Carl Blechen, Badende Frauen im Park von Terni, 1828–1829, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1872

American 19th Century, Portrait of a Lady, c. 1825, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3209

Josiah Danforth, Basin, 1821–c. 1843, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/336

John Joseph Lafar, Charleston slave badge from 1820 for Servant No. 375, 1820, metal; H x W: 2 1/8 × 2 1/16 in. (5.5 × 5.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1662193806992-1662193824807-1

Johann Anton Ramboux, Kapuzinerpredigt im Colosseum zu Rom, 1822, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/975

Samuel Lovett Waldo, Robert G. L. De Peyster, 1828, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1132

Boston & Sandwich Glass Company, Bird Fountain, 1820–40, Lead glass, blown molded, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/519

Thomas Cole, Landscape, 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.299

C. White, Beaker, c. 1830–40, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/415

Gilbert Stuart, Joseph Coolidge, 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/562

Alfred Jacob Miller, Portrait of Antoine Clement, c. 1840, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2573

United Society of Believers in Christ’s Second Appearing (“Shakers”), Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York, c. 1830–40, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/134

Sarah Miriam Peale, Still Life with Watermelon, 1822, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4988

Moritz Daniel Oppenheim, Die Verstoßung der Hagar, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1667

Boston & Sandwich Glass Company, Bottle, 1825–40, Blown-molded glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/628

Rouzee Family, Record of taxes on property, including enslaved persons, owned by Rouzee estates, October 1829, ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743771-0

Chester Harding, John Randolph, 1829, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/566

Tucker Factory, Cup and Saucer, 1826–38, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2793

Thomas Danforth Boardman, Beaker, 1822–24, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/382

Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131

Matthew Harris Jouett, Augustus Fielding Hawkins, c. 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1100

Chauncey Johnson, Punch Bowl, c. 1825, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/801

Timothy Boardman, Beaker, 1822–25, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/383

Oliver Trask, Beaker, c. 1832–39, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/409

United Society of Believers in Christ’s Second Appearing (“Shakers”), Bench, 1825–50, Pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/458

Chester Harding, Portrait of Mrs. Mary Martin Kinsley (née Bellows), c. 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.33

Thomas Sully, John Quincy Adams, 1824, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1124

Hudson and Brooks, Rocking Chair, c. 1823, Maple, pine, mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/223

John Goodhue, Beaker, 1825–50, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/394

Thomas Sully, Portrait of George Washington, c. 1820, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.12

John James Audubon, Peregrine Falcons (Duck Hawks), c. 1827, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140408