Alphonse Legros, Peasants (Paysannes), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8299 Alphonse Legros, Study for Head of a Man (Etude de tete d'homme), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8378 Honoré Daumier, Baillot, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6106 Alphonse Legros, Near the Mill (Pres du moulin), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8388 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6495 Alphonse Legros, Fishing for Crayfish (Les pecheurs d'ecrevisses), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8328 Honoré Daumier, Huguet de Sémonville - Robert Macaire (Thiers) - Comte Roederer, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6125 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53973 George Baxter, Avalanche at Lewes, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54038 Alphonse Legros, Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8352 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquating, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54103 Wa-bish-kee-pe-nas - The White Pigeon, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806426-1 Alphonse Legros, Meadow in Sunshine (Le pre ensoleille), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8259 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8390 George Baxter, Turn of the Monsoon, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54021 Alphonse Legros, Shadow (Ombre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8290 Alphonse Legros, Harvesters (Les moissoneurs), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8374 Alphonse Legros, Village of Wimille, near Boulogne (Village de Wimille, pres Boulogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8279 Honoré Daumier, Charles Guillaume Étienne, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6102 Alphonse Legros, Cardinal Manning, 3rd plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8379 Honoré Daumier, La tête branlante, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6114 Alfred M. Hoffy, Stum-ma-nu - A Flathead Boy, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806457-1 Alphonse Legros, Desperate Man (Le desespere), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8394 George Baxter, Sir David Scott, Bart. K.G.H., c. 1836, Aquatint, mezzotint, and roulette in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59549 Édouard Manet, Au Paradis (In the Balcony), 1832, transfer lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8689 Alphonse Legros, Siesta in the Country (Sieste dans la capagne), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8351 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8393 Alphonse Legros, Woman at the Foot of the Cross (Femme au calvaire), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8364 Honoré Daumier, Comte J.-Jérome Siméon, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6135 Alphonse Legros, Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8271 George Baxter, Te Po, a Chief of Rarotonga, 1837, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54100 Honoré Daumier, Dieu ai-je aimé cet être la, 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6095 Alphonse Legros, Little Beggar (Le petit mendiant), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8363 Alphonse Legros, Thatched Cottage (Chaumiere), 1837, etching and drypoint retouched with ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8263 Alphonse Legros, Vagabonds of Montrouge (Les vagabonds de Montrouge), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8305 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8345 Shau-hau-napo-tinia, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806424-1 Honoré Daumier, Napoléon Lannes, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6128 Alphonse Legros, Sir Seymour Haden, 1837, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8329 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8391 Honoré Daumier, La Tentation, parodie d'une toile de Téniers, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6117 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8396 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8344 Alphonse Legros, At the Home of the Woodcutters (Chez les bocherons), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8338 George Baxter, Milo of Crotona Rending the Oak, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54057 Alphonse Legros, Thunder (Un coup de foudre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8273 Honoré Daumier, Repos de la France, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6112 Pet-a-le-shar-ro, 1837, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806415-1 Alphonse Legros, Head of a Man (Tete d'homme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8274 Achille Devéria, Self-Portrait, c. 1835, Lithograph in black on off-white China paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9544 George Baxter, Michaelangelo's Moses, 1839, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54068 Alphonse Legros, The Gardener (Le jardinier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8356 George Baxter, Cleopatra, 1837, Steel etching and stipple printd in purple, with block printing in colors (from 16 blocks), on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54047 George Baxter, Polar Sky, 1835, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53960 Alphonse Legros, View of Reeds (Coin de roseau), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8334 George Baxter, Victoria, Queen of Great Britain, also called Queen's Hand on Table, after 1839, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54221 Asher B. Durand, Washington From Houdon's Bust, 1833, Engraving on paper; Sheet: 21.5 × 13.4 cm (8 7/16 × 5 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821880-0 Alphonse Legros, The Prodigal Son, 4th plate (L'enfant prodigue), 1837, etching and drypoint printed in bistre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8386 Honoré Daumier, Les Badauds, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6236 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6494 Alphonse Legros, Sleeper (Un dormeur), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8362 Alphonse Legros, Death and the