George Baxter, The Child's Companion and Juvenile Instructor, New Series 1849, 1849, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/139741 Kogaya, Suzugamori no ba, 1849 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.174 Honoré Daumier, Allons donc... que diable cocher..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6172 Louis Le Breton, Reservoirs D'eau de L'ile de Toud, Detroit de Torres (Clamshell reservoirs Tudu Island, Torres Strait) (plate 188 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L'Oceannie' (Official report of Dumont d'Urville's second voyage), Paris, 1846), 1846, Tinted lithograph printed in black ink from one stone on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24667 Jean Baptiste Camille Corot, Standing Male Nude, 1843, Graphite, with stumping, on greenish ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203630 Honoré Daumier, J. Alexandre Bixio, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6326 Alexandre-Gabriel Decamps, The Good Samaritan, by 1853, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436115 William James Müller, Lycia: A Xanthian Youth, 1843–4, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00822 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00753 Ichiryusai Hiroshige, Arai (from 'Fifty-three stations of the Tokaido' series), c.1840, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5837 Honoré Daumier, Comment!... tous mes moutons sont morts..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6209 Honoré Daumier, Ferdinand Flocon, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6335 Honoré Daumier, Plusieurs gardes nationaux qui n'avaient pas songé..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6275 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00757 George Baxter, Jerusalem, from the Mount of Olives, 1849, Steel etching, aquatint, roulette, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54290 Honoré Daumier, Inconvénient de mettre son logement..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6258 Honoré Daumier, Inconvénient d'un parapluie a ressorts trop compliqués, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6338 John James Keith, Cream jug, 1844–45, Silver in the rococo revival manner with flowers and scrolls in relief, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/278 Honoré Daumier, Une Révolte a bord, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6170 Honoré Daumier, Un Locataire qui paie exactement son terme, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6281 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00789 after Jean-Baptiste Greuze, Maiden meditation, after 1840, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10473 Robert Russell, (Ruins of a castle on a rocky outcrop with sea on three sides), 1845, Pencil on buff paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14617 Joseph Mallord William Turner, Approach to Venice, 1844, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/117 Honoré Daumier, Ce char marchera toujours..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6386 UNKNOWN GLASSMAKER, Goblet, c.1840–60, Cobalt glass moulded in the Moorish style with stylised daisies and arches, ridged rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14127 Conrad Martens, Port Jackson from Brown's cottage, c.1843, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6296 Thorald Læssøe, View from the Outskirts of Rome, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368167 Honoré Daumier, Les Barbotteuses, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6286 Honoré Daumier, L'Ami de collège, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6150 Honoré Daumier, La Première leçon de natation, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6252 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00754 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00761 Honoré Daumier, Les Crêpes, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6182 Honoré Daumier, Plaisirs de la paternité, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6253 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with six vertical lines of strawberry cuts and an apple shaped cartouche enclosing an engraved MW, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/980 Auguste Lepère, Storm on the Dune, Vendee (L'orage sur la dune, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8478 George Baxter, The Fisherman's Home, 1849, Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54302 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00750 William J. Müller, A Welsh stream, c.1843, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7157 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus stigmaticus (Branded Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6272 Honoré Daumier, Comment trouvez-vous ce petit vin-la..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6210 Honoré Daumier, Le Supplice de Tantale, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6160 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00769 Honoré Daumier, On rend des comptes aux actionnaires, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6243 BOHEMIAN STYLE, Beaker, c.1840–60, Pink and purple glass cased over clear and wheel cut with elongated arches. The central arch stained yellow, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7939 Albert Küchler, Study of a Woman from Behind, 1845, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368395 Honoré Daumier, Jean-Louis Greppo, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6320 Honoré Daumier, Les Fumeurs de Hadchids, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6178 John - Collaborating artist, GOULD, Elizabeth Gould, Chlamydera maculata (Spotted Bower-Bird) (from 'The birds of Australia' series), 1840–48, Lithograph, hand-coloured; double-page plate on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17371 Henry Lewis, Gorge of the St. Croix, 1847, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.5 George Baxter, Paul and Virginia, also called The Small Paul and Virginia, 1848, Steel etching printed in black, with block printing in colors, on wove paper, laid down on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54184 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00790 Katsushika Hokusai, Making "mochi" (rice dumplings) (from 'Hokusai Gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4232 George Baxter, Man as a Moral and Accountable Being, 1840, Book with letterpress and two Baxter prints on ivory wove paper, bound in hardcover with green cloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61618 Honoré Daumier, Et parlant a sa portière ainsi déclarée..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6195 Honoré Daumier, Entrez donc, monsieur... ne vous gênez pas..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6231 Honoré Daumier, J'ai vu Seigneur... votre malheureux fils..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6157 Honoré Daumier, Vue d'une antichambre ministérielle..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6261 United Society of Believers in Christ’s Second Appearing (“Shakers”), Bench, c. 1850, Pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/459 Honoré Daumier, Désolé, citoyenne... je ne reçois pas de chiens..