William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821

Carl Blechen, Badende Frauen im Park von Terni, 1828–1829, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1872

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460

John Linnell, Ung kvinna med gyllene gloria, 1827, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106656198

William Blake, ‘And Unyok’d Heifers, Loitering Homeward, Low’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00127

Janus la Cour, Landscape from Helgenæs with rain clouds, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368089

William Blake, The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’), 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00005

American 19th Century, Portrait of a Lady, c. 1825, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3209

Théodore Géricault, The Flemish Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7355

William Blake, ‘With Songs the Jovial Hinds Return from Plow’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00126

William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025

William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014

Joseph Mallord William Turner, Mortlake Terrace, 1827, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/116

Christian Albrecht Jensen, Mansporträtt, 1828, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367110

Paul Delaroche, Portrait de Mme. E. D., 1829, Black, white, and red chalks, with stumping and erasing on ivory wove paper, perimeter mounted to Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191212

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318

William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013

Attributed to George Richmond, Tracing of Title-Page of Blake’s ‘Book of Job’, ?c.1826, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00050

William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015

William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831

Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237

Théodore Rousseau, Landscape by The River Mosel, 1829, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368462

Josiah Danforth, Basin, 1821–c. 1843, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/336

William Blake, Thenot and Colinet Converse Seated between Two Trees, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00113

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798

China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179

Ernst Fries, Das Emissar des Albaner Sees, 1824, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8603

William Blake, Job’s Evil Dreams, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00022

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319

Jean-Pierre Dantan, Carle Vernet, 1828, Plaster; 8 3/8 x 5 3/8 x 3 1/2 in. (21 x 13.5 x 8.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859284-0

John Joseph Lafar, Charleston slave badge from 1820 for Servant No. 375, 1820, metal; H x W: 2 1/8 × 2 1/16 in. (5.5 × 5.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1662193806992-1662193824807-1

Constantin Hansen, Alvilde Hansen, the Artist’s Sister, 1827, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361091

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027

Marie-Philippe Coupin de La Couperie, Raphael Adjusts Fornarina’s Hair Before Painting her Portrait, 1824, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368314

Martinus Rørbye, An Old Sailor Seated on a Canon, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368087

William Blake, Ciampolo the Barrator Tormented by the Devils, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00006

Constantin Hansen, Landscape with a Farmhouse, 1828, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368278

Johann Anton Ramboux, Kapuzinerpredigt im Colosseum zu Rom, 1822, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/975

Samuel Lovett Waldo, Robert G. L. De Peyster, 1828, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1132

Yashima Gakutei, The Seven Sages of the Bamboo Grove (Chikurin shichiken), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)", c. 1828, Color woodblock print; shikishiban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23443

William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024

Sir David Wilkie, After Rembrandt, 1822, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01020

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981

William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/325

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960

George Baxter, The Mountain Stream, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61560

Boston & Sandwich Glass Company, Bird Fountain, 1820–40, Lead glass, blown molded, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/519

William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969

Rodolphe Bresdin, Branches, 1825, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5267

John Constable, Branch Hill Pond, Hampstead, 1828, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147017

Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028

Thomas Cole, Landscape, 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.299

Sir Edwin Henry Landseer, High Life, 1829, exhibited 1831, Oil paint on mahogany, Tate, London. https://dartabase.art/cite/tate/A00703

William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011

Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803

William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806

William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962

Julius Schnorr von Carolsfeld, Portrait of a Woman, 1821, Brush and brown wash and pen and brown ink, with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/191195

William Blake, Thenot Remonstrates with Colinet, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00112

Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083

William Blake, ‘A Rolling Stone is ever Bare of Moss’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00120

William Blake, Colinet with his Shepherd’s Pipe, Mocked by Two Boys, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00122

German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079

William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845

Charles Meryon, Chasse-maree au plus pres, 1821, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9125

John Constable, Salisbury Cathedral from the Bishop's Grounds, c. 1825, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435922

George Baxter, The Dogs of St. Bernard, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61558

