Christian Albrecht Jensen, The English Architect Charles Robert Cockerell, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368014 Alphonse Legros, Storm, 1837, watercolor over pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8419 Alphonse Legros, Peasants (Paysannes), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8299 Alphonse Legros, Study for Head of a Man (Etude de tete d'homme), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8378 Honoré Daumier, Baillot, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6106 German 19th Century, An Artist and His Family, c. 1830, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1101 Messenger Company, Argand Lamp, 1835–40, Bronze, gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/139 Alfred Jacob Miller, Self-Portrait, c. 1850, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2556 The Telegraph on the Church Saint Pierre in Montmartre, Paris, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368353 Alphonse Legros, Near the Mill (Pres du moulin), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8388 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6495 Alphonse Legros, Fishing for Crayfish (Les pecheurs d'ecrevisses), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8328 Honoré Daumier, Huguet de Sémonville - Robert Macaire (Thiers) - Comte Roederer, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6125 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53973 Joseph Mallord William Turner, Venice: The Dogana and San Giorgio Maggiore, 1834, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1224 Philipp Veit, Italia, 1834–1836, Wandmalerei, auf Leinwand übertragen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1106 Alphonse Legros, Study of Woman's Head, Turned Right, 1837, silverpoint on prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8438 George Baxter, Avalanche at Lewes, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54038 Alphonse Legros, Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8352 George Baxter, Polar Sky, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53957 Niels Simonsen, Bavarian Woman, Study, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368241 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquating, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54103 Carl Stefan Bennet, The Monte Casino Monastery, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368144 Wa-bish-kee-pe-nas - The White Pigeon, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806426-1 Messenger Company, Argand Lamp, 1835–40, Gilt bronze, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/140 Alphonse Legros, Meadow in Sunshine (Le pre ensoleille), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8259 Niels Peter Holbech, Portrait of a Woman, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368105 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8390 Alphonse Legros, Head of a Man, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8437 Jørgen Sonne, Italian Woman. Study, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368397 George Baxter, Turn of the Monsoon, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54021 Duncan Phyfe, Armchair, 1830–35, Mahogany, cherry, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/269 Hippolyte Flandrin, Melchizedek Presenting Abraham with Bread and Wine, 1835–64, Graphite, brush and gray wash; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334626 Alphonse Legros, Shadow (Ombre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8290 Alphonse Legros, Harvesters (Les moissoneurs), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8374 Alphonse Legros, Village of Wimille, near Boulogne (Village de Wimille, pres Boulogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8279 Eugène Delacroix, Study for an allegorical figure of Justice in the ceiling decoration of the Salon du Roi, Palais Bourbon (recto); studies of allegorical figures, and architectural sketches (verso), 1833, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334750 Honoré Daumier, Charles Guillaume Étienne, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6102 Honoré Daumier, Joseph, Baron de Podenas, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3213 Alphonse Legros, Cardinal Manning, 3rd plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8379 Honoré Daumier, La tête branlante, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6114 Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295 Alfred M. Hoffy, Stum-ma-nu - A Flathead Boy, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806457-1 Redwood Glass Company, Bowl, 1835–65, Blown glass with applied decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/685 Alphonse Legros, Desperate Man (Le desespere), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8394 George Baxter, Sir David Scott, Bart. K.G.H., c. 1836, Aquatint, mezzotint, and roulette in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59549 Édouard Manet, Au Paradis (In the Balcony), 1832, transfer lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8689 George Baxter, Eagle and Vulture, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53944 Alphonse Legros, Siesta in the Country (Sieste dans la capagne), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8351 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8393 Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons, 16 October 1834, 1835, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122351 Alphonse Legros, Woman at the Foot of the Cross (Femme au calvaire), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8364 Hans Gasser, Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Honoré Daumier, Comte J.