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6293 John Glover, (House and cattle in wooded landscape (possibly Patterdale)), c.1840, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3760 Honoré Daumier, Au novel an, visite... a la tante Rabourdin, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6219 Moritz von Schwind, Der Sängerkrieg auf der Wartburg, 1846, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/915 Honoré Daumier, Dis donc ma femme... je ne vois rien!, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6211 Honoré Daumier, Tiens... je ne te reconnaissais pas..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6270 Katsushika Hokusai, Blind men fording a stream (from 'Hokusai Gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4910 Honoré Daumier, Ah! docteur... je crois... que j'suis poitrinaire!, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6339 Honoré Daumier, Un Père heureux, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6185 Honoré Daumier, Une Demande en séparation, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6175 Honoré Daumier, Au Café d'Aguesseau, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6199 United States Pottery Company, Book flask, 1849, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/555 William Sidney Mount, The Power of Music, 1847, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155783 Honoré Daumier, Le Compte est-il bien exact?..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6282 George Baxter, Destruction of the Tanjore by Lightening, off Ceylon, 1844, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54126 John Burley Waring, At a Pedestrian match, 1840–1870, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O505962 Antoine-Louis Barye, Ape Riding a Gnu, (c. 1845), Bronze; 9 1/8 × 10 3/4 × 4 in. (23.1 × 27.3 × 10 cm) incl. base, Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858433-0 Ella Maria Deacon, Friendship Quilt, 1842, Appliquéd and pieced quilt; dyed and printed plain weave cotton fabrics; ink inscriptions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54071 Honoré Daumier, Brigand de propriétaire..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6225 Carl Spitzweg, Der Witwer, 1844, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3174 Honoré Daumier, Tiens, voilà un écriteau que ma femme a passé..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6284 Carl Spitzweg, Der Rosenfreund, c. 1847–1850, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4013 Charles Meryon, Portrait of Edmond de Courtives, c. 1849, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74007 John Linnell, Noah: The Eve of the Deluge, 1848, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146416 George Baxter, Prospectus with Royal Arms in Gold and Colours, 1840, Letterpress in black and block printing in colours on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59532 Honoré Daumier, Si ma machine est bonne? je crois bien..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6241 Honoré Daumier, Madame Rabourdeau a sa première leçon, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6285 Honoré Daumier, P.J. Proudhon, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6324 Honoré Daumier, Leçon d'équitation, haute école, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6245 John Cochran, Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery", 1843, Stipple engraving on paper; Sheet: 14.3 × 8.7 cm (5 5/8 × 3 7/16"); Book closed: 15.2 × 9.6 × 1.2 cm (6 × 3 3/4 × 1/2"); Book open: 15.2 × 19.1 × 1 cm (6 × 7 1/2 × 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399826157-1 Honoré Daumier, Un Locataire qui a eu un oubli le 1er janvier, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6226 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass stained amber and wheelcut with a design of four spade motifs. Four small feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6127 Honoré Daumier, Carotte du restaurant, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6190 Japanese, Tsuka with Dragons, 2nd half 19th century-early 20th century (Edo-Meiji), dark brown lacquer, gold, silver, ray skin, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1226.3B Ichiryusai Hiroshige, Landscape album ('Tokaido gojusan-tsugi' The fifty-three stations of the Tokaido), c.1845, 53 woodcut prints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3581 Narcisse-Virgile Diaz de la Peña, Diana, 1849, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436191 Honoré Daumier, La Rencontre sous bois, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6173 Carlo Dalgas, The Head of a Red Brushed Cow, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368210 Honoré Daumier, A. Granier de Cassagnac, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6371 Just Jerndorff, Landscape with a Farm, 1840, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368259 John - Collaborating artist, RICHTER, H.C. Gould, Arctocephalus lobatus (Cowled Seal) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3968 Honoré Daumier, Ton habit me convient, je te l'emprunte..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6205 Eugène Delacroix, The Triumph of Genius over Envy, c. 1849–51, Pen and brown ink over graphite on laid paper, mounted on cardboard, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334755 Honoré Daumier, Une Visite du 1er Janvier, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6183 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus agilis (Agile Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5781 BOHEMIAN STYLE, Beaker, c.1840–60, Glass, cased amethyst over clear and cut away in panels stained yellow. Applied with gilt and gunmetal floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/426 Niels Simonsen, Pipe-Smoking Algerian Man, 1840, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368263 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass stained yellow and wheelcut with facets and ridged circular motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6316 Honoré Daumier, Gibier qui peut être chassé en toutes les saisons, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6193 John - Collaborating artist, RICHTER, H.C. Gould, Eudyptes chrysocome (Crested Penguin) (from 'The birds of Australia' series), 1840–48, published 1848, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10893 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00791 [Untitled], c. 1850, Daguerreotype, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27491 Honoré Daumier, Un Déménagement furtif, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6279 Daniel Greatbatch, Bottle, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/644 Koenigliche Porzellan Manufaktur, Cup and Saucer, c. 1844–47, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2849 Hiram Powers, Greek Slave, modeled 1841–1843, carved c. 1873, marble; 44 x 14 x 13 1/2 in. (111.8 x 35.6 x 34.3 cm.), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381053123-1 Honoré Daumier, Guide, allons-nous-en... au nom du ciel..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6227 Jean Baptiste Camille Corot, The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435967 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass flashed ruby and engraved with a childrens vintage scene, and grapes and vine leaves, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4091 Auguste Lepère, The House of the King of Poland (Angers), 1849, pen and brown ink with brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8402 Honoré Daumier, Les Journaux Napoléoniens sortant de l'Assemblée Nationale..