Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295

Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons, 16 October 1834, 1835, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122351

Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242

Achille Devéria, Self-Portrait, c. 1835, Lithograph in black on off-white China paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9544

Jean Auguste Dominique Ingres, Antiochus and Stratonice, c. 1838, oil on linen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142298

Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293

Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860

Honoré Daumier, I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212975

Honoré Daumier, Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86425

Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594

Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911

Thomas Cole, View of Schroon Mountain, Essex County, New York, After a Storm, 1838, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93014

Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236

François Hippolyte Lalaisse, Two Girls in Regional Costume, n.d., Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229971

Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830–31, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140078