Woodcutter, 2nd plate (La mort et le bucheron), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8420 George Baxter, The Conqueror of Europe (Auricula), 1836, Steel etching and roulette printed in green, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54012 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8277 Alphonse Legros, Along the Top of the Hill (Sur le haut de la colline), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8355 Honoré Daumier, Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6134 Honoré Daumier, Le Ventre Législatif (The Legislative Belly), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6129 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54092 Alphonse Legros, Saint Jerome, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8357 Alphonse Legros, Head of a Model (Tete de modele), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8311 Honoré Daumier, Comte de Kératry, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6107 George Baxter, Summer Fly, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54029 Alphonse Legros, Study for the Prodigal Son (Etude pour L'enfant prodigue), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8332 Alphonse Legros, Head of a Satyr (Tete de satyre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8269 Edward Calvert, The Return Home, 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00164 Alphonse Legros, Field Hospital (L'ambulance), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8293 George Baxter, Rafaralahy, Governor of Foule Point Madagascar, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54137 Honoré Daumier, Enfoncé Lafayette!... Attrappe mon vieux!, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6132 Alphonse Legros, Breton Peasant (Paysan breton), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8310 Alphonse Legros, Sunrise (Un lever de soleil), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8327 Ferdinand Gaillard, Sister Rosalie (Soeur Rosalie), 1834, engraving and (photo process?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7324 Honoré Daumier, Docteur Prunelle, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6104 Jules Dupré, View in England (Vue prise en Angleterre), 1836, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6568 Alphonse Legros, Return to the Farm (Le retour a la ferme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8343 Alphonse Legros, Distributor of the Holy Water (Le donneur d'eau benite), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8261 Honoré Daumier, Voyage a travers les populations empressées, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6111 George Baxter, Lo Studio, 1839, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54066 George Baxter, The Dying Gladiator, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54059 Alphonse Legros, Storm (Un orage), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8330 Alphonse Legros, Choirmaster (Le maitre de chapelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8381 George Baxter, Isola Bella, Lago Maggiore, Italy, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54026 John T. Bowen, Meta-koosega, 1838, Hand-colored lithograph on paper; Sheet: 50.2 × 35cm (19 3/4 × 13 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806305-1 Alphonse Legros, Beggars of Brussels (Les mendiants de Bruges), 1837, etching on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8358 Honoré Daumier, Amiral de Rigny, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6108 Honoré Daumier, Harlé père, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6100 Honoré Daumier, Marie-Louise-Charlotte-Philippinepairie, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6116 Alphonse Legros, View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8371 Honoré Daumier, O qu'ils sont laids!, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6439 George Baxter, The New Year's Token, also called Christmas Present, 1836, Book with letterpress and two color wood engravings on ivory wove paper, bound in cover with tooled red leather, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61622 George Baxter, Lo Studio, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54063 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8369 George Baxter, Children Outside Gates of a Mansion (Tales for Girls), 1836, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54086 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8372 Alphonse Legros, Ruins of a Chateau (Les ruins du chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8365 Alphonse Legros, The Adoration of the Shepherds (L'adoration des bergers), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8360 George Baxter, The Seasons, 1836, Steel etching printed in brown, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53963 Alphonse Legros, The Tree of Salvation (L'arbe de salut), 1837, drypoint and etching? on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8347 Alphonse Legros, Cottage on a Hillside (Chaumiere sur le coteau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8366 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6122 Alphonse Legros, Death of the Vagabond (La mort du vagabond), 1837, etching, aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8313 Alphonse Legros, Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8297 Alphonse Legros, Avalanche: Frontispiece for Triumph of Death (L'avalanche: Frontispice du Triomphe dela mort, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8348 George Baxter, Winter Bird, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54041 Honoré Daumier, Le Chevalier des Adrets est l'amant..