams and Mr Harris, 1841, Steel etching and stipple printed in blue, with block printing in colors, on wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138630 Félix-Hilaire Buhot, Les Bergeries, Soleil Couchant (Pastoral Scene, Setting Sun), 1847, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4456 Honoré Daumier, Ulysse et Pénélope, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6159 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00758 Honoré Daumier, Le Claqueur, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6153 Honoré Daumier, Un Monsieur qui veut se donner la satisfaction..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6188 Honoré Daumier, Aperçois-tu un lieu civilisé..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6265 Honoré Daumier, Comment on comprend le balcon Espagnol a Paris, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6280 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00786 Honoré Daumier, Mais puisque j'vous dis que c'est son ballon..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6244 George Baxter, The Six Malagasy Christians (now in England) Waiting at Tamatava to Embark for Mauritius, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54133 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00763 Honoré Daumier, C'est unique! j'ai pris quatre tailles..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6146 Honoré Daumier, Le Constitutionnel contemplant l'horizon politique, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6387 Honoré Daumier, Un Fils modèle, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6254 George Baxter, The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred, 1841, Steel etching printed in blue, with block printing in colors, on wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138629 Honoré Daumier, Une Gloire éteint l'autre, probably 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6269 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00784 Honoré Daumier, Le Barbillon entraine..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6148 Honoré Daumier, Le Futur monument de Napoléon aux Invalides, 1842, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6163 Honoré Daumier, Ils prétendent qu'ils la soutiennent, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6330 George Baxter, His Royal Highness Prince Albert (Blue Breeches), 1848, Steel etching and stipple printed in black, with block printing in colors (from 12 blocks), on laid paper, laid down on buff wove paper with framing line in blue ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54213 Honoré Daumier, Nous avons grande représentation aujourd'hui, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6202 Honoré Daumier, Ma femme est-elle a la maison?, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6336 Honoré Daumier, Épicier citoyen, guerrier pur et sans tache..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6143 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00742 Honoré Daumier, Il y a trois mois, m'sieu l'vicomte posait... comme ça..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6291 John Warner Barber, Bagna, 1840, Wood engraving on paper; Image: 4.5 × 3.1 cm (1 3/4 × 1 1/4"); Sheet: 22 × 14.2 cm (8 11/16 × 5 9/16"); Book closed: 22 × 14.2 × 0.3 cm (8 11/16 × 5 9/16 × 1/8"); Book open: 22 × 27.5 × 0.3 cm (8 11/16 × 10 13/16 × 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828283-0 Honoré Daumier, Un Amant trop heureux, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6174 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00760 Honoré Daumier, Jules Bastide, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6325 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00766 Honoré Daumier, J. Antoine Taschereau, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6323 Honoré Daumier, Trente secondes de station, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6239 Honoré Daumier, Adolphe Thiers, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6322 George Baxter, The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred, from Two Specimens, 1841, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59521 Honoré Daumier, Confrère, méfiez-vous du petit baron..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6294 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00777 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00771 Honoré Daumier, Un Père qui fait sucer à son fils..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6247 Honoré Daumier, Ah! monsieur... faut pas lui rire comme ça..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6256 Honoré Daumier, Devant M. le Maire, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6176 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00772 Honoré Daumier, Mr. le Juge de paix a rendu sa décision..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6196 Honoré Daumier, Vois-tu petit, t'as tort..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6329 John Warner Barber, Pungwuni, 1840, Wood engraving on paper; Image: 4.5 × 3.1 cm (1 3/4 × 1 1/4"); Sheet: 22 × 14.2 cm (8 11/16 × 5 9/16"); Book closed: 22 × 14.2 × 0.3 cm (8 11/16 × 5 9/16 × 1/8"); Book open: 22 × 27.5 × 0.3 cm (8 11/16 × 10 13/16 × 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828277-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00776 Honoré Daumier, Pierre Louis Parisis, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6375 George Baxter, The Rev. J. Williams First Interview with the Natives of Erromanga, 1842, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54109 George Baxter, Wesleyan Mission Station at Waingaroa, New Zealand. Natives Assembling for Worship, 1846, Steel etching and stipple, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54112 Honoré Daumier, L'Entrée dans la vie, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6167 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00755 Honoré Daumier, Un Chapeau Pamèla, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6181 Honoré Daumier, A.P.F. Deslongrais, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6333 Honoré Daumier, Dites donc, mame Giboulard..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6166 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00775 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00743 Honoré Daumier, L'Interdiction du port des décorations, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6272 Honoré Daumier, Vous avez perdu votre procès c'est vrai..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6204 George Baxter, Maritime Discovery and Christian Missions: Considered in Their Mutual Relations, 1840, Book with letterpress, one Baxter print, and one engraving in black, on cream wove paper, bound in hardcover with dark blue cloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61625 Honoré Daumier, Le Mendiant a domicile, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6149 George Baxter, Derwent Water, Cumberland, 1849, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54352 Honoré Daumier, A. Fréd. Pierre comte de Falloux, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6317 Honoré Daumier, Un Retour de jeunesse, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6187 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00752 Honoré Daumier, Ce satané Pigochard..