-Jérome Siméon, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6135 Alphonse Legros, Bust of Nude Man, 1837, graphite on blue hand-prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8427 George Linen, Unidentified Man, c. 1835–44, Graphite on paper; Sheet: 13.8 × 6.7 cm (5 7/16 × 2 5/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827894-1 Alphonse Legros, Head of a Man Facing Left [recto], 1837, black chalk on heavy laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8447 Alphonse Legros, Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8271 George Baxter, Te Po, a Chief of Rarotonga, 1837, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54100 Honoré Daumier, Dieu ai-je aimé cet être la, 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6095 Alphonse Legros, Little Beggar (Le petit mendiant), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8363 Alphonse Legros, Thatched Cottage (Chaumiere), 1837, etching and drypoint retouched with ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8263 Gregg, Hayden and Company, Beaker, 1832–40, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/395 Alphonse Legros, Vagabonds of Montrouge (Les vagabonds de Montrouge), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8305 Alphonse Legros, Centaur Woman, 1837, pen and brown ink over graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8431 Johan Christian Dahl, Plantain. Study, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368150 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8345 Shau-hau-napo-tinia, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806424-1 Jørgen Sonne, A Rock Study, Italy, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368194 Honoré Daumier, Napoléon Lannes, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6128 Wilhelm Bendz, Countess Sophia Vilhelmine Moltke, née Levetzau, 1831, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368404 Alphonse Legros, In the Marshes, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8457 Alphonse Legros, Sir Seymour Haden, 1837, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8329 Honoré Daumier, Auguste-Hilarion, Comte de Kératry, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3216 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8391 George Baxter, The Mosaic Pavement at Pitney, also called The Roman Pavement at Pitney, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54018 Alphonse Legros, Death and Its Horse, 1837, brush and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8425 Niels Simonsen, Profile Study of a Woman in Tyrolean Costume, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368444 Honoré Daumier, La Tentation, parodie d'une toile de Téniers, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6117 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8396 Alphonse Legros, Valley in Bourgogne (Une vallee en Bourgogne), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8344 Alphonse Legros, At the Home of the Woodcutters (Chez les bocherons), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8338 George Baxter, Milo of Crotona Rending the Oak, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54057 Alphonse Legros, Thunder (Un coup de foudre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8273 Honoré Daumier, Repos de la France, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6112 Alphonse Legros, Head of a Man Facing Left, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8444 Pet-a-le-shar-ro, 1837, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806415-1 Alphonse Legros, Head of a Man (Tete d'homme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8274 Ernst Fries, Gebirgslandschaft, 1832, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1135 Achille Devéria, Self-Portrait, c. 1835, Lithograph in black on off-white China paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/9544 George Baxter, Michaelangelo's Moses, 1839, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54068 Alphonse Legros, The Gardener (Le jardinier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8356 George Baxter, Cleopatra, 1837, Steel etching and stipple printd in purple, with block printing in colors (from 16 blocks), on wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54047 George Baxter, Polar Sky, 1835, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53960 Alphonse Legros, View of Reeds (Coin de roseau), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8334 George Baxter, Victoria, Queen of Great Britain, also called Queen's Hand on Table, after 1839, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54221 Alphonse Legros, Clap of Thunder, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8432 Alphonse Legros, Centaur with Branches, 1837, pen and brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8433 Asher B. Durand, Washington From Houdon's Bust, 1833, Engraving on paper; Sheet: 21.5 × 13.4 cm (8 7/16 × 5 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821880-0 Alphonse Legros, The Prodigal Son, 4th plate (L'enfant prodigue), 1837, etching and drypoint printed in bistre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8386 Honoré Daumier, Les Badauds, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6236 Jeptha Homer Wade, Nathaniel Olds, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155822 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6494 Alphonse Legros, The Milkmaid of Boulogne, 1837, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8421 Alphonse Legros, Sleeper (Un dormeur), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8362 Alphonse Legros, Death and the Woodcutter, 2nd plate (La mort et le bucheron), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8420 Alphonse Legros, Study of a Beggar, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8443 American 19th Century, Portrait of a Man, c. 1835, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1102 Jean Auguste Dominique Ingres, Antiochus and Stratonice, c. 1838, oil on linen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142298 George Baxter, The Conqueror of Europe (Auricula), 1836, Steel etching and roulette printed in green, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54012 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8277 Thomas Sully, Francis Hopkinson, 1834, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1127 Olof Johan Södermark, Regina. Roman Girl with Choral Necklace and Earrings, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368339 Alphonse Legros, Along the Top of the Hill (Sur le haut de la colline), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8355 Honoré Daumier, Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6134 Jean-Auguste-Dominique Ingres, The Martyrdom of St Symphorian. Study, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106365974 George Linen, Unidentified Boy, c. 1835–44, Graphite on paper; Sheet: 9.5 × 14.3 cm (3 3/4 × 5 5/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827889-1 Honoré Daumier, Jean-Charles Persil, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3227 Honoré Daumier, Le Ventre Législatif (The Legislative Belly), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6129 United Society of Believers in Christ’s Second Appearing (“Shakers”), Bedstead, 1830–60, Maple, pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/442 