William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821

Carl Blechen, Badende Frauen im Park von Terni, 1828–1829, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1872

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460

Utagawa Toyokuni, Onoe Matsusuke as a samurai, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/347

Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32

William Blake, ‘And Unyok’d Heifers, Loitering Homeward, Low’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00127

William Blake, The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00005

Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6158

Utagawa Kunisada, The actor Bando Mitsugoro III as Tetsubo, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3288

American 19th Century, Portrait of a Lady, c. 1825, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3209

Théodore Géricault, The Flemish Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7355

William Blake, ‘With Songs the Jovial Hinds Return from Plow’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00126

William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025

UNKNOWN, Tumbler, c.1820–60, Lead glass, wheel cut with facets around bottom half, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11682

William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014

Joseph Mallord William Turner, Mortlake Terrace, 1827, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/116

Paul Delaroche, Portrait de Mme. E. D., 1829, Black, white, and red chalks, with stumping and erasing on ivory wove paper, perimeter mounted to Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191212

Sasayama Tokuoki, Tsuba with Orchid and Chrysanthemum Leaves, 1828–1891 (late Edo-Meiji), iron, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.94

Utagawa Kunisada, The actor Bando Mitsugoro III as a guardsman, c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6035

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318

William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013

Attributed to George Richmond, Tracing of Title-Page of Blake’s ‘Book of Job’, ?c.1826, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00050

William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015

William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831

Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237

Josiah Danforth, Basin, 1821–c. 1843, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/336

William Blake, Thenot and Colinet Converse Seated between Two Trees, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00113

Utagawa Kuniyoshi, Kwatsuyenra Genshôshichi, in a boat, sheltering from flying arrows under a tiger skin (from ‘The 108 heroes of the Suikoden’ series), c.1827–30, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3796

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798

China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179

Ernst Fries, Das Emissar des Albaner Sees, 1824, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8603

William Blake, Job’s Evil Dreams, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00022

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319

Jean-Pierre Dantan, Carle Vernet, 1828, Plaster; 8 3/8 x 5 3/8 x 3 1/2 in. (21 x 13.5 x 8.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859284-0

JOSIAH SPODE, Dish with handle:  Font, c.1820–33, Earthenware, fluted shape with moulded handle, transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6876

Chinese, Ornamented Bowl, 1820–1850 (Daoguang), porcelain with white glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1714

after J.M.W. - Painter, LUPTON, Thomas Turner, Newcastle-on-Tyne (plate 2 from 'The rivers of England'), 1823, Mezzotint and engraving on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6527

attrib. to John Sell Cotman, The eel boat, c.1820–42, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12858

John Joseph Lafar, Charleston slave badge from 1820 for Servant No. 375, 1820, metal; H x W: 2 1/8 × 2 1/16 in. (5.5 × 5.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1662193806992-1662193824807-1

Miles Edmund Cotman, Old Cottage July 4, 1820, Pencil on cream wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12859

Utagawa Kunisada, Life in Yoshiwara.  Courtesan thinking of her love on a rainy evening (from 'Yoshiwara Tokei Nihen Mitate Hakkei' series), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3178

Venetian, Snuffbox with Mosaic of a Seated Dog, mid 19th century, gold, enamel, glass tesserae, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/43.10

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027

German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131

Katsushika Hokusai, Shunga from the album 'Tsuma-gasane' (Overlapping skirts), c.1820, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6555

William Blake, Ciampolo the Barrator Tormented by the Devils, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00006

Johann Anton Ramboux, Kapuzinerpredigt im Colosseum zu Rom, 1822, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/975

YONGE & SON, Fob watch, 1824, 18k gold, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/497

Samuel Lovett Waldo, Robert G. L. De Peyster, 1828, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1132

Yashima Gakutei, The Seven Sages of the Bamboo Grove (Chikurin shichiken), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)", c. 1828, Color woodblock print; shikishiban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23443

after Alphonse Pellion, Nouvelle Holland: Port Jackson, sauvages des environs de la Riviere Nepean, 1825, Hand-coloured stipple engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10437

REGENCY STYLE, Breakfast table, c.1820–40, Rosewood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/604

William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024

William Blake, The Riven Trunk feels not the approach of Spring. Colilnet, 1821, Wood engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14110

George Chambers, The fishing smack, c.1824–40, Watercolour and gouache over pencil, highlighted with varnish? on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7832

after Katsushika Hokusai, Koshu Kajikazawa (Kajikazawa in Kai Province) (A fisherman and his little helper on a promontory) (no. 15 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2445

