Joseph Mallord William Turner, A Castle near the Bay of Küssnacht, Lake Lucerne, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04657 Joseph Mallord William Turner, The St Gotthard Road: the Schollenen Gorge and Reuss Valley near Göschenen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04719 Joseph Mallord William Turner, Auxerre from the Ramparts, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04401 Joseph Mallord William Turner, Near Passy; the Pointe Noire de Pormenaz and Le Brévent from the Servoz Road, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04450 Joseph Mallord William Turner, The Pisse Vache, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04620 Joseph Mallord William Turner, Auxerre from the Ramparts, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04400 Joseph Mallord William Turner, ‘The Burst of Sunshine’, after Jacob van Ruisdael, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04380 Joseph Mallord William Turner, Turner’s Cabriolet outside the Post House, Voreppe; the Grand Aiguille beyond, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04515 Joseph Mallord William Turner, Town, with Church Tower and Mountains Beyond, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04685 Joseph Mallord William Turner, Waves Breaking on Shore, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04217 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04870 Joseph Mallord William Turner, The Lower Glacier, Grindelwald, with the Eiger, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04768 Joseph Mallord William Turner, Commentary on Nicolas Poussin’s ‘Landscape with Diogenes’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04302 Joseph Mallord William Turner, Distant View of Autun among Wooded Hills, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04415 Joseph Mallord William Turner, Grindelwald, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04770 Joseph Mallord William Turner, Crag and Village, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04549 United States, Bar-back side chair, c. 1805–15, Mahogany, leather (modern), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.15.7 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04387 Joseph Mallord William Turner, The Vision of St Bruno, after Pier Francesco Mola, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04394 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04351 Joseph Mallord William Turner, Orsières, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04572 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04265 Joseph Mallord William Turner, Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner), with Colour Trials, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04310 Joseph Mallord William Turner, Range of Mountains, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04595 Joseph Mallord William Turner, Mountains, Looking towards St Gervais-les-Bains, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04391 Charles Balthazar Julien Févret de Saint-Mémin, Henry Walter Livingston, 1805, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Plate: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821106-0 Joseph Mallord William Turner, Waves Breaking on Shore with a Vessel on the Horizon, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04213 Joseph Mallord William Turner, Near Bonneville, Looking towards Mont Blanc, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04608 Joseph Mallord William Turner, The Pic de l’Oeillette, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04528 Honoré Daumier, The Prodigal Son, 1808, pen and black ink with wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6434 William Blake, Canto I, Verse 29, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4997 Friedrich Christian Reinermann, Die Ruine Kalsmunt bei Wetzlar, 1805, Aquarell und Gouache auf mattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7834 Joseph Mallord William Turner, ?Laufenburg: Diligence and Travellers at a Landing Stage or Crossing Place; Distant Mountains, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04666 Joseph Mallord William Turner, Calais and the Pier from the Shore, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04206 Joseph Mallord William Turner, Looking out to Sea, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04227 Joseph Mallord William Turner, Group of Peasants, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04816 Joseph Mallord William Turner, Susanna Bathing, after a Rembrandt Follower, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04355 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04836 Joseph Mallord William Turner, Mont Blanc from near Courmayeur, 1802, Graphite and wash on paper, Tate, London. https://dartabase.art/cite/tate/D04476 Joseph Mallord William Turner, ?Lucerne, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04785 Joseph Mallord William Turner, Composition of the Deluge, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02198 Charles Balthazar Julien Févret de Saint-Mémin, Jean Marie Soulier, 1802, Engraving on paper; Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16"); Sheet: 54.5 × 39.8 cm (21 7/16 × 15 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821042-1 Joseph Mallord William Turner, ?Lake Thun, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04708 Joseph Mallord William Turner, ?Mountains Overlooking Lake Geneva, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04575 attrib. to Peter De Wint, Haddon Hall, c.1805–49, Watercolour over pen and ink on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7201 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04284 Joseph Mallord William Turner, ?Abingdon, 1802–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04762 Joseph Mallord William Turner, Chissey: Château and Bridge, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04406 Joseph Mallord William Turner, Iffley Church, 1802–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04764 Joseph Mallord William Turner, Mountain Crests, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04596 Joseph Mallord William Turner, A Ravine: ?Gorge of the River Reuss or in the St Gotthard Pass, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04643 Joseph Mallord William Turner, Laufenburg, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04681 Joseph Mallord William Turner, Ruined Castle on Hill: ?St Chrischona, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04741 Honoré Daumier, The Grandmother, 1808, pen and black ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6422 Joseph Mallord William Turner, Belleville, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04424 Joseph Mallord William Turner, Small Holy