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6271 Honoré Daumier, Réception d'un franc-maçon, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6184 Honoré Daumier, Une Maitresse a l'Opéra, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6177 Honoré Daumier, Le Plus farceur de la société, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6343 Honoré Daumier, Une Position difficile, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6230 Honoré Daumier, La veuve, c. 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6400 Honoré Daumier, Oui Monsieur vous n'êtes pas de Paris..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6142 Honoré Daumier, Décidément nous nous amusons trop, Guillochard!..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6276 Honoré Daumier, Pierre-Napoléon Bonaparte, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6372 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00781 Honoré Daumier, Attends... j'te vas en donner... du maitre d'école, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6228 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00765 Félix-Hilaire Buhot, Un Vieux Chantier à Rochester (The Old Dock-yard at Rochester), 1847, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4457 Honoré Daumier, Télémaque interrogé par les sages, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6161 Honoré Daumier, Ah! ben... le convoi... peut se flatter de l'échapper..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6171 George Baxter, Domestic Happiness, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54072 Honoré Daumier, Qu'il est gentil comme ça, Dodore..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6215 Honoré Daumier, Mais monsieur le propriétaire, voyez..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6259 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00774 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00780 Honoré Daumier, Mission pénible et délicate du professeur de dessin..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6229 Honoré Daumier, Les Deux banqueteurs en joie, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6277 Honoré Daumier, Une Nouvelle connaissance, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6186 Honoré Daumier, Le Puits de Grenelle, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6235 Honoré Daumier, Madame, j'ai bien l'honneur!, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6263 Honoré Daumier, Est-il bon, au moins, votre vin!..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6268 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00779 Honoré Daumier, Et on appelle ça descendre le fleuve de la vie..., 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6234 Honoré Daumier, Le Chiffonnier philosophe, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6290 Honoré Daumier, Pygmalion, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6162 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00751 Honoré Daumier, Doux loisir d'un quincailler retiré di commerce..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6222 Honoré Daumier, Déménagé!..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6260 Honoré Daumier, Jean Charles Besnard, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6316 Honoré Daumier, Comment on donne... le goût de la navigation, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6246 George Baxter, Bolton Abbey, 1847, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54420 Honoré Daumier, Mais quand je vous dis que je ne peux pas remuer les pieds..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6337 Honoré Daumier, Le Constitutionnel contemplant l'horizon politique, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6376 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00770 Honoré Daumier, Un Ami est un crocrodile..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6206 Honoré Daumier, Le Format de plus en plus monstre, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6180 Paul Gavarni, The Poor Family (Une famille pauvre), 1843/1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7331 Honoré Daumier, Bourgeois se fesant lire, après diner, quelques chapitres..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6220 Honoré Daumier, Ah! il est frais... mais t'nez donc garçon..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6214 George Baxter, George Pritchard, 1845, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59528 George Cooke, Tah-col-o-quoit, 1842, Hand-colored lithograph on paper; Sheet: 51 x 36 cm (20 1/16 x 14 3/16"); Book: 51.5 x 37.5 x 4.3 cm (20 1/4 x 14 3/4 x 1 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806475-0 Honoré Daumier, Un Enfant qui s'amuse de peu..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6250 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00788 Honoré Daumier, J'ai vu un lièvre... il y a huit jours!, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6213 Honoré Daumier, Je crois que j'ai entendu chanter un hibou..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6218 Southworth & Hawes’ Daguerreotype Rooms, c. 1848, Wood engraving; Sheet: 20 × 12.7 cm (7 7/8 × 5"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1758099349407-1758099402194-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00783 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00785 Honoré Daumier, Les Temps sont durs..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6342 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00767 E. B. & E. C. Kellogg Lithography Company, John Randolph, 1844, Lithographed silhouette with tintstone on paper; Sheet: 42.8 x 31.4cm (16 7/8 x 12 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399811192-0 George Baxter, The Massacre of the Lamented Missionary the Rev. J. Williams and Mr. Harris, from Two Specimens, 1841, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59523 Honoré Daumier, Mon cher je t'assure que je te..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6207 Théodore Chassériau, Apollon et Daphne, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5960 Honoré Daumier, Abonnés recevant leur journal..