Kogaya, Suzugamori no ba, 1849 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.174 Louis Le Breton, Reservoirs D'eau de L'ile de Toud, Detroit de Torres (Clamshell reservoirs Tudu Island, Torres Strait) (plate 188 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L'Oceannie' (Official report of Dumont d'Urville's second voyage), Paris, 1846), 1846, Tinted lithograph printed in black ink from one stone on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24667 William James Müller, Lycia: A Xanthian Youth, 1843–4, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00822 Ichiryusai Hiroshige, Arai (from 'Fifty-three stations of the Tokaido' series), c.1840, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5837 John James Keith, Cream jug, 1844–45, Silver in the rococo revival manner with flowers and scrolls in relief, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/278 after Jean-Baptiste Greuze, Maiden meditation, after 1840, Oil on canvas on composition board, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10473 Robert Russell, (Ruins of a castle on a rocky outcrop with sea on three sides), 1845, Pencil on buff paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14617 UNKNOWN GLASSMAKER, Goblet, c.1840–60, Cobalt glass moulded in the Moorish style with stylised daisies and arches, ridged rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14127 Conrad Martens, Port Jackson from Brown's cottage, c.1843, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6296 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with six vertical lines of strawberry cuts and an apple shaped cartouche enclosing an engraved MW, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/980 William J. Müller, A Welsh stream, c.1843, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7157 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus stigmaticus (Branded Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6272 BOHEMIAN STYLE, Beaker, c.1840–60, Pink and purple glass cased over clear and wheel cut with elongated arches. The central arch stained yellow, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7939 John - Collaborating artist, GOULD, Elizabeth Gould, Chlamydera maculata (Spotted Bower-Bird) (from 'The birds of Australia' series), 1840–48, Lithograph, hand-coloured; double-page plate on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/17371 Katsushika Hokusai, Making "mochi" (rice dumplings) (from 'Hokusai Gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4232 John Glover, (House and cattle in wooded landscape (possibly Patterdale)), c.1840, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3760 Katsushika Hokusai, Blind men fording a stream (from 'Hokusai Gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4910 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass stained amber and wheelcut with a design of four spade motifs. Four small feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6127 Japanese, Tsuka with Dragons, 2nd half 19th century-early 20th century (Edo-Meiji), dark brown lacquer, gold, silver, ray skin, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1226.3B Ichiryusai Hiroshige, Landscape album ('Tokaido gojusan-tsugi' The fifty-three stations of the Tokaido), c.1845, 53 woodcut prints on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3581 John - Collaborating artist, RICHTER, H.C. Gould, Arctocephalus lobatus (Cowled Seal) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3968 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus agilis (Agile Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5781 BOHEMIAN STYLE, Beaker, c.1840–60, Glass, cased amethyst over clear and cut away in panels stained yellow. Applied with gilt and gunmetal floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/426 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass stained yellow and wheelcut with facets and ridged circular motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6316 John - Collaborating artist, RICHTER, H.C. Gould, Eudyptes chrysocome (Crested Penguin) (from 'The birds of Australia' series), 1840–48, published 1848, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10893 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass flashed ruby and engraved with a childrens vintage scene, and grapes and vine leaves, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4091 Florent Willems, The Health of the King, c. 1861, oil on panel (mahogany), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.50 BOHEMIAN STYLE, Beaker, c.1840–60, Cobalt blue glass cased over clear, hexagonal and wheelcut with scrolling motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11016 ROCOCO REVIVAL STYLE, Tea-service, c.1840–60, Porcelain (bone china) modified rococo revival with underglaze green and overglaze gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15138 Théodore Rousseau, Landscape with Cottage, c. 1865, watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.966 attrib. to William Raymond, Goblet, c.1840–60, Glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15086 UNKNOWN, Tea service (portion), c.1840–60, Bone china decorated in overglaze green and buff with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5517 BOHEMIAN STYLE, Goblet, c.1840–60, Clear glass wheelcut with eight facets and prominent ridge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11729 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass wheelcut with four bosses and three leaves and stained yellow. The ground engraved with festoons, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11435 