Joseph Mallord William Turner, Mill near the Grand Chartreuse, engraved by Henry Dawe, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01115 Joseph Mallord William Turner, Dunblane Abbey, Scotland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01117 Benjamin Robert Haydon, Sir George Beaumont, 1814, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00192 Joseph Mallord William Turner, St Catherine’s Hill near Guildford, engraved by J.C. Easling, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00977 Joseph Mallord William Turner, From Spenser’s Fairy Queen, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00982 Joseph Mallord William Turner, Near Blair Athol, Scotland, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00970 Joseph Mallord William Turner, Young Anglers, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00974 Joseph Mallord William Turner, Calm, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00999 Philibert-Louis Debucourt, L'Innocente du Jour, 1810, etching and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2801 Jean-Auguste-Dominique Ingres, Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas, 1815, lithograph, four portraits printed on one sheet, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8010 Joseph Mallord William Turner, The Tenth Plague of Egypt, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01127 Antoine Louis François Sergent Marceau, Portrait of Edmond Burke, c. 1815, Pen and gray ink with brush and brown washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334842 John Constable, Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435921 Kikugawa Eizan, Niwaka festival, c.1819, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9933 Joseph Mallord William Turner, Norham Castle on the Tweed, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01120 Benjamin Robert Haydon, Study for ‘The Judgement of Solomon’. Verso: Study of a Head, c.1812–4, Crayon and chalk on paper, Tate, London. https://dartabase.art/cite/tate/A00191 JOSIAH SPODE, Plate: Italian, c.1816–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6956 Joseph Mallord William Turner, The Mildmay Sea-piece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00990 Joseph Mallord William Turner, Juvenile Tricks, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00954 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00859 Joseph Mallord William Turner, The Watercress Gatherers, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01129 Joseph Mallord William Turner, Bridge and Goats, engraved by F.C. Lewis, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00997 Katsushika Hokusai, (Warrior overlooking waves) (from 'Hokusai Manga'), c.1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13264 Joseph Mallord William Turner, Isis, engraved by William Say, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01143 Joseph Mallord William Turner, Near Blair Athol Scotland, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00971 George Cruikshank, A visit to Cockney Farm, 1819, Etching, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3509 Thomas Danforth Boardman, Baby's Bottle, 1810–50, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/285 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01126 Thomas Sully, Portrait of Jean Terford David, 1813, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/96263 Joseph Mallord William Turner, St Catherine’s Hill, near Guildford, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00976 Thomas Seymour, Bedstead, 1810–15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/444 Katsushika Hokusai, (Flowering plant and insects) (from 'Hokusai Manga' Vol. 1), 1814, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13259 Joseph Mallord William Turner, Scene in the Campagna, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/876 Joseph Mallord William Turner, Rispah, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01002 Chinese, Snuff Bottle with Four Ladies, c. 2nd quarter 19th century (Ch'ing), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.4 Achille Etna Michallon, View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome, 1819, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/183257 Shepherd and Boyd, Beaker, 1814, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/408 Joseph Mallord William Turner, Frontispiece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00911 Joseph Mallord William Turner, Procris and Cephalus, c.1811–2, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00992 Jesse Churchill, Pitcher, c. 1810, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.21.5 Carl Philipp Fohr, Die Wasserfälle von Tivoli, 1817, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/802 Joseph Mallord William Turner, Juvenile Tricks, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00955 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01125 Henry Fuseli, Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c. 1818, Etching and aquatint on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/117603 Duncan Phyfe, Armchair, 1810–15, Mahogany, brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/268 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00857 Thomas Sully, Henry Pratt, 1815, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3158 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 Joseph Mallord William Turner, Isleworth, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/883 William Elliott, Covered urn, 1814, Silver, campagna shaped vase with Mercury head and snake handles with finely cast grape leaves and fruit border. Lid with egg and dart edge and fruiting knop, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3205 Joseph Mallord William Turner, Martello Towers near Bexhill, Sussex, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00979 