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6278 Honoré Daumier, Adieu, mon cher, je vais chez mes éditeurs..., 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6189 William Callow, St Paul, Antwerp, 1844, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00152 Honoré Daumier, Tu m'reprendras encore... a aller souhaiter..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6267 Honoré Daumier, Inconvénient d'envoyer un mauvais tableau..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6266 Carl Fredrik Kiörboe, Portrait of a Riding Woman, 1848, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368157 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00778 Florent Willems, The Health of the King, c. 1861, oil on panel (mahogany), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.50 Honoré Daumier, Les Journaux bienfaisans, 1842, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6165 Honoré Daumier, Antony Thouret, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6315 BOHEMIAN STYLE, Beaker, c.1840–60, Cobalt blue glass cased over clear, hexagonal and wheelcut with scrolling motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11016 Honoré Daumier, Eus. Isidore Buvignier, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6318 Hiram Powers, America, 1848–1850, plaster and metal pins; 89 1/8 x 35 1/8 x 16 7/8 in. (226.5 x 89.3 x 42.8 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381053066-0 ROCOCO REVIVAL STYLE, Tea-service, c.1840–60, Porcelain (bone china) modified rococo revival with underglaze green and overglaze gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15138 Honoré Daumier, Le Placeur, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6152 Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966 Honoré Daumier, Un Mari brûlé du feu de la jalousie, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6340 attrib. to William Raymond, Goblet, c.1840–60, Glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15086 United States Pottery Company, Basin, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/348 UNKNOWN, Tea service (portion), c.1840–60, Bone china decorated in overglaze green and buff with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5517 BOHEMIAN STYLE, Goblet, c.1840–60, Clear glass wheelcut with eight facets and prominent ridge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11729 Alexander Hamilton Stephens, c. 1846, Quarter-plate daguerreotype; Image/Plate: 10.5 x 8.2cm (4 1/8 x 3 1/4"); Case Open: 11.9 x 19.1 x 1.6cm (4 11/16 x 7 1/2 x 5/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399804488-1 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00764 George Baxter, Parhelia, from Astronomy and Scripture, 1843, Steel etching, printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61581 Honoré Daumier, Impressions de voyage d'un grand poete, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6164 Honoré Daumier, Le Barbillon entraine..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6147 Honoré Daumier, L.F. Raymond Wolowski, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6321 Alexandre-Gabriel Decamps, Goatherd of the Abruzzi, c. 1845, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.3 Honoré Daumier, Encore perdu en Cour Royale... et il se lamente..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6203 Jakob Becker, Der vom Blitz erschlagene Schäfer, 1844, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/904 Auguste Lepère, Souvenir of St. Denis (Souvenir de Saint-Denis), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8491 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass wheelcut with four bosses and three leaves and stained yellow. The ground engraved with festoons, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11435 George Baxter, Socrates, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54083 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00749 Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00782 Clichy Glasshouse, Paperweight, c. 1845–55, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55040 Emile Lassalle, Etablissement Anglais a Port-Essington (English settlement at Port Essington), c.1841–46, Reproductive colour lithograph on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2947 Honoré Daumier, L'Oeil du maitre, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6144 Honoré Daumier, Le Jour ou il s'agit de faire une conquête, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6221 Honoré Daumier, Fesant toutes partie de la plus belle moitié..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6288 BOHEMIAN STYLE, Beaker, c.1840–60, Aqua glass cased over white and wheel cut with elongated ovals and circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1968 Honoré Daumier, Il défend l'orphelin et la veuve, a moins..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6198 Georg Emil Libert, Landscape with a Ruined Castle, Hammershus on the Island Bornholm, 1845, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106362702 Honoré Daumier, Ah! Gringalet d'Paris... tu viendras faire danser..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6212 Carl Vilhelm Nordgren, Carl Bror Munck af Fulkila (1836-1905), 1840, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378152 Honoré Daumier, F.J. Ducoux, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6319 Honoré Daumier, The Drinkers, by 1861, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436093 Auguste Lepère, Storm on the Dune, Vendee (L'orage sur la dune, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8479 Honoré Daumier, Un Vainqueur de Steeple-chase, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6179 Charles-François Daubigny, Pool with Deer (La Mare aux cerfs), 1845, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6092 John - Collaborating artist, RICHTER, H.C. Gould, Phascolomys latifrons (Broad-fronted Wombat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/820 Auguste Lepère, Pastime of Rest, Vendee (Le jeu du reposoir, Vendee), 1849, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8489 John Frederick Lewis, Venetian boatman, c. 1840–50, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499843 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00744 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00768 Auguste Lepère, Jewish Quarters in Amsterdam, 1849, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8473 Honoré Daumier, “Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/63482 George Baxter, Miss Aldersey's School at Ningpo, 1847, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90029 BOHEMIAN STYLE, Liqueur glass, c.1840–60, Clear glass flashed ruby and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5937 BOHEMIAN STYLE, Goblet, c.1840–60, Cranberry glass cased over clear and wheelcut with scrolling spray design, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/616 Honoré Daumier, Ah! vous êtes fort en vers latins, jeune homme..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6216 Honoré Daumier, C'est t'y a vous c'hien la?, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6341 George Baxter, The Massacre of the Lamented Missionary, The Rev. J. Williams and Mr Harris, 1841, Steel etching and stipple printed in blue, with block printing in colors, on wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138630 John - Collaborating artist, RICHTER, H.C. Gould, Mus lineolatus (Plain Rat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3314 Félix-Hilaire Buhot, Les Bergeries, Soleil Couchant (Pastoral Scene, Setting Sun), 1847, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4456 Honoré Daumier, Ulysse et Pénélope, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6159 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00758 Honoré Daumier, Le Claqueur, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6153 Honoré Daumier, Un Monsieur qui veut se donner la satisfaction..