Sir David Wilkie, After Rembrandt, 1822, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01020

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981

SCHLAGGENWALD, Cup and saucer, c.1820, Hard-paste porcelain, the saucer divided into fourteen segments enclosing pink flowers and gilt details reserved on mid blue ground with cobalt decorations. Gilt trims, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3119

William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/325

WILLIAM IV STYLE, Tea table, c.1820–40, Hondouras mahogany veneer over red cedar body (imported from Australia) with finely carved lion paw feet and turned pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7651

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960

George Baxter, The Mountain Stream, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61560

Boston & Sandwich Glass Company, Bird Fountain, 1820–40, Lead glass, blown molded, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/519

William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969

Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725

Rodolphe Bresdin, Branches, 1825, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5267

John Glover, (Mountainous river landscape), c.1820–28, Pen and ink, ink wash over pencil on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9227

John Constable, Branch Hill Pond, Hampstead, 1828, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147017

Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236

Turkish, Dagger and Sheath, mid 19th century (Modern), blade: steel, inlaid with gold; hilt: gold, inlaid with rubies (or spinels), emeralds (or beryls), diamonds, amethyst, enamel; sheath: gold, inlaid with rubies (or spinels), emeralds (or beryls), diamonds, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.77

William Blake, Every Man also Gave him a Piece of Money, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00030

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028

Thomas Cole, Landscape, 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.299

Sir Edwin Henry Landseer, High Life, 1829, exhibited 1831, Oil paint on mahogany, Tate, London. https://dartabase.art/cite/tate/A00703

COOK Jr, H. After M.e. - Artist, How much! - Seven and eight pence!, published 1827, Etching, hand-coloured (reproduction) on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13065

William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011

Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803

William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806

William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962

Satô Tôhô, Tsuba with Stag, Crane, Rock, and Fungus, 1824–1859 (late Edo), iron, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.329

JOSIAH SPODE, Plate:  Jasmine, c.1825–33, Earthenware plate with gadrooned edge transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7758

Julius Schnorr von Carolsfeld, Portrait of a Woman, 1821, Brush and brown wash and pen and brown ink, with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191195

William Blake, Thenot Remonstrates with Colinet, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00112

Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083

William Blake, ‘A Rolling Stone is ever Bare of Moss’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00120

WATERFORD STYLE, Pair of lustres, c.1820, Lead crystal, mould blown and wheel cut with facets and ten lustres.  Added metal candle holder and glass disc, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7242

William Blake, Colinet with his Shepherd’s Pipe, Mocked by Two Boys, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00122

German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079

after Katsushika Hokusai, Bushu Senju (Senju in Masashi Province [Edo]) (A peasant with packhorse, and two men fishing) (no. 7 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/793

William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845

Charles Meryon, Chasse-maree au plus pres, 1821, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9125

John Constable, Salisbury Cathedral from the Bishop's Grounds, c. 1825, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435922

George Baxter, The Dogs of St. Bernard, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61558

Franz Horny, Landschaft mit blauen Bergen, c. 1820–1824, Aquarell auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/9396

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/293

Utagawa Toyokuni, Matsumoto Kōshirō V as Hataemon (left-hand panel of diptych), c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7752

William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974

C. White, Beaker, c. 1830–40, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/415

Wilhelm von Kobell, Morgen am Tegernsee, 1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1927

UNKNOWN, Pouch used for perfume, c.1820 (Qing dynasty), Silk, pekin knot embroidery, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16165

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825

William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807

William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018

Nicolas-Toussaint Charlet, Infanterie legère française, Carabinier, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5955

William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977

William Blake, The Fall of Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00027

William Blake, The Wrath of Elihu, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00023

Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6097

William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978

after Katsushika Hokusai, Koishikawa yuki no ashita (Snowy morning at Koishikawa) (Teahouse on left, ravens in the sky) (no. 24 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3399

Léon Cogniet, Un abri dans la Campagne de Rome (A shady spot in the Roman Campagna), c.1826, Lithograph on chine collé mounted on white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7417

after Katsushika Hokusai, Sanka haku-u (Rainstorm beneath the summit) (Clouds in the distance and lightning at the foot of the dark mountain) (no. 3 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8984

William Blake, Colinet Rests by a Stream at Night, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00121

William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004

William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023

William Blake, The Vision of Christ, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00028

after J.M.W. - Painter, LUPTON, Thomas Turner, Stangate Creek on the River Medway (from 'The rivers of England'), 1827, Steel mezzotint engraving on thin wove paper mounted on thick paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1645