Family, after Giulio Romano, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04292 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04852 Joseph Mallord William Turner, Combat of Hercules and Achelous, after Domenichino, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04374 Kitagawa Utamaro, Omu Komachi (Parrot Komachi) (from 'Futaba-gusa nana Komachi' (Little seedlings: seven Komachis) series), c.1803, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5763 Joseph Mallord William Turner, Holy Island Cathedral, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00931 Joseph Mallord William Turner, Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04327 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04275 Joseph Mallord William Turner, Trévoux from Open Country, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04426 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04873 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04818 Honoré Daumier, Une Alliance, 1808, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6328 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04872 Joseph Mallord William Turner, Ruined Castle among Trees; ?Küssaberg near Lauchringen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04672 Joseph Mallord William Turner, Men Marching in a Procession, and Carrying an Effigy, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04803 Joseph Mallord William Turner, Baden from the River Limmat, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04721 Joseph Mallord William Turner, Morpeth, Northumberland, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00952 Joseph Mallord William Turner, Schaffhausen: Looking across the Rhinefall to Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04875 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04335 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04871 Joseph Mallord William Turner, The Mer de Glace and Valley of Chamonix, 1802, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04886 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04837 Joseph Mallord William Turner, Martigny: Bridge over the River Drance, with the Chapel of Our Lady of Compassion, and La Bâtiaz, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04494 Joseph Mallord William Turner, The Lake of Geneva and the Château de Tour-de-Peilz from Vevey, 1802, Graphite, chalk and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04535 Joseph Mallord William Turner, Ligny-en-Barrois, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04751 Honoré Daumier, The Prodigal Son, 1808, pen and black ink with wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6433 Joseph Mallord William Turner, The Hospice at the Summit of the Great St Bernard Pass, Mont Vélan in the Distance, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04554 Benjamin West, Destruction of the Beast and the False Prophet, 1804, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.22 Joseph Mallord William Turner, Basle, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04796 Joseph Mallord William Turner, Mountains, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04598 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04382 Joseph Mallord William Turner, The Tour de St Michel, from near Servoz, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04461 Joseph Mallord William Turner, Village with Cloud, 1802, Graphite and wash on paper, Tate, London. https://dartabase.art/cite/tate/D04551 Joseph Mallord William Turner, St Rémi, Great St Bernard Pass, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04578 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04829 Joseph Mallord William Turner, ?The Reuss Valley, on the Way up to Wassen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04688 Joseph Mallord William Turner, Mountains and Bridge outside Bonneville, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04440 Joseph Mallord William Turner, Le Chetif and the Mont Blanc Massif from below Courmayeur, 1802, Graphite, chalk and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04460 Joseph Mallord William Turner, Aiguilles, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04592 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04220 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04240 Joseph Mallord William Turner, The Arve Valley, with the Castle of St Michel, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04640 Joseph Mallord William Turner, The Lake of Brienz, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04773 Joseph Mallord William Turner, Baden; the Stadtkirche, Stadtturm and Castle Stein, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04716 Joseph Mallord William Turner, Lake Brienz, Looking towards Ringgenberg Castle, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04647 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04255 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Earl Spencer, 1807, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1231 Joseph Mallord William Turner, Little Devil’s Bridge, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00948 Joseph Mallord William Turner, Pont Pérant, near St Laurent-du-Pont, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04523 Joseph Mallord William Turner, Wassen: the Village, Bridge and Church, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04645 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04258 Joseph Mallord William Turner, Cassiobury: The House Seen in the Distance from the South West, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02216 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04825 Joseph Mallord William Turner, Erminia and Valfrino Tending the Wounded Tancred After the Battle with Argante, after Pier Francesco Mola, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04378 Joseph Mallord William Turner, Ruined Castles on Hills; ?Rhine Valley, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04740 Joseph Mallord William Turner, The Eastern End of Lake Thun; Boat on the Water, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04649 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04246 William Blake, Canto VI, Verse 294, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5001 Honoré Daumier, Dancer, 1808, crayon over charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6421 Joseph Mallord William Turner, Waves; Fishing Boat in the Distance, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04229 Joseph Mallord William Turner, Schaffhausen; the Rhinefall and Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04877 Joseph Mallord William Turner, Schaffhausen: The Fall from the Left (South) Bank, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02206 Joseph Mallord