Sèvres Porcelain Manufactory, One of a Pair of Vases, 1844, hard paste porcelain with gold and platinum, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.556 Emile Lassalle, Etablissement Anglais a Port-Essington (English settlement at Port Essington), c.1841–46, Reproductive colour lithograph on thick wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2947 BOHEMIAN STYLE, Beaker, c.1840–60, Aqua glass cased over white and wheel cut with elongated ovals and circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1968 John - Collaborating artist, RICHTER, H.C. Gould, Phascolomys latifrons (Broad-fronted Wombat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/820 BOHEMIAN STYLE, Liqueur glass, c.1840–60, Clear glass flashed ruby and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5937 BOHEMIAN STYLE, Goblet, c.1840–60, Cranberry glass cased over clear and wheelcut with scrolling spray design, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/616 John - Collaborating artist, RICHTER, H.C. Gould, Mus lineolatus (Plain Rat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3314 George Peacock, Sydney, NSW, from the South Head Road above Rose Bay, 1847, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8448 Utagawa Kunisada, Actor with fire-fly cage, c.1848–52, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5979 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (centre panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4424 Katsushika Hokusai, Street scene with bookshop (from 'Hokusai gafu' (A Hokusai album)), 1849, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2040 UNKNOWN GLASSMAKER, Beaker, c.1840–60, Ruby glass cased over clear and engraved with a half-length figure of the Virgin and Child. The opposite face wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11776 John - Collaborating artist, RICHTER, H.C. Gould, Lagorchestes Leichardti (Leichardt's Hare-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4055 H.C. - Collaborating artist, GOULD, after John Richter, Macropus major (Great Grey Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4190 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Ualabatus (Black Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7590 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with moorish arches and starburst and engraved and painted blue, yellow and red, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3358 Théodore Henri Mansson, Street Scene with Gothic Building, 1845, metalpoint and ink wash with scraping on prepared cream, moderately-thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1629 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (right-hand panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2157 John - Collaborating artist, RICHTER, H.C. Gould, Dendrolagus inustus (Brown Tree-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6201 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass with pink and white twisted latticino glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4612 BOHEMIAN STYLE, Beaker, c.1840–60, Cobalt blue glass cased over clear and wheelcut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9922 DOULTON & CO (Lambeth), Miniature bowl, c.1848, Stoneware salt glazed small bowl sprigged with a windmill, tree, drinking scenes and coursing dogs. Salt glazed with metal rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1660 John - Collaborating artist, RICHTER, H.C. Gould, Hapalotis penicillata (Pencil-tailed Hapalotis) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6131 George Peacock, The Heads of Port Jackson, NSW, from above Vaucluse Bay, 1847, Oil on wood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5094 BOHEMIAN STYLE, Beaker, c.1840–60, Ruby glass cased over clear and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/358 PFOHL, attrib. to Karel Bohemian Style - Manufacturer, Beaker, c.1840–60, Ruby glass cased over clear engraved with the figure of a horse; the other face wheel cut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8416 Antoine-Louis Barye, Jaguar Devouring an Agouti, 1840, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.85 BOHEMIAN STYLE, Decanter and stopper, c.1840–60, Clear glass cased royal blue and wheelcut with a series of ellipses around the body, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11657 Utagawa Kunisada, Nakamura Shikan as Nangoh Rikimaru in 'Shiranami Gonin Otoko', 1846–62, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2518 Masatoshi, Tsuka with Shells and Fish, mid 19th century (late Edo), ray skin, silver, shakudo, gold, copper alloys, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1242.2B John - Collaborating artist, GOULD, Elizabeth Gould, Erythrogonys cinctus (Banded Red Knee) (from 'The birds of Australia' series), 1840–48, published 1848, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8588 Utagawa Kunisada, Konryuzan Temple at Asakusa, Edo (left-hand panel of triptych), c.1843, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2175 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass painted yellow and engraved with a primitive scene of a male figure and a hut in a landscape, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6411 Utagawa Kunisada, Iwai Hanshiro as Akaboshi Juuzo in 'Shiranami Gonin Otoko', 1846–62, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/838 BOHEMIAN STYLE, Footed beaker, c.1840–60, Clear glass stained yellow and engraved with figures of soldier and a mill in a landscape, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6682 