Christian Albrecht Jensen, The English Architect Charles Robert Cockerell, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368014 Alphonse Legros, Storm, 1837, watercolor over pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8419 Alphonse Legros, Peasants (Paysannes), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8299 John Skinner Prout, Figures by a continental fountain, 1836, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6090 Alphonse Legros, Study for Head of a Man (Etude de tete d'homme), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8378 Messenger Company, Argand Lamp, 1835–40, Bronze, gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/139 Harriet Crutchfield, Sampler, 1837, Linen embroidered with polychrome cottons lined gold sateen with green satin binding (Grandmother of Dr Lloyd Rees), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/553 Alfred Jacob Miller, Self-Portrait, c. 1850, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2556 Alphonse Legros, Near the Mill (Pres du moulin), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8388 Clair Pierre, PROBLEMES DE SURFACES, 2e quart 19e siècle, encre noire; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070575 Alphonse Legros, Fishing for Crayfish (Les pecheurs d'ecrevisses), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8328 Honoré Daumier, Huguet de Sémonville - Robert Macaire (Thiers) - Comte Roederer, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6125 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53973 Schacre Jean-Baptiste, VUE D'ALSACE : MANUFACTURES DU LOGELBACH PRES COLMAR, 2e quart 19e siècle, mine de plomb; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066281 Alphonse Legros, Study of Woman's Head, Turned Right, 1837, silverpoint on prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8438 MUYDEN Alfred Van, PORTRAIT DE JEUNE FILLE, 2e quart 19e siècle;2e moitié 19e siècle, mine de plomb (estompé); papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067257 George Baxter, Avalanche at Lewes, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54038 Alphonse Legros, Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8352 George Baxter, Polar Sky, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53957 Clair Pierre, DETAILS D'UNE CHAIRE A PRECHER, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070530 Niels Simonsen, Bavarian Woman, Study, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368241 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquating, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54103 Wa-bish-kee-pe-nas - The White Pigeon, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806426-1 Messenger Company, Argand Lamp, 1835–40, Gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/140 Jean NEVEU Guerin, PORTRAIT D'HOMME, 2e quart 19e siècle;3e quart 19e siècle, mine de plomb; gouache; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067254 Picard Alphonse, SAINT JACQUES LE MAJEUR (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001333 Schacre Jean-Baptiste, VUE DE COLMAR : CLOITRE DES UNTERLINDEN, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066392 Alphonse Legros, Meadow in Sunshine (Le pre ensoleille), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8259 Niels Peter Holbech, Portrait of a Woman, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368105 André Marie Florentin Giraud, EVEQUE ORIENTAL, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023378 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8390 Alphonse Legros, Head of a Man, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8437 George Baxter, Turn of the Monsoon, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54021 Schacre Jean-Baptiste, VUE D'ALSACE (?) : PONT, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066424 Daniel Vincens, PAYSANNE DES ENVIRONS DU PUY, 2e quart 19e siècle;3e quart 19e siècle, plume; encre noire; papier (brun), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055696 Hippolyte Flandrin, Melchizedek Presenting Abraham with Bread and Wine, 1835–64, Graphite, brush and gray wash; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334626 Alphonse Legros, Shadow (Ombre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8290 Alphonse Legros, Harvesters (Les moissoneurs), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8374 Alphonse Legros, Village of Wimille, near Boulogne (Village de Wimille, pres Boulogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8279 Alphonse Legros, Cardinal Manning, 3rd plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8379 Picard Alphonse, NOTRE DAME DE LA DELIVRANDE (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001348 Schacre Jean-Baptiste, VUE D'ALSACE : INTERIEUR DE L'EGLISE DE THANN ; VUE DE SUISSE : BAINS DE LABOURG, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066306 Schacre Jean-Baptiste, VUE DE COLMAR : HALLE AUX BLES ; PLANS DIVERS, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066394 after J.M.W. - Painter, JEAVONS, Thomas Turner, Boston, Lincolnshire (from 'Picturesque views in England and Wales'), 1835, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2520 Schacre Jean-Baptiste, VUES D'ALSACE : LE CHATEAU DE HOHENLANSBERG, 2e quart 19e siècle, mine de plomb; fusain; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066326 Alfred M. Hoffy, Stum-ma-nu - A Flathead Boy, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806457-1 Redwood Glass Company, Bowl, 1835–65, Blown glass with applied decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/685 Alphonse Legros, Desperate Man (Le desespere), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8394 George Baxter, Sir David Scott, Bart. K.G.H., c. 1836, Aquatint, mezzotint, and roulette in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59549 Alphonse Legros, Siesta in the Country (Sieste dans la capagne), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8351 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8393 André Marie Florentin Giraud, PERSONNAGE NIMBE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023372 Letouze, Modèle de broderie pour fond de bonnet (titre factice), 2e quart 19e siècle, typogravure; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001128 Rousseau Théodore, PAYSAGE AU CHENE DETACHE, 2e quart 19e siècle;3e quart 19e siècle, crayon noir; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021774 Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons, 16 October 1834, 1835, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122351 Alphonse Legros, Woman at the Foot of the Cross (Femme au calvaire), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8364 François Fortuné Antoine Ferogio, LE CHEVALET DE MONTPELLIER, 2e quart 19e siècle;2e moitié 19e siècle, lavis rouge; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021623 Heim François Joseph, PORTRAIT DE L'ACTEUR FIRMIN, 2e quart 19e siècle, crayon gras; craie blanche; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067267 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Honoré Daumier, Comte J.