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6188 David Octavius Hill, Bildnis des Porträtmalers Robert Frain, c. 1845, Kalotypie auf Velinpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102519 George Peacock, Sydney, NSW, from the South Head Road above Rose Bay, 1847, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8448 Utagawa Kunisada, Actor with fire-fly cage, c.1848–52, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5979 Honoré Daumier, Aperçois-tu un lieu civilisé..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6265 Honoré Daumier, Comment on comprend le balcon Espagnol a Paris, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6280 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00786 Honoré Daumier, Mais puisque j'vous dis que c'est son ballon..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6244 George Baxter, The Six Malagasy Christians (now in England) Waiting at Tamatava to Embark for Mauritius, 1840, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54133 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00763 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (centre panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4424 Carl Spitzweg, Der Einsiedler vor seiner Klause, 1844, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1344 Honoré Daumier, C'est unique! j'ai pris quatre tailles..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6146 Honoré Daumier, Le Constitutionnel contemplant l'horizon politique, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6387 Katsushika Hokusai, Street scene with bookshop (from 'Hokusai gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2040 Honoré Daumier, Un Fils modèle, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6254 Philipp Veit, Blick auf den Taunus, 1840, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2031 George Baxter, The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred, 1841, Steel etching printed in blue, with block printing in colors, on wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138629 Honoré Daumier, Une Gloire éteint l'autre, probably 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6269 Auguste Lepère, Arrivee au Marche, 1849, black chalk on two sheets of laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8399 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00784 Honoré Daumier, Le Barbillon entraine..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6148 Honoré Daumier, Le Futur monument de Napoléon aux Invalides, 1842, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6163 UNKNOWN GLASSMAKER, Beaker, c.1840–60, Ruby glass cased over clear and engraved with a half-length figure of the Virgin and Child. The opposite face wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11776 John - Collaborating artist, RICHTER, H.C. Gould, Lagorchestes Leichardti (Leichardt's Hare-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4055 Honoré Daumier, Ils prétendent qu'ils la soutiennent, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6330 George Baxter, His Royal Highness Prince Albert (Blue Breeches), 1848, Steel etching and stipple printed in black, with block printing in colors (from 12 blocks), on laid paper, laid down on buff wove paper with framing line in blue ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54213 H.C. - Collaborating artist, GOULD, after John Richter, Macropus major (Great Grey Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4190 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Ualabatus (Black Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7590 Honoré Daumier, Nous avons grande représentation aujourd'hui, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6202 Egron Lundgren, Pilgrim Kneeling, 1845, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106357515 Alexis Wetterbergh, Fredrik Signeul (1810 - 1890), Paint Manufacturer, Director of an Orphanage in Uddevalla, 1847, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378335 Honoré Daumier, Ma femme est-elle a la maison?, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6336 Honoré Daumier, Épicier citoyen, guerrier pur et sans tache..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6143 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00742 Eugène Delacroix, George Sand's Garden at Nohant, c. 1842–43, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436177 Niels Simonsen, A Road outside Algiers, 1840, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368276 Honoré Daumier, Il y a trois mois, m'sieu l'vicomte posait... comme ça..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6291 John Warner Barber, Bagna, 1840, Wood engraving on paper; Image: 4.5 × 3.1 cm (1 3/4 × 1 1/4"); Sheet: 22 × 14.2 cm (8 11/16 × 5 9/16"); Book closed: 22 × 14.2 × 0.3 cm (8 11/16 × 5 9/16 × 1/8"); Book open: 22 × 27.5 × 0.3 cm (8 11/16 × 10 13/16 × 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828283-0 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with moorish arches and starburst and engraved and painted blue, yellow and red, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3358 Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629 Honoré Daumier, Un Amant trop heureux, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6174 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00760 Honoré Daumier, Jules Bastide, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6325 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00766 Paul Gavarni, C'etais "pour se donner des forces", c. 1845, pen and brown, blue and red ink, heightened with white, on brown prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7339 William Callow, Frauenkirche, Nuremberg, 1846, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00132 Lyman, Fenton & Co., Basin, 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/345 Friedrich Overbeck, The Lamentation, 1840–45, Graphite partly worked over with pen and black ink and heightened with white; graphite framing line, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334934 Honoré Daumier, J. Antoine Taschereau, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6323 Honoré Daumier, Trente secondes de station, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6239 Honoré Daumier, Adolphe Thiers, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6322 Jean Baptiste Camille Corot, View of Lormes, early 1840s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435986 Elisabeth Jerichau Baumann, Første studie til billedet med kvinderne ved fontænen i A., 1845, Blyant, stedvist forhøjet med hvidt, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/DEP971 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (right-hand panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2157 John - Collaborating artist, RICHTER, H.C. Gould, Dendrolagus inustus (Brown Tree-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6201 Koenigliche Porzellan Manufaktur, Cup and Saucer, c. 1844–47, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2847 George Baxter, The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred, from Two Specimens, 1841, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59521 Honoré Daumier, Confrère, méfiez-vous du petit baron..