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/291

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/287

J.M.W. Turner, Ship in a storm (from 'Little Liber'), c.1826, unpublished, Mezzotint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2790

William Blake, ‘Nor Fox, nor Wolf, nor Rat among our Sheep’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00117

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973

William Blake, Thenot and Colinet at Supper, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00125

John Constable, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/115

William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797

William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818

UNKNOWN, Vinaigrette, c.1824–25, Silver, engraved with pierced and engraved internal grille, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15145

Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798

Edward Calvert, The Sheep of his Pasture, c.1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00158

James Hobbs, Sugar tongs, c.1829–30(?), Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15119

Utagawa Kuniyoshi, Shameisaburô Sekishû, holding a mokugyo, with his foot on the neck of the prostrate monk Haijokai at the palace of Yôyû (from ‘The 108 heroes of the Suikoden’ series)., c.1827–30, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6829

William Blake, The Lord Answering Job out of the Whirlwind, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00024

Jean Baptiste Camille Corot, Honfleur: Calvary, c. 1830, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435972

Théodore Géricault, A French Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7356

William Blake, Sabrina’s Silvery Flood, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00118

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799

Edmond Bigot de La Touanne, Vue prise sur le cours de la riviere Nepean, au dessus de l'habitation de Mr Macarthur, dans le Camdenshire, 1828, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11335

William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810

William Blake, Thenot and Colinet Folding their Flocks together at Sunset, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00124

William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816

William Blake, Sure Thou in Hapless Hour of Time wast born. Thenot, 1821, Wood engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14111

Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4154

William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971

Japanese, Kozuka with Goose and Moon, mid 19th century (Edo), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1230.4

William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819

William Blake, Job’s Comforters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00018

Gilbert Stuart, Joseph Coolidge, 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/562

Alfred Jacob Miller, Portrait of Antoine Clement, c. 1840, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2573

United Society of Believers in Christ’s Second Appearing (“Shakers”), Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York, c. 1830–40, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/134

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804

William Blake, Job’s Despair, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00019

ANGLO-INDIAN STYLE, Double-ended settee, c.1820–40, Mahogany double-ended settee with swan neck ends beginning in carved foliage and foliate paterae and supported on winged paw feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1982

Eugène Delacroix, Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6496

Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/289

Shunkosai Hokushu, Nakamura Matsue III as Sagami (right-hand sheet of a diptych), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8385

William Blake, The Crucifixion, c.1825–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00046

William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022

Jean Baptiste Camille Corot, Blick auf den Vesuv, 1828, Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/110921

William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800

BIEDERMEIER STYLE, Cup and saucer, c.1820–40, White porcelain in the shape of a volute krater decorated with a band of oak leaves and acorns against purple Grecian motifs in gilt against a mauve ground and egg and bead borders against emerald green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12251

William Blake, Thenot, with Colinet Waving his Arms in Sorrow, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00115

Irie Sadayoshi, Dagger with Seashells on the Sheath, 1825–1875 (late Edo; Meiji; Muromachi), steel, gold, dark brown lacquer, ray skin, sea shell, gilded copper, baleen, horn, copper alloy, wood, textile, leather, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1294

William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026

Eugène Delacroix, The Natchez, 1823–24 and 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436180

Sarah Miriam Peale, Still Life with Watermelon, 1822, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4988

William Blake, Satan Going Forth from the Presence of the Lord, and Job’s Charity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00016

Moritz Daniel Oppenheim, Die Verstoßung der Hagar, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1667

Boston & Sandwich Glass Company, Bottle, 1825–40, Blown-molded glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/628

William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823

UNKNOWN, Soup bowl, c.1820–50, Stone china printed with a Japan pattern in blue and hand coloured red, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/79

Sir Edwin Henry Landseer, Low Life, 1829, exhibited 1831, Oil paint on mahogany, Tate, London. https://dartabase.art/cite/tate/A00702

Rouzee Family, Record of taxes on property, including enslaved persons, owned by Rouzee estates, October 1829, ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743771-0

after J.M.W. - Painter, RAWLE, Samuel Turner, Brignall Church (from 'History of Richmondshire'), 1821, Engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3111

Akihiro, Short Sword with Buddhist Deities and Dragon, 1825–1875 (Edo; Meiji), lacquer, steel, silver, gold, ray skin, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1201

after M.E. Unknown - Etcher, Swallowing a pill, published 1827, Etching, aquatint, hand-coloured on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10502

Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238

Friedrich Overbeck, Der Triumph der Religion in den Künsten, 1829–1840, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/887

William Blake, Job and his Family, 1828, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00012

John Glover, The Confluence of the Machno and Conway rivers (Wales), c.1820–23, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7045

Johan Christian Clausen Dahl, Der Ausbruch des Vesuv im Dezember 1820, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1810

William Blake, Colinet’s ‘Fond Desire Strange Lands to Know’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00119

Japanese, Ewer with Formal Floral Designs, mid 19th century (Edo; Meiji), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.954

Edward Calvert, The Bacchante, engraved by Welby Sherman, c.1825, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00165

William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966

Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327

A. Burg, Kirkelig ceremoni, 1820–1830, Blyant, pen, pensel, gråt og sort blæk og hvid dækfarve, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb16841

William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824

William Blake, Job’s Sons and Daughters Overwhelmed by Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00014

William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021

William Blake, The Pit of Disease: The Falsifiers, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00010

Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745

WATERFORD STYLE, Table stand, c.1820–60, Lead crystal, wheelcut, three tiers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1585

Edward Calvert, The Flood, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00166

Edward Calvert, The Brook, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00160

UNKNOWN, Maharaja of Kishangarh, c.1820, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16954

George Baxter, Her Most Gracious Majesty Queen Victoria Receiving the Sacrament at her Coronation, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61545

William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967

Edmond Bigot de La Touanne, Sommet de la Cataracte Bouganville, sur la route de Sidney a Bathurst dans les Montagnes Bleues, 1825, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11334

Chester Harding, John Randolph, 1829, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/566

Utagawa Toyokuni, Sawamura Sojuro as a samurai, c.1820, Colour woodblock print on laid Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3208

William Blake, The Vision of Eliphaz, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00020

Jean-Auguste-Dominique Ingres, Four Magistrates of Besançon (Quatre magistrats de Besançon), 1825, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8011

William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963

William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815

Conrad Martens, English Town, 1829, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4158

William Blake, The Serpent Attacking Buoso Donati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00009

Utagawa Kuniyasu, Ichikawa Danji as Ichiman-maru and Segawa Kikunojo as Kudo Yoshitsune, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3641

Edward Calvert, Ideal Pastoral Life, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00167

UNKNOWN, Ewer, c.1820–70, Silver bulbous body ewer with flaring lip, four projecting feet and ebonised wood handle (Biedermeier style), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14409

Tucker Factory, Cup and Saucer, 1826–38, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2793

Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743

Yanagawa Shigenobu, Tsukasa of the Ogiya, c.1825, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/487

Honoré Daumier, Don Quixote and the Dead Mule, after 1864, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436092

William Blake, Satan Smiting Job with Sore Boils, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00017

Otsuki Mitsuoki, Tsuba with Dragon and Waves, 1826 (late Edo), silver alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.386

Jean Baptiste Camille Corot, Lake Albano and Castel Gandolfo, 1826–27, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435974

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321

Jean Baptiste Camille Corot, Blick auf Marino in den Albaner Bergen am frühen Morgen, 1826–1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1485

Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5321

William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976

Shunkosai Hokushu, Nakamura Utaemon III as Kumiya Kiro (left-hand sheet of a diptych), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4118

William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317

Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235

Irie Toshiyoshi, Kozuka with the Servant from the Play ""Suehirogari"", mid 19th century (late Edo-Meiji), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.671

Katsushika Hokusai, Bushu Tamagawa (Tama River in Musashi Province, Edo) (no. 8 from 'Fugaku Sanju- rokkei' (Thirty-six views of Mt. Fuji') series), c.1829–33, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8625

Utagawa Toyokuni, Bando Mitsugoro III as Kio Shinzaemon (right-hand panel of diptych), c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5908

William Blake, The Baffled Devils Fighting, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00007

Kôno Haruaki, Fuchi with Fukurokujû or Daruma on a Boat, 1827–1857 (late Edo), shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.956

William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812

William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822

UNKNOWN, Bowl, c.1820–40, Stoneware, transfer-printed in blue with buildings and Japan style floral motifs with details in red and yellow with clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/127

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/324

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/296

after J.M.W. - Painter, PHILLIPS, G.H. Turner, Mouth of the River Humber (from 'The rivers of England'), 1826, Etching and mezzotint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3056

William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802

William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866

William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009

Tamagawa Yoshiharu, Tsuba with an Immortal with His Tiger, mid 19th century (late Edo-Meiji), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.181