-Jérome Siméon, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6135 Alphonse Legros, Bust of Nude Man, 1837, graphite on blue hand-prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8427 George Linen, Unidentified Man, c. 1835–44, Graphite on paper; Sheet: 13.8 × 6.7 cm (5 7/16 × 2 5/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827894-1 Alphonse Legros, Head of a Man Facing Left [recto], 1837, black chalk on heavy laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8447 Alphonse Legros, Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8271 George Baxter, Te Po, a Chief of Rarotonga, 1837, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54100 Alphonse Legros, Little Beggar (Le petit mendiant), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8363 Alphonse Legros, Thatched Cottage (Chaumiere), 1837, etching and drypoint retouched with ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8263 Blocquel Simon François, VIE DE MICHEL MORIN (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001949 Benjamin Duterreau, A wild native taking a kangaroo, 1836, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9260 Alphonse Legros, Vagabonds of Montrouge (Les vagabonds de Montrouge), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8305 Alphonse Legros, Centaur Woman, 1837, pen and brown ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8431 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8345 Hébert Ernest, LA MAL'ARIA, ETUDE SOMMAIRE POUR L'ENFANT ENDORMI, 2e quart 19e siècle;3e quart 19e siècle, crayon; papier (blanc), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069596 Shau-hau-napo-tinia, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806424-1 Honoré Daumier, Napoléon Lannes, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6128 Alphonse Legros, In the Marshes, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8457 Alphonse Legros, Sir Seymour Haden, 1837, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8329 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8391 Celestin-Francois - Collaborating artist (image), MALAPEAU, Charles-Louis Nanteuil, La Cuisine (The kitchen), 1838, Lithograph with border on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7419 George Baxter, The Mosaic Pavement at Pitney, also called The Roman Pavement at Pitney, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54018 Alphonse Legros, Death and Its Horse, 1837, brush and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8425 Clair Pierre, PROBLEMES DE SURFACES, 2e quart 19e siècle, encre noire; mine de plomb; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070578 Niels Simonsen, Profile Study of a Woman in Tyrolean Costume, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368444 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8396 Clair Pierre, CALOTTE D'ASSEMBLAGE A MONTANTS RAYONNANT OVALE EN PLAN EN ELEVATION EN QUART DE CERCLE ET EN COUPE AU MILIEU, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070548 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8344 Alphonse Legros, At the Home of the Woodcutters (Chez les bocherons), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8338 George Baxter, Milo of Crotona Rending the Oak, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54057 W.R. - Engraver, TURNER, after J.M.W. Smith, Longships Lighthouse, Land's End (from 'Picturesque views in England and Wales'), 1836, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/131 Alphonse Legros, Thunder (Un coup de foudre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8273 Alphonse Legros, Head of a Man Facing Left, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8444 Pet-a-le-shar-ro, 1837, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806415-1 Alphonse Legros, Head of a Man (Tete d'homme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8274 George Baxter, Michaelangelo's Moses, 1839, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54068 Numa Boucoiran, LA PEINTURE, 2e quart 19e siècle;3e quart 19e siècle, sanguine; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021542 Alphonse Legros, The Gardener (Le jardinier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8356 George Baxter, Cleopatra, 1837, Steel etching and stipple printd in purple, with block printing in colors (from 16 blocks), on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54047 George Baxter, Polar Sky, 1835, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53960 Alphonse Legros, View of Reeds (Coin de roseau), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8334 George Baxter, Victoria, Queen of Great Britain, also called Queen's Hand on Table, after 1839, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54221 Alphonse Legros, Clap of Thunder, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8432 Alphonse Legros, Centaur with Branches, 1837, pen and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8433 Alphonse Legros, The Prodigal Son, 4th plate (L'enfant prodigue), 1837, etching and drypoint printed in bistre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8386 Honoré Daumier, Les Badauds, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6236 Rousseau Théodore, RIVIERE ET BERGE BOISEE AVEC UN GRAND ARBRE DETACHE, 2e quart 19e siècle, plume; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021767 Jeptha Homer Wade, Nathaniel Olds, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155822 Alphonse Legros, The Milkmaid of Boulogne, 1837, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8421 UNKNOWN, Watch, chain, seal and key, c.1837–38(?), Gold, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15095 Alphonse Legros, Sleeper (Un dormeur), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8362 Garnier-Allabre Jacques Pierre, L'ANNONCIATION DE LA SAINTE VIERGE (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001946 Alphonse Legros, Death and the Woodcutter, 2nd plate (La mort et le bucheron), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8420 Alphonse Legros, Study of a Beggar, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8443 Papety Dominique, PORTRAIT DE PETITE FILLE, 2e quart 19e siècle, mine de plomb; papier (gris), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021710 American 19th Century, Portrait of a Man, c. 1835, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1102 Ancelle Fils, CHARITE DE LA VILLE D'EVREUX (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001220 George Baxter, The Conqueror of Europe (Auricula), 1836, Steel etching and roulette printed in green, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54012 Alphonse Nebre, PORTRAIT DE MONSIEUR AUBERT, 2e quart 19e siècle, crayon noir; papier (blanc), Musée des beaux-arts, Marseille. https://dartabase.art/cite/joconde/000DE021510 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8277 UNKNOWN, Card case, c.1835–50, Mother of pearl and shell mosaic in a diamond pattern. Engraved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15137 Joseph Latour, LE LAC DE SAOUNSAT, 2e quart 19e siècle, crayon noir; craie blanche; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021654 Schacre Jean-Baptiste, VUE DE COLMAR : FRAGMENT D'ARCHITECTURE SARRASINE TIRE DE LA HALLE AUX BLES, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066385 Alphonse Legros, Along the Top of the Hill (Sur le haut de la colline), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8355 Honoré Daumier, Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6134 George Linen, Unidentified Boy, c. 1835–44, Graphite on paper; Sheet: 9.5 × 14.3 cm (3 3/4 × 5 5/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827889-1 Schacre Jean-Baptiste, VUES D'ALSACE : CHATEAU DE LANDSKRON ; CHATEAU DE LIEBSTEIN, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066301 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54092 George Baxter, Modifications of Clouds, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53950 Paul Huet, PAYSAGE DE MONTAGNE, 2e quart 19e siècle;3e quart 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021643 George Baxter, Caroline Mordaunt, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53994 André Marie Florentin Giraud, PERSONNAGE