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54092 Sir David Wilkie, Julia Emily Gordon in a Fez, 1830, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01024 George Baxter, Modifications of Clouds, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53950 George Baxter, Caroline Mordaunt, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53994 Johan Way, Fredrik Arvid Trolle (1807-1839), friherre, 1839, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106656278 Alphonse Legros, Saint Jerome, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8357 Alphonse Legros, Head of a Model (Tete de modele), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8311 Honoré Daumier, Comte de Kératry, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6107 George Baxter, Summer Fly, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54029 Honoré Daumier, Benjamin Delessert, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3214 Alphonse Legros, Study for the Prodigal Son (Etude pour L'enfant prodigue), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8332 Alphonse Legros, Study of a Head, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8445 Alphonse Legros, Head of a Satyr (Tete de satyre), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8269 Thomas Sully, Mrs. William Griffin, 1830, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3211 Eugène Delacroix, Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436179 Edward Calvert, The Return Home, 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00164 Alphonse Legros, Field Hospital (L'ambulance), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8293 George Baxter, Rafaralahy, Governor of Foule Point Madagascar, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54137 George Linen, Unidentified Man, c. 1835–44, Graphite on paper; Sheet: 18.7 × 11.6 cm (7 3/8 × 4 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399827890-0 Andreas Achenbach, Ein Seesturm an der norwegischen Küste, 1837, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/871 Alphonse Legros, Two Studies of Hands, 1837, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8452 Charles James Richardson, A Ewer, c.1839, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O501545 Honoré Daumier, Enfoncé Lafayette!... Attrappe mon vieux!, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6132 Alphonse Legros, Breton Peasant (Paysan breton), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8310 Alphonse Legros, Sunrise (Un lever de soleil), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8327 Ferdinand Gaillard, Sister Rosalie (Soeur Rosalie), 1834, engraving and (photo process?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7324 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Honoré Daumier, Docteur Prunelle, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6104 Jules Dupré, View in England (Vue prise en Angleterre), 1836, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6568 Alphonse Legros, Return to the Farm (Le retour a la ferme), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8343 Christen Købke, The Artist Just Jerndorff, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106364773 Hippolyte Flandrin, Nächtlicher Blick auf Rom, 1836, Aquarell über Bleistift auf altweißem rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18636 Alphonse Legros, Distributor of the Holy Water (Le donneur d'eau benite), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8261 Christoffer Wilhelm Eckersberg, Karen Margrethe Borch, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368047 Honoré Daumier, Voyage a travers les populations empressées, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6111 England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25 George Baxter, Lo Studio, 1839, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54066 George Baxter, The Dying Gladiator, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54059 Alphonse Legros, Head of a Man with Curly Hair and Beard, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8435 Alphonse Legros, Storm (Un orage), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8330 George Baxter, Eagle and Vulture, 1834, Block printing in colors on ivoy wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53940 Honoré Daumier, Charles Henry Verhuel, Count of Sevenaar (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3232 Louis Gurlitt, View From Kullen, Skåne, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368513 Alphonse Legros, Choirmaster (Le maitre de chapelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8381 Ludwig Richter, Gewitter am Monte Scalambra bei Olevano im Sabinergebirge, 1830, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1084 Caspar David Friedrich, Gebirge bei aufsteigendem Nebel, c. 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1806 George Baxter, Isola Bella, Lago Maggiore, Italy, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54026 Alphonse Legros, Head of a Man with a Skullcap, 1837, wash over charcoal, heightened with white, on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8414 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 John T. Bowen, Meta-koosega, 1838, Hand-colored lithograph on paper; Sheet: 50.2 × 35cm (19 3/4 × 13 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806305-1 Jean Baptiste Camille Corot, Toussaint Lemaistre (1807/8–1888), 1833, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435961 Alphonse Legros, Beggars of Brussels (Les mendiants de Bruges), 1837, etching on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8358 Eugène Delacroix, Tiger, c. 1830, watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6493 Honoré Daumier, Amiral de Rigny, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6108 Alphonse Legros, Study of a Workman, 1837, graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8410 Honoré Daumier, Harlé père, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6100 Honoré Daumier, Marie-Louise-Charlotte-Philippinepairie, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6116 Alphonse Legros, View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8371 Honoré Daumier, Jean-Marie Fruchard, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3223 Honoré Daumier, O qu'ils sont laids!, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6439 George Baxter, The New Year's Token, also called Christmas Present, 1836, Book with letterpress and two color wood engravings on ivory wove paper, bound in cover with tooled red