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6294 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00777 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with pink and white twisted latticino glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4612 William Callow, Rotterdam, 1845, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00150 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00771 BOHEMIAN STYLE, Beaker, c.1840–60, Cobalt blue glass cased over clear and wheelcut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9922 Honoré Daumier, Un Père qui fait sucer à son fils..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6247 Honoré Daumier, Ah! monsieur... faut pas lui rire comme ça..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6256 Eugène Delacroix, Basket of Flowers, 1848–49, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436175 Honoré Daumier, Devant M. le Maire, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6176 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00772 Honoré Daumier, Mr. le Juge de paix a rendu sa décision..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6196 Honoré Daumier, Vois-tu petit, t'as tort..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6329 John Warner Barber, Pungwuni, 1840, Wood engraving on paper; Image: 4.5 × 3.1 cm (1 3/4 × 1 1/4"); Sheet: 22 × 14.2 cm (8 11/16 × 5 9/16"); Book closed: 22 × 14.2 × 0.3 cm (8 11/16 × 5 9/16 × 1/8"); Book open: 22 × 27.5 × 0.3 cm (8 11/16 × 10 13/16 × 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399828277-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00776 Lyman, Fenton & Co., Basin, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/346 Honoré Daumier, Pierre Louis Parisis, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6375 William Callow, Frankfurt, 1846, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00141 DOULTON & CO (Lambeth), Miniature bowl, c.1848, Stoneware salt glazed small bowl sprigged with a windmill, tree, drinking scenes and coursing dogs. Salt glazed with metal rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1660 George Baxter, The Rev. J. Williams First Interview with the Natives of Erromanga, 1842, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54109 George Baxter, Wesleyan Mission Station at Waingaroa, New Zealand. Natives Assembling for Worship, 1846, Steel etching and stipple, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54112 John - Collaborating artist, RICHTER, H.C. Gould, Hapalotis penicillata (Pencil-tailed Hapalotis) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6131 Honoré Daumier, L'Entrée dans la vie, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6167 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00755 Honoré Daumier, Un Chapeau Pamèla, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6181 William Callow, Namur, 1844, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00151 William Cave Thomas, A Female Head, c. 1840–70, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499845 Honoré Daumier, A.P.F. Deslongrais, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6333 Forestville Manufacturing Company, Acorn Clock, 1847–50, Mahogany, laminated, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/34 Honoré Daumier, Dites donc, mame Giboulard..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6166 George Peacock, The Heads of Port Jackson, NSW, from above Vaucluse Bay, 1847, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5094 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00775 Gustav Friedrich Papperitz, Plants. Study, 1845, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368125 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00743 Honoré Daumier, L'Interdiction du port des décorations, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6272 Honoré Daumier, Vous avez perdu votre procès c'est vrai..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6204 Eugène Delacroix, Hamlet and His Mother, 1849, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436178 BOHEMIAN STYLE, Beaker, c.1840–60, Ruby glass cased over clear and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/358 Moritz von Schwind, Elfentanz im Erlenhain, 1844, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/909 Carl Rottmann, Griechische Landschaft auf der Insel Aegina, 1842–1845, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1480 Daniel Greatbatch, Bottle, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/645 PFOHL, attrib. to Karel Bohemian Style - Manufacturer, Beaker, c.1840–60, Ruby glass cased over clear engraved with the figure of a horse; the other face wheel cut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8416 George Baxter, Maritime Discovery and Christian Missions: Considered in Their Mutual Relations, 1840, Book with letterpress, one Baxter print, and one engraving in black, on cream wove paper, bound in hardcover with dark blue cloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61625 Honoré Daumier, Le Mendiant a domicile, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6149 George Baxter, Derwent Water, Cumberland, 1849, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54352 Honoré Daumier, A. Fréd. Pierre comte de Falloux, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6317 Honoré Daumier, Un Retour de jeunesse, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6187 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00752 Honoré Daumier, Ce satané Pigochard..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6271 Honoré Daumier, Réception d'un franc-maçon, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6184 BOHEMIAN STYLE, Decanter and stopper, c.1840–60, Clear glass cased royal blue and wheelcut with a series of ellipses around the body, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11657 Utagawa Kunisada, Nakamura Shikan as Nangoh Rikimaru in 'Shiranami Gonin Otoko', 1846–62, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2518 William Callow, Haupt Markt and St Sebald, Nuremberg, 1846, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00138 Masatoshi, Tsuka with Shells and Fish, mid 19th century (late Edo), ray skin, silver, shakudo, gold, copper alloys, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1242.2B John - Collaborating artist, GOULD, Elizabeth Gould, Erythrogonys cinctus (Banded Red Knee) (from 'The birds of Australia' series), 1840–48, published 1848, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8588 Honoré Daumier, Une Maitresse a l'Opéra, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6177 Honoré Daumier, Le Plus farceur de la société, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6343 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (left-hand panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2175 Tlingit artist, Chilkat dancing blanket (Naaxin), c. 1840–90, Goat hair, yellow cedar, twine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.30.2 Honoré Daumier, Une Position difficile, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6230 Honoré Daumier, La veuve, c. 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6400 Honoré Daumier, Oui Monsieur vous n'êtes pas de Paris..., 1840, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6142 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass painted yellow and engraved with a primitive scene of a male figure and a hut in a landscape, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6411 Auguste Rodin, Figure Bending Forward with Right Knee Raised, 1840, graphite and watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1026 Honoré Daumier, Décidément nous nous amusons trop, Guillochard!..