NON IDENTIFIE, 2e quart 19e siècle, crayon noir; plume; encre noire; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055621 Hamano Masanobu, Tsuba with a Hawk and a Sparrow, 1836 (late Edo), sentoku (copper-tin alloy), copper, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.381 Papety Dominique, ENTRETIEN DE L'ABBE ZOSIME ET DE SAINTE MARIE L'EGYPTIENNE, AU DESERT, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021723 Johan Way, Fredrik Arvid Trolle (1807-1839), friherre, 1839, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106656278 Alphonse Legros, Saint Jerome, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8357 Alphonse Legros, Head of a Model (Tete de modele), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8311 Conrad Martens, View from Craigend (Sydney), 1837, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7549 George Baxter, Summer Fly, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54029 Alphonse Legros, Study for the Prodigal Son (Etude pour L'enfant prodigue), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8332 German von Bohn, PORTRAIT DE DIANE DE GOBINEAU AGEE D'UN AN, 2e quart 19e siècle, crayon noir; craie blanche; papier (chamois), MUDO - musée de l'Oise, Beauvais. https://dartabase.art/cite/joconde/000DE023036 Blocquel Simon François, NOTRE DAME DE DELIVRANCE (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001955 Alphonse Legros, Study of a Head, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8445 Alphonse Legros, Head of a Satyr (Tete de satyre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8269 Eugène Delacroix, Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436179 André Marie Florentin Giraud, PERSONNAGE NON NIMBE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023369 Alphonse Legros, Field Hospital (L'ambulance), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8293 George Baxter, Rafaralahy, Governor of Foule Point Madagascar, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54137 George Linen, Unidentified Man, c. 1835–44, Graphite on paper; Sheet: 18.7 × 11.6 cm (7 3/8 × 4 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827890-0 Andreas Achenbach, Ein Seesturm an der norwegischen Küste, 1837, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/871 Alphonse Legros, Two Studies of Hands, 1837, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8452 Charles James Richardson, A Ewer, c.1839, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O501545 Schacre Jean-Baptiste, VUE D'ALSACE : INTERIEUR DE L'EGLISE DE ROUFFACH, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066318 Hébert Ernest, CAMPAGNE ROMAINE, RUINES PARMI LES ARBRES, 2e quart 19e siècle, mine de plomb; papier (blanc), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069444 Alphonse Legros, Breton Peasant (Paysan breton), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8310 Alphonse Legros, Sunrise (Un lever de soleil), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8327 MAESTLE, VUE D'ALSACE : EGLISE A SAVERNE, 2e quart 19e siècle, aquarelle; mine de plomb; vernis; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066546 Emile Giraud, M. DE LA BATIE, SOUS-PREFET, 2e quart 19e siècle, mine de plomb; aquarelle; papier (gris), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055579 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Jules Dupré, View in England (Vue prise en Angleterre), 1836, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6568 Picard Alphonse, CONFRERIE DE LA NOTRE-DAME DU MONT-CARMEL (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001532 Picard Alphonse, SAINTE VICTOIRE, VIERGE ET MARTYRE (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001978 Alphonse Legros, Return to the Farm (Le retour a la ferme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8343 Henry Monnier, COCHER EN GRANDE LIVREE, 2e quart 19e siècle;3e quart 19e siècle, aquarelle; plume; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021701 Christen Købke, The Artist Just Jerndorff, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106364773 André Marie Florentin Giraud, SCENE BIBLIQUE (?), 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055599 Daniel Vincens, VALLON DE L'ANCE, 2e quart 19e siècle;3e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023413 Hippolyte Flandrin, Nächtlicher Blick auf Rom, 1836, Aquarell über Bleistift auf altweißem rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18636 Alphonse Legros, Distributor of the Holy Water (Le donneur d'eau benite), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8261 Christoffer Wilhelm Eckersberg, Karen Margrethe Borch, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368047 George Baxter, Lo Studio, 1839, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54066 George Baxter, The Dying Gladiator, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54059 Alphonse Legros, Head of a Man with Curly Hair and Beard, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8435 Alphonse Legros, Storm (Un orage), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8330 Louis Gurlitt, View From Kullen, Skåne, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368513 Alphonse Legros, Choirmaster (Le maitre de chapelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8381 Koretomo, Kozuka with Cherry Tree and Swallows, c. 1850 (late Edo), silver, shakudo, gold,sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1295.4 Caspar David Friedrich, Gebirge bei aufsteigendem Nebel, c. 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1806 Schacre Jean-Baptiste, VUES D'ALSACE : TURCKHEIM ; CHAPELLE SAINT PANCRACE DANS LES RUINES DU CHATEAU D'EGUISHEIM, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066365 George Baxter, Isola Bella, Lago Maggiore, Italy, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54026 Alphonse Legros, Head of a Man with a Skullcap, 1837, wash over charcoal, heightened with white, on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8414 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 John T. Bowen, Meta-koosega, 1838, Hand-colored lithograph on paper; Sheet: 50.2 × 35cm (19 3/4 × 13 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806305-1 Clair Pierre, ETUDE DE PARQUET A BATON ROMPU ET DIVERSES FIGURES GEOMETRIQUE, 2e quart 19e siècle, encre noire; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070550 Alphonse Legros, Beggars of Brussels (Les mendiants de Bruges), 1837, etching on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8358 Hébert Ernest, ROME, VILLA MEDICIS, ARBRES DU BOSCO DERRIERE L'ESCALIER DE PIERRE ET LA MURETTE-GARDE-CORPS, 2e quart 19e siècle, fusain; papier (gris), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069386 Alphonse Legros, Study of a Workman, 1837, graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8410 Schacre Jean-Baptiste, VUE D'ALSACE : ABBAYE D'ALSPACH, 2e quart 19e siècle, mine de plomb; plume; encre noire; papier quadrillé (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066375 Alphonse Legros, View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8371 Schacre Jean-Baptiste, VUE D'ALSACE : DUSENBACH, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066296 Honoré Daumier, O qu'ils sont laids!, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6439 after J.M.W. - Painter, MILLER, William Turner, Fort Augustus, published 1836, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2622 Jean-Baptiste Louis Hubert, PAYSAGE ; ETUDE D'ARBRES, 2e quart 19e siècle, lavis brun; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023067 George Baxter, The New Year's Token, also called Christmas Present, 1836, Book with