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00863 Katsushika Hokusai, (Breaking wave) (reprint) (from 'Hokusai Manga'), c.1814–19, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13263 Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964 Joseph Mallord William Turner, Frontispiece, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00912 Joseph Mallord William Turner, Lauffenburgh on the Rhine, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00973 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01122 Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123 Yashima Gakutei, No. 3: Zhang Fei (Sono san: Chohi), from the series "Three Heroes of Shu (Shoku sanketsu)", c. 1824, Color woodblock print; shikishiban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23447 Joseph Mallord William Turner, Solitude, 1814, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01112 after J.M.W. - Painter, LUPTON, Thomas Turner, Solway Moss (plate 52 from 'Liber Studiorum'), published 1816, Mezzotint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4830 Joseph Mallord William Turner, Ben Arthur, Scotland, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01145 JOSIAH SPODE, Plate: Lanje Lisjen, c.1815–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1261 UNKNOWN, Regency card table, c.1810, Mahogany with satinwood banding to the top, ebony-inlaid Greek key frieze and lines, brass ebony band to the apron, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15990 Théodore Géricault, Neapolitanischer Tanz: Tarantella, 1817, Schwarze Kreide und weiße Gouache, dunkelbraun und rotbraun laviert, auf braunem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20159 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01011 REGENCY STYLE, Dropside table, c.1810–30, Mahogany lacquered with a central panel in the Chinese taste. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4273 JOSIAH SPODE, Plate: Greek, c.1810–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt with neo- classic motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/706 Antoine Cosme Giraud, La raclee avec des roses (The Thrashing with Roses), in or after 1810, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2865 JOSIAH SPODE, Oblong dish: Indian sporting, c.1810–33, Earthenware dish transfer printed with a hunting scene in dull underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4017 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01148 BARR & BARR (WORCESTER) Flight, Plate: (shell motif), c.1813–20, Soft-paste porcelain, six-lobed gadrooned edge and pale blue border with painted central cartouche in polychrome overglaze colours. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9326 UNKNOWN, Three piece garniture: (Billingsley roses), c.1810–20, Bone china, slip-cast and painted with classic ruins and flowers in polychrome overglaze colours and richly gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9654 Joseph Mallord William Turner, Peat Bog, Scotland, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01000 Joseph Mallord William Turner, Martello Towers, nr Bexhill, Sussex, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00978 Thomas S. Derby, Basin, c. 1822–50, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/337 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00856 Joseph Mallord William Turner, Raby Castle, the Seat of the Earl of Darlington, 1817, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.41 Jean Jacques Caffiéri, [Untitled], 1815, Plaster, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/477 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01132 Utagawa Toyokuni, The actor Sawamura Gennisuke as a samurai, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2130 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/874 Joseph Mallord William Turner, Entrance of Calais Harbour, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01116 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 after J.M.W. - Painter, EASLING, J.C. Turner, St. Catherine's Hill near Guilford (plate 33 from 'Liber Studiorum'), 1811, Etching and mezzotint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2687 Joseph Mallord William Turner, Bonneville and the Chamonix Road, c.1817, Graphite, gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04901 Joseph Mallord William Turner, Hindhead Hill, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00960 Kikuoka Mitsunori, Fuchi with Japanese Warrior under a Pine Tree, c. 1829 (late Edo), nigurome, copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1004 after William - Artist, SCOTT, L. Westall, View of Port Bowen, from the hills behind the Watering Gully, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14834 Peter Bentzon, Teapot made by Peter Bentzon, c. 1817–1829, silver and wood; H x W: 7 x 12 x 5 in. (17.8 x 30.5 x 12.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743022-0 Joseph Mallord William Turner, Ville de Thun, engraved by Thomas Hodgetts, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01124 Francisco Goya, 'Nada. Ello dira' (plate 69 from 'Desastres de la guerra' series) ('Nothing. It speaks for itself' (plate 69 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3020 Jean-François Millet, The Diggers (Les becheurs), 1855, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9192 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01012 Henry Fuseli, Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso), 1819, Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113841 Joseph Mallord William Turner, The Woman of Samaria, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/888 Sir David Wilkie, Reading the Will, 1819, Etching on paper on paper, Tate, London. https://dartabase.art/cite/tate/A01184 Joseph Mallord William Turner, Water