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6276 Utagawa Kunisada, Iwai Hanshiro as Akaboshi Juuzo in 'Shiranami Gonin Otoko', 1846–62, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/838 Honoré Daumier, Pierre-Napoléon Bonaparte, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6372 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00781 Ibaya Kyubei, Tokaido gojusan tsui, 1845–46 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.562 Honoré Daumier, Attends... j'te vas en donner... du maitre d'école, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6228 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00765 Carl Friedrich Lessing, Jan Hus zu Konstanz, 1842, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/895 Alexis Wetterbergh, Elise Ljungman, m. Paint Manufacturer and the Director of an Orphanage Signeul in Uddevalla, 1847, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378324 Félix-Hilaire Buhot, Un Vieux Chantier à Rochester (The Old Dock-yard at Rochester), 1847, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4457 Honoré Daumier, Télémaque interrogé par les sages, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6161 Honoré Daumier, Ah! ben... le convoi... peut se flatter de l'échapper..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6171 Honoré Daumier, Qu'il est gentil comme ça, Dodore..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6215 Utagawa Kuniyoshi, Two kabuki actors, c.1845, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7951 Jean Baptiste Camille Corot, Study for "The Destruction of Sodom", 1843, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435985 Honoré Daumier, Mais monsieur le propriétaire, voyez..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6259 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00774 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00780 Honoré Daumier, Mission pénible et délicate du professeur de dessin..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6229 Honoré Daumier, Les Deux banqueteurs en joie, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6277 Honoré Daumier, Une Nouvelle connaissance, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6186 Wilhelm Marstrand, An Italian Woman From the Area of Lake Albano Wearing a White Head Piece, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368135 Louis Gurlitt, Marina Piccola, Capri, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368023 Honoré Daumier, Le Puits de Grenelle, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6235 Honoré Daumier, Madame, j'ai bien l'honneur!, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6263 Louis - Artist, MAYER, Auguste Le Breton, Echouage des corvettes dans le Canal Mauvais, Detroit de Torres (The grounding of the corvettes in the Canal Mauvais, Torres Strait) (plate 187 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L’Oceannie' (Official report of Dumont d’Urville’s s, 1846, Lithograph printed in black ink from one stone on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24402 Honoré Daumier, Est-il bon, au moins, votre vin!..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6268 Anders Christian Lunde, Landscape at Acqua Acetosa, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368186 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00779 Honoré Daumier, Et on appelle ça descendre le fleuve de la vie..., 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6234 Honoré Daumier, Le Chiffonnier philosophe, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6290 Frederic Edwin Church, Storm in the Mountains, 1847, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144732 Honoré Daumier, Pygmalion, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6162 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00751 Asher B. Durand, Trees on a Rocky Hillside, c. 1849, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143772 John - Collaborating artist, RICHTER, H.C. Gould, Antechinus leucogaster (White-bellied Antechinus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1926 Honoré Daumier, Doux loisir d'un quincailler retiré di commerce..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6222 Honoré Daumier, Déménagé!..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6260 Honoré Daumier, Jean Charles Besnard, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6316 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Derbianus (Derby's Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5782 Honoré Daumier, Comment on donne... le goût de la navigation, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6246 attrib. to Thomas Bock, Portrait of Eliza Gregory, c.1845, Black, white, red and blue chalks on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12966 Jean-François Millet, Bildnis des Herrn le Courtois, Schwager des Künstlers, c. 1841–1848, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1403 George Baxter, Bolton Abbey, 1847, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54420 John - Collaborating artist, RICHTER, H.C. Gould, Scotophilus picatus (Pied Scotophilus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4593 Honoré Daumier, Mais quand je vous dis que je ne peux pas remuer les pieds..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6337 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 Honoré Daumier, Le Constitutionnel contemplant l'horizon politique, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6376 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00770 Honoré Daumier, Un Ami est un crocrodile..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6206 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Bennettii (Bennett's Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5693 Honoré Daumier, Le Format de plus en plus monstre, 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6180 Paul Gavarni, The Poor Family (Une famille pauvre), 1843/1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7331 Honoré Daumier, Bourgeois se fesant lire, après diner, quelques chapitres..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6220 Honoré Daumier, Ah! il est frais... mais t'nez donc garçon..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6214 George Baxter, George Pritchard, 1845, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59528 William J. Müller, The young anglers, 1843, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7820 SUZUKI Kiitsu, Small two-fold table screen with autumnal plants, 1844–58, Ink and colour on silk on wooden framed screen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25515 William Callow, Innsbruck, 1846, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00156 George Edward Eyre, Bible, 1847, Paper with composition covers, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/512 John - Collaborating artist, RICHTER, H.C. Gould, Dasyurus Geoffroyi (Geoffroy's Dasyurus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3202 Thomas Shotter Boys, Regent Street, looking towards the Duke of York's Column (from 'London as it is' series), c.1841, Lithograph, hand-coloured on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6634 George Cooke, Tah-col-o-quoit, 1842, Hand-colored lithograph on paper; Sheet: 51 x 36 cm (20 1/16 x 14 3/16"); Book: 51.5 x 37.5 x 4.3 cm (20 1/4 x 14 3/4 x 1 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806475-0 Honoré Daumier, Un Enfant qui s'amuse de peu..