Utagawa Toyokuni, Onoe Matsusuke as a samurai, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/347 Antoine-Louis Barye, Seated Boar, modeled 1820s, bronze with a dark brown patina with black in recesses on a black marble socle, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.32 Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6158 Utagawa Kunisada, The actor Bando Mitsugoro III as Tetsubo, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3288 UNKNOWN, Tumbler, c.1820–60, Lead glass, wheel cut with facets around bottom half, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11682 Sasayama Tokuoki, Tsuba with Orchid and Chrysanthemum Leaves, 1828–1891 (late Edo-Meiji), iron, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.94 Utagawa Kunisada, The actor Bando Mitsugoro III as a guardsman, c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6035 Utagawa Kuniyoshi, Kwatsuyenra Genshôshichi, in a boat, sheltering from flying arrows under a tiger skin (from ‘The 108 heroes of the Suikoden’ series), c.1827–30, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3796 JOSIAH SPODE, Dish with handle: Font, c.1820–33, Earthenware, fluted shape with moulded handle, transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6876 Chinese, Ornamented Bowl, 1820–1850 (Daoguang), porcelain with white glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1714 after J.M.W. - Painter, LUPTON, Thomas Turner, Newcastle-on-Tyne (plate 2 from 'The rivers of England'), 1823, Mezzotint and engraving on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6527 attrib. to John Sell Cotman, The eel boat, c.1820–42, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12858 Miles Edmund Cotman, Old Cottage July 4, 1820, Pencil on cream wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12859 Utagawa Kunisada, Life in Yoshiwara. Courtesan thinking of her love on a rainy evening (from 'Yoshiwara Tokei Nihen Mitate Hakkei' series), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3178 Venetian, Snuffbox with Mosaic of a Seated Dog, mid 19th century, gold, enamel, glass tesserae, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/43.10 German 19th Century, The Virgin in Adoration, mid 19th century, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/131 Katsushika Hokusai, Shunga from the album 'Tsuma-gasane' (Overlapping skirts), c.1820, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6555 YONGE & SON, Fob watch, 1824, 18k gold, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/497 after Alphonse Pellion, Nouvelle Holland: Port Jackson, sauvages des environs de la Riviere Nepean, 1825, Hand-coloured stipple engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10437 REGENCY STYLE, Breakfast table, c.1820–40, Rosewood, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/604 William Blake, The Riven Trunk feels not the approach of Spring. Colilnet, 1821, Wood engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14110 George Chambers, The fishing smack, c.1824–40, Watercolour and gouache over pencil, highlighted with varnish? on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7832 after Katsushika Hokusai, Koshu Kajikazawa (Kajikazawa in Kai Province) (A fisherman and his little helper on a promontory) (no. 15 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2445 SCHLAGGENWALD, Cup and saucer, c.1820, Hard-paste porcelain, the saucer divided into fourteen segments enclosing pink flowers and gilt details reserved on mid blue ground with cobalt decorations. Gilt trims, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3119 WILLIAM IV STYLE, Tea table, c.1820–40, Hondouras mahogany veneer over red cedar body (imported from Australia) with finely carved lion paw feet and turned pedestal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7651 Théodore Géricault, Entrance to the Adelphi Wharf, 1821, Lithograph on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11725 John Glover, (Mountainous river landscape), c.1820–28, Pen and ink, ink wash over pencil on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9227 Turkish, Dagger and Sheath, mid 19th century (Modern), blade: steel, inlaid with gold; hilt: gold, inlaid with rubies (or spinels), emeralds (or beryls), diamonds, amethyst, enamel; sheath: gold, inlaid with rubies (or spinels), emeralds (or beryls), diamonds, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.77 William Blake, Every Man also Gave him a Piece of Money, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00030 COOK Jr, H. After M.e. - Artist, How much! - Seven and eight pence!, published 1827, Etching, hand-coloured (reproduction) on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13065 Satô Tôhô, Tsuba with Stag, Crane, Rock, and Fungus, 1824–1859 (late Edo), iron, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.329 JOSIAH SPODE, Plate: Jasmine, c.1825–33, Earthenware plate with gadrooned edge transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7758 WATERFORD STYLE, Pair of lustres, c.1820, Lead crystal, mould blown and wheel cut with facets and ten lustres. Added metal candle holder and glass disc, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7242 after Katsushika Hokusai, Bushu Senju (Senju in Masashi Province [Edo]) (A peasant with packhorse, and two men fishing) (no. 7 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/793 Utagawa Toyokuni, Matsumoto Kōshirō V as Hataemon (left-hand panel of diptych), c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7752 UNKNOWN, Pouch used for perfume, c.1820 (Qing dynasty), Silk, pekin knot embroidery, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16165 Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6097 after Katsushika Hokusai, Koishikawa yuki no ashita (Snowy morning at Koishikawa) (Teahouse on left, ravens in the sky) (no. 24 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3399 Léon Cogniet, Un abri dans la Campagne de Rome (A shady spot in the Roman Campagna), c.1826, Lithograph