Franz Horny, Landschaft mit blauen Bergen, c. 1820–1824, Aquarell auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/9396

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/293

William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974

C. White, Beaker, c. 1830–40, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/415

Wilhelm von Kobell, Morgen am Tegernsee, 1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1927

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825

William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807

William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018

Nicolas-Toussaint Charlet, Infanterie legère française, Carabinier, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5955

William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977

William Blake, The Fall of Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00027

William Blake, The Wrath of Elihu, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00023

Johan Gustaf Sandberg, Elizabeth Seton (1804-1827), stiftsjungfru, sondotter till Alexander Baron Seton, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378410

William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978

William Blake, Colinet Rests by a Stream at Night, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00121

William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004

William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023

William Blake, The Vision of Christ, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00028

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/291

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/287

William Blake, ‘Nor Fox, nor Wolf, nor Rat among our Sheep’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00117

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973

William Blake, Thenot and Colinet at Supper, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00125

John Constable, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/115

Ernst Fries, The Waterfalls at Tivoli with the Ponte Lupo, Temple of Vesta, and Temple of Sibyl The Waterfalls at Tivoli with the Ponte Lupo, Temple of Vesta, and Temple of Sibyl, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368245

William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797

William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818

Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798

Edward Calvert, The Sheep of his Pasture, c.1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00158

William Blake, The Lord Answering Job out of the Whirlwind, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00024

Jean Baptiste Camille Corot, Honfleur: Calvary, c. 1830, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435972

Théodore Géricault, A French Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7356

William Blake, Sabrina’s Silvery Flood, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00118

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799

William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810

William Blake, Thenot and Colinet Folding their Flocks together at Sunset, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00124

William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816

William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971

William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819

William Blake, Job’s Comforters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00018

Christian Albrecht Jensen, The Professor’s Wife Elisabeth Christine Sophie Horrebow, née Manthey, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106365276

Gilbert Stuart, Joseph Coolidge, 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/562

Alfred Jacob Miller, Portrait of Antoine Clement, c. 1840, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2573

United Society of Believers in Christ’s Second Appearing (“Shakers”), Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York, c. 1830–40, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/134

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804

William Blake, Job’s Despair, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00019

Achille Etna Michallon, Marmore Falls, Near Terni, Italy, 1820, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368372

Eugène Delacroix, Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6496

Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/289

William Blake, The Crucifixion, c.1825–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00046

William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022

Jean Baptiste Camille Corot, Blick auf den Vesuv, 1828, Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/110921

William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800

William Blake, Thenot, with Colinet Waving his Arms in Sorrow, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00115

William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026

Eugène Delacroix, The Natchez, 1823–24 and 1835, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436180

Sarah Miriam Peale, Still Life with Watermelon, 1822, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4988

William Blake, Satan Going Forth from the Presence of the Lord, and Job’s Charity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00016

Moritz Daniel Oppenheim, Die Verstoßung der Hagar, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1667

Boston & Sandwich Glass Company, Bottle, 1825–40, Blown-molded glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/628

William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823

Sir Edwin Henry Landseer, Low Life, 1829, exhibited 1831, Oil paint on mahogany, Tate, London. https://dartabase.art/cite/tate/A00702

Rouzee Family, Record of taxes on property, including enslaved persons, owned by Rouzee estates, October 1829, ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743771-0

Auguste-Xavier Leprince, Studio Interior with Artists Working, 1820, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368344

Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238

Friedrich Overbeck, Der Triumph der Religion in den Künsten, 1829–1840, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/887

Johan Gustaf Sandberg, Margaret Seton (1805-1870), född i Skottland, verksam i Sverige, g.m. friherre överste Carl Gustaf Adlercreutz, sondotter till Alexander Baron Seton, 1826, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106378416

William Blake, Job and his Family, 1828, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00012

Johan Christian Clausen Dahl, Der Ausbruch des Vesuv im Dezember 1820, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1810

Jules Coignet, Landscape with Sandpit in the Fontainebleau Forest, 1828, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368439