leather, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61622 George Baxter, Lo Studio, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54063 George Pope Morris, New-York Mirror Vol. XI No. 14, October 5, 1833, ink on paper (fiber product); H x W: 13 3/4 × 10 5/8 in. (34.9 × 27 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1727784523374-1727784532058-0 Lorenz Frølich, The King Svafur Forces Durin and Dvalin to Promise him the Tirfing Sword, 1839, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368431 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8369 Eugène Delacroix, Hamlet und Horatio auf dem Friedhof, 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2139 Wilhelm Marstrand, Auction Scene, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368264 Jean Baptiste Camille Corot, Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435970 George Baxter, Children Outside Gates of a Mansion (Tales for Girls), 1836, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54086 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8372 Alphonse Legros, Centaur Carrying a Tree Trunk, 1837, brown and green ink over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8418 Alphonse Legros, Head of a Man, 1837, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8458 Alphonse Legros, Ruins of a Chateau (Les ruins du chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8365 Alphonse Legros, Peasant and Ass, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8407 Carl Blechen, Tarantella, c. 1830, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2822 Alphonse Legros, The Adoration of the Shepherds (L'adoration des bergers), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8360 George Baxter, The Seasons, 1836, Steel etching printed in brown, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53963 Alphonse Legros, The Tree of Salvation (L'arbe de salut), 1837, drypoint and etching? on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8347 Samuel Prout, Sion, c. 1830, graphite with white heightening on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/869 Alphonse Legros, Death and the Woodcutter, 1837, pen and brown ink over graphite on ground wood paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8292 Alphonse Legros, Cottage on a Hillside (Chaumiere sur le coteau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8366 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6122 Eugène Delacroix, Fantasia arabe, 1833, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1453 Alphonse Legros, Death of the Vagabond (La mort du vagabond), 1837, etching, aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8313 Olof Johan Södermark, Unknown woman, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378543 Honoré Daumier, Antoine Odier, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3229 Alphonse Legros, Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8297 Alphonse Legros, Avalanche: Frontispiece for Triumph of Death (L'avalanche: Frontispice du Triomphe dela mort, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8348 George Baxter, Convolvulus Leaves, Flower, and Bud, from Baxter's Agricultural and Horticultural Gleaner, 1836, Block printing in colors, and letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54009 George Baxter, Winter Bird, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54041 Honoré Daumier, Le Chevalier des Adrets est l'amant..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6139 Alphonse Legros, Traveler taking Shelter (Le voyageur a l'abri), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8300 Alphonse Legros, Study of Two Figures Seated Side by Side, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8426 Alphonse Legros, Salmon Fisher (Le pecheur du saumon), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8278 Alphonse Legros, Fisherman with a Hoop-net (La peche a la truble), 1837, etching and aquatint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8303 Alphonse Legros, Peasant in a Round Hat (Paysan avec chapeau rond), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8349 Alphonse Legros, Poet (Le poete), 1837, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8276 Henri-Charles-Antoine Baron, Design for a Clock, mid-19th century, Pen and brown and gray ink, brush and brown wash, with graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334849 George Baxter, Temperate, 1835, Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53976 Thomas Wilcocks Sully, Major Thomas Biddle, 1832, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1125 Alphonse Legros, The Triumph of Death: Departure (Le triomphe de la mort: Le depart), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8325 George Baxter, Vineyard near Mount St. Bernard, 1837, Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54032 Honoré Daumier, L'Éducation au biberon, 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6141 Christian Frederik Ferdinand Thøming, Landscape with Santa Maria Assunta in Ariccia, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368250 George Baxter, Advice on the Care of Teeth, 1837, Steel etching printed in black with block printing in colors, with liftable flap, on wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54044 Alphonse Legros, In the Forest (Lisiere de foret), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8367 Alphonse Legros, W.H. Longfellow, 1st plate, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8380 Edward Calvert, The Chamber Idyll, 1831, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00161 Alphonse Legros, Cardinal Manning, 2nd plate, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8384 George Baxter, Scene on the Mountain Tops, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53982 United States, Empire chair, one of a pair, c. 1830, Mahogany with modern upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/18.32.1 Thomas Fearnley, Palermo and Monte Pellegrino, 1833, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q103200054 George Baxter, Autumnal Artist, 1837, Steel etching printed in blue, with block printing in colors, on ivoy wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54035 Alphonse Legros, Auguste Rodin, 1837, etching in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8272 Honoré Daumier, Soult (Maréchal), 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6097 Alphonse Legros, Alfred, Lord Tennyson, 1837, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8383 Henri Fantin-Latour, Siegfried and the Rhine Maidens, 1836, black