letterpress and two color wood engravings on ivory wove paper, bound in cover with tooled red leather, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61622 George Baxter, Lo Studio, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54063 Deckherr Frères, MORT DE NAPOLEON (titre bilingue, titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001550 Papety Dominique, LE COMMANDEUR, 2e quart 19e siècle, crayon noir; mine de plomb; craie blanche; lavis brun; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021739 Lorenz Frølich, The King Svafur Forces Durin and Dvalin to Promise him the Tirfing Sword, 1839, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368431 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8369 Eugène Delacroix, Hamlet und Horatio auf dem Friedhof, 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2139 Wilhelm Marstrand, Auction Scene, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368264 George Baxter, Children Outside Gates of a Mansion (Tales for Girls), 1836, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54086 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8372 Alphonse Legros, Centaur Carrying a Tree Trunk, 1837, brown and green ink over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8418 Alphonse Legros, Head of a Man, 1837, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8458 Thomas Talbot-bury, CHAIRE DE LA CATHEDRALE DE STRASBOURG, 2e quart 19e siècle, lavis brun; aquarelle; gouache; crayon noir; carton, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000065564 Emile Giraud, PORTRAIT DU DOCTEUR PIERRE CALEMARD-DE-LA-FAYETTE, DEPUTE DE HAUTE-LOIRE, 2e quart 19e siècle, mine de plomb; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055575 Lecaux-Aubert, EXTRAIT DE L'HISTOIRE MIRACULEUSE / DE NOTRE DAME DE LIESSE (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001536 Alphonse Legros, Ruins of a Chateau (Les ruins du chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8365 Alphonse Legros, Peasant and Ass, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8407 Alphonse Legros, The Adoration of the Shepherds (L'adoration des bergers), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8360 Schacre Jean-Baptiste, VUE DE COLMAR : RELEVE DU PORTAIL DE LA SYNAGOGUE, 2e quart 19e siècle, mine de plomb; fusain; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066399 George Baxter, The Seasons, 1836, Steel etching printed in brown, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53963 Alphonse Legros, The Tree of Salvation (L'arbe de salut), 1837, drypoint and etching? on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8347 Besnard J. (17..-18..?), Planche de petits métiers et d'allégories (perruquier...occuliste) (titre factice), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001246 André Marie Florentin Giraud, MARMOTTE (PERSONNAGE REVOLUTIONNAIRE?), 2e quart 19e siècle, crayon noir; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023324 Alphonse Legros, Death and the Woodcutter, 1837, pen and brown ink over graphite on ground wood paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8292 Schacre Jean-Baptiste, VUE D'ALSACE : HOHENLANDSBERG, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066327 Alphonse Legros, Cottage on a Hillside (Chaumiere sur le coteau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8366 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6122 Isabey Eugène, UNE COUR A VITRE, 2e quart 19e siècle;2e moitié 19e siècle, mine de plomb; papier (beige), Musée du château, Vitré. https://dartabase.art/cite/joconde/00000063052 Alphonse Legros, Death of the Vagabond (La mort du vagabond), 1837, etching, aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8313 Alphonse Legros, Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8297 Constant Dutilleux, PAYSAGE, 2e quart 19e siècle;3e quart 19e siècle, fusain; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021593 Alphonse Legros, Avalanche: Frontispiece for Triumph of Death (L'avalanche: Frontispice du Triomphe dela mort, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8348 Schacre Jean-Baptiste, VUE D'ALSACE : PRIEURE DE SAINT MARC A GUEBERSCHWIHR, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066370 Clair Pierre, PLAN ET COUPE D'UN ESCALIER CIRCULAIRE, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070506 JOHN and WILLIAM BARNARD Edward, Four salt cellars, c.1839–40, Silver, regency style engraved with floral scrolls and crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5919 W.B. Gould, Still life with game, c.1838–45, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12395 George Baxter, Convolvulus Leaves, Flower, and Bud, from Baxter's Agricultural and Horticultural Gleaner, 1836, Block printing in colors, and letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54009 Horace Vernet, SCENE DE LA VIE BEDOUINE : THE ET PIPE, 2e quart 19e siècle, fusain; gouache; aquarelle; papier (chamois), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066426 George Baxter, Winter Bird, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54041 Schacre Jean-Baptiste, VUE DE COLMAR : CATHEDRALE DE COLMAR, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066408 Honoré Daumier, Le Chevalier des Adrets est l'amant..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6139 Alphonse Legros, Traveler taking Shelter (Le voyageur a l'abri), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8300 Alphonse Legros, Study of Two Figures Seated Side by Side, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8426 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8278 Alphonse Legros, Fisherman with a Hoop-net (La peche a la truble), 1837, etching and aquatint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8303 Alphonse Legros, Peasant in a Round Hat (Paysan avec chapeau rond), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8349 Alphonse Legros, Poet (Le poete), 1837, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8276 Schacre Jean-Baptiste, VUE DE STRASBOURG : RUE MERCIERE, 2e quart 19e siècle, mine de plomb; papier quadrillé (blanc), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/000DE022927 George Baxter, Temperate, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53976 Imprimerie Julienne (Paris), LE DUC DE REICHSTADT, FILS DE NAPOLEON, / NE A PARIS, LE 20 MARS 1811 (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001323 S. Gambardella, Dr Channing - portrait of man, 1839, Lithograph on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4521 Delacroix Eugène, ETUDE D'ATELIER POUR LES FEMMES D'ALGER ; FEMME ASSISE A LA TURQUE, 2e quart 19e siècle, mine de plomb; aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021573 Alphonse Legros, The Triumph of Death: Departure (Le triomphe de la mort: Le depart), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8325 André Marie Florentin Giraud, DETAIL DE LA FRESQUE DES JOUEURS D'ECHECS, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023355 George Baxter, Vineyard near Mount St. Bernard, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54032 Jean-Baptiste Louis Hubert, SOUVENIR D'AUVERGNE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023065 Picard Alphonse, SAINTE ADELE (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001329 Schacre Jean-Baptiste, RELEVE D'UN GISANT A ISSENHEIM, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066332 Honoré Daumier, L'Éducation au biberon, 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6141 George Baxter, Advice on the Care of Teeth, 1837, Steel etching printed in black with block printing in colors, with liftable flap, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54044 