Kikugawa Eizan, Niwaka festival, c.1819, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9933

JOSIAH SPODE, Plate:  Italian, c.1816–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6956

Katsushika Hokusai, (Warrior overlooking waves) (from 'Hokusai Manga'), c.1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13264

George Cruikshank, A visit to Cockney Farm, 1819, Etching, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3509

Katsushika Hokusai, (Flowering plant and insects) (from 'Hokusai Manga' Vol. 1), 1814, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13259

Chinese, Snuff Bottle with Four Ladies, c. 2nd quarter 19th century (Ch'ing), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.4

William Elliott, Covered urn, 1814, Silver, campagna shaped vase with Mercury head and snake handles with finely cast grape leaves and fruit border. Lid with egg and dart edge and fruiting knop, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3205

Katsushika Hokusai, (Breaking wave) (reprint) (from 'Hokusai Manga'), c.1814–19, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13263

Antoine-Louis Barye, Stalking Lion, c. 1830, graphite on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2123

after J.M.W. - Painter, LUPTON, Thomas Turner, Solway Moss (plate 52 from 'Liber Studiorum'), published 1816, Mezzotint on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4830

JOSIAH SPODE, Plate:  Lanje Lisjen, c.1815–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1261

UNKNOWN, Regency card table, c.1810, Mahogany with satinwood banding to the top, ebony-inlaid Greek key frieze and lines, brass ebony band to the apron, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15990

REGENCY STYLE, Dropside table, c.1810–30, Mahogany lacquered with a central panel in the Chinese taste. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4273

JOSIAH SPODE, Plate:  Greek, c.1810–33, Earthenware, eight lobed plate transfer printed in underglaze cobalt with neo- classic motifs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/706

JOSIAH SPODE, Oblong dish:  Indian sporting, c.1810–33, Earthenware dish transfer printed with a hunting scene in dull underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4017

BARR & BARR (WORCESTER) Flight, Plate:  (shell motif), c.1813–20, Soft-paste porcelain, six-lobed gadrooned edge and pale blue border with painted central cartouche in polychrome overglaze colours.  Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9326

UNKNOWN, Three piece garniture: (Billingsley roses), c.1810–20, Bone china, slip-cast and painted with classic ruins and flowers in polychrome overglaze colours and richly gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9654

Utagawa Toyokuni, The actor Sawamura Gennisuke as a samurai, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2130

after J.M.W. - Painter, EASLING, J.C. Turner, St. Catherine's Hill near Guilford (plate 33 from 'Liber Studiorum'), 1811, Etching and mezzotint on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2687

Kikuoka Mitsunori, Fuchi with Japanese Warrior under a Pine Tree, c. 1829 (late Edo), nigurome, copper, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1004

after William - Artist, SCOTT, L. Westall, View of Port Bowen, from the hills behind the Watering Gully, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14834

Francisco Goya, 'Nada.  Ello dira' (plate 69 from 'Desastres de la guerra' series) ('Nothing.  It speaks for itself' (plate 69 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3020

UNKNOWN, Vinaigrette, c.1816–17, Silver, engraved with pierced and engraved internal grille, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15143

Kikugawa Eizan, (Beauty on parade), c.1810, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9485

Francisco Goya, 'Espiró sin remedio' (plate 53 from 'Desastres de la guerra' series) ('There was nothing to be done and he died' (plate 53 from 'The disasters of war' series)), c.1812, published c.1903, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3806

Utagawa Toyokuni, The actor Onoe Matsusuke II as a samurai, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3265

Ohara Mitsuhiro, Writer's Seal with Grazing Deer, 19th century (Edo; Meiji), ivory, pigment, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.891

JOSIAH SPODE, Oblong dish:  India, c.1815–33, Earthenware, eight lobed deep dish transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6877

JOSIAH SPODE, Oval dish:  Figure with parasol, c.1815–33, Stone china, oval dish transfer printed with an oriental scene in cobalt blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1836

John - Manufacturer, CARY, William Cary, Cary's New Celestial Globe, 1816, Wood, metal, paper, brass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11962

P. & W. BATEMAN, Cream jug, c.1812–13, Silver, on ball feet and engraved with scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3621

Katsushika Hokusai, (Fat people) (from 'Hokusai Manga' Vol. 8), 1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13261

Sawa Yoshisato, Kozuka with Foreign Ships, c. 1825 (late Edo), shibuichi, gold, silver, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.682

after William - Artist, PYE, John Westall, View of Port Jackson, taken from the South Head, 1814, Engraving, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14837

FLIGHT & BARR (WORCESTER) Barr, Tea-set, c.1810, Soft-paste porcelain, slip-cast with cobalt underglaze, red and green overglaze colours and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6051