Mill, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00985 UNKNOWN, Vinaigrette, c.1816–17, Silver, engraved with pierced and engraved internal grille, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15143 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01121 Joseph Mallord William Turner, Inverary Castle and Town, Scotland, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01137 Joseph Mallord William Turner, Young Anglers, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00975 Joseph Mallord William Turner, Scene in the Campagna, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00987 Washington Allston, Samuel Williams, c. 1817, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141935 Kikugawa Eizan, (Beauty on parade), c.1810, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9485 Francisco Goya, 'Espiró sin remedio' (plate 53 from 'Desastres de la guerra' series) ('There was nothing to be done and he died' (plate 53 from 'The disasters of war' series)), c.1812, published c.1903, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3806 Joseph Mallord William Turner, Isis, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01142 Utagawa Toyokuni, The actor Onoe Matsusuke II as a samurai, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3265 Joseph Mallord William Turner, Water-Mill, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00984 Joseph Mallord William Turner, Solway Moss, engraved by Thomas Lupton, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01188 Joseph Mallord William Turner, Coast of Yorkshire, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00959 Joseph Mallord William Turner, London from Greenwich, engraved by Charles Turner, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00963 Joseph Mallord William Turner, Coast of Yorkshire, near Whitby, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00958 Isaac Hutton, Punch Bowl, 1811, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/799 Attributed to Joseph Mallord William Turner, Windsor Park: with Horses by the Late Sawrey Gilpin, Esq., R.A, exhibited ?1811, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04158 Joseph Mallord William Turner, The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00991 Joseph Mallord William Turner, Solway Moss, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01015 Ohara Mitsuhiro, Writer's Seal with Grazing Deer, 19th century (Edo; Meiji), ivory, pigment, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.891 Joseph Mallord William Turner, Lauffenburgh on the Rhine, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00972 Christoffer Wilhelm Eckersberg, Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso), 1812, Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/214356 Jacques Louis David, Cupid and Psyche, 1817, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138464 Jean Auguste Dominique Ingres, The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), 1818, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334710 JOSIAH SPODE, Oblong dish: India, c.1815–33, Earthenware, eight lobed deep dish transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6877 JOSIAH SPODE, Oval dish: Figure with parasol, c.1815–33, Stone china, oval dish transfer printed with an oriental scene in cobalt blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1836 Joseph Mallord William Turner, Winchelsea, Sussex, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00994 Joseph Mallord William Turner, Water Cress Gatherers, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01130 John - Manufacturer, CARY, William Cary, Cary's New Celestial Globe, 1816, Wood, metal, paper, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11962 P. & W. BATEMAN, Cream jug, c.1812–13, Silver, on ball feet and engraved with scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3621 Joseph Mallord William Turner, Procris and Cephalus, engraved by George Clint, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00993 John Constable, The White Horse, 1818–1819, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1146 Joseph Mallord William Turner, From Spenser’s Fairy Queen, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00983 Katsushika Hokusai, (Fat people) (from 'Hokusai Manga' Vol. 8), 1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13261 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 William Frederick Witherington, The Broken Pitcher, c.1814, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/A01026 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01008 Sawa Yoshisato, Kozuka with Foreign Ships, c. 1825 (late Edo), shibuichi, gold, silver, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.682 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01010 Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965 after William - Artist, PYE, John Westall, View of Port Jackson, taken from the South Head, 1814, Engraving, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14837 Théodore Géricault, Fighting Horses, c. 1820, watercolor over graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110565 Carl Philipp Fohr, Landschaft bei Innsbruck mit der Ruine Fragenstein und heimkehrenden sowie auf dem Felde arbeitenden Landleuten, c. 1816–1817 ?, Aquarell und Feder in Grau über Bleistift auf leicht gebräuntem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18703 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Antoine Louis François Sergent Marceau, Portrait of Angelica Catalani de Valabrègue, c. 1815, Pen and gray ink with brush and brown washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334844 Thomas Danforth Boardman, Beaker, 1810–50, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/381 Joseph Mallord William Turner, Norham Castle on the Tweed, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01119 