Alphonse Legros, In the Forest (Lisiere de foret), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8367 Alphonse Legros, W.H. Longfellow, 1st plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8380 Clair Pierre, PLAN ET ELEVATION D'UNE PERSIENNE CINTREE, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070499 Alphonse Legros, Cardinal Manning, 2nd plate, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8384 George Baxter, Scene on the Mountain Tops, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53982 George Baxter, Autumnal Artist, 1837, Steel etching printed in blue, with block printing in colors, on ivoy wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54035 Alphonse Legros, Auguste Rodin, 1837, etching in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8272 Alphonse Legros, Alfred, Lord Tennyson, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8383 Henri Fantin-Latour, Siegfried and the Rhine Maidens, 1836, black crayon on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6847 Philipp Veit, Bildnis der Freifrau von Bernus, 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1783 Alphonse Legros, Self-Portrait, 4th plate, 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8382 Papety Dominique, VUE DE ROME, 2e quart 19e siècle, mine de plomb; lavis bleu; papier (gris), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021706 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE FLORIMONT, 2e quart 19e siècle, fusain; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066362 Honoré Daumier, I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212975 Alexandre-Gabriel Decamps, The Experts, 1837, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436114 Castiaux Jean-Baptiste, S.M. CHARLES X, NE A VERSAILLES, LE 9 OCTOBRE 1757, ROI DE FRANCE ET DE NAVARRE, ... (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001820 Schacre Jean-Baptiste, VUE D'ALSACE : PONT DE BATEAUX SUR LE RHIN ENTRE STRASBOURG ET KEHL, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066380 Deckherr Frères, FAMILLE ROYALE (titre inscrit), 2e quart 19e siècle, bois de fil (colorié au pochoir), papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001973 Alphonse Legros, Plague Victims of Rome (Les pestiferes de Rome), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8306 Alphonse Legros, The Fire, 2nd plate (L'incendie), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8291 George Baxter, South Down Sheep, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54006 Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789 Alphonse Legros, Landscape with a Boy in a Tree (Paysage avec un garcon gimpe sur un arbre dite "Le denicher d'oiseaux), 1837, etching and drypoint on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8354 Jean Baptiste Camille Corot, Hagar in the Wilderness, 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435962 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE LANDSKRON ; CROQUIS D'UNE TOUR, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066299 L, Faire part mortuaire de Catherine Laigle (titre factice), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001996 Alfred Touchemolin, VUE DE STRASBOURG : LE TEMPLE NEUF, 2e quart 19e siècle, plume; encre noire; mine de plomb; papier (blanc); carton (beige); matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/000DE022882 Alphonse Legros, View of a Chateau (Chateau de Poillet), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8359 Eugène Devéria, Louis-Félix Amiel (1802–1864), 1837, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436190 George Baxter, The Old Water Mill, 1838, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54050 Rudolf von Alt, Friedhof in Ischl, 1838, Aquarell auf rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8370 Honoré Daumier, Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86425 Jean Villot, PROJET POUR L'ARC DE TRIOMPHE ELEVE A CHARLES X, 2e quart 19e siècle, plume; encre noire; aquarelle; lavis gris; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066556 Papety Dominique, SAINTE JUSTINE EN PRIERES, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021717 Clair Pierre, CALLOTTE MASSE EN PLAN EN ELEVATION ET COUPE DU MILIEU, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070542 Clair Pierre, MANIERE DE TRACER LES COUPES SUR ANGLES DES MOULURES CINTRES, 2e quart 19e siècle, encre noire; lavis gris; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070519 Alphonse Legros, Man in Punt, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8333 Alphonse Legros, Shepherd's Hut on a Hillside (Bergerie sur le coteau), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8342 George Baxter, Hungarian Peasants, 1836, Steel etching, with block printing in colors (from 10 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54004 Giuseppe Palizzi, CHEVRES, 2e quart 19e siècle;3e quart 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021703 André Marie Florentin Giraud, PERSONNAGE NIMBE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023363 George Baxter, Tropical Scenery, 1835, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53970 James Pradier, SAINT LOUIS DEBOUT, 2e quart 19e siècle, mine de plomb; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070459 Alphonse Legros, The Gate (L'entree du champ), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8264 André Marie Florentin Giraud, PERSONNAGE NIMBE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023364 Raffet Denis-Auguste-Marie, La dernière charrette, 2e quart 19e siècle, fusain; papier (blanc), Musée franco-américain du château de Blérancourt, Blérancourt. https://dartabase.art/cite/joconde/000DE025525 Schacre Jean-Baptiste, VUE DE COLMAR : JUBE DE L'EGLISE DES RECOLLETS, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066401 Rousseau Théodore (1812-1867), CLAIRIERE, 2e quart 19e siècle;3e quart 19e siècle, crayon noir; craie blanche; papier (préparé, ocre), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021672 Schacre Jean-Baptiste, VUES D'ALSACE : LE CLOITRE DE MARBACH PRES COLMAR, 2e quart 19e siècle, fusain; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066341 Alphonse Legros, Landscape with Birch Trees (Le paysage aux bouleaux), 1878, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8283 Charles Meryon, La Panne, 1839, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9133 Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594 Papety Dominique, RESURRECTION DE LAZARE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021728 W.R. - Engraver, TURNER, after J.M.W. Smith, Chain Bridge over the River Tees (from 'Picturesque views in England and Wales'), 1838, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8332 Honoré Daumier, Girod de l'Ain - J.