William Turner, Cassiobury: The House Seen in the Distance from the West, across the Park, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02235 Joseph Mallord William Turner, The Pfaffensprung and Gorge of the River Reuss, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04628 Joseph Mallord William Turner, Lake Thun, Switzerland, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00939 Joseph Mallord William Turner, The Chateau d’Argent, above Villeneuve, Val d’Aosta, with Mount Emilius, c.1803, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04895 Joseph Mallord William Turner, Lake with Mountains, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04767 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04370 Joseph Mallord William Turner, The Descent to Aosta, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04498 Joseph Mallord William Turner, Two Fishing Boats Seen from the Stern; Four Men in the Boat at Left, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04192 Joseph Mallord William Turner, A Road near Grenoble, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04505 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04278 Thomas Stothard, [title not known], 1806–7, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00871 Joseph Mallord William Turner, Joigny from the River Yonne, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04399 Joseph Mallord William Turner, Wooded Landscape near Fontainebleau, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04395 Joseph Mallord William Turner, Martigny: La Bâtiaz Overlooking a Street in the Town, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04547 Joseph Mallord William Turner, Baden, below Castle Stein, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04715 Joseph Mallord William Turner, Lake Shore at Geneva; Moonrise, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04436 Joseph Mallord William Turner, A Ruined Tower at Nangy, Mont Blanc in the Distance, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04439 Joseph Mallord William Turner, Women Walking in a Procession, and Carrying a Red Canopy, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04802 Joseph Mallord William Turner, Near Grenoble: Mont Rachais and Mont St Eynard from the River Drac, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04542 Joseph Mallord William Turner, Calais; the Tour de Guet and Hôtel de Ville, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04269 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04384 Joseph Mallord William Turner, The Entrance to the Chamonix Valley from near Les Houches, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04480 Joseph Mallord William Turner, Colour Keys for Nicolas Poussin’s ‘Woman Taken in Adultery’, ‘Orpheus and Eurydice’ and ‘Eleazer and Rebecca at the Well’ (Inscriptions by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04366 Joseph Mallord William Turner, Historical Study: For ‘The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides’ or ‘Apollo and Python’, 1802–11, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04789 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04843 Joseph Mallord William Turner, Geneva from the River Rhône, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04433 Joseph Mallord William Turner, ?The Pisse Vache, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04621 Joseph Mallord William Turner, Group of Peasants with a Plough, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04810 Joseph Mallord William Turner, Descent from the Mountains, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04538 Joseph Mallord William Turner, A Mountain Village: ?Wassen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04686 Jean Guillaume Moitte, A Medal Cabinet for Napoleon, 1804–10, Pen and ink and watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334689 Joseph Mallord William Turner, The River Arve and St Martin, Mont Blanc in the Distance, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04602 Joseph Mallord William Turner, Group of Barges or Ferries, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04806 Joseph Mallord William Turner, Wooded Hills above Autun, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04417 Hervey Brooks, Bowl, 1803–67, Earthenware; Redware with slip decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/681 Joseph Mallord William Turner, The Saône Valley at Belleville, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04425 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04661 Joseph Mallord William Turner, A Mountain Pass; ?St Gotthard. Building to the Right, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04693 Joseph Mallord William Turner, Villeneuve and Château d’Argent, Val d’Aosta, from near St Pierre, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04561 Joseph Mallord William Turner, Near the Grande Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04530 Joseph Mallord William Turner, Lake Lucerne, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04655 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04841 Rouzee Family, Record of taxes on property, including enslaved persons, owned by Edward Rouzee, September 1803, ink on paper; L x W: 5 x 7 1/2 in. (12.7 x 19.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743786-0 Jacques Delaplace, Portrait of a Woman, c. 1805–10, Ivory extended by card, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436181 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04847 Joseph Mallord William Turner, The Lake of Brienz with Ringgenberg Castle, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04753 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04667 Charles Balthazar Julien Févret de Saint-Mémin, Nicholas Cabell, Jr., 1808, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821197-1 Joseph Mallord William Turner, Group of a Man, Women and Children, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04801 Joseph Mallord William Turner, Lake Thun from near Neuhaus, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04718 Joseph Mallord William Turner, Schaffhausen; the Rhinefall and Laufen Castle from the River Bank, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04879 Joseph Mallord William Turner, A Mountain Pass; ?St Gotthard, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04697 Joseph Mallord William Turner, Tournus and the Plain of the River Saône, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04411 Charles Balthazar Julien Févret de Saint-Mémin, Joseph Bryan, 1805, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821140-0 Joseph Mallord William Turner, Martigny: Street below La Bâtiaz with a Religious Procession, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04580 