Edward Calvert, The ploughman, 1827, printed 1893, Wood engraving on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13080

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814

Walter - Engraver, WALLIS, James Preston, Sydney from Bennelong's Point, printed 1820, Engraving, hand coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6295

Jean Baptiste Camille Corot, Bewaldete Felsformation bei Cività Castellana, c. 1827, Bleistift und Feder in Braun auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18493

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808

Thomas Danforth Boardman, Beaker, 1822–24, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/382

Edward Calvert, The Lady and the Rooks, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00163

William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961

Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825

JOSIAH SPODE, Small plate:  Net, c.1820–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4198

Utagawa Kunisada, Actor Segawa Kikunojo, 1825, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9359

George Baxter, Arrival of Her Most Gracious Majesty at House of Lords to Open First Parliament of her Reign, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61548

Sir David Wilkie, The Flemish Mother, 1820, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01186

REGENCY STYLE, Pot cupboard, c.1820–40, Satinwood with marble inset top, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/305

France, Panel, 1825, Cotton, copperplate or roller-printed fabric, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.5

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/292

William Blake, The Blighted Corn, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00116

William Blake, Frontispiece: Thenot and Colinet, c.1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00111

Katsushika Hokusai, Shunga from the album 'Tsuma-gasane' (Overlapping skirts), c.1820, Colour woodblock print (chuban) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6845

Charles Meryon, Boats on River with Masts, 1821, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9132

Baccarat Glassworks, Two Salts, c. 1830, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36225

William Blake, ‘For him Our Yearly Wakes and Feasts We Hold’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00123

John Glover, (The old bridge at Trinity College, Cambridge), c.1820–28, Pencil on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12442

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/295

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965

Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131

Matthew Harris Jouett, Augustus Fielding Hawkins, c. 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1100

BIEDERMEIER STYLE, Cup and saucer, c.1820–40, White porcelain in the shape of a volute krater decorated with bands of gilt and foliate motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12250

William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980

attrib. to Richard Parkes Bonington, Coast scene, Normandy, 1821, Watercolour, gouache and pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4638

William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017

William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979

Chauncey Johnson, Punch Bowl, c. 1825, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/801

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459

Constant Troyon, A Farmhouse with a Thatched Roof and Trees Beside a River, 1825–65, Black chalk with touches of white, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334671

Timothy Boardman, Beaker, 1822–25, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/383

William Blake, Job and his Family Restored to Prosperity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00032

UNKNOWN, Regency table with one drawer, c.1820, Mahogany, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15989

William Blake, Behemoth and Leviathan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00026

George Baxter, The Bridesmaid, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61552

William Blake, Job’s Sacrifice, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00029

Edmond Bigot de La Touanne, Confluent de la Nepean et du Warangamba, c.1828, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9459

Honsei, Arashi Kitsusaburo II Attacks Fujikawa Tomokichi I, 1822–1828 (late Edo), mulberry paper, color, ink, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.125

Nicolas-Toussaint Charlet, Ecole du balayeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5953

Oliver Trask, Beaker, c. 1832–39, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/409

Jean Baptiste Camille Corot, Italienische Herbstlandschaft bei Marino, 1826–1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1486

William Blake, Satan before the Throne of God, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00013

JOSIAH SPODE, Dish with handle:  Geranium, c.1820–33, Earthenware, fluted shape with moulded handle, diaper transfer print to walls with geranium flower motif to well in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12293

William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003

William Blake, Thenot Remonstrates with Colinet; Lightfoot in the Distance, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00114

William Blake, Job and his Daughters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00031

after Katsushika Hokusai, Sunshu Ono-shinden (The paddies of Ono in Suruga Province) (Peasants lead oxen laden with bundles of rushes;  women carry the harvest on their backs) (no. 43 from 'Ura-Fuji' (Fuji from the other side);  ten supplementary prints to 'Fugaku Sanju-Rokkei' (, c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/46

William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020

William Blake, When the Morning Stars Sang Together, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00025

William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801

CHINA, Bowl, c.1821–50 (Daoguang, Qing dynasty), White porcelain with cobalt oxide underglaze design of two couples on the exterior, children on the interior and plum blossoms on cracked ice ground  around flared rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11471

William Blake, Job Rebuked by his Friends, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00021

Utagawa Toyokuni, The actor Sawamura Gennisuke as Hisatsugu, c.1820?, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9504

Utagawa Toyokuni, Matsumoto Koshiro V as Moronao, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3963

William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019

WEDGWOOD STYLE, Milk jug, c.1820–50, Stoneware, black basalt slip-cast with interior glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4070