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6192 George Baxter, View from Richmond Hill, Morning, 1845, Steel etching, aquatint, and stipple printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54393 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00747 George Baxter, The Holy Family, 1849–50, Steel etching and stipple printed in brown, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138635 Eugène Carrière, Paul Verlaine, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5909 George Baxter, The Ordinance of Baptism, from Missions in Jamaica, 1843, Etching and stipple printed in black, with block printing in color, on wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59483 Théodore Chassériau, Venus Anadyomene, c. 1841/1842, lithograph on gray-tinted chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5959 George Baxter, Child on a Bed, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54074 George Baxter, View from Deserted Rock Quarry on the Wye (top), and Winter, also called The Small Winter, the long print (bottom), 1849, printed 1936, Aquatint in black (top), and aquatint and stipple engraving in black (bottom), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22757 Honoré Daumier, Est-il dieu permis... fendre du bois..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6223 Honoré Daumier, Pique-Assiette, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6151 Honoré Daumier, L'Acteur des Funambules, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6154 Honoré Daumier, Un Défenseur... causant... dans son cabinet habituel, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6201 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00746 Honoré Daumier, Eh! bien monsieur et mes trois termes..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6283 Honoré Daumier, Diable!... il parait que le rasoir n'est guère bon..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6232 George Baxter, Rev. John Williams (Small), 1840, Stipple and etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54097 Honoré Daumier, Est-ce que votre mari serait jaloux..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6208 Keokuk, 1844, Hand-colored lithograph on paper; Sheet: 29 x 22.5 cm (11 7/16 x 8 7/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816116-0 Honoré Daumier, Inconvénient de visiter sans précaution un entresol..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6224 Honoré Daumier, Allons, papa... encore... trente-deux tours!..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6249 George Baxter, The Judgment of Brutus, 1840, Steel etching, aquatint, and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54080 Honoré Daumier, Présentation d'Ulysse a Nausica, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6237 Dwight Needham, Lewis Cass, 1848, Lithograph; Image: 28.5 × 21 cm (11 1/4 × 8 1/4"); Sheet: 36 × 28.5 cm (14 3/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820009-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00745 George Baxter, London from Greenwich Observatory, 1845, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54366 Honoré Daumier, En Famille, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6289 Honoré Daumier, Un Pauvre père de famille qui..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6242 Honoré Daumier, Le Voyage en chemin de fer..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6273 George Baxter, Miss Aldersby's School at Ningpo, 1847, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138633 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00773 George Baxter, The Mission Premises at the Kuruman Station, 1842, Steel etching and aquatint, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54120 Honoré Daumier, La Cour, vidant le délibéré..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6194 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00756 Honoré Daumier, Pour qui sont ces Serpents..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6156 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00748 Honoré Daumier, Un Voyage d'agrément a Paris, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6168 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00762 Honoré Daumier, Moi aussi j'ai été jeune..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6344 Honoré Daumier, C.H. Odilon Barrot, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6327 Honoré Daumier, Le Portier en tournées de visites..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6155 Paul Gavarni, After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse), 1847/1856, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7333 Honoré Daumier, J. Marie-Anne Degousée, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6334 Paul Gavarni, The Model and the Figure (La sculpture monumentale), 1847/1856, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7332 Honoré Daumier, Si ma machine est bonne? je crois bien..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6240 Honoré Daumier, Dites donc, président, impossible d'attraper un lièvre..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6331 Honoré Daumier, Une Nuit agitée, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6251 Honoré Daumier, Rifolard est plus charmé que jamais..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6274 George Baxter, Dove Dale, 1847, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54355 Honoré Daumier, Papa contemplant l'image de son image, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6217 George Baxter, Near Folkstone, Midday, 1847, Steel etching and stipple printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54360 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00759 George Baxter, View From a Deserted Rock Quarry on the Wye, 1849, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54600 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00787 George Baxter, Hindoo Temple at Gyah Bahar, 1847, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54129 Honoré Daumier, Vois-tu, mon ami... il n'y a que deux élemens... du bonheur..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6169 Honoré Daumier, Voila le ministère public qui vous dit des choses... désagréables..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6197 Honoré Daumier, Une Famille chez qui réside l'instinct guerrier, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6248 Honoré Daumier, A la buvette, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6287 Honoré Daumier, Oui, mon cher monsieur Badoulard, je vais..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6191 George Baxter, The Ordinance of Baptism, from Missions in Jamaica, 1843, Etching and stipple printed in black, with block printing in color, on wove paper, varnishd, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59485 George Baxter, England's Queen, or Her Most Gracious Majesty the Queen, 1848, Steel etching and stipple printed in black, with block printing in colors (from 13 blocks), on laid paper, laid down on buff wove paper, with framing line in blue ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54209 Honoré Daumier, Je pars plus amoureux que... jamais..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6158 Honoré Daumier, Des chargés d'affaires, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6292 Honoré Daumier, Une Rencontre en pleine eau, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6238