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6250 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00788 Thorald Læssøe, The Courtyard of the Boller Manor, Jutland, Denmark, 1846, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368409 Honoré Daumier, J'ai vu un lièvre... il y a huit jours!, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6213 William James Müller, Lycia: Women in Near Eastern Dress, 1843–4, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00824 William Callow, Botzen, 1846, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00155 William James Müller, Lycia: A Xanthian Boy with a Bow, 1843–4, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00823 Honoré Daumier, Je crois que j'ai entendu chanter un hibou..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6218 John Quidor, The Return of Rip Van Winkle, 1849, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1104 Anton Zwengauer, Rehe in Landschaft mit Sonnenuntergang, 1847, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/103181 Honoré Daumier, Alfred-Frédéric-Pierre, Comte de Falloux, model possibly 1848/1850, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3235 Southworth & Hawes’ Daguerreotype Rooms, c. 1848, Wood engraving; Sheet: 20 × 12.7 cm (7 7/8 × 5"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1758099349407-1758099402194-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00783 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00785 William Callow, St Michael and Belfry, Ghent, 1844, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00154 Honoré Daumier, Les Temps sont durs..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6342 Frederik Rohde, Study from Via Babuino, Rome, 1845, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368451 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00767 E. B. & E. C. Kellogg Lithography Company, John Randolph, 1844, Lithographed silhouette with tintstone on paper; Sheet: 42.8 x 31.4cm (16 7/8 x 12 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399811192-0 George Baxter, The Massacre of the Lamented Missionary the Rev. J. Williams and Mr. Harris, from Two Specimens, 1841, Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59523 Honoré Daumier, Mon cher je t'assure que je te..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6207 Théodore Chassériau, Apollon et Daphne, 1844, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5960 Honoré Daumier, Abonnés recevant leur journal..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6192 George Baxter, View from Richmond Hill, Morning, 1845, Steel etching, aquatint, and stipple printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54393 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00747 George Baxter, The Holy Family, 1849–50, Steel etching and stipple printed in brown, with block printing in colors, on wove paper, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138635 Eugène Carrière, Paul Verlaine, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5909 George Baxter, The Ordinance of Baptism, from Missions in Jamaica, 1843, Etching and stipple printed in black, with block printing in color, on wove paper, varnished, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59483 Théodore Chassériau, Venus Anadyomene, c. 1841/1842, lithograph on gray-tinted chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5959 Louis Le Breton, Pirogue des naturels de L'ile Toud, Detroit de Torres (Canoe of the natives of Tudu Island, Torres Strait) (plate 190 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L'Oceannie' (Official report of Dumont d'Urville's second voyage), Paris, 1846, 1846, Tinted lithograph printed in black ink from one stone on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24666 Platt D. Babbitt, Untitled (Niagara Falls), c. 1853, Daguerreotype, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/33540 Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219 United States Pottery Company, Book flask, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/554 George Baxter, View from Deserted Rock Quarry on the Wye (top), and Winter, also called The Small Winter, the long print (bottom), 1849, printed 1936, Aquatint in black (top), and aquatint and stipple engraving in black (bottom), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22757 Honoré Daumier, Est-il dieu permis... fendre du bois..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6223 William James Müller, Lycia: A Burdock, 1843–4, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00821 Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769 George Baxter, The Wreck of the Reliance (November 12, 1842), November 1, 1843, Steel engraving, with block printing in oil-based colored inks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59487 Honoré Daumier, Pique-Assiette, 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6151 Honoré Daumier, L'Acteur des Funambules, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6154 Johan Lundbye, Study of a Cow, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368156 Honoré Daumier, Un Défenseur... causant... dans son cabinet habituel, 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6201 William Henry Fox Talbot, "One of the Towers of Orleans Cathedral, as Seen from the Opposite Tower", June 21, 1843, Salted paper print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27060 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00746 Honoré Daumier, Eh! bien monsieur et mes trois termes..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6283 Honoré Daumier, Diable!... il parait que le rasoir n'est guère bon..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6232 Sarah Maria Webbs, Sampler, 1844, Linen embroidered with polychrome cottons, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5244 Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457 Honoré Daumier, Est-ce que votre mari serait jaloux..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6208 Keokuk, 1844, Hand-colored lithograph on paper; Sheet: 29 x 22.5 cm (11 7/16 x 8 7/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399816116-0 Honoré Daumier, Inconvénient de visiter sans précaution un entresol..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6224 Honoré Daumier, Allons, papa... encore... trente-deux tours!..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6249 Daniel Greatbatch, Bottle, 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/646 Honoré Daumier, Présentation d'Ulysse a Nausica, 1842, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6237 Dwight Needham, Lewis Cass, 1848, Lithograph; Image: 28.5 × 21 cm (11 1/4 × 8 1/4"); Sheet: 36 × 28.5 cm (14 3/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820009-0 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00745 George Baxter, London from Greenwich Observatory, 1845, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54366 Théodore Valerio, A Man in Tyrolean Costume, Seated, Smoking a Pipe, 1842, Graphite, heightened with touches of watercolor, and white on beige, textured, wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334669 Honoré Daumier, En Famille, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6289 Honoré Daumier, Un Pauvre père de famille qui..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6242 Honoré Daumier, Le Voyage en chemin de fer..