William Blake, Colinet’s ‘Fond Desire Strange Lands to Know’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00119

James Stephanoff, The Coronation of King George the Fourth, July 19th, 1821, c. 1821, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499769

Edward Calvert, The Bacchante, engraved by Welby Sherman, c.1825, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00165

William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966

A. Burg, Kirkelig ceremoni, 1820–1830, Blyant, pen, pensel, gråt og sort blæk og hvid dækfarve, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb16841

William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824

William Blake, Job’s Sons and Daughters Overwhelmed by Satan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00014

William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021

Christoffer Wilhelm Eckersberg, Frederik VI, King of Denmark, 1820, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368039

William Blake, The Pit of Disease: The Falsifiers, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00010

Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745

Edward Calvert, The Flood, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00166

Wilhelm Carpelan, The Voringsfoss Waterfall, Norway, 1824, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368490

Edward Calvert, The Brook, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00160

George Baxter, Her Most Gracious Majesty Queen Victoria Receiving the Sacrament at her Coronation, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61545

William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967

Chester Harding, John Randolph, 1829, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/566

William Blake, The Vision of Eliphaz, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00020

Jean-Auguste-Dominique Ingres, Four Magistrates of Besançon (Quatre magistrats de Besançon), 1825, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8011

William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963

William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815

William Blake, The Serpent Attacking Buoso Donati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00009

Edward Calvert, Ideal Pastoral Life, 1829, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/A00167

Tucker Factory, Cup and Saucer, 1826–38, Porcelain, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2793

Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743

Honoré Daumier, Don Quixote and the Dead Mule, after 1864, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436092

William Blake, Satan Smiting Job with Sore Boils, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00017

Jean Baptiste Camille Corot, Lake Albano and Castel Gandolfo, 1826–27, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435974

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321

Jean Baptiste Camille Corot, Blick auf Marino in den Albaner Bergen am frühen Morgen, 1826–1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1485

William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976

William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972

Per Krafft the Younger, The Battle of Halle, October 17th 1806, 1821, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106364361

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317

Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235

William Blake, The Baffled Devils Fighting, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00007

Horace Vernet, Wanderers Pausing in the Alps, 1825, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368114

William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812

Olof Johan Södermark, Presumed Self Portrait, 1827, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368094

William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/324

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/296

William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802

Étienne Bouhot, View of the Pavillon de Bellechasse on rue Saint-Dominique in Paris, 1823, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368160

William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866

William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814

Pierre-Auguste Vafflard, The Confession, 1829, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368180

Jean Baptiste Camille Corot, Bewaldete Felsformation bei Cività Castellana, c. 1827, Bleistift und Feder in Braun auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18493

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808

Thomas Danforth Boardman, Beaker, 1822–24, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/382

Edward Calvert, The Lady and the Rooks, 1829, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00163

William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961

Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825

George Baxter, Arrival of Her Most Gracious Majesty at House of Lords to Open First Parliament of her Reign, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61548

Sir David Wilkie, The Flemish Mother, 1820, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01186

France, Panel, 1825, Cotton, copperplate or roller-printed fabric, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.5

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/292

William Blake, The Blighted Corn, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00116

William Blake, Frontispiece: Thenot and Colinet, c.1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00111

Charles Meryon, Boats on River with Masts, 1821, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9132

Baccarat Glassworks, Two Salts, c. 1830, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36225

William Blake, ‘For him Our Yearly Wakes and Feasts We Hold’, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00123

Pierre Duval Le Camus, Portrait of an Unknown Man in a Landscape, 1820, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368176

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/295

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965

Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131

Matthew Harris Jouett, Augustus Fielding Hawkins, c. 1820, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1100

William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980

William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017

William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979

Chauncey Johnson, Punch Bowl, c. 1825, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/801

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459

Constant Troyon, A Farmhouse with a Thatched Roof and Trees Beside a River, 1825–65, Black chalk with touches of white, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334671

Timothy Boardman, Beaker, 1822–25, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/383

William Blake, Job and his Family Restored to Prosperity, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00032