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00853 Johann David Passavant, Die Heilige Familie mit Elisabeth und dem Johannesknaben, 1819, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1332 John Wesley Jarvis, Portrait of Captain Samuel Chester Reid, 1815, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.6 Joseph Mallord William Turner, Rispah, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01003 Gustav Friedrich Hetsch, A View in San Lorenzo Fuori le Mura, Rome, c. 1820, Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213428 FLIGHT & BARR (WORCESTER) Barr, Tea-set, c.1810, Soft-paste porcelain, slip-cast with cobalt underglaze, red and green overglaze colours and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6051 Joseph Mallord William Turner, Inverary Pier, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00980 Joseph Mallord William Turner, Rivaux Abbey, engraved by Henry Dawe, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01013 Joseph Mallord William Turner, Isleworth, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/882 William Say, Isis, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/887 Joseph Mallord William Turner, Inverary Pier. Loch Fyne. Morning, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00981 Joseph Mallord William Turner, Hedging and Ditching, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/878 Francisco Goya, 'Que locura!' (plate 68 from 'Desastres de la guerra' series) ('What folly' (plate 68 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4062 Ferdinand Olivier, Pilgerzug im Walde, 1814, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/976 Joseph Mallord William Turner, London from Greenwich, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00962 JOSIAH SPODE, Soup bowl: Lucano, c.1819–33, Stoneware, eight lobed bowl transfer printed in underglaze cobalt with landscape motif, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/707 Joseph Mallord William Turner, Hind Head Hill, engraved by Robert Dunkarton, 1811, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00961 Joseph Mallord William Turner, River Wye, 1812, Print on paper, Tate, London. https://dartabase.art/cite/tate/A01006 Joseph Mallord William Turner, Calm, 1812, Print on paper, Tate, London. https://dartabase.art/cite/tate/A00998 Charles Emile Jacque, Print, 1813–1894, Etching on laid paper; 10.5 × 14.6 cm (4 1/8 × 5 3/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399888258-0 Joseph Mallord William Turner, Junction of Severn and Wye, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00966 Joseph Mallord William Turner, The Tenth Plague of Egypt, engraved by William Say, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01128 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01149 Utagawa Toyokuni, Onoe Eisaburo as Hyakura Minosaku, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4334 Joseph Mallord William Turner, Interior of a Church, 1819, Photograph on paper, Tate, London. https://dartabase.art/cite/tate/A01146 Joseph Mallord William Turner, The Battle of Fort Rock, Val d’Aouste, Piedmont, 1796, exhibited 1815, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04900 attrib. to Thomas Rowlandson, Conversazione, c.1815, Brush and ink, watercolour over pencil on wove paper laid down on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/258 Joseph Mallord William Turner, Interior of a Church, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01147 Nicolas François Dun, Portrait of a Woman, Said to Be Madame Récamier (1777–1849), c. 1812–14, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436233 Franz Pforr, Raffael, Fra Angelico und Michelangelo auf einer Wolke über Rom, 1810, Bleistift, allseitige Einfassungslinie mit Bleistift, auf weiß präpariertem Velinpapier, kaschiert auf graublau meliertem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/16153 Gilbert Stuart, Commodore Thomas Macdonough, c. 1815/1818, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1111 Joseph Mallord William Turner, Hedging and Ditching, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01004 William Frederick Witherington, Going to School, c.1817, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/A01027 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00861 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01139 Duncan Phyfe, Basin Stand, 1810–20, Mahogany, white pine, tulip poplar, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/355 Franz Pforr, Selbstbildnis, 1810, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2756 after William - Artist, PYE, John Westall, View of Wreck-Reef Bank taken at low water, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14833 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00858 after William - Artist, PYE, John Westall, View of Sir Edward Pellew's Group - Gulph of Carpentaria, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14836 Joseph Mallord William Turner, Mill near the Grand Chartreuse, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01114 Prosper Marilhat, Landscape with Mosque, 19th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.96 Katsushika Hokusai, (People of various occupations) (from 'Hokusai Manga' Vol. 8), 1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13260 Joseph Mallord William Turner, Windmill and Lock, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00964 Joseph Mallord William Turner, River Wye, engraved by W. Annis, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01007 Joseph Mallord William Turner, The St Gotthard Road between Amsteg and Wassen, Looking up the Reuss Valley, c.1814–15, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04897 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01014 Sasayama Tokuoki, Tsuba with a Tiger on a Cliff, 1813–1896 (late