William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460

American 19th Century, Portrait of a Lady, c. 1825, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3209

William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025

William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014

Joseph Mallord William Turner, Mortlake Terrace, 1827, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/116

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318

William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013

William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015

William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831

Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237

Josiah Danforth, Basin, 1821–c. 1843, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/336

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319

John Joseph Lafar, Charleston slave badge from 1820 for Servant No. 375, 1820, metal; H x W: 2 1/8 × 2 1/16 in. (5.5 × 5.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1662193806992-1662193824807-1

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027

Samuel Lovett Waldo, Robert G. L. De Peyster, 1828, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1132

William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981

William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960

Boston & Sandwich Glass Company, Bird Fountain, 1820–40, Lead glass, blown molded, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/519

William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969

John Constable, Branch Hill Pond, Hampstead, 1828, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147017

Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028

Thomas Cole, Landscape, 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.299

William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803

William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806

William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962

William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845

John Constable, Salisbury Cathedral from the Bishop's Grounds, c. 1825, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435922

William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974

C. White, Beaker, c. 1830–40, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/415

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825

William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807

William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018

William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977

William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978

William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004

William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973

John Constable, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/115

William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797

William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799

William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810

William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816

William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971

William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819

Gilbert Stuart, Joseph Coolidge, 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/562

Alfred Jacob Miller, Portrait of Antoine Clement, c. 1840, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2573

United Society of Believers in Christ’s Second Appearing (“Shakers”), Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York, c. 1830–40, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/134

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804

William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022

William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800

William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026

Sarah Miriam Peale, Still Life with Watermelon, 1822, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4988

Boston & Sandwich Glass Company, Bottle, 1825–40, Blown-molded glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/628

William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823

Rouzee Family, Record of taxes on property, including enslaved persons, owned by Rouzee estates, October 1829, ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743771-0

Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238

William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966

William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824

William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021

William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967

Chester Harding, John Randolph, 1829, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/566

William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963

William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815

Tucker Factory, Cup and Saucer, 1826–38, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2793

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321

William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976

William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317

Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235

William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812

William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822

William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802

William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866

William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808

Thomas Danforth Boardman, Beaker, 1822–24, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/382

William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965

Matthew Harris Jouett, Augustus Fielding Hawkins, c. 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1100

William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980

William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017

William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979

Chauncey Johnson, Punch Bowl, c. 1825, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/801

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459

Timothy Boardman, Beaker, 1822–25, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/383

Oliver Trask, Beaker, c. 1832–39, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/409

William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003

William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020

William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801

William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019

United Society of Believers in Christ’s Second Appearing (“Shakers”), Bench, 1825–50, Pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/458

Chester Harding, Portrait of Mrs. Mary Martin Kinsley (née Bellows), c. 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.33

William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323

Thomas Sully, John Quincy Adams, 1824, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1124

William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805

William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975

Hudson and Brooks, Rocking Chair, c. 1823, Maple, pine, mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/223

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964

William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817

John Goodhue, Beaker, 1825–50, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/394

Thomas Sully, Portrait of George Washington, c. 1820, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.12

John James Audubon, Peregrine Falcons (Duck Hawks), c. 1827, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140408

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320