William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460 William Blake, ‘And Unyok’d Heifers, Loitering Homeward, Low’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00127 William Blake, The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00005 Théodore Géricault, The Flemish Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7355 William Blake, ‘With Songs the Jovial Hinds Return from Plow’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00126 William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025 William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318 William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013 William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015 William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831 Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237 William Blake, Thenot and Colinet Converse Seated between Two Trees, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00113 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798 William Blake, Job’s Evil Dreams, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00022 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027 William Blake, Ciampolo the Barrator Tormented by the Devils, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00006 William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981 William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960 George Baxter, The Mountain Stream, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61560 William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969 Rodolphe Bresdin, Branches, 1825, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5267 Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028 William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803 William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806 William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962 William Blake, Thenot Remonstrates with Colinet, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00112 William Blake, ‘A Rolling Stone is ever Bare of Moss’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00120 William Blake, Colinet with his Shepherd’s Pipe, Mocked by Two Boys, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00122 German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079 William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845 George Baxter, The Dogs of St. Bernard, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61558 William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825 William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807 William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018 Nicolas-Toussaint Charlet, Infanterie legère française, Carabinier, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5955 William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977 William Blake, The Fall of Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00027 William Blake, The Wrath of Elihu, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00023 William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978 William Blake, Colinet Rests by a Stream at Night, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00121 William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004 William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023 William Blake, The Vision of Christ, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00028 William Blake, ‘Nor Fox, nor Wolf, nor Rat among our Sheep’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00117 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973 William Blake, Thenot and Colinet at Supper, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00125 William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797 William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818 Edward Calvert, The Sheep of his Pasture, c.1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00158 William Blake, The Lord Answering Job out of the Whirlwind, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00024 Théodore Géricault, A French Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7356 William Blake, Sabrina’s Silvery Flood, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00118 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799 William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810 William Blake, Thenot and Colinet Folding their Flocks together at Sunset, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00124 William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816 William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971 William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819 William Blake, Job’s Comforters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00018 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804 William Blake, Job’s Despair, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00019 Eugène Delacroix, Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6496 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022 William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800 William Blake, Thenot, with Colinet Waving his Arms in Sorrow, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00115 William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026 William Blake, Satan Going Forth from the Presence of the Lord, and Job’s Charity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00016 William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823 Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238 William Blake, Job and his Family, 1828, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00012 William Blake, Colinet’s ‘Fond Desire Strange Lands to Know’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00119 Edward Calvert, The Bacchante, engraved by Welby Sherman, c.1825, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00165 William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966 William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824 William Blake, Job’s Sons and Daughters Overwhelmed by Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00014 William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021 William Blake, The Pit of Disease: The Falsifiers, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00010 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Edward Calvert, The Flood, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00166 Edward Calvert, The Brook, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00160 George Baxter, Her Most Gracious Majesty Queen Victoria Receiving the Sacrament at her Coronation, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61545 William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967 William Blake, The Vision of Eliphaz, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00020 Jean-Auguste-Dominique Ingres, Four Magistrates of Besançon (Quatre magistrats de Besançon), 1825, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8011 William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963 William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815 William Blake, The Serpent Attacking Buoso Donati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00009 Edward Calvert, Ideal Pastoral Life, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00167 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 William Blake, Satan Smiting Job with Sore Boils, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00017 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321 William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976 William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317 Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235 William Blake, The Baffled Devils Fighting, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00007 William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812 William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822 William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802 William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866 William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808 Edward Calvert, The Lady and the Rooks, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00163 William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961 George Baxter, Arrival of Her Most Gracious Majesty at House of Lords to Open First Parliament of her Reign, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61548 Sir David Wilkie, The Flemish Mother, 1820, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01186 William Blake, The Blighted Corn, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00116 William Blake, Frontispiece: Thenot and Colinet, c.1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00111 William Blake, ‘For him Our Yearly Wakes and Feasts We Hold’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00123 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965 William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980 William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017 William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459 William Blake, Job and his Family Restored to Prosperity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00032 William Blake, Behemoth and Leviathan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00026 George Baxter, The Bridesmaid, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61552 William Blake, Job’s Sacrifice, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00029 Nicolas-Toussaint Charlet, Ecole du balayeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5953 William Blake, Satan before the Throne of God, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00013 William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003 William Blake, Thenot Remonstrates with Colinet; Lightfoot in the Distance, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00114 William Blake, Job and his Daughters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00031 William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020 William Blake, When the Morning Stars Sang Together, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00025 William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801 William Blake, Job Rebuked by his Friends, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00021 William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019 William Blake, The Six-Footed Serpent Attacking Agnolo Brunelleschi, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00008 Edward Calvert, The Bride, 1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00157 William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323 Edward Calvert, The Ploughman, 1827, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00159 William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805 Nicolas-Toussaint Charlet, Infanterie legère française, Voltigeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5954 William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964 Théodore Géricault, A Paraleytic Woman, April 1, 1821, Lithograph on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4859 William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813 William Blake, The Messengers tell Job of his Misfortunes, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00015 William Blake, Dante Striking against Bocca Degli Abati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00011 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817 Sir David Wilkie, The Flemish Mother, 1820, Etching on paper on paper, Tate, London. https://dartabase.art/cite/tate/A01187 Edward Calvert, The Cyder Feast, 1828, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00162 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744