Edo-Meiji), iron, shibuichi, gold, silver, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.146 Kaigyokusai Masatsugu, Reclining Ox, 19th century (Edo-Meiji), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.961 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of George Hibbert, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2030 Thomas Sully, Portrait of Robert Erwin Gray, 1811, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.13 William - Engraver, FLAXMAN, after John Blake, Compositions from the Works, Days and Theogony of Hesiod; designed by John Flaxman, engraved by William Blake, 1817, Book with 39 leaves containing 37 compositions, occupying 37 leaves; engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11122 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/881 Sir David Wilkie, Reading the Will, 1819, Etching on paper on paper, Tate, London. https://dartabase.art/cite/tate/A01185 Philibert-Louis Debucourt, Le Carnaval, 1810, etching and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2804 Joseph Mallord William Turner, Hedging and Ditching, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01005 Sir Henry Raeburn, The Binning Children, probably c. 1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/995 Johann David Passavant, Selbstbildnis mit Barett vor römischer Landschaft, 1818, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1571 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, engraved by S.W. Reynolds, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01141 Katsushika Hokusai, (Varieties of birds) (from 'Hokusai Manga' Vol. 1), 1814, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4485 J.C. Easling, Hedging and Ditching, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/879 Takahashi Kiyotsugu, Fuchi with Horses and Cherry Blossoms, 2nd half 19th century (Edo-Meiji), gold, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1288.2A Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01009 Antoine Cosme Giraud, Le bain des pieds (The Foot-Bath), in or after 1810, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2866 Sir David Wilkie, Reading the Will, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01183 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01138 Joseph Mallord William Turner, Solitude, engraved by William Say, 1814, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01113 Joseph Mallord William Turner, Crypt of Kirkstall Abbey, c.1811–2, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00988 JOSIAH SPODE, Plate: Caramanian, c.1815–33, Earthenware, twelve lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1260 Joseph Mallord William Turner, Marine Dabblers, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00969 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01134 Joseph Mallord William Turner, The Crypt of Kirkstall Abbey, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00989 Thomas Danforth Boardman, Beaker, 1810–50, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/380 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01133 Friedrich Overbeck, Kinderbildnis, c. 1816–1817, Bleistift auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8786 Katsushika Hokusai, The Hokusai Manga (Book of random sketches by Hokusai) vol. 10, 1819, Illustrated book of coloured woodcuts on handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13262 after J.M.W. - Painter, TURNER, Charles Turner, Windsor Castle from Salt Hill (plate 74 from 'Liber Studiorum'), c.1818, Soft-ground etching, mezzotint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3337 D. B., Portrait of an Officer, 1812, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436066 Katsushika Hokusai, Picture of a high Chinese loom, 1816, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11292 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Benjamin West, 1810, Etching with mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2031 JOSIAH SPODE, Dessert dish, c.1810–20, Bone china decorated in the 'Japan' style with stylised floral motifs in underglaze cobalt and overglaze red and green and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2192 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Edmund Turner, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2348 Katsushika Hokusai, Page from 'Hokusai Manga' Vol. 3, 1815, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5904 John Vanderlyn, Zachariah Schoonmaker, 1815/1818, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1130 J.M.W. - Artist, SAY, W. Turner, Martello Towers near Bexhill, Sussex (from 'Liber Studorium'), 1811, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7566 Joseph Mallord William Turner, The Bridge and Goats, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00996 attrib. to William Havell, A view near Athens, c.1816–29, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8022 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01140 Joseph Mallord William Turner, Temple of Minerva Medica, 1811, Print on paper, Tate, London. https://dartabase.art/cite/tate/A00956 Jean-François Millet, The Newborn, 1814, charcoal on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9190 William Hook, Basin stand, 1810–15, Mahogany, mahogany veneer with white pine, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/354 Joseph Mallord William Turner, The Junction of the Severn and the Wye, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00967 Jean-François Millet, The Sower, 1814, chalk on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9189 Curtis and Dunning, Banjo clock, 1813–16, Mahogany, gilded gesso, verre églomisé tablets, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/315 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, mezzotint, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/875 Joseph Mallord William Turner, Inverary