Utagawa Kuniyoshi, Two kabuki actors, c.1845, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7951 Anthony Vandyke Copley Fielding, Small two-masted sailboat, 1840, Watercolour on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/432 Louis - Artist, MAYER, Auguste Le Breton, Echouage des corvettes dans le Canal Mauvais, Detroit de Torres (The grounding of the corvettes in the Canal Mauvais, Torres Strait) (plate 187 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L’Oceannie' (Official report of Dumont d’Urville’s s, 1846, Lithograph printed in black ink from one stone on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24402 John - Collaborating artist, RICHTER, H.C. Gould, Antechinus leucogaster (White-bellied Antechinus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1926 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Derbianus (Derby's Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5782 attrib. to Thomas Bock, Portrait of Eliza Gregory, c.1845, Black, white, red and blue chalks on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12966 BOHEMIAN STYLE, Liqueur glass, c.1840–60, Clear glass flashed ruby and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11141 John - Collaborating artist, RICHTER, H.C. Gould, Scotophilus picatus (Pied Scotophilus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4593 Antoine-Louis Barye, Lion and Serpent No. 2, first issued c. 1858, bronze with green highlights over red-brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.113 John - Collaborating artist, RICHTER, H.C. Gould, Halmaturus Bennettii (Bennett's Wallaby) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5693 William J. Müller, The young anglers, 1843, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7820 SUZUKI Kiitsu, Small two-fold table screen with autumnal plants, 1844–58, Ink and colour on silk on wooden framed screen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/25515 John - Collaborating artist, RICHTER, H.C. Gould, Dasyurus Geoffroyi (Geoffroy's Dasyurus) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3202 Thomas Shotter Boys, Regent Street, looking towards the Duke of York's Column (from 'London as it is' series), c.1841, Lithograph, hand-coloured on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6634 William James Müller, Lycia: Women in Near Eastern Dress, 1843–4, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00824 William James Müller, Lycia: A Xanthian Boy with a Bow, 1843–4, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00823 VICTORIAN STYLE, Ewer, c.1840–70, Stoneware, white clay slip-cast with moulded tritons and nerieds, storks and bullrushes. Salt glazed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10995 UNKNOWN GLASSMAKER, Goblet, c.1840–60, Clear glass painted in white with small foliate motifs covering the surface. Gilt rim., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11672 BOHEMIAN STYLE, Beaker, c.1840–60, Cobalt glass cased over clear and etched with a stag. The other side wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/277 BOHEMIAN STYLE, Wine glass, c.1840–60, Clear glass cased ruby and wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11368 BOHEMIAN STYLE, Beaker, c.1840–60, Cranberry glass engraved with classical monuments and trees and leaf design at rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6085 BOHEMIAN STYLE, Beaker, c.1840–60, White glass cased over green and wheel cut with stylised foliate motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11513 Louis Le Breton, Pirogue des naturels de L'ile Toud, Detroit de Torres (Canoe of the natives of Tudu Island, Torres Strait) (plate 190 from the Atlas Pittoresque of 'Voyage Au Pole Sud Et Dans L'Oceannie' (Official report of Dumont d'Urville's second voyage), Paris, 1846, 1846, Tinted lithograph printed in black ink from one stone on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24666 BOHEMIAN STYLE, Covered goblet, c.1840–60, Clear glass flashed red and wheelcut with a dog and stag. The other face wheelcut with optical circles, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11185 Eugène Delacroix, Lion and Snake, 1846, watercolor heightened with gum on slightly textured, moderately thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1219 BOHEMIAN STYLE, Jug, c.1840–60, Ruby glass cased white and wheelcut in panels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9307 William James Müller, Lycia: A Burdock, 1843–4, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00821 Henry Wyndham Phillips, His Excellency The Prince Metternich, 1849, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.769 John - Collaborating artist, RICHTER, H.C. Gould, Corcorax leucopterus (White-winged Chough) (from 'The birds of Australia' series), 1840–48, published 1848, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1699 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass painted mauve and engraved with floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3830 BOHEMIAN STYLE, Goblet, c.1840–60, Clear glass flashed yellow and wheelcut with a design of classical monuments, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20 Sarah Maria Webbs, Sampler, 1844, Linen embroidered with polychrome cottons, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5244 Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1457 BOHEMIAN STYLE, Beaker, c.1840–60, Yellow/green citrine glass, wheel cut with broad facets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/584 BOHEMIAN STYLE, Beaker, c.1840–60, Yellow/green citrine glass fluted