-Joseph Rousseau - Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6124 Alphonse Legros, Head of an Old Man, 1837, black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8446 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE LANDSKRON, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066298 Schacre Jean-Baptiste, VUE D'ALSACE : VILLAGE ET CHATEAU DE WASSERBOURG, 2e quart 19e siècle, mine de plomb; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066284 Alphonse Legros, Head of an Old Man with a Wide-Brimmed Hat, 1837, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8453 Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE HOHENLANDSBERG, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066329 George Baxter, English Ship by Moonlight (Melaia), 1838, Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54053 Garnier-Allabre Jacques Pierre, L'ANNONCIATION DE LA SAINTE VIERGE (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001628 Jean-Pierre Clerc, JESUS SUR LA CROIX (titre inscrit), 2e quart 19e siècle, bois de fil (colorié au pochoir), papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001449 George Baxter, The Seasons, 1835, Block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53967 Antoine Alexis Pascon, LA CHARTREUSE DE BRIVES PRES LE PUY, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055649 Alphonse Legros, Large Spaniard (Le grand Espagnol), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6297 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 Alphonse Legros, Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8280 Schacre Jean-Baptiste, VUE DE COLMAR : FORTIFICATIONS ET HOSPICE CIVIL, 2e quart 19e siècle, mine de plomb; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066349 George Baxter, The Shore, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53991 Hébert Ernest, LA MAL'ARIA, ETUDE POUR LE RAMEUR DEBOUT, 2e quart 19e siècle;3e quart 19e siècle, fusain; craie blanche; papier (bleu), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069594 Thomas Cole, View of Schroon Mountain, Essex County, New York, After a Storm, 1838, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93014 Honoré Daumier, Volé!... Rue vide-gousset..., 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6145 Alphonse Legros, Claude's Farm, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8424 Alphonse Legros, The Refectory (Le refectoire), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8308 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8370 Delacroix Eugène, TIGRE, 2e quart 19e siècle;3e quart 19e siècle, crayon noir; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021581 Schacre Jean-Baptiste, VUE D'ALSACE : MONUMENT DU GENERAL BEAUPUIS A NEUF BRISACH, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066353 Hérissey A, CHARITE DE SARQUENVILLE (titre inscrit), 2e quart 19e siècle, lithographie; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001223 Olof Johan Södermark, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106358218 Joseph Mallord William Turner, The Death of Actaeon, with a Distant View of Montjovet, Val d’Aosta, c.1837, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00909 Alphonse Legros, Old Chateau (Un vieux chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8387 Alphonse Legros, Study for the Head of a Man (Etude de tete d'homme), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8376 Honoré Daumier, Gazan, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6127 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8275 George Baxter, The Mosaic Pavement at Pitney, also called At Pitney, Co. Somt. 1829, 1836, Block printing in colors, with debossing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54015 Alphonse Legros, Study of a Mask, 1837, brown and green wash, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8449 Johan Gustaf Sandberg, Cupid Fires His Arrow, after a Relief by Johan Tobias Sergel, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368060 George Baxter, Bohemian Peasants, Near Toplitz, 1836, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54001 Alfred M. Hoffy, Paddy-Carr - Creek Interpreter, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806439-0 Deckherr Frères, FAMILLE ROYALE (titre bilingue, titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001369 George Baxter, Air Bird, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53985 Alphonse Legros, Head of a Young Man, 1837, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8415 Schacre Jean-Baptiste, VUES D'ALLEMAGNE : DANS LA VILLE HAUTE DE VIEUX BRISACH ; SCHLOSLIMBOURG, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066355 Alphonse Legros, The Big Tree, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8429 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in green, with block printing in colors, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196261 Alphonse Legros, Victims of the Lightning (Victimes de la foudre), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8326 Picard Alphonse, CONFRERIE DE LA NOTRE-DAME DU MONT-CARMEL (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001817 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6121 Alphonse Legros, At the Foot of the Hill, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8456 Kimura Tomonaga, Kashira with Seven Sages in a Bamboo Grove, c. 1850 (late Edo-Meiji), shibuichi, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.987 Blocquel Simon François, CROIX DE MISSION (titre inscrit), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001784 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8377 S.T. Gill, Untitled (near Port Albert), c.1839–80, Wash and pen and brown ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/399 Honoré Daumier, Baron de Lascours, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6136 Alphonse Legros, Woman in a Cloak, 1837, goldpoint on blue prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8417 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8368 George Baxter, The End of Time, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53954 Alphonse Legros, Little Burner of Grass (Le petit bruleur d'herbe), 1837, etching and drypoint on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8346 Honoré Daumier, Comte Portalis - Duc de Bassano - Comte de Montlosier, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6123 Alphonse Legros, Rest, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8423 Jørgen Roed, Portrait of Ane Elisabeth (Elise) Gurlitt, né Saxild (1817-39), 1836, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368297 Heinrich Adam, Fifteen Architectural Subjects: Views of Munich, 1835, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334779 Honoré Daumier, La première blessure, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6118 George Baxter, Parsonage at Ovingham, 1839, Steel etching with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54089 Alphonse Legros, After the Battle, 1837, pen and brown ink with brown wash over graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8428 Alphonse Legros, Frederic Regamey, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8312 George Baxter, Virginia Water, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53997 Alphonse Legros, English Peasant (Paysan anglais), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8260 André Marie Florentin Giraud, MICHEE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055618 Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220 Alphonse Legros, Peasant at the Source, 1837, pen and brown ink over touches of graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8434 Bloquel-Gallier Charles, CHARLES X ET LE DEY (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001987 Eugène Wittmann, VUE D'ALSACE : VALLEE DE BARR, 2e quart 19e siècle, mine de plomb; papier (ocre); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066526 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8397 Alphonse Legros, Footpath in Burgundy, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8430 Carl Friedrich Lessing, Die tausendjährige Eiche, 1837, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1002 George Baxter, A Bird of Spring, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54023 Rousseau Théodore, MARAIS A VILLEBUSSIERE ; BERRY, 2e quart 19e siècle, crayon noir; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021765 Alphonse Legros, Study of a Head, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8442 