Castle and Town, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01136 Jacques Louis David, General Étienne-Maurice Gérard (1773–1852), 1816, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436107 Carl Philipp Fohr, Entwurf zu einem Triptychon mit Szenen aus dem Nibelungenlied, 1818, Feder und Pinsel in Grau über Bleistift, grau laviert, quadriert mit Bleistift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18699 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/885 Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834 Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192 Joseph Mallord William Turner, Ville de Thun, Switzerland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01123 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/884 Joseph Anton Koch, Landscape with Saint George and the Dragon and the Monte Soratte, c. 1816, Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203867 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/880 JOSIAH SPODE, Soup plate, c.1815–33, Stoneware (stone china) transfer printed in blue within a landscape showing a tower, bridge and cottage. Floral border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6605 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00854 Samuel William Reynolds I, The Woman of Samaria, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/889 Joseph Mallord William Turner, Marine Dabblers, 1811, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00968 Jean-Auguste-Dominique Ingres, Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas, 1815, lithograph, four portraits printed on one sheet, National Gallery of Art, Washington. https://dartabase.art/cite/nga/747 Henry Fuseli, Perseus Starting from the Cave of the Gorgons, c. 1816, Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/61546 Joseph Mallord William Turner, Ben Arthur, Scotland, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01144 Utagawa Kunisada, The actor Sawamura Gennisuke I as Prince Shoo-maru, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3771 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00862 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00860 Joseph Mallord William Turner, Peat Bog, Scotland, engraved by George Clint, 1812, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01001 Joseph Mallord William Turner, A Mountain Stream, Perhaps Bolton Glen, c.1810–5, Mixed media and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00910 Eugène Delacroix, Studies of Animals, 1810–63, Graphite on wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334752 William Say, Scene in the Campagna, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/877 Antoine Maxime Monsaldy, Marie-Louise, Empress of the French, 1814, color stipple etching inked à la poupée on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2991 Joseph Mallord William Turner, Winchelsea, Sussex, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00995 Joseph Mallord William Turner, Isis, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/886 Joseph Mallord William Turner, Dumblain Abbey, Scotland, engraved by Thomas Lupton, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01118 UNKNOWN, Mirror, c.1810–60, Timber and glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15395 after J.M.W. - Painter, COOKE, George Turner, Land's End, Cornwall (from 'Picturesque views of the Southern Coast of England'), 1814, Etching and engraving on off-white wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11978 after William - Artist, PYE, John - Engraver, FINDEN, W. Westall, View of Murray's Islands, with the natives offering to barter, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14835 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01135 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00852 Katsushika Hokusai, Page from 'Hokusai Manga' Vol. 3, 1815, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6825 REGENCY STYLE, Pair of stirrup cups, c.1819–20, Silver, repousse and stipple decorated with a landscape hunting scene depicting dogs, fox, pheasants etc., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1571 J.M.W. Turner, Aesacus and Hesperie (plate 66 from 'Liber Studiorum'), published 1819, Etching, engraving and mezzotint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3588 REGENCY STYLE, Ladel, c.1816–17, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7716 Robert Smirke, [title not known], published 1818, Oil paint on wood, Tate, London. https://dartabase.art/cite/tate/A00855 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01131 Joseph Mallord William Turner, Temple of Minerva Medica, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00957 Joseph Mallord William Turner, Windmill and Lock, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00965 Peter von Cornelius, Szene am Ausgang der Kirche, 1811, Feder in Grau und Graubraun (Tinte) auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8143 Antoine Louis François Sergent Marceau, Portrait of Joseph-Hilarius Eckehel, c. 1815, Pen and black ink with brush and brown wash., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334843 Manufacturer: Sèvres Porcelain Factory, Plate, 1810, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.32 Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Mr Woodburn, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4747 Joseph Mallord William Turner, Scene in the Campagna, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00986 Thomas Sully, Abraham Kintzing, 1815, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1129 John Constable, Wivenhoe Park, Essex, 1816, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1147 Aaron Willard Jr., Banjo Clock, 1815–25, Mahogany, gilt gesso, eglomise tablets, white pine, tulip poplar, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/317