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of Mr A. Hibbert, 1803, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1721 Joseph Mallord William Turner, ?Thun, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04706 Joseph Mallord William Turner, The Lake and Town of Brienz, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04774 Joseph Mallord William Turner, The Visitation, after Jan Lievens, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04362 Joseph Mallord William Turner, Commentary on Giorgione/Titian’s ‘Concert-champêtre’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04349 Joseph Mallord William Turner, Study of Clouds, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02209 Joseph Mallord William Turner, St Roch Interceding for Victims of the Plague, after Peter Paul Rubens, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04345 Joseph Mallord William Turner, Martigny; La Bâtiaz from the River Drance, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04557 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04296 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04453 Joseph Mallord William Turner, Figures, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04874 Joseph Mallord William Turner, The Arve Valley, from the Chamonix Road near Les Houches Towards Servoz, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04463 Joseph Mallord William Turner, Zurich: the Grossmünster and Rathaus from across the River Limmat, Looking Towards the Lake, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04660 Joseph Mallord William Turner, Ramparts at Tournus, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04419 Joseph Mallord William Turner, Colour Keys of Nicolas Poussin’s ‘Landscape with Diogenes’ and ‘St John Baptising the People’ (Inscriptions by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04368 Joseph Mallord William Turner, Cassiobury: The House Seen across the Park, from the South; Deer, Cattle and Figures in the Foreground, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02217 Joseph Mallord William Turner, Mont Blanc from near St Martin, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04485 Joseph Mallord William Turner, Dunstanborough Castle, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00937 Honoré Daumier, Study of a Man, 1808, black chalk with black crayon and traces of graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6411 Charles Balthazar Julien Févret de Saint-Mémin, Thomas Tudor Tucker, 1805, Black chalk on prepared pink paper; Sheet: 58.9 x 44.6cm (23 3/16 x 17 9/16"); Frame: 71.4 × 58.7 × 6.4cm (28 1/8 × 23 1/8 × 2 1/2"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810936-0 Thomas Girtin, A Thatched Cottage among Trees, ?1802, Pen and ink on paper, Tate, London. https://dartabase.art/cite/tate/D00718 Joseph Mallord William Turner, Interior of a Kitchen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04728 Joseph Mallord William Turner, Commentary on Nicolas Poussin’s ‘Gathering of the Manna’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04304 Joseph Mallord William Turner, Clouds over the Coast, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04239 Joseph Mallord William Turner, Note on ‘The Return of Marcus Sextus’, by Pierre-Narcisse Guérin (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04333 Joseph Mallord William Turner, St Julien, near Geneva, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04492 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04475 Joseph Mallord William Turner, A Brig Seen from the Deck of a Boat, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04273 Joseph Mallord William Turner, Mountains, ?from the St Martin to Servoz Road, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04486 Joseph Mallord William Turner, ?Martigny; La Bâtiaz from the River Drance, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04541 Honoré Daumier, Old Woman Seated, 1808, watercolor and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6409 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04365 Joseph Mallord William Turner, The Mer de Glace, Looking up to the Aiguille de Tacul, 1802, Graphite, chalk, watercolour, and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04615 William Blake, Canto III, Verse 201, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4999 Paul Gavarni, Discussion of Budget, 1804, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7334 Joseph Mallord William Turner, ?The Castle of Attinghausen, near Amsteg, with the Bristenstock, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04690 attrib. to John Bridge, Sugar tongs, c.1806–07, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15105 Joseph Mallord William Turner, Group of Gendarmes and Officials, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04812 Joseph Mallord William Turner, A Cutter and Fishing Boats, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04191 Joseph Mallord William Turner, Three Figures, after Francesco Primaticcio, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04388 Joseph Mallord William Turner, Commentary on Anthony Van Dyck’s ‘Cardinal Guido Bentivoglio’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04316 Joseph Mallord William Turner, Buildings at Lyon, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04430 Honoré Daumier, The Reading, 1808, charcoal and crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6424 Joseph Mallord William Turner, Town on a River, 1802–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04779 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04821 Jean Michel Moreau, Creusa Pleads with Aeneas as He Leaves for War, 1803, Pen and brown ink, brush and brown wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/182927 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04245 Joseph Mallord William Turner, Bridge and Town, with Mountains, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04696 Joseph Mallord William Turner, Sens, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04396 Joseph Mallord William Turner, The Return of Marcus Sextus, after Pierre-Narcisse Guérin, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04334 Thomas Stothard, Sketch for ‘The Pilgrimage to Canterbury’, with studies of heads, figures on horseback, and two group sketches, 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00874 Joseph Mallord William Turner, ?Near Amsteg, with the Bristenstock, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04689 Joseph Mallord William Turner, A Mountain Village, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04586 Joseph Mallord William Turner, Les Contamines, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04617 Joseph Mallord William Turner, ?The Arve Valley from the Servoz Road, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04452 Joseph Mallord William Turner, Erminia, Guarding Her Flock, Carves Tancred’s Name on a Tree, after Pier Francesco Mola, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04379 Joseph Mallord William Turner, Scene on the French Coast, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00918 Joseph Mallord William Turner, ?Lake Lucerne from near Fluelen, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04699 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04286 Joseph Mallord William Turner, A Mountain Village, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04556 Joseph Mallord William Turner, Syon House and Kew Palace from near Isleworth (‘The Swan’s Nest’), 1805, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04163 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04853 Joseph Mallord William Turner, ?