William Blake, The Six-Footed Serpent Attacking Agnolo Brunelleschi, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00008

Continental Painter, Portrait of a Woman, 1827, Pencil and red chalk on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435936

United Society of Believers in Christ’s Second Appearing (“Shakers”), Bench, 1825–50, Pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/458

G.M. & C.J. MASON, Jug, decorated in Imari style with dragon handle, c.1820, Ironstone china (ironstone porcelain), with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15141

UNKNOWN, Famille verte basin, 1821–50 (Daoguang period), Porcelain, overglaze enamels with fish, crustaceans and aquatic plants, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16171

after Katsushika Hokusai, Kanagawa-oki nami-ura (Under the wave off Kanagawa) (Three boats at the foot of a great wave in the wild sea) (no. 1 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4206

Attributed to George Richmond, Fettered Nude Figure Reclining by a Rock, c.1825, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00838

Chester Harding, Portrait of Mrs. Mary Martin Kinsley (née Bellows), c. 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.33

Edward Calvert, The Bride, 1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00157

William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323

Edward Calvert, The Ploughman, 1827, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00159

Alexandre-Gabriel Decamps, The Suicide, c. 1836, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.42

Thomas Sully, John Quincy Adams, 1824, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1124

William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805

Nicolas-Toussaint Charlet, Infanterie legère française, Voltigeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5954

William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/290

Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177

Hudson and Brooks, Rocking Chair, c. 1823, Maple, pine, mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/223

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/297

Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244

François Marius Granet, Monks on the Staircase of the Villa of Maecenas at Tivoli, c. 1826, Pen and brown ink and brush and brown wash, with touches of watercolor, over traces of graphite, on ivory laid paper, perimeter mounted on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203323

Ernst Fries, Die Grotte des Neptuns bei Tivoli, 18. Oktober 1826, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8596

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964

Charles Meryon, Tikao, naturel d'Akaroa, 1821, ink and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9126

attrib. to William Hunter, Coffee and tea service, 1825, Sterling silver, with repousse, cast and foliate decoration, with gilt interiors and bone insert, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5059

John Glover, (A bend in the stream, with a village at the foot of a mountain), c.1820–28, Brush and ink on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12199

Théodore Géricault, A Paraleytic Woman, April 1, 1821, Lithograph on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4859

TRONNER Unknown - Manufacturer, Cup and saucer, c.1820–30, White porcelain finely painted with a panel scene of Marburg with gilt borders. Married Wedgwood saucer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12252

attrib. to Richard Parkes Bonington, Peasant girl with ewer, c.1820–28, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12857

UNKNOWN, Regency table with frieze drawer, c.1825, Mahogany, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15988

William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813

William Blake, The Messengers tell Job of his Misfortunes, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00015

Eugène Delacroix, Studies of a Damned Man, for "The Barque of Dante", 1822, Pen, brown ink, black wash over black chalk and graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334754

attrib. to Kaigyokusai Masatsugu, Netsuke:  (manju (button)), c.1828–92, Carved ivory with two figures among patterned drapery.  The reverse with a pouch and foliage.  Movable central fixture with rust cord, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9695

WINBERG, attrib. to Ivan Unknown - Jeweller, Jewelled agate box, c.1820–30, Agate with gold, diamonds and a portrait miniature, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3731

William Blake, Dante Striking against Bocca Degli Abati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00011

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/288

Baccarat Glassworks, Covered Bowl and Stand, Mid 19th century, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/117627

John Goodhue, Beaker, 1825–50, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/394

UNKNOWN, Sugar tongs, c.1824–25, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15128

BARR & BARR (WORCESTER) Flight, Part tea-set, c.1820–30, Soft-paste porcelain, prow-shaped and gadrooned edge, richly gilt with seaweed design.  Polychrome landscape on teapot, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/427

Sir David Wilkie, The Flemish Mother, 1820, Etching on paper on paper, Tate, London. https://dartabase.art/cite/tate/A01187

Thomas Sully, Portrait of George Washington, c. 1820, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.12

Jean Baptiste Camille Corot, Italian Landscape, c. 1825–28, Oil on paper, laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435973

Edward Calvert, The Cyder Feast, 1828, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00162

Eugène Delacroix, Faust und Mephisto auf dem Blocksberg, c. 1826–1827, Pinsel in Schwarz und Grau über Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18489

John James Audubon, Peregrine Falcons (Duck Hawks), c. 1827, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140408

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320

Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744