Jean-Pierre Clerc, MORT DU GENERAL LAFAYETTE (titre inscrit) [20 mai 1834], 2e quart 19e siècle, bois de fil (colorié au pochoir), papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001370 Alphonse Legros, Little Angler (Le petit pecheur a la ligne), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8270 Alphonse Legros, Beggar with Hat in Hand (Mendiant avec son chapeau a la main), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8385 Schacre Jean-Baptiste, VUE DE COLMAR : HALLE AUX BLES, 2e quart 19e siècle, mine de plomb; lavis brun; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066407 Rousseau Théodore, PAYSAGE D'ETANGS AU CHENE DETACHE, 2e quart 19e siècle;3e quart 19e siècle, plume; encre; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021766 Clair Pierre, ETUDES DE SURFACES EN MOUVEMENT, 2e quart 19e siècle, encre noire; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070577 Alphonse Legros, Angler (Le pecheur a la ligne), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8284 Alphonse Legros, Study of a Man's Head [recto], 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8439 Belhon Mme, DANSE MACABRE DE LA CHAISE-DIEU, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055657 George Baxter, Evening on the Sea, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53988 Merry Joseph Blondel, PROJET DE PLAFOND, 2e quart 19e siècle, mine de plomb; aquarelle; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/00000068339 Schacre Jean-Baptiste, VUES D'ALSACE : CHATEAU DE SCHRANKENFELS ; LE HOHNACK?, 2e quart 19e siècle, mine de plomb; fusain; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066291 AIMOND GILBERT Mallay, PLAN A LA HAUTEUR DES COUPOLES DE LA CATHEDRALE DU PUY, 2e quart 19e siècle, encre noire; encre rouge; papier calque, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070487 S.T. Gill, Flinders Range looking south east from Mt Brown, c.1839–50?, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4330 Alphonse Legros, Berenice, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8289 Alphonse Legros, Fagot-cutter (Le coupeur de fagots), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8262 Charles Doussault, L'EGLISE DE BOUCOUR A BUCAREST, 2e quart 19e siècle, mine de plomb; aquarelle; papier (blanc), Musée des Beaux-Arts, Rennes. https://dartabase.art/cite/joconde/000DE023425 Ziem Félix, VIEUX QUARTIER A MARSEILLE (LAVOIR), 2e quart 19e siècle, aquarelle; papier (blanc), Musée des beaux-arts, Marseille. https://dartabase.art/cite/joconde/000DE021519 James Pradier, PORTRAIT DE M. JULES CANONGE, BIENFAITEUR DU MUSEE, 2e quart 19e siècle, crayon noir; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021750 Charles Philipon, PORTRAIT DE JEUNE FILLE DU PAYS D'ANGE, 2e quart 19e siècle;3e quart 19e siècle, mine de plomb (estompé); pierre noire; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067193 Auguste-Emile Rinquet-Leprince, Armchair, c. 1843, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/265 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE JUDENBOURG AU BONHOMME, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066322 Eugène Wittmann, VUE D'ALSACE : RUINES DE NIEDERMUNSTER, 2e quart 19e siècle, mine de plomb; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066467 Alphonse Legros, Fountain: Grotesque, Children and Basin (Une fountaine: Masque, enfants et bassin), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8353 S.T. Gill, Landscape (With cows and fence), c.1839–80, Wash and pen and brown ink over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10512 Clair Pierre, CALOTTE MASSE ELIPTIQUE, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070546 Alphonse Legros, Landscape (Paysage), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8339 Alphonse Legros, Last Rays (Les derniers rayons), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8337 Alphonse Legros, Landscape (Paysage), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8389 Schacre Jean-Baptiste, VUE DE PORRENTRUY : VUE DE VILLE, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066416 Papety Dominique, A LA GLOIRE DES GRANDS MUSICIENS, 2e quart 19e siècle, fusain; sanguine; pastel; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021742 André Marie Florentin Giraud, AGNUS DEI, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023379 Alphonse Legros, Study of a Man's Figure, Holding Rod behind Back, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8412 August Riedel, Italian Woman. Study, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368236 Carl Morgenstern, Felsenbogen bei Civitella II, 1836, Öl auf Papier, auf Leinwand aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3927 Blocquel Simon François, GAYANT ET SA FAMILLE (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001840 Alphonse Legros, Head of a Priest, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8441 Clerc Jean Pierre, Planche de saintetés (titre factice), 2e quart 19e siècle, bois de fil; colorié au pochoir; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001356 Alphonse Legros, Peasants (Paysannes), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8298 Alfred Rethel, Der Schutzengel rettet Kaiser Maximilian aus der Martinswand, 1839, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1479 Honoré Daumier, Équitation boutiquière, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6233 François Fortuné Antoine Ferogio, PAYSAGE AU RAVIN, 2e quart 19e siècle;2e moitié 19e siècle, aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021617 Jules Coignet, VUE DES ENVIRONS DE STRASBOURG : MONUMENT DE DESAIX SUR LA ROUTE DU RHIN, 2e quart 19e siècle, mine de plomb; papier (chamois); carton (bleu); matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/000DE022855 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54094 Honoré Daumier, Le Fantome, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6120 George Baxter, The Welsh Harper, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53947 Alphonse Legros, Study of a Greek, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8411 Alphonse Legros, Solitude (Solitude (Paysage)), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8315 André Marie Florentin Giraud, SCENE DE MARTYRE, 2e quart 19e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023351 Clair Pierre, PERSPECTIVE DES PIEDS D'ESTEAUX, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070564 AIMOND GILBERT Mallay, PLAN DES ABORDS DE L'ESCALIER DE LA CATHEDRALE DU PUY, 2e quart 19e siècle, encre noire; papier calque, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070489 Schacre Jean-Baptiste, VUE D'ALSACE : CHATEAU DE FERRETTE, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066359 Alphonse Legros, The Triumph of Death: Proclamation (Le triomphe de la mort: La proclamation), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8324 Alphonse Legros, Professor W. Cawthorne Unwin, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8375 Pierre François Jules Gire, LE PONT DU CHAMBON-SUR-LOIRE, 4e quart 19e siècle;2e quart 20e siècle, aquarelle; papier (blanc), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000055656 Alphonse Legros, Torso, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8422 Alphonse Legros, Head of a Child, 1837, red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8413 Alphonse Legros, Fagot-makers (Les faiseurs de fagots), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8286 Alphonse Legros, Footbridge (La passerelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8341 Alphonse Legros, Boat in Trouble, 1837, oil, casein coating, charcoal, and ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8404 Schacre Jean-Baptiste, VUE DE COLMAR : FACE SUD DE LA COLLEGIALE SAINT MARTIN, 2e quart 19e siècle, mine de plomb; papier (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066405 Alphonse Legros, Philosopher (Le philosophe), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8265 Thai, Vessantara Jataka, Chapter 3 (The Gift), c. 1850–1870 (Rattanakosin), paint on cloth, gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.266 Alphonse Legros, Study of a Philosopher, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8436 James Pradier, ETUDE POUR LES CARIATIDES DU TOMBEAU DE NAPOLEON IER, 2e quart 19e siècle, mine de plomb; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021746 Alphonse Legros, Banks of the Marne (Bord de la Marne), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8268 Clair Pierre, PLAN ET ELEVATION D'UN CUL DE LAMPE, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070533 Alphonse Legros, Leon Gambetta, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8287 John Skinner Prout, Tintagel Castle, 1836, Pencil and watercolour wash heightened with opaque white on blue-grey wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12866 Alphonse Legros, Head of Souliote (Tete de Souliote), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8285 Cristalleries de Saint-Louis, Bowl, 1835–50, Lacy pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/792 Niels Simonsen, Study of a Woman in Tyrolean Costume, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368449 Alphonse Legros, Head of a Beggar (Tete de mendiant), 1837, etching, drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8266 Papety Dominique, PORTRAIT D'HOMME, 2e quart 19e siècle, papier (blanc), Musée Grobet-Labadié, Marseille. https://dartabase.art/cite/joconde/000DE021428 Jules Joseph Augustin Laurens, PAYSAGE, 2e quart 19e siècle;3e quart 19e siècle, crayon noir; craie blanche; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021670 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquatint, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54106 Alphonse Legros, In the Forest of Conteville (Dans la foret de Conteville), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8398 New England Glass Company, Bowl, c. 1840, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/786 Alphonse Legros, Curious Man (Un curieux), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8336 Frederik Sødring, A House in the Tyrol, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368464 Alphonse Legros, Meditation (La meditation), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8258 Alphonse Legros, Head of a Man Facing Left, 1837, black crayon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8454 James Pradier, ETUDE POUR UNE VICTOIRE, 2e quart 19e siècle, mine de plomb; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021747 Alphonse Legros, The Triumph of Death: Battle (Le triomphe de la mort: Le combat), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8361 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8373 attrib. to RUBELLES, Plate, c.1836–58, Earthenware the well impressed with a design of grapes and glazed blue with tortoiseshell glazed rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5622 Alphonse Legros, Landscape with Two Trees (Paysage aux deux arbres), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8335 Lanté Louis Marie, Page de titre du fascicule II du recueil des cent cinq costumes (titre inscrit), 2e quart 19e siècle, taille douce (gris); papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001214 Alphonse Legros, Old Woman Seated (La vieille femme assise), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8296 Alphonse Legros, Study from the Antique, 1837, graphite on blue prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8416 Blocquel Simon François, Planche historique (titre factice), 2e quart 19e siècle, stéréotypie; colorié; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001046 Honoré Daumier, Bordeaux-Laffite, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6437 Alphonse Legros, Study of Woman Praying, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8405 Hébert Ernest, LA MAL'ARIA, ETUDE POUR LA COIFFURE DE LA FEMME VUE DE DOS, 2e quart 19e siècle;3e quart 19e siècle, mine de plomb; papier (blanc), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069590 Alphonse Legros, Winter, 1st plate (L'hiver), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8350 Mégard Jean-Baptiste, CALENDRIER / POUR L'ANNEE 1843. / MORT ET OBSEQUES DE SON ALTESSE ROYALE MONSEIGNEUR LE DUC D'ORLEANS (titre inscrit), 2e quart 19e siècle, bois de fil; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001705 Alphonse Legros, Two Monks Seated in a Church, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8406 Schacre Jean-Baptiste, VUE D'ALSACE : EGLISE DE PFAFFENHEIM, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066321 Clair Pierre, ETUDE DE DAIS EN BOIS SCULPTE, 2e quart 19e siècle, encre noire; mine de plomb; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070516 André Durand, ANCIEN CHARNIER DE SAINT-SAUVEUR A ROUEN, 2e quart 19e siècle, mine de plomb; papier (beige), Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/000DE023100 Hébert Ernest, LE CAPITOLE VU DE LA ROCHE TARPEIENNE, 2e quart 19e siècle, crayon; papier (blanc), Musée Hébert, Paris. https://dartabase.art/cite/joconde/00000069368 Alphonse Legros, Fagot-gatherer (Le fagotier), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8331 Franz Xaver Winterhalter, Portrait d’homme, 2e quart 19e siècle, lavis gris; crayon noir; fusain; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067271 Clair Pierre, PLAN TANGENT, 2e quart 19e siècle, encre noire; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070572 Alphonse Legros, Writer (L'ecrivain), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8267 Clair Pierre, CALOTTE DE NICHE D'ASSEMBLAGE PLEIN CINTRE, 2e quart 19e siècle, encre noire; aquarelle; papier, Musée Crozatier, Le Puy-en-Velay. https://dartabase.art/cite/joconde/00000070547 Alphonse Legros, Finding the Sheep (Le mouton retrouve), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8302 Schacre Jean-Baptiste, VUE DE COLMAR : CLOITRE DES UNTERLINDEN, 2e quart 19e siècle, mine de plomb; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066391 Alphonse Legros, Head of a Man, 1837, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8450 Honoré Daumier, C'est tout de même flatteur d'avoir fait tant d'élèves!..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6140 Schacre Jean-Baptiste, VUE DE COLMAR : DU PONT FELIX, 2e quart 19e siècle, mine de plomb; lavis gris; papier quadrillé (beige), Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000066406 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8392 Jules Dupré, Cows Crossing a Ford, 1836, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436241 Alphonse Legros, Sunset (Le soir (Coucher de soleil)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8294 Alphonse Legros, Poplars near Amiens (Pres d'Amiens, les tourbieres), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8395 Auguste-Emile Rinquet-Leprince, Armchair, c. 1843, Applewood or pearwood, ebonized walnut, beech, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/266 Alphonse Legros, Gust of Wind (Le coup de vent), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8314 Papety Dominique, UN JEUNE HOMME ET UNE JEUNE FEMME BUVANT, 2e quart 19e siècle, mine de plomb; aquarelle; papier (blanc), Musée Fabre, Montpellier. https://dartabase.art/cite/joconde/000DE021744