William Blake, Behemoth and Leviathan, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00026

Pierre-Auguste Vafflard, The Farewell, 1829, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368182

George Baxter, The Bridesmaid, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61552

William Blake, Job’s Sacrifice, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00029

Nicolas-Toussaint Charlet, Ecole du balayeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5953

Oliver Trask, Beaker, c. 1832–39, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/409

Jean Baptiste Camille Corot, Italienische Herbstlandschaft bei Marino, 1826–1827, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1486

William Blake, Satan before the Throne of God, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00013

William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003

William Blake, Thenot Remonstrates with Colinet; Lightfoot in the Distance, c. 1821, printed 1830, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00114

William Blake, Job and his Daughters, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00031

William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020

William Blake, When the Morning Stars Sang Together, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00025

William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801

William Blake, Job Rebuked by his Friends, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00021

Carl Gustav Carus, Fantasy of the Alps, 1822, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367931

Prosper Barbot, Rivningstomt med palladiansk villa i bakgrunden, 1820, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367881

William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019

William Blake, The Six-Footed Serpent Attacking Agnolo Brunelleschi, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00008

Continental Painter, Portrait of a Woman, 1827, Pencil and red chalk on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435936

United Society of Believers in Christ’s Second Appearing (“Shakers”), Bench, 1825–50, Pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/458

Attributed to George Richmond, Fettered Nude Figure Reclining by a Rock, c.1825, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00838

Chester Harding, Portrait of Mrs. Mary Martin Kinsley (née Bellows), c. 1825, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.33

Edward Calvert, The Bride, 1828, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00157

William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323

Edward Calvert, The Ploughman, 1827, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00159

Alexandre-Gabriel Decamps, The Suicide, c. 1836, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.42

Thomas Sully, John Quincy Adams, 1824, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1124

William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805

Nicolas-Toussaint Charlet, Infanterie legère française, Voltigeur, 1822, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5954

William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/290

Hudson and Brooks, Rocking Chair, c. 1823, Maple, pine, mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/223

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/297

Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244

François Marius Granet, Monks on the Staircase of the Villa of Maecenas at Tivoli, c. 1826, Pen and brown ink and brush and brown wash, with touches of watercolor, over traces of graphite, on ivory laid paper, perimeter mounted on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203323

Ernst Fries, Die Grotte des Neptuns bei Tivoli, 18. Oktober 1826, Aquarell über Bleistift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8596

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964

Charles Meryon, Tikao, naturel d'Akaroa, 1821, ink and graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9126

Théodore Géricault, A Paraleytic Woman, April 1, 1821, Lithograph on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4859

William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813

William Blake, The Messengers tell Job of his Misfortunes, 1825, reprinted 1874, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00015

Eugène Delacroix, Studies of a Damned Man, for "The Barque of Dante", 1822, Pen, brown ink, black wash over black chalk and graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334754

William Blake, Dante Striking against Bocca Degli Abati, 1826–7, reprinted 1892, Line engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00011

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817

Henry Kellam Hancock, Furniture Hardware, 1820–30, Gilt brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/288

Baccarat Glassworks, Covered Bowl and Stand, Mid 19th century, Glass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/117627

John Goodhue, Beaker, 1825–50, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/394

Sir David Wilkie, The Flemish Mother, 1820, Etching on paper on paper, Tate, London. https://dartabase.art/cite/tate/A01187

Thomas Sully, Portrait of George Washington, c. 1820, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.12

Jean Baptiste Camille Corot, Italian Landscape, c. 1825–28, Oil on paper, laid down on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435973

Edward Calvert, The Cyder Feast, 1828, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00162

Eugène Delacroix, Faust und Mephisto auf dem Blocksberg, c. 1826–1827, Pinsel in Schwarz und Grau über Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18489

John James Audubon, Peregrine Falcons (Duck Hawks), c. 1827, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140408

Auguste-Xavier Leprince, View of The Chamonix Valley. Study, 1825, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368495

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320

Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744