Francisco Goya, 'Que locura!' (plate 68 from 'Desastres de la guerra' series) ('What folly' (plate 68 from 'The disasters of war' series)), 1810, published 1863, Etching and aquatint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4062

JOSIAH SPODE, Soup bowl:  Lucano, c.1819–33, Stoneware, eight lobed bowl transfer printed in underglaze cobalt with landscape motif, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/707

Utagawa Toyokuni, Onoe Eisaburo as Hyakura Minosaku, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4334

attrib. to Thomas Rowlandson, Conversazione, c.1815, Brush and ink, watercolour over pencil on wove paper laid down on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/258

after William - Artist, PYE, John Westall, View of Wreck-Reef Bank taken at low water, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14833

after William - Artist, PYE, John Westall, View of Sir Edward Pellew's Group - Gulph of Carpentaria, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14836

Katsushika Hokusai, (People of various occupations) (from 'Hokusai Manga' Vol. 8), 1817, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13260

Sasayama Tokuoki, Tsuba with a Tiger on a Cliff, 1813–1896 (late Edo-Meiji), iron, shibuichi, gold, silver, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.146

Kaigyokusai Masatsugu, Reclining Ox, 19th century (Edo-Meiji), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.961

Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of George Hibbert, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2030

William - Engraver, FLAXMAN, after John Blake, Compositions from the Works, Days and Theogony of Hesiod;  designed by John Flaxman, engraved by William Blake, 1817, Book with 39 leaves containing 37 compositions, occupying 37 leaves; engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11122

Katsushika Hokusai, (Varieties of birds) (from 'Hokusai Manga' Vol. 1), 1814, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4485

Takahashi Kiyotsugu, Fuchi with Horses and Cherry Blossoms, 2nd half 19th century (Edo-Meiji), gold, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1288.2A

JOSIAH SPODE, Plate:  Caramanian, c.1815–33, Earthenware, twelve lobed plate transfer printed in underglaze cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1260

Katsushika Hokusai, The Hokusai Manga (Book of random sketches by Hokusai) vol. 10, 1819, Illustrated book of coloured woodcuts on handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13262

after J.M.W. - Painter, TURNER, Charles Turner, Windsor Castle from Salt Hill (plate 74 from 'Liber Studiorum'), c.1818, Soft-ground etching, mezzotint on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3337

Katsushika Hokusai, Picture of a high Chinese loom, 1816, Colour woodblock print on thin cream laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11292

Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Benjamin West, 1810, Etching with mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2031

JOSIAH SPODE, Dessert dish, c.1810–20, Bone china decorated in the 'Japan' style with stylised floral motifs in underglaze cobalt and overglaze red and green and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2192

Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Edmund Turner, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2348

Katsushika Hokusai, Page from 'Hokusai Manga' Vol. 3, 1815, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5904

J.M.W. - Artist, SAY, W. Turner, Martello Towers near Bexhill, Sussex (from 'Liber Studorium'), 1811, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7566

attrib. to William Havell, A view near Athens, c.1816–29, Watercolour and gouache over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8022

Antoine-Louis Barye, Tiger at Rest, c. 1830s-1840s, watercolor with gum heightening on rough, thick, cream wove paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.834

Antoine-Louis Barye, Hercules and the Erymanthian Boar, c. 1823, bronze with a golden red-brown patina on a porphyry plinth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.192

JOSIAH SPODE, Soup plate, c.1815–33, Stoneware (stone china) transfer printed in blue within a landscape showing a tower, bridge and cottage.  Floral border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6605

Utagawa Kunisada, The actor Sawamura Gennisuke I as Prince Shoo-maru, c.1812, Colour woodblock print on laid Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3771

Joseph Mallord William Turner, A Mountain Stream, Perhaps Bolton Glen, c.1810–5, Mixed media and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00910

UNKNOWN, Mirror, c.1810–60, Timber and glass, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15395

after J.M.W. - Painter, COOKE, George Turner, Land's End, Cornwall (from 'Picturesque views of the Southern Coast of England'), 1814, Etching and engraving on off-white wove handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11978

after William - Artist, PYE, John - Engraver, FINDEN, W. Westall, View of Murray's Islands, with the natives offering to barter, 1814, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14835

Katsushika Hokusai, Page from 'Hokusai Manga' Vol. 3, 1815, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6825

REGENCY STYLE, Pair of stirrup cups, c.1819–20, Silver, repousse and stipple decorated with a landscape hunting scene depicting dogs, fox, pheasants etc., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1571

J.M.W. Turner, Aesacus and Hesperie (plate 66 from 'Liber Studiorum'), published 1819, Etching, engraving and mezzotint on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3588

REGENCY STYLE, Ladel, c.1816–17, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7716

Jean-Baptiste Isabey, Napoleon I, 1812; Frame: 1808, watercolor on ivory, gold frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.59

Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Mr Woodburn, 1810, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4747