‘Mont St Grave’, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04893 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04857 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04224 Joseph Mallord William Turner, The Isère Valley, Looking towards Grenoble from near Voreppe, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04514 Joseph Mallord William Turner, Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04306 Joseph Mallord William Turner, Ligny-en-Barrois, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04748 Joseph Mallord William Turner, Group of Trees, with Buildings Beyond, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04251 Joseph Mallord William Turner, Schaffhausen; Castle and Town, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04723 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04244 GEORGIAN STYLE, Cream jug, c.1809–10, Silver, engraved with floral swags, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4233 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04467 Honoré Daumier, Head of a Man, 1808, watercolor over graphite, pen and black ink, and black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6430 Joseph Mallord William Turner, ?The Val d’Aosta near Courmayeur, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04562 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04234 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04487 Joseph Mallord William Turner, Grenoble, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04488 Joseph Mallord William Turner, A Storm off the Dutch Coast, after Jacob van Ruisdael, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04290 Joseph Mallord William Turner, On the Coast, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04236 Honoré Daumier, The Prodigal Son, 1808, pen and black ink with black wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6415 Joseph Mallord William Turner, Verses (Inscriptions by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04797 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04260 Joseph Mallord William Turner, Near Cluses, with Le Môle, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04444 Joseph Mallord William Turner, ?Fourvoirie, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04521 Joseph Mallord William Turner, Venus at the Forge of Vulcan, after Anthony Van Dyck, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04291 Charles Balthazar Julien Févret de Saint-Mémin, John Tayloe III, 1806, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821092-0 Joseph Mallord William Turner, Church of Fluelen, Lake Lucerne, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04729 Joseph Mallord William Turner, The Pfaffensprung and Gorge of the River Reuss, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04733 Thomas Stothard, [title not known], 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00872 Joseph Mallord William Turner, Grenoble: the River Isère and Pont St Laurent, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04506 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04859 Joseph Mallord William Turner, The Bridge in Middle Distance, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00936 Joseph Mallord William Turner, Geneva; Walls and Ramparts, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04438 Joseph Mallord William Turner, The Hospice at the Summit of the Great St Bernard Pass, Mont Vélan in the Distance, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04548 Charles Balthazar Julien Févret de Saint-Mémin, Henry Kuhl, 1802, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 39.9 cm (21 5/8 x 15 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820990-2 Joseph Mallord William Turner, The Saône Valley with a Tower, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04421 Joseph Mallord William Turner, The Mer de Glace and Valley of Chamonix, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04612 Joseph Mallord William Turner, Mountains near Bonneville, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04441 Joseph Mallord William Turner, The Good Samaritan, after a Rembrandt Follower, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04352 Joseph Mallord William Turner, Detail of Architecture, from Nicolas Poussin’s ‘Eleazer and Rebecca at the Well’, and Colour Key (Inscriptions by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04367 Joseph Mallord William Turner, The Adoration of the Infant Jesus, after Lorenzo Lotto, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04357 Paul Gavarni, Head of a Woman, 1804, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7338 Joseph Mallord William Turner, The North Face of the Eiger from above Grindelwald, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04771 Joseph Mallord William Turner, Woman and Tambourine, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00916 Joseph Mallord William Turner, Sailing to Fluelen: Bay of Uri, Lake Lucerne, Looking South, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04713 John Molineux, Andiron, c. 1810, Brass, iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/113 Joseph Mallord William Turner, The Isère Valley and the Voreppe-Grenoble Road, 1802, Watercolour and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04513 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04256 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04858 Joseph Mallord William Turner, Group of Buildings, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04757 Joseph Mallord William Turner, A Mountain Village, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04564 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04833 Joseph Mallord William Turner, Avallon from the Saulieu Road, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04403 Honoré