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6139 Alphonse Legros, Traveler taking Shelter (Le voyageur a l'abri), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8300 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8278 Alphonse Legros, Fisherman with a Hoop-net (La peche a la truble), 1837, etching and aquatint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8303 Alphonse Legros, Peasant in a Round Hat (Paysan avec chapeau rond), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8349 Alphonse Legros, Poet (Le poete), 1837, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8276 George Baxter, Temperate, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53976 Alphonse Legros, The Triumph of Death: Departure (Le triomphe de la mort: Le depart), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8325 George Baxter, Vineyard near Mount St. Bernard, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54032 Honoré Daumier, L'Éducation au biberon, 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6141 George Baxter, Advice on the Care of Teeth, 1837, Steel etching printed in black with block printing in colors, with liftable flap, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54044 Alphonse Legros, In the Forest (Lisiere de foret), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8367 Alphonse Legros, W.H. Longfellow, 1st plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8380 Edward Calvert, The Chamber Idyll, 1831, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00161 Alphonse Legros, Cardinal Manning, 2nd plate, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8384 George Baxter, Autumnal Artist, 1837, Steel etching printed in blue, with block printing in colors, on ivoy wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54035 Alphonse Legros, Auguste Rodin, 1837, etching in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8272 Honoré Daumier, Soult (Maréchal), 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6097 Alphonse Legros, Alfred, Lord Tennyson, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8383 Alphonse Legros, Self-Portrait, 4th plate, 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8382 Eugène Isabey, Abside de l'église de Saint-Nectaire, 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8013 Honoré Daumier, I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212975 Alphonse Legros, Plague Victims of Rome (Les pestiferes de Rome), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8306 Alphonse Legros, The Fire, 2nd plate (L'incendie), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8291 Alphonse Legros, Landscape with a Boy in a Tree (Paysage avec un garcon gimpe sur un arbre dite "Le denicher d'oiseaux), 1837, etching and drypoint on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8354 Honoré Daumier, Les honneurs du Panthéon, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6115 Alphonse Legros, View of a Chateau (Chateau de Poillet), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8359 Eugène Isabey, Souvenir de St. Valéry sur Somme, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8014 George Baxter, The Old Water Mill, 1838, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54050 Ferdinand Gaillard, Leo XIII, 1834, engraving and (photo process?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7325 Honoré Daumier, Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86425 Alphonse Legros, Man in Punt, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8333 Alphonse Legros, Shepherd's Hut on a Hillside (Bergerie sur le coteau), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8342 George Baxter, Hungarian Peasants, 1836, Steel etching, with block printing in colors (from 10 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54004 Honoré Daumier, Viennet a la Tribune, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6137 Honoré Daumier, Félix Barthe, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6105 George Baxter, Tropical Scenery, 1835, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53970 Alphonse Legros, The Gate (L'entree du champ), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8264 Alphonse Legros, Landscape with Birch Trees (Le paysage aux bouleaux), 1878, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8283 Honoré Daumier, Girod de l'Ain - J.-Joseph Rousseau - Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6124 Honoré Daumier, Baissez le rideau, la farce est jouée (Lower the Curtain, the Farce is Over), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6113 George Baxter, English Ship by Moonlight (Melaia), 1838, Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54053 Alphonse Legros, Large Spaniard (Le grand Espagnol), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6297 Honoré Daumier, Comte Horace Sébastiani, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6101 Alphonse Legros, Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8280 Honoré Daumier, Passe ton chemin, cochon, 1830, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6094 Honoré Daumier, J. Claude Fulchiron, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6099 George Baxter, The Shore, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53991 Honoré Daumier, Ne vous y frottez pas!! (Don't You Meddle with It!!), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6131 Honoré Daumier, Comte d'Argout, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6098 Honoré Daumier, Volé!... Rue vide-gousset..., 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6145 Alphonse Legros, The Refectory (Le refectoire), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8308 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8370 Alphonse Legros, Old Chateau (Un vieux chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8387 Alphonse Legros, Study for the Head of a Man (Etude de tete d'homme), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8376 Honoré Daumier, Gazan, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6127 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8275 George Baxter, Bohemian Peasants, Near Toplitz, 1836, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54001 Alfred M. Hoffy, Paddy-Carr - Creek Interpreter, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806439-0 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in green, with block printing in colors, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196261 Alphonse Legros, Victims of the Lightning (Victimes de la foudre), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8326 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6121 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8377 Honoré Daumier, Dupin ainé, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6096 Honoré Daumier, Baron de Lascours, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6136 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8368 