and facetted and with scalloped foot, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15146 S.T. Gill, Untitled (Lower Murray), c.1842, Pencil on brown paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3870 BOHEMIAN STYLE, Beaker with handle, c.1840–60, Cranberry glass cased over clear and engraved with snakes, flowers, a violin and heart, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5503 Ueda Kazutsune, Tsuba with a ""Ja-kago"" (Gabion) and Reeds, 1848–1868 (late Edo), iron, gold detail, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.91 BOHEMIAN STYLE, Bottle, c.1840–60, Hot-worked deep red and white marbled glass. Gilt details base and neck (top broken), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2609 John - Collaborating artist, RICHTER, H.C. Gould, Bettongia rufescens (Rufous Jerboa-Kangaroo) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7261 BOHEMIAN STYLE, Decanter, c.1840–60, Clear glass, cased white and wheelcut with simplified leaf and floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6584 BOHEMIAN STYLE, Goblet, c.1840–60, Clear glass stained red and engraved with a hunting scene; star pattern on base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5378 Iseya Ichibei, Genjigumo ukiyo-e awase, 1845–46 (late Edo), mulberry paper, pigments, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.110 John - Collaborating artist, RICHTER, H.C. Gould, Pteropus conspicillatus (Spectacled Vampire) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10781 BOHEMIAN STYLE, Beaker with handle, c.1840–60, Opaque royal blue glass cased over clear and wheelcut in panels and with gilt ivy leaf decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10467 UNKNOWN, Set of four quartetto tables decorated with flowers, fruit and figures, c.1840 (Qing dynasty), Lacquer, wood, gilding, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16248 UNKNOWN, Tea service, c.1840–60, Porcelain, bone china, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9242 BOHEMIAN STYLE, Beaker, c.1840–60, Yellow/green citrine glass fluted and facetted and with scalloped foot, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10463 MAKEPEACE, Basket and stand, c.1841–42, Silver, the bowl pierced with scroll motifs and cast scroll motifs on rim and edge of stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10597 VICTORIAN STYLE, Mustard pot, c.1845–46, Silver engraved with floral scrolls and with blue glass liner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5223 Ichiryusai Hiroshige, Okazaki (from 'Fifty-three stations of the Tokaido' series), c.1840, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1929 Thomas Clark, Portrait of the artist's wife, 1849, Pastel on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1604 BOHEMIAN STYLE, Miniature cup, c.1840–60, Clear glass with blue painted panel and engraved with floral motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11617 BOHEMIAN STYLE, Footed beaker, c.1840–60, Clear glass cased white and wheel cut with a trailing vine motif, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11891 VICTORIAN STYLE, Candelabra (pair), c.1840–60, Sheffield plate branched candleabra with cast, floral, berry and scroll motifs in a modified rococo style, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5747 John - Collaborating artist, RICHTER, H.C. Gould, Hydromys fuliginosus (Sooty Beaver-Rat) (from 'The mammals of Australia' series), 1845–63, published 1863, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5530 FLAXMAN, John Josiah Wedgwood & Co. - Manufacturer, Covered vase: Sacrifice, c.1840, designed c.1775–77, Jasper porcelain dipped green urn shape with two handles on the shoulder with engine turned diced decoration and applied mauve rosettes above and below a neo classic style figurative scene depicting a sacrifice, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12198 UNKNOWN, Pair of plates, c.1840–60, Moulded soft-paste porcelain with colbalt underglaze and buff overglaze with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7520 BOHEMIAN STYLE, Wine glass, c.1840–60, Clear glass with ruby twist stem. The facetted sides engraved with Raphaellesque scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10783 Richard Caton Woodville, Soldier's Experience, 1847, watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.945 BOHEMIAN STYLE, Beaker, c.1840–60, Clear glass painted yellow and engraved with a city scene and a bridge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4146 BOHEMIAN STYLE, Perfume bottle (without stopper), c.1840–60, Cranberry glass cased clear and cut with facets. Base diamond cut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11175 Conrad Martens, View of Johnson's Bay from Balmain Road, 1843, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5711 BOHEMIAN STYLE, Beaker, c.1840–60, Cranberry glass, wheelcut with facetted sides and scalloped clear glass base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3658 BOHEMIAN STYLE, Mug, c.1840–60, Clear glass stained pink and engraved with a series of monuments, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1944 UNKNOWN, Harvest jug, c.1840–60, Earthenware moulded with a farm scene with a male and female figure harvesting wheat. Brown glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/249 DOCCIA, Cabaret service, c.1847–60, Hard-paste porcelain, scrolled handle and cupid finials. The bodies moulded and elaborately painted in polychrome overglaze colours with mythological scenes. Richly gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12189