crayon on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6847 Philipp Veit, Bildnis der Freifrau von Bernus, 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1783 Alphonse Legros, Self-Portrait, 4th plate, 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8382 Eugène Isabey, Abside de l'église de Saint-Nectaire, 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8013 Honoré Daumier, I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212975 Alexandre-Gabriel Decamps, The Experts, 1837, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436114 German 19th Century, Sofa, probably c. 1830/1850, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1587 George Baxter, Little Grebes and Nests, from The Feathered Tribes of the British Islands, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53937 Alphonse Legros, Plague Victims of Rome (Les pestiferes de Rome), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8306 Alphonse Legros, The Fire, 2nd plate (L'incendie), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8291 George Baxter, South Down Sheep, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54006 Alphonse Legros, Landscape with a Boy in a Tree (Paysage avec un garcon gimpe sur un arbre dite "Le denicher d'oiseaux), 1837, etching and drypoint on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8354 Jean Baptiste Camille Corot, Hagar in the Wilderness, 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435962 Honoré Daumier, André-Marie-Jean-Jacques Dupin Aîné, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3222 Honoré Daumier, Les honneurs du Panthéon, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6115 Alphonse Legros, View of a Chateau (Chateau de Poillet), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8359 Eugène Devéria, Louis-Félix Amiel (1802–1864), 1837, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436190 Eugène Isabey, Souvenir de St. Valéry sur Somme, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8014 George Baxter, The Old Water Mill, 1838, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54050 Ferdinand Gaillard, Leo XIII, 1834, engraving and (photo process?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7325 Rudolf von Alt, Friedhof in Ischl, 1838, Aquarell auf rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8370 Honoré Daumier, Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839, Lithograph in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86425 Alphonse Legros, Man in Punt, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8333 Alphonse Legros, Shepherd's Hut on a Hillside (Bergerie sur le coteau), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8342 George Baxter, Hungarian Peasants, 1836, Steel etching, with block printing in colors (from 10 blocks), on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54004 Honoré Daumier, Viennet a la Tribune, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6137 George Baxter, Dippers and Nest, from The Feathered Tribes of the British Islands, 1834, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53935 Honoré Daumier, Félix Barthe, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6105 Duncan Phyfe, Armchair, c. 1835, Rosewood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/234 Eugène Delacroix, Women of Algiers, 1833, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6491 George Baxter, Tropical Scenery, 1835, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53970 Alphonse Legros, The Gate (L'entree du champ), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8264 Carl Ferdinand Stelzner, Self-portrait, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106654864 Alexandre Denis Abel de Pujol, St. Thomas the Apostle, for the Church of St. Vaast in Arras, 1832, Graphite on beige paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334691 Alphonse Legros, Landscape with Birch Trees (Le paysage aux bouleaux), 1878, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8283 Charles Meryon, La Panne, 1839, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9133 Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594 Sir David Wilkie, Head and Shoulders of a Woman, 1833, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01025 Honoré Daumier, Girod de l'Ain - J.-Joseph Rousseau - Amiral Verhuel, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6124 Honoré Daumier, Baissez le rideau, la farce est jouée (Lower the Curtain, the Farce is Over), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6113 Alphonse Legros, Head of an Old Man, 1837, black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8446 Alphonse Legros, Head of an Old Man with a Wide-Brimmed Hat, 1837, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8453 Thomas Cole, View of Florence, 1837, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136911 Honoré Daumier, Félix Barthe, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3217 George Baxter, English Ship by Moonlight (Melaia), 1838, Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54053 Ditlev Blunck, Portrait of a Man, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368382 George Baxter, The Seasons, 1835, Block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53967 Alphonse Legros, Large Spaniard (Le grand Espagnol), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6297 Honoré Daumier, Comte Horace Sébastiani, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6101 Joseph Paul, Landscape with Picnickers and Donkeys by a Gate, c. 1830–1880, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1151 Gobelins Tapestry Factory, Small Screen, probably c. 1830/1850, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1598 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 Alphonse Legros, Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8280 Honoré Daumier, Passe ton chemin, cochon, 1830, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6094 Honoré Daumier, J. Claude Fulchiron, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6099 George Baxter, The Shore, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53991 Honoré Daumier, Ne vous y frottez pas!! (Don't You Meddle with It!!), 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6131 Honoré Daumier, Comte d'Argout, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6098 Thomas Cole, View of Schroon Mountain, Essex County, New York, After a Storm, 1838, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/93014 Honoré Daumier, Volé!... Rue vide-gousset..., 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6145 