John Skinner Prout, Figures by a continental fountain, 1836, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6090 Louis Auguste de Sainson, Habitation de pecheurs de phoques au port Western (Nouvelle Hollande), 1833, Lithograph with later hand-colouring on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8843 UNKNOWN, William IV pedestal table, c.1830, Rosewood with marble top; the circular top with asymmetrical specimen marble and hardstone inlay within a gadrooned border, the turned pillar with lotus and scroll carving surmounted by paterae, on a tri-form base with carved claw feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15980 Harriet Crutchfield, Sampler, 1837, Linen embroidered with polychrome cottons lined gold sateen with green satin binding (Grandmother of Dr Lloyd Rees), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/553 after J.M.W. - Painter, MILLER, William Turner, Windsor Castle, Berkshire (from 'Picturesque views in England and Wales'), 1831, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/670 UNKNOWN, Footed dish with map of Japan and zodiac, 1830–43 (Late Edo Period), Grey bodied stoneware with indented edge and moulded with a map of Japan. Details in cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1404 SÈVRES STYLE, Pair of vases Hollandaises, c.1830, Hard-paste porcelain shaped flared oval vases on pierced shaped base, the bleu celeste ground reserved and painted with lovers in a garden landscape and foliate bunches with gilt details. Gilded insets, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8606 after J.M.W. - Painter, JEAVONS, Thomas Turner, Boston, Lincolnshire (from 'Picturesque views in England and Wales'), 1835, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2520 after J.M.W. - Painter, MILLER, William Turner, Norham Castle, moonrise, published 1834, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3193 WASHIRO, Netsuke: (shishi (lion) with magic), c.1830–42, Carved boxwood with yellow cord, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3717 UNKNOWN, Wine glass, c.1830–1901, Clear lead glass engraved with a crown and intials for Queen Victoria, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7448 Benjamin Duterreau, A wild native taking a kangaroo, 1836, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9260 UNKNOWN CABINETMAKER, Double-ended sofa, c.1830–40, Cedar, carved, with replacement black damask horsehair upholstery on Tasmanian oak carcass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8193 Celestin-Francois - Collaborating artist (image), MALAPEAU, Charles-Louis Nanteuil, La Cuisine (The kitchen), 1838, Lithograph with border on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7419 Jean-François Gigoux, Eugéne Delacroix, 1832, Lithograph on white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1987 Louis Auguste de Sainson, Vue prise au Port Western dans la crique des mangliers, 1833, Lithograph with later hand-colouring on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3551 David Cox, Sailing barge on the Thames, 1832, Watercolour over pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7539 W.R. - Engraver, TURNER, after J.M.W. Smith, Longships Lighthouse, Land's End (from 'Picturesque views in England and Wales'), 1836, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/131 Utagawa Kunisada, Untitled (Shunga), c.1830–67 (Late Edo Period), Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113696 S.T. Gill, Untitled (ruined castle), c.1833–39, Wash and pen and brown ink over pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9590 UNKNOWN, Watch, chain, seal and key, c.1837–38(?), Gold, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15095 Japanese, Sake Bottle (""Tokkuri"") with Boys Chasing Butterflies, 1830–1860 (Edo), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.951 UNKNOWN, Card case, c.1835–50, Mother of pearl and shell mosaic in a diamond pattern. Engraved, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15137 Antoine-Louis Barye, Large Lion, early 1830s, watercolor and scraping on beige, thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.827 Richard Caton Woodville, Bringing in the Boar's Head, c. 1845, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2006 Hamano Masanobu, Tsuba with a Hawk and a Sparrow, 1836 (late Edo), sentoku (copper-tin alloy), copper, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.381 Conrad Martens, View from Craigend (Sydney), 1837, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7549 COPELAND & GARRETT [SPODE], Cardogan teapot, c.1833–47, Earthenware, slip-cast in the form of a peach with applied cherries and flowers. Brown Rockingham glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10994 Ebenezer Challis, The Cathedral of Lyons, c.1831–63, Etching and engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/384 David - Engraver, CONSTABLE, after John Lucas, Castle Acre Priory, 1831–37, published 1838, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10952 Charles Rodius, Biddy Salamander, Broken Bay Tribe. Bulkabra, Chief of Botany. Gooseberry, Queen of Bungareee, NSW, c.1834, Hand-coloured lithograph on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11043 Koretomo, Kozuka with Cherry Tree and Swallows, c. 1850 (late Edo), silver, shakudo, gold,sentoku, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1295.4 after J.M.W. - Painter, WILLMORE, J.T. Turner, Alnwick Castle, Northumberland (from 'Picturesque views in England and Wales'), 1830, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6415 Utagawa Kuniyoshi, Crown Prince Gon-no-suke Sumimoto struggling with Tai no Jurô Masaharu, a retainer of Minamoto no Mitsunaka (from the 'Eight Hundred Heroes of Our Country’s Suikoden' series), 1834–35, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4706 after J.M.W. - Painter, LE KEUX, Henry Turner, Loch Corishin, published 1834, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11676 after J.M.W. - Painter, MILLER, William Turner, Fort Augustus, published 1836, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2622 W.R. - Engraver, TURNER, after J.M.W. Smith, Leicester Abbey, Leicestershire (from 'Picturesque views in England and Wales'), 1834, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5899 after John - Collaborating artist, GOULD, Elizabeth Gould, Otis Himalayanus (young male) (from 'The birds of the Himalaya Mountains' series), 