Alphonse Legros, Little Burner of Grass (Le petit bruleur d'herbe), 1837, etching and drypoint on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8346 Honoré Daumier, Comte Portalis - Duc de Bassano - Comte de Montlosier, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6123 Honoré Daumier, La première blessure, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6118 George Baxter, Parsonage at Ovingham, 1839, Steel etching with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54089 Alphonse Legros, Frederic Regamey, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8312 Alphonse Legros, English Peasant (Paysan anglais), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8260 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8397 George Baxter, A Bird of Spring, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54023 Alphonse Legros, Little Angler (Le petit pecheur a la ligne), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8270 Alphonse Legros, Beggar with Hat in Hand (Mendiant avec son chapeau a la main), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8385 Alphonse Legros, Angler (Le pecheur a la ligne), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8284 George Baxter, Evening on the Sea, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53988 Honoré Daumier, Gros Cupide, va!, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6110 Alphonse Legros, Berenice, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8289 Alphonse Legros, Fagot-cutter (Le coupeur de fagots), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8262 Alphonse Legros, Fountain: Grotesque, Children and Basin (Une fountaine: Masque, enfants et bassin), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8353 Alphonse Legros, Landscape (Paysage), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8339 Alphonse Legros, Last Rays (Les derniers rayons), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8337 Alphonse Legros, Landscape (Paysage), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8389 Alphonse Legros, Peasants (Paysannes), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8298 Honoré Daumier, Équitation boutiquière, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6233 Honoré Daumier, Antoine Odier, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6103 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54094 Honoré Daumier, Le Fantome, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6120 Alphonse Legros, Solitude (Solitude (Paysage)), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8315 Honoré Daumier, Les réjouissances de Juillet... vues de Ste. Pélagie, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6138 Alphonse Legros, The Triumph of Death: Proclamation (Le triomphe de la mort: La proclamation), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8324 Alphonse Legros, Professor W. Cawthorne Unwin, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8375 Alphonse Legros, Fagot-makers (Les faiseurs de fagots), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8286 Alphonse Legros, Footbridge (La passerelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8341 Alphonse Legros, Philosopher (Le philosophe), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8265 Honoré Daumier, Rue Transnonain, le 15 avril 1834, 1834, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6133 Alphonse Legros, Banks of the Marne (Bord de la Marne), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8268 Alphonse Legros, Leon Gambetta, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8287 Alphonse Legros, Head of Souliote (Tete de Souliote), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8285 Alphonse Legros, Head of a Beggar (Tete de mendiant), 1837, etching, drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8266 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquatint, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54106 Alphonse Legros, In the Forest of Conteville (Dans la foret de Conteville), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8398 Alphonse Legros, Curious Man (Un curieux), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8336 Alphonse Legros, Meditation (La meditation), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8258 Alphonse Legros, The Triumph of Death: Battle (Le triomphe de la mort: Le combat), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8361 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8373 Alphonse Legros, Landscape with Two Trees (Paysage aux deux arbres), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8335 Honoré Daumier, Le passé - Le présent - l'Avenir, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6109 Alphonse Legros, Old Woman Seated (La vieille femme assise), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8296 Honoré Daumier, Bordeaux-Laffite, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6437 Alphonse Legros, Winter, 1st plate (L'hiver), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8350 Alphonse Legros, Fagot-gatherer (Le fagotier), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8331 Alphonse Legros, Writer (L'ecrivain), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8267 Alphonse Legros, Finding the Sheep (Le mouton retrouve), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8302 Honoré Daumier, C'est tout de même flatteur d'avoir fait tant d'élèves!..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6140 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8392 George Baxter, Temperate, 1835, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53979 Honoré Daumier, L'Apoplexie allant remplacer a Londres la paralysie, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6119 Honoré Daumier, C.-A. Gabriel, duc de Choiseul, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6126 Alphonse Legros, Sunset (Le soir (Coucher de soleil)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8294 Honoré Daumier, Très hauts et très puissans moutards et moutardes légitimes, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6130 Alphonse Legros, Poplars near Amiens (Pres d'Amiens, les tourbieres), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8395 Alphonse Legros, Gust of Wind (Le coup de vent), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8314