Alphonse Legros, Claude's Farm, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8424 George Baxter, Hindoo and Mohamedan Buildings, 1834, printed 1835, Block printing in colors, on ivory wove paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59514 Alphonse Legros, The Refectory (Le refectoire), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8308 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8370 Olof Johan Södermark, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106358218 Honoré Daumier, Charles-Léonard Gallois (?), model c. 1832/1835 or c. 1849, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3233 Joseph Mallord William Turner, The Death of Actaeon, with a Distant View of Montjovet, Val d’Aosta, c.1837, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00909 Friedrich Maximilian Hessemer, Vision einer islamischen Stadt, c. 1830–1835, Aquarell über Feder in Grau auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19279 Alphonse Legros, Old Chateau (Un vieux chateau), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8387 Alphonse Legros, Study for the Head of a Man (Etude de tete d'homme), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8376 Honoré Daumier, Gazan, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6127 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8275 George Baxter, The Mosaic Pavement at Pitney, also called At Pitney, Co. Somt. 1829, 1836, Block printing in colors, with debossing, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54015 Alphonse Legros, Study of a Mask, 1837, brown and green wash, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8449 Johan Gustaf Sandberg, Cupid Fires His Arrow, after a Relief by Johan Tobias Sergel, 1838, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368060 George Baxter, Bohemian Peasants, Near Toplitz, 1836, Steel etching, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54001 Alfred M. Hoffy, Paddy-Carr - Creek Interpreter, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399806439-0 Julius Schnorr von Carolsfeld, Der barmherzige Samariter, 1833, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/861 George Baxter, Air Bird, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53985 Alphonse Legros, Head of a Young Man, 1837, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8415 Alphonse Legros, The Big Tree, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8429 George Baxter, Tropical Scenery, 1835, Steel etching and stipple printed in green, with block printing in colors, on ivory wove paper, laid down on original stamped mount, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196261 Alphonse Legros, Victims of the Lightning (Victimes de la foudre), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8326 Boston & Sandwich Glass Company, Bank, 1833–50, Blown glass with applied decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/318 Honoré Daumier, Barbé-Marbois, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6121 Alphonse Legros, At the Foot of the Hill, 1837, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8456 Honoré Daumier, Jean Vatout, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3236 Alphonse Legros, Study of an Old Man (Etude de vieillard), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8377 Honoré Daumier, Dupin ainé, 1832, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6096 Honoré Daumier, Baron de Lascours, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6136 Alphonse Legros, Woman in a Cloak, 1837, goldpoint on blue prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8417 Alphonse Legros, Farm at the Monastery (La ferme de l'abbaye), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8368 George Baxter, The End of Time, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53954 Alphonse Legros, Little Burner of Grass (Le petit bruleur d'herbe), 1837, etching and drypoint on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8346 Honoré Daumier, Comte Portalis - Duc de Bassano - Comte de Montlosier, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6123 Duncan Phyfe, Armchair, 1830–35, Mahogany, cherry, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/270 Alphonse Legros, Rest, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8423 Jørgen Roed, Portrait of Ane Elisabeth (Elise) Gurlitt, né Saxild (1817-39), 1836, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368297 Heinrich Adam, Fifteen Architectural Subjects: Views of Munich, 1835, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334779 Honoré Daumier, La première blessure, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6118 George Baxter, Parsonage at Ovingham, 1839, Steel etching with block printing in sepia, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54089 Alphonse Legros, After the Battle, 1837, pen and brown ink with brown wash over graphite on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8428 Alphonse Legros, Frederic Regamey, 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8312 George Baxter, Virginia Water, 1836, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53997 Alphonse Legros, English Peasant (Paysan anglais), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8260 Honoré Daumier, Claude Bailliot, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3234 Honoré Daumier, Jean-Claude Fulchiron, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3215 Honoré Daumier, Jean-Auguste Chevandier de Valdrome, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3226 Honoré Daumier, François, Marquis de Barbé-Marbois (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3225 Alphonse Legros, Peasant at the Source, 1837, pen and brown ink over touches of graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8434 Alphonse Legros, Old Village (Ville vieille), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8397 Alphonse Legros, Footpath in Burgundy, 1837, pen and brown ink with brown wash over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8430 Carl Friedrich Lessing, Die tausendjährige Eiche, 1837, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1002 George Baxter, A Bird of Spring, 1837, Steel etching printed in blue, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54023 Philipp Veit, Die Einführung der Künste in Deutschland durch das Christentum, 1834–1836, Wandmalerei, auf Leinwand übertragen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1105 Carl Rottmann, Tiryns, 1834, Aquarell über Bleistift auf beigem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17152 