1831–32, published 1832, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1843 Jean-François Gigoux, Alfred de Vigny, 1832, Lithograph on chine collé on white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7418 Utagawa Kunisada, Untitled (Shunga), c.1830–67 (Late Edo Period), Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113695 JOHN and WILLIAM BARNARD Edward, Four salt cellars, c.1839–40, Silver, regency style engraved with floral scrolls and crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5919 W.B. Gould, Still life with game, c.1838–45, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12395 S. Gambardella, Dr Channing - portrait of man, 1839, Lithograph on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4521 GYOKKO, Netsuke: (group of four figures), c.1830–67, Carved ivory with flat base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7052 Honoré Daumier, Un echantillon (from 'Types Parisiens' series), c.1839–40, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10789 Pierre-Jean David d'Angers, George Sand (1804-1876), 1833, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.831 Katsushika Hokusai, View of Fuji across the salt pans of Matsuho (from 'Fugaku hyakkei' ('One hundred views of Mt. Fuji') series, vol. 1), 1834, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6065 James Gay Sawkins, Mrs Cecelia Hamilton Clement, 1834, Characteristics of tempera on ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8504 after J.M.W. - Painter, MILLER, William Turner, Loch Lomond (from Samuel Roger's 'Poems'), 1833, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/407 W.R. - Engraver, TURNER, after J.M.W. Smith, Chain Bridge over the River Tees (from 'Picturesque views in England and Wales'), 1838, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8332 Ram Lal, Portrait of Sir David Ochterlony, c.1830, Gouache on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/42702 BOHEMIAN STYLE, Wine glass, c.1830–80, Royal blue glass cased over clear and wheel cut, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3897 DOCCIA, Jug, c.1834–50, Soft-paste porcelain slip-cast in the form of a satyr's head with overglaze colours and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5915 UNKNOWN, Untitled (Shunga, couple by open window), c.1830–67 (Late Edo Period), Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113693 after J.M.W. - Painter, MILLER, William Turner, Dryburgh Abbey (from Sir Walter Scott's 'Poetical works'), 1833, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4457 Antoine-Louis Barye, ""Surtout de table"": Lion Hunt, 1834–1837, bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.174 Utagawa Kuniyoshi, The actor Segawa Kikunojo, 1831, Colour woodblock print on cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3889 Kimura Tomonaga, Kashira with Seven Sages in a Bamboo Grove, c. 1850 (late Edo-Meiji), shibuichi, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.987 S.T. Gill, Untitled (near Port Albert), c.1839–80, Wash and pen and brown ink over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/399 after John - Collaborating artist, GOULD, Elizabeth Gould, Turdus erythrogaster (male and female) (from 'The birds of the Himalaya Mountains' series), 1831–32, published 1832, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8590 Antoine-Louis Barye, ""Surtout de table"": Wild Bull Hunt, 1834–1838, bronze lost-wax cast with brown varnish patina over yellow bronze with minute traces of gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.178 Antoine-Louis Barye, Tartar Warrior Checking His Horse, modeled: c. 1845, bronze with warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.123 Eugène Delacroix, Lion and Tortoise, 1835, pen and iron gall ink with graphite on light blue moderately thick, smooth wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1220 Jean-François Gigoux, Barye, 1833, Lithograph on chine collé on white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1986 S.T. Gill, Flinders Range looking south east from Mt Brown, c.1839–50?, Pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4330 Ichiryusai Hiroshige, Landscape with flowering cherry blossom trees, c.1832–34, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1930 S.T. Gill, Landscape (With cows and fence), c.1839–80, Wash and pen and brown ink over pencil on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10512 UNKNOWN, Spoons (pair), 1834 (?), Silver gilt with niello decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/404 after John - Collaborating artist, GOULD, Elizabeth Gould, Pica Sinensis (from 'The birds of the Himalaya Mountains' series), 1831–32, published 1832, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11378 Thai, Vessantara Jataka, Chapter 3 (The Gift), c. 1850–1870 (Rattanakosin), paint on cloth, gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.266 John Skinner Prout, Tintagel Castle, 1836, Pencil and watercolour wash heightened with opaque white on blue-grey wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12866 after J.M.W. - Painter, GOODALL, Edward Turner, Fingal's Cave, Staffa, published 1834, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9295 UNKNOWN, Untitled (courtesan staring at moon), c.1830–67 (Late Edo Period), Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113692 Pierre-Jean David d'Angers, Charles Lenormant (1802-1859), 1830, bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2392 after J.M.W. - Painter, ALLEN, James Baylis Turner, Castle Upnor on River Medway (from 'Picturesque views in England and Wales'), 1833, Etching and engraving on thin wove paper on thick cream paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11990 attrib. to RUBELLES, Plate, c.1836–58, Earthenware the well impressed with a design of grapes and glazed blue with tortoiseshell glazed rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5622 after J.M.W. - Painter, WALLIS, Robert Turner, Margate, Kent (from 'Picturesque views in England and Wales'), 1832, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2215 Utagawa Kunisada, Untitled (Shunga), c.1830–67 (Late Edo Period), Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/113694 after John - Collaborating artist, GOULD, Elizabeth Gould, Phasianus albo-cristatus (female) (from 'The birds of the Himalaya Mountains' series), 1831–32, published 1832, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2302