on chine collé mounted on white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7417 after Katsushika Hokusai, Sanka haku-u (Rainstorm beneath the summit) (Clouds in the distance and lightning at the foot of the dark mountain) (no. 3 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8984 after J.M.W. - Painter, LUPTON, Thomas Turner, Stangate Creek on the River Medway (from 'The rivers of England'), 1827, Steel mezzotint engraving on thin wove paper mounted on thick paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1645 J.M.W. Turner, Ship in a storm (from 'Little Liber'), c.1826, unpublished, Mezzotint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2790 UNKNOWN, Vinaigrette, c.1824–25, Silver, engraved with pierced and engraved internal grille, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15145 James Hobbs, Sugar tongs, c.1829–30(?), Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15119 Utagawa Kuniyoshi, Shameisaburô Sekishû, holding a mokugyo, with his foot on the neck of the prostrate monk Haijokai at the palace of Yôyû (from ‘The 108 heroes of the Suikoden’ series)., c.1827–30, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6829 Edmond Bigot de La Touanne, Vue prise sur le cours de la riviere Nepean, au dessus de l'habitation de Mr Macarthur, dans le Camdenshire, 1828, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11335 William Blake, Sure Thou in Hapless Hour of Time wast born. Thenot, 1821, Wood engraving on off-white wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14111 Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4154 Japanese, Kozuka with Goose and Moon, mid 19th century (Edo), shakudo, silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1230.4 ANGLO-INDIAN STYLE, Double-ended settee, c.1820–40, Mahogany double-ended settee with swan neck ends beginning in carved foliage and foliate paterae and supported on winged paw feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1982 Shunkosai Hokushu, Nakamura Matsue III as Sagami (right-hand sheet of a diptych), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8385 BIEDERMEIER STYLE, Cup and saucer, c.1820–40, White porcelain in the shape of a volute krater decorated with a band of oak leaves and acorns against purple Grecian motifs in gilt against a mauve ground and egg and bead borders against emerald green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12251 Irie Sadayoshi, Dagger with Seashells on the Sheath, 1825–1875 (late Edo; Meiji; Muromachi), steel, gold, dark brown lacquer, ray skin, sea shell, gilded copper, baleen, horn, copper alloy, wood, textile, leather, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1294 UNKNOWN, Soup bowl, c.1820–50, Stone china printed with a Japan pattern in blue and hand coloured red, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/79 after J.M.W. - Painter, RAWLE, Samuel Turner, Brignall Church (from 'History of Richmondshire'), 1821, Engraving on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3111 Akihiro, Short Sword with Buddhist Deities and Dragon, 1825–1875 (Edo; Meiji), lacquer, steel, silver, gold, ray skin, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1201 after M.E. Unknown - Etcher, Swallowing a pill, published 1827, Etching, aquatint, hand-coloured on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10502 John Glover, The Confluence of the Machno and Conway rivers (Wales), c.1820–23, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7045 Japanese, Ewer with Formal Floral Designs, mid 19th century (Edo; Meiji), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.954 Louis-Jules-Frederic Villeneuve, Chapel in the Mountains, 1828, brown ink wash on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1327 WATERFORD STYLE, Table stand, c.1820–60, Lead crystal, wheelcut, three tiers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1585 UNKNOWN, Maharaja of Kishangarh, c.1820, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16954 Edmond Bigot de La Touanne, Sommet de la Cataracte Bouganville, sur la route de Sidney a Bathurst dans les Montagnes Bleues, 1825, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11334 Utagawa Toyokuni, Sawamura Sojuro as a samurai, c.1820, Colour woodblock print on laid Japanese paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3208 Conrad Martens, English Town, 1829, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4158 Utagawa Kuniyasu, Ichikawa Danji as Ichiman-maru and Segawa Kikunojo as Kudo Yoshitsune, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3641 UNKNOWN, Ewer, c.1820–70, Silver bulbous body ewer with flaring lip, four projecting feet and ebonised wood handle (Biedermeier style), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14409 Yanagawa Shigenobu, Tsukasa of the Ogiya, c.1825, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/487 Otsuki Mitsuoki, Tsuba with Dragon and Waves, 1826 (late Edo), silver alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.386 Jean Baptiste - Engraver, DAVID, after Jules Reville, (Fashion plate), c.1820–25, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5321 Shunkosai Hokushu, Nakamura Utaemon III as Kumiya Kiro (left-hand sheet of a diptych), c.1825, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4118 Irie Toshiyoshi, Kozuka with the Servant from the Play ""Suehirogari"", mid 19th century (late Edo-Meiji), shibuichi, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.671 Katsushika Hokusai, Bushu Tamagawa (Tama River in Musashi Province, Edo) (no. 8 from 'Fugaku Sanju- rokkei' (Thirty-six views of Mt. Fuji') series), c.1829–33, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8625 Utagawa Toyokuni, Bando Mitsugoro III as Kio Shinzaemon (right-hand panel of diptych), c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5908 Kôno Haruaki, Fuchi with Fukurokujû or Daruma on a Boat, 1827–1857 (late Edo), shakudo, gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.956 