Daumier, The Prodigal Son, 1808, pen and black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6416 Joseph Mallord William Turner, Castle with a Stormy Sky, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04778 Thomas Stothard, [title not known], 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00870 Joseph Mallord William Turner, Mill at Chissey, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04407 Joseph Mallord William Turner, Cassiobury: The Interior of the Great Cloister, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02234 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04864 Joseph Mallord William Turner, Morpeth, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00953 Sir Thomas Lawrence, Lady Mary Templetown and Her Eldest Son, 1802, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/103 Joseph Mallord William Turner, Studies of a Church Tower and Other Buildings, and of a Town, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04670 Joseph Mallord William Turner, Grindelwald, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04674 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04491 Joseph Mallord William Turner, ?The Arve Valley from the Servoz Road, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04455 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04819 Joseph Mallord William Turner, St Jerome, after Correggio, and Colour Trials, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04358 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04856 Joseph Mallord William Turner, Cassiobury: The House Seen from the East, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02221 Joseph Mallord William Turner, Sunset over the Sea, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04202 Joseph Mallord William Turner, The Bridge at Villeneuve, and the Tour Colin, Val d’Aosta, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04497 Joseph Mallord William Turner, A Ravine in the Pass of St Gotthard, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04627 William Bache, Joseph Deville de Goutin Bellechasse, 1804, Cut coated paper mounted on paper; Image (approx): 7.9 × 7 cm (3 1/8 × 2 3/4"); Book closed: 47.3 × 34.9 × 4.8 cm (18 5/8 × 13 3/4 × 1 7/8"); Book open: 47.3 × 66.7 × 4.8 cm (18 5/8 × 26 1/4 × 1 7/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399809310-1 Joseph Mallord William Turner, Mont Blanc from near St Martin, 1802, Graphite and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04484 Joseph Mallord William Turner, Commentary on Peter Paul Rubens’s ‘Landscape with a Rainbow’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04375 Joseph Mallord William Turner, Liddes, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04573 Joseph Mallord William Turner, ?The Arve Valley from the Servoz Road, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04454 Joseph Mallord William Turner, ?Calais; Gothic Church, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04204 Joseph Mallord William Turner, Group of Figures on Calais Pier, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04197 Joseph Mallord William Turner, Commentary on ‘The Good Samaritan’ by a Rembrandt Follower (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04353 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04242 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04839 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04835 Honoré Daumier, Woman with Veil, 1808, pen and black ink over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6425 Honoré Daumier, Bathers, 1808, black chalk on green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6410 François Péron, Voyage de Découvertes aux Terres Australes. Paris: Imprimerie Impériale [Royale], 1807–16, Three volumes (two text, one atlas), first edition, with 40 engraved plates after Lesueur and Petit, (two folding, 23 hand-coloured), in calf and Morocco leather-covered board bindings, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18276 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04247 Joseph Mallord William Turner, Lauterbrunnen, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04623 Joseph Mallord William Turner, Spiez, Lake Thun, with the Niesen and Blümlisalp, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04653 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04326 Joseph Mallord William Turner, A Mountain Pass; ?St Gotthard, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04692 Joseph Mallord William Turner, Range of Mountain Peaks, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04585 Joseph Mallord William Turner, Waves Breaking on Shore with a Sailing Boat, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04215 Paul Gavarni, Sketch of a Man, 1804, pen and brown and red ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7340 Joseph Mallord William Turner, The Entombment of the Dead Christ, after Titian, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04315 Charles Balthazar Julien Févret de Saint-Mémin, Thomas Lowndes, 1805, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821147-0 Joseph Mallord William Turner, Chamonix: Mont Blanc and the Arve Valley from the Path to the Montenvers, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04610 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04325 Joseph Mallord William Turner, Figures Marching in a Procession, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04804 Joseph Mallord William Turner, Cassiobury; North West View of the House, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02218 Joseph Mallord William Turner, St Maurice, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04571 Joseph Mallord William Turner, General View of Lauffenburg, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02232 Joseph Mallord William Turner, Jason, 1807, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/870 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04210 Joseph Mallord William Turner, Scene on the Coast near Calais, with Tower, Shipping and Figures `, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04272 Joseph Mallord William Turner, Avallon from the Auxerre Road, 1802, Graphite and chalk on paper on paper, Tate, London. https://dartabase.art/cite/tate/D04402 Joseph Mallord William Turner, The Rhine Falls at Schaffhausen, from the Belvedere below Laufen Castle, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04817 Honoré Daumier, Lawyer, 1808, black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6420 Joseph Mallord William Turner, The Strawyard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00923 Joseph Mallord William Turner, Nancy: the Porte Stanislas, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04746 Joseph Mallord William