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6273 George Baxter, Miss Aldersby's School at Ningpo, 1847, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/138633 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00773 George Baxter, The Mission Premises at the Kuruman Station, 1842, Steel etching and aquatint, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54120 Eugène Delacroix, The Collision of Two Horsemen, 1843–1844, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.6 S.T. Gill, Untitled (Lower Murray), c.1842, Pencil on brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3870 Honoré Daumier, La Cour, vidant le délibéré..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6194 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00756 Honoré Daumier, Pour qui sont ces Serpents..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6156 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00748 Honoré Daumier, Un Voyage d'agrément a Paris, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6168 Constantin Hansen, Woman from Sora. Study for altar board in Valby Church, 1841, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368166 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00762 Ueda Kazutsune, Tsuba with a ""Ja-kago"" (Gabion) and Reeds, 1848–1868 (late Edo), iron, gold detail, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.91 John - Collaborating artist, RICHTER, H.C. Gould, Bettongia rufescens (Rufous Jerboa-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7261 Honoré Daumier, Moi aussi j'ai été jeune..., 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6344 Honoré Daumier, C.H. Odilon Barrot, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6327 Thomas Sully, Andrew Jackson, 1845, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1128 Honoré Daumier, Le Portier en tournées de visites..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6155 Paul Gavarni, After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse), 1847/1856, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7333 Iseya Ichibei, Genjigumo ukiyo-e awase, 1845–46 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.110 John - Collaborating artist, RICHTER, H.C. Gould, Pteropus conspicillatus (Spectacled Vampire) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10781 Eugène Delacroix, Arch of Morning Glories, Study for "A Basket of Flowers", 1848–49, Pastel on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334749 Charles-François Daubigny, The Hamlet of Optevoz, c. 1852, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436089 Honoré Daumier, J. Marie-Anne Degousée, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6334 Paul Gavarni, The Model and the Figure (La sculpture monumentale), 1847/1856, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7332 Honoré Daumier, Si ma machine est bonne? je crois bien..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6240 Honoré Daumier, Dites donc, président, impossible d'attraper un lièvre..., 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6331 Carl Georg Adolph Hasenpflug, Kirchenruine im Winter, 1848, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/110922 MAKEPEACE, Basket and stand, c.1841–42, Silver, the bowl pierced with scroll motifs and cast scroll motifs on rim and edge of stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10597 VICTORIAN STYLE, Mustard pot, c.1845–46, Silver engraved with floral scrolls and with blue glass liner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5223 Honoré Daumier, Une Nuit agitée, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6251 Honoré Daumier, Rifolard est plus charmé que jamais..., 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6274 George Baxter, Dove Dale, 1847, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54355 Honoré Daumier, Papa contemplant l'image de son image, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6217 Thomas Clark, Portrait of the artist's wife, 1849, Pastel on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1604 George Baxter, Near Folkstone, Midday, 1847, Steel etching and stipple printed in blue, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54360 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00759 George Baxter, View From a Deserted Rock Quarry on the Wye, 1849, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54600 John - Collaborating artist, RICHTER, H.C. Gould, Hydromys fuliginosus (Sooty Beaver-Rat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5530 John Linnell, [title not known], published 1843, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00787 Vilhelm Kyhn, Landscape with Oaks, 1848, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368240 Eoff and Phyfe, Punch Bowl, c. 1846, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/795 Richard Caton Woodville, Soldier's Experience, 1847, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.945 Dante Gabriel Rossetti, Study of a Man Smoking a Long Pipe, c.1849, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00846 Carl Vilhelm Nordgren, Julius Geber (1816-1876), wholesale dealer, banker, married to Hilda Philipson, 1848, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378570 Jakob Alt, Der Laudayagarten, 1841, Aquarell auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7752 Conrad Martens, View of Johnson's Bay from Balmain Road, 1843, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5711 George Baxter, Hindoo Temple at Gyah Bahar, 1847, Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54129 F.C. Kiærskou, Gothenburg Seen From Örgryte, 1849, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368148 Michel Martin Drolling, Alix de Tournon Simiane, 1847, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368189 John and Joseph W. Meeks, Armchair, c. 1850, Mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/231 Honoré Daumier, Vois-tu, mon ami... il n'y a que deux élemens... du bonheur..., 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6169 Honoré Daumier, Voila le ministère public qui vous dit des choses... désagréables..., 1846, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6197 Honoré Daumier, Une Famille chez qui réside l'instinct guerrier, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6248 Honoré Daumier, A la buvette, 1847, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6287 Honoré Daumier, Oui, mon cher monsieur Badoulard, je vais..., 1845, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6191 George Baxter, The Ordinance of Baptism, from Missions in Jamaica, 1843, Etching and stipple printed in black, with block printing in color, on wove paper, varnishd, laid down on original mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59485 DOCCIA, Cabaret service, c.1847–60, Hard-paste porcelain, scrolled handle and cupid finials. The bodies moulded and elaborately painted in polychrome overglaze colours with mythological scenes. Richly gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12189 George Baxter, England's Queen, or Her Most Gracious Majesty the Queen, 1848, Steel etching and stipple printed in black, with block printing in colors (from 13 blocks), on laid paper, laid down on buff wove paper, with framing line in blue ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54209 Honoré Daumier, Je pars plus amoureux que... jamais..., 1841, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6158 Honoré Daumier, Des chargés d'affaires, 1848, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6292 Georg Emil Libert, Landscape with a Cemetary, 1844, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368318 Henry Lewis, Cheever's Mill on the St. Croix River, 1847, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.6 Honoré Daumier, Une Rencontre en pleine eau, 1843, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6238