UNKNOWN, Bowl, c.1820–40, Stoneware, transfer-printed in blue with buildings and Japan style floral motifs with details in red and yellow with clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/127 after J.M.W. - Painter, PHILLIPS, G.H. Turner, Mouth of the River Humber (from 'The rivers of England'), 1826, Etching and mezzotint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3056 Tamagawa Yoshiharu, Tsuba with an Immortal with His Tiger, mid 19th century (late Edo-Meiji), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.181 Edward Calvert, The ploughman, 1827, printed 1893, Wood engraving on light brown wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13080 Walter - Engraver, WALLIS, James Preston, Sydney from Bennelong's Point, printed 1820, Engraving, hand coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6295 JOSIAH SPODE, Small plate: Net, c.1820–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4198 Utagawa Kunisada, Actor Segawa Kikunojo, 1825, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9359 REGENCY STYLE, Pot cupboard, c.1820–40, Satinwood with marble inset top, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/305 Katsushika Hokusai, Shunga from the album 'Tsuma-gasane' (Overlapping skirts), c.1820, Colour woodblock print (chuban) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6845 John Glover, (The old bridge at Trinity College, Cambridge), c.1820–28, Pencil on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12442 BIEDERMEIER STYLE, Cup and saucer, c.1820–40, White porcelain in the shape of a volute krater decorated with bands of gilt and foliate motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12250 attrib. to Richard Parkes Bonington, Coast scene, Normandy, 1821, Watercolour, gouache and pencil on thin wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4638 UNKNOWN, Regency table with one drawer, c.1820, Mahogany, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15989 Edmond Bigot de La Touanne, Confluent de la Nepean et du Warangamba, c.1828, Lithograph, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9459 Honsei, Arashi Kitsusaburo II Attacks Fujikawa Tomokichi I, 1822–1828 (late Edo), mulberry paper, color, ink, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/95.125 JOSIAH SPODE, Dish with handle: Geranium, c.1820–33, Earthenware, fluted shape with moulded handle, diaper transfer print to walls with geranium flower motif to well in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12293 after Katsushika Hokusai, Sunshu Ono-shinden (The paddies of Ono in Suruga Province) (Peasants lead oxen laden with bundles of rushes; women carry the harvest on their backs) (no. 43 from 'Ura-Fuji' (Fuji from the other side); ten supplementary prints to 'Fugaku Sanju-Rokkei' (, c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/46 CHINA, Bowl, c.1821–50 (Daoguang, Qing dynasty), White porcelain with cobalt oxide underglaze design of two couples on the exterior, children on the interior and plum blossoms on cracked ice ground around flared rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11471 Utagawa Toyokuni, The actor Sawamura Gennisuke as Hisatsugu, c.1820?, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9504 Utagawa Toyokuni, Matsumoto Koshiro V as Moronao, c.1820, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3963 WEDGWOOD STYLE, Milk jug, c.1820–50, Stoneware, black basalt slip-cast with interior glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4070 G.M. & C.J. MASON, Jug, decorated in Imari style with dragon handle, c.1820, Ironstone china (ironstone porcelain), with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15141 UNKNOWN, Famille verte basin, 1821–50 (Daoguang period), Porcelain, overglaze enamels with fish, crustaceans and aquatic plants, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16171 after Katsushika Hokusai, Kanagawa-oki nami-ura (Under the wave off Kanagawa) (Three boats at the foot of a great wave in the wild sea) (no. 1 from 'Fugaku Sanju-Rokkei' (Thirty-six views of Mt Fuji) series) (reprint), c.1829–33, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4206 Antoine-Louis Barye, Two Arab Horsemen Killing a Lion, modeled c. 1838; first issued 1847–1848, bronze with a golden brown patina with some possible gilding on a base of warm brown patina, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.177 attrib. to William Hunter, Coffee and tea service, 1825, Sterling silver, with repousse, cast and foliate decoration, with gilt interiors and bone insert, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5059 John Glover, (A bend in the stream, with a village at the foot of a mountain), c.1820–28, Brush and ink on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12199 TRONNER Unknown - Manufacturer, Cup and saucer, c.1820–30, White porcelain finely painted with a panel scene of Marburg with gilt borders. Married Wedgwood saucer, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12252 attrib. to Richard Parkes Bonington, Peasant girl with ewer, c.1820–28, Pencil on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12857 UNKNOWN, Regency table with frieze drawer, c.1825, Mahogany, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15988 attrib. to Kaigyokusai Masatsugu, Netsuke: (manju (button)), c.1828–92, Carved ivory with two figures among patterned drapery. The reverse with a pouch and foliage. Movable central fixture with rust cord, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9695 WINBERG, attrib. to Ivan Unknown - Jeweller, Jewelled agate box, c.1820–30, Agate with gold, diamonds and a portrait miniature, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3731 UNKNOWN, Sugar tongs, c.1824–25, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15128 BARR & BARR (WORCESTER) Flight, Part tea-set, c.1820–30, Soft-paste porcelain, prow-shaped and gadrooned edge, richly gilt with seaweed design. Polychrome landscape on teapot, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/427