Turner, Boats and Figures on the Coast, Calais, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04200 Joseph Mallord William Turner, A Mountain Village near Water, 1802, Chalk and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04641 Joseph Mallord William Turner, The Gorges du Guiers Mort, Chartreuse; Possibly the Porte de l’Enclos, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04526 Joseph Mallord William Turner, Jason, published 1807, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/871 Joseph Anton Koch, Landschaft mit dem Dankopfer Noahs, 1803, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/766 Joseph Mallord William Turner, Town on a River, 1802–3, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04793 Joseph Mallord William Turner, Lake Brienz and Ringgenberg Castle, c.1809, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04896 Joseph Mallord William Turner, Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner), 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04312 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04363 Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985 Joseph Mallord William Turner, A Boatman, or Raftsman, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04807 Joseph Mallord William Turner, Hercules and Cacus, after Domenichino, 1802, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04371 Joseph Mallord William Turner, St Martin, Looking North, 1802, Graphite, chalk, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04601 Joseph Mallord William Turner, Blank, 1802, Tate, London. https://dartabase.art/cite/tate/D04285 Honoré Daumier, Sheet of Studies with Two Large Men on the Ground, 1808, black chalk and graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6414 Joseph Mallord William Turner, Cassiobury: View of the Kitchen, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02222 Joseph Mallord William Turner, Jason, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00922 Joseph Mallord William Turner, The Junction of the Thames and the Medway, 1807, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1226 Joseph Mallord William Turner, Cassiobury: The Interior of the Great Cloister, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02220 Joseph Mallord William Turner, Basle, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00919 Philibert-Louis Debucourt, Les Courses du Matin, ou la Porte d'un Riche, 1805, etching and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2803 Joseph Mallord William Turner, Donkeys beside a Mine Shaft, c.1805–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04160 Joseph Mallord William Turner, Jason, 1807, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00921 Charles Balthazar Julien Févret de Saint-Mémin, William Gilmor, 1803, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821058-0 Charles-Honoré Lannuier, Armchair, c. 1810, Mahogany, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/233 Joseph Mallord William Turner, Holy Island Cathedral, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00932 Hidemitsu, Crab, c. 1818–1843 (late Edo), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1364 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00949 Gilbert Stuart, John Randolph, 1804/1805, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/568 Sir William Beechey, Portrait of Lady Clinton (?), 1807–1810, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.176 Honoré Daumier, The Prodigal Son, 1808, charcoal heightened with white on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6435 Henry Fuseli, A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228999 James Davis, Andiron, 1803–28, Brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/111 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of R.P. Knight, 1803, Etching with mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1102 Richard Cooke, Serving spoon, c.1803–04, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2401 Thomas Stothard, The First Drawing ... made for Ritson, c.1806–7, Ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A00867 William Etty, Nude study, c.1807–10, Pencil on buff paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3023 attrib. to Samuel Hennell, Teapot, 1805–06, Silver, boat shaped engraved with a register of dolphins and shells. Gadrooned edge, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1662 Charles Balthazar Julien Févret de Saint-Mémin, Miles King Jr., c. 1808, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821239-0 Joseph Mallord William Turner, Ships in a Breeze, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00929 William Blake, A Resurrection Scene (The Gambols of Ghosts) [recto], 1805/1808, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4873 Thomas Stothard, [title not known], c.1806–7, Ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00868 Gilbert Stuart, Edward Stow, c. 1803, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1117 Gilbert Stuart, Anna Maria Brodeau Thornton (Mrs. William Thornton), 1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1120 Thomas Stothard, [title not known], 1806–7, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00875 Joseph Mallord William Turner, Woman and Tambourine, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00915 William Blake, Composition Sketch. Verso: Standing Figure Holding a Spear, ?c.1805–10, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00048 William Blake, Composition Sketch for ‘The Fall of the Rebel Angels’? Verso: Standing Figure with Flaming Hair, ?c.1805–10, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00049 Richard Cooke, Serving spoon, c.1803–04, Silver, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1676 William Blake, Sketch of a Shipwreck, 1809, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5002 Charles Balthazar Julien Févret de Saint-Mémin, John Francis William Ghequiere, 1804, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821065-1 Joseph Mallord William Turner, Pembury Mill, Kent, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00933 Joseph Mallord William Turner, The Lake and Town of Brienz: Moonlight, c.1806–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04898 George Lightner, Basin, c. 1806–15, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/344 Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991 Utagawa Toyohiro, Wild Geese and Reeds, About 1810, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24409 Joseph Mallord William Turner, Mount St Gothard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00927 Joseph Mallord William Turner, The Castle above the Meadows, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00925 after J.M.W. - Painter, TURNER, Charles Turner, Lake