Alphonse Legros, Study of a Head, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8442 Alphonse Legros, Little Angler (Le petit pecheur a la ligne), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8270 Alphonse Legros, Beggar with Hat in Hand (Mendiant avec son chapeau a la main), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8385 Carl Friedrich Lessing, Felsenlandschaft: Schlucht mit Ruinen, 1830, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3385 Alphonse Legros, Angler (Le pecheur a la ligne), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8284 Alphonse Legros, Study of a Man's Head [recto], 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8439 George Baxter, Evening on the Sea, 1835, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53988 Honoré Daumier, Gros Cupide, va!, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6110 Alphonse Legros, Berenice, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8289 Alphonse Legros, Fagot-cutter (Le coupeur de fagots), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8262 Auguste-Emile Rinquet-Leprince, Armchair, c. 1843, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/265 Alphonse Legros, Fountain: Grotesque, Children and Basin (Une fountaine: Masque, enfants et bassin), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8353 Alphonse Legros, Landscape (Paysage), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8339 Alphonse Legros, Last Rays (Les derniers rayons), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8337 Alphonse Legros, Landscape (Paysage), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8389 Honoré Daumier, Dr. Clément-François-Victor-Gabriel Prunelle, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3220 Alphonse Legros, Study of a Man's Figure, Holding Rod behind Back, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8412 Alfred Jacob Miller, Portrait of Colonel Alexander Smith (1790-1858), 1833, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2773 August Riedel, Italian Woman. Study, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368236 Carl Morgenstern, Felsenbogen bei Civitella II, 1836, Öl auf Papier, auf Leinwand aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3927 Alphonse Legros, Head of a Priest, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8441 Alphonse Legros, Peasants (Paysannes), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8298 Alfred Rethel, Der Schutzengel rettet Kaiser Maximilian aus der Martinswand, 1839, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1479 Honoré Daumier, Équitation boutiquière, 1839, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6233 Ralph Hall & Son, Cup and Saucer, c. 1836–c. 1841, Earthenware, transfer-printed, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2774 Honoré Daumier, Antoine Odier, 1833, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6103 George Baxter, Rev. John Williams, 1837, Steel etching and aquatint printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54094 Honoré Daumier, Le Fantome, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6120 George Baxter, The Welsh Harper, 1835, Block printing in colors on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53947 Alphonse Legros, Study of a Greek, 1837, red chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8411 Alphonse Legros, Solitude (Solitude (Paysage)), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8315 Thomas Sully, Ann Biddle Hopkinson (Mrs. Francis Hopkinson), 1834, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1126 Honoré Daumier, Les réjouissances de Juillet... vues de Ste. Pélagie, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6138 Honoré Daumier, Charles-Malo-François, Comte de Lameth, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3230 Joseph Anton Koch, Landschaft mit dem Raub des Hylas, 1832, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/845 Gabriel Prieur, In the Forest of Fontainebleau, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368355 Alphonse Legros, The Triumph of Death: Proclamation (Le triomphe de la mort: La proclamation), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8324 Alphonse Legros, Professor W. Cawthorne Unwin, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8375 Alphonse Legros, Torso, 1837, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8422 Martinus Rørbye, View of Chamonix-Mont-Blanc, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367880 Amélie Daubigny, Porträtt av ung kvinna i en violett klänning med vit spetskrage, 1832, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106656191 Alphonse Legros, Head of a Child, 1837, red chalk on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8413 Alphonse Legros, Fagot-makers (Les faiseurs de fagots), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8286 Alphonse Legros, Footbridge (La passerelle), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8341 Alphonse Legros, Boat in Trouble, 1837, oil, casein coating, charcoal, and ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8404 Alphonse Legros, Philosopher (Le philosophe), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8265 Thomas Fearnley, Tyrolean Landscape, 1831, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q103163098 Honoré Daumier, Rue Transnonain, le 15 avril 1834, 1834, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6133 Alphonse Legros, Study of a Philosopher, 1837, red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8436 Alphonse Legros, Banks of the Marne (Bord de la Marne), 1837, drypoint and etching? on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8268 Attributed to Meads and Alvord, Desk and bookcase, c. 1832–34, Mahogany, pine, tulip, brass, glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.166a-h Alphonse Legros, Leon Gambetta, 2nd plate, 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8287 Alphonse Legros, Head of Souliote (Tete de Souliote), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8285 Cristalleries de Saint-Louis, Bowl, 1835–50, Lacy pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/792 Niels Simonsen, Study of a Woman in Tyrolean Costume, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368449 Alphonse Legros, Head of a Beggar (Tete de mendiant), 1837, etching, drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8266 George Baxter, The John Wesley Missionary Ship, 1838/41, Steel etching, aquatint, and stipple printed in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54106 Honoré Daumier, Charles Philipon, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3224 Alphonse Legros, In the Forest of Conteville (Dans la foret de Conteville), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8398 New England Glass Company, Bowl, c. 1840, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/786 Honoré Daumier, Horace-François-Bastien Sébastiani (?), model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3231 Alphonse Legros, Curious Man (Un curieux), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8336 Frederik Sødring, A House in the Tyrol, 1837, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368464 François Meuret, Louis Henri Joseph, Count of Bourbon, Prince of Condé, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106654959 Alphonse Legros, Meditation (La meditation), 1837, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8258 A. Wolf, Landskab, som en hær drager igennem, 1834, Blyant, pensel, gråt og sort blæk, hvid dækfarve og grå lavering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb16842 German 19th Century, Armchair, probably c. 1830/1850, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1588 Alphonse Legros, Head of a Man Facing Left, 1837, black crayon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8454 Alphonse Legros, The Triumph of Death: Battle (Le triomphe de la mort: Le combat), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8361 Alphonse Legros, Woodcutters, 3rd plate (Les bucherons), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8373 Honoré Daumier, Pierre-Paul Royer-Collard, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3218 Alphonse Legros, Landscape with Two Trees (Paysage aux deux arbres), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8335 François Hippolyte Lalaisse, Two Girls in Regional Costume, n.d., Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229971 Honoré Daumier, Le passé - Le présent - l'Avenir, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6109 Jean Baptiste Camille Corot, La Cervara, the Roman Campagna, c. 1830–31, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140078 Alphonse Legros, Old Woman Seated (La vieille femme assise), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8296 Alphonse Legros, Study from the Antique, 1837, graphite on blue prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8416 Andreas Achenbach, Altenberg Cathedral. Study, 1831, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368053 Honoré Daumier, Bordeaux-Laffite, 1836, hand-colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6437 Jean Baptiste Camille Corot, Portrait of a Child, c. 1835, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435980 Alphonse Legros, Study of Woman Praying, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8405 Alphonse Legros, Winter, 1st plate (L'hiver), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8350 Alphonse Legros, Two Monks Seated in a Church, 1837, pen and brown ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8406 Domenico Quaglio d. J., Ansicht von Frankfurt am Main, 1831, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1115 Honoré Daumier, Auguste-Hippolyte Ganneron, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3219 Carl Morgenstern, View towards Amalfi from Grotta dei Cappuccini, 1835, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368188 Alphonse Legros, Fagot-gatherer (Le fagotier), 1837, etching and drypoint?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8331 Gobelins Tapestry Factory, Armchair, probably c. 1830/1850, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1596 Emil Bærentzen, The Artist’s Father, Wife, Son and Foster Son, 1834, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367926 Alphonse Legros, Writer (L'ecrivain), 1837, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8267 Alphonse Legros, Finding the Sheep (Le mouton retrouve), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8302 Joseph Mallord William Turner, Keelmen Heaving in Coals by Moonlight, 1835, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1225 Honoré Daumier, Jean-Pons-Guillaume Viennet, model c. 1832/1835, cast 1929/1930, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3221 Alphonse Legros, Head of a Man, 1837, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8450 Honoré Daumier, C'est tout de même flatteur d'avoir fait tant d'élèves!..., 1838, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6140 New England Glass Company, Ale Glass, 1830–70, Pressed glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/40 Alphonse Legros, Sleeping Beggar (Mendiant endormi), 1837, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8392 Klostergård, 1830, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367912 Jules-Achille Noël, A View of Paris, 1830–81, Watercolor and ink with touches of gouache and lead-white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334685 Jules Dupré, Cows Crossing a Ford, 1836, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436241 George Baxter, Temperate, 1835, Steel etching printed in black, with block printing in colors, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53979 Jacob Axel Gillberg, Unknown young lady, 1831, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106657951 Honoré Daumier, L'Apoplexie allant remplacer a Londres la paralysie, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6119 Honoré Daumier, C.-A. Gabriel, duc de Choiseul, 1835, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6126 Alphonse Legros, Sunset (Le soir (Coucher de soleil)), 1837, drypoint and etching?, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8294 Honoré Daumier, Très hauts et très puissans moutards et moutardes légitimes, 1834, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6130 Alphonse Legros, Poplars near Amiens (Pres d'Amiens, les tourbieres), 1837, drypoint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8395 Auguste-Emile Rinquet-Leprince, Armchair, c. 1843, Applewood or pearwood, ebonized walnut, beech, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/266 Alphonse Legros, Gust of Wind (Le coup de vent), 1837, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8314 Philipp Veit, Germania, 1834–1836, Wandmalerei, auf Leinwand übertragen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1107 Honoré Daumier, Alexandre Lecomte, model c. 1832/1835, cast 1929/1940, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3228 Ernst Deger, Bildnis eines jungen Mädchens, 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1174