of Thun, Switzerland (plate 15 from 'Liber Studiorum'), published 1808, Etching and mezzotint on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10842 Joseph Mallord William Turner, The Leader Sea Piece, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00951 Honoré Daumier, Actor Posing in Front of a Mirror, 1870s?, pen and black ink with crayon and watercolor on heavy laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6419 John Constable, Stoke-by-Nayland, c. 1810–11, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435923 Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259 Joseph Mallord William Turner, The Straw Yard, engraved by Charles Turner, 1808, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00924 Joseph Mallord William Turner, Cassiobury; The House Seen across the Park, from the South West, with River and Bridge, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02227 Paul Gavarni, Reverie, 1804, pen and gray and red ink, heightened with white, on darkened paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7337 Richard - Engraver, LORRAIN, Claude Earlom, Sepia-toned print from a drawing in the collection of R.P. Knight, 1803, Etching and mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4714 Honoré Daumier, Scene in a Palace of Justice, 1808, black chalk with wash marks on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6423 Joseph Mallord William Turner, Mt St Gothard, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00928 Joseph Mallord William Turner, Basle, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00920 James Davis, Andiron, 1803–28, Brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/110 Thomas Stothard, [title not known], 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00876 Paul Gavarni, English Beggar, 1804, graphite and watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7342 JOSIAH SPODE, Pierced oval dish: Castle, c.1806–33, Earthenware dish, moulded in basket weave design with pierced edge and transfer printed in underglaze light cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1259 Joseph Mallord William Turner, The Castle above the Meadows, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00926 Honoré Daumier, Head of a Man, 1808, black and red chalk on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6427 Kikugawa Eizan, Parody of an Imperial scene, c.1804–29, Colour woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2544 James Barry, Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229002 William Blake, Canto II, Verse 471, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4998 Joseph Mallord William Turner, Ships in a Breeze, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00930 Nin'ami Dohachi 仁阿弥道八 (1783-1855), Tea bowl with design of chrysanthemums, 1805–1842, Stoneware with white slip and iron pigment under clear glaze, gold leaf over glaze; H x Diam: 8.8 × 12.8 cm (3 7/16 × 5 1/16 in); Kyoto ware, National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182595-0 Philibert-Louis Debucourt, Frascati, 1807, etching and aquatint with hand coloring on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2902 Charles Balthazar Julien Févret de Saint-Mémin, Thomas Green, 1809, Engraving on paper; Image: 5.6 × 5.6 cm (2 3/16 × 2 3/16"); Sheet: 55 × 40 cm (21 5/8 × 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821255-1 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Honoré Daumier, Head of a Man, 1808, black chalk with brown, orange, and blue wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6426 Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95 Christian Georg Schütz, Blick vom Feldberg im Taunus auf Reifenberg, 1808, Feder in Grau und Aquarell, allseitige Einfassungslinie in Schwarz, auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7370 Joseph Mallord William Turner, The Farm-yard with the Cock, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00944 Thomas Stothard, [title not known], 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00869 Charles Balthazar Julien Févret de Saint-Mémin, George Jefferson, Jr., 1808, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821196-0 William Etty, Laocoon and his sons, c.1807–10, Pencil and chalk on buff paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1885 Joseph Mallord William Turner, The Fall of the Clyde, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00945 Gilbert Stuart, Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804, oil on wood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1116 James - Painter, SKRIMSHIRE, Alfred J. Ward, Regent's Park, 1807, pub. 1904, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6834 Joseph Mallord William Turner, The Ford, c.1805, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04162 Honoré Daumier, The Smoker, 1808, pen and black ink and charcoal on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6413 Joseph Mallord William Turner, The Fifth Plague of Egypt, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00942 Paul Gavarni, Et pas le Sou pour Souper, 1804, pen and red and brown ink with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7341 JOSIAH SPODE, Meat platter: Castle, c.1806–33, Earthenware platter moulded with draining grooves, transfer printed in light cobalt blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/834 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00947 Honoré Daumier, Les Trois petits saints, 1808, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6346 Joseph Mallord William Turner, Cassiobury: The Kitchen Seen from the North, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02219 Charles Turner, The Bridge in Middle Distance, published 1808, etching, aquatint and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/873 Charles Balthazar Julien Févret de Saint-Mémin, William Lee, 1807, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821090-0 Joseph Mallord William Turner, Bridge and Cows, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00913 Joseph Mallord William Turner, Dunstanborough Castle, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00938 Joseph Mallord William Turner, Edinburgh, from Caulton-hill, exhibited 1804, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03639 John Singleton Copley, Baron Graham, 1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/992 Joseph Mallord William Turner, The Bridge in Middle Distance, published 1808, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/872 Joseph Mallord William Turner, Cassiobury: The East Front Seen from the North East, 1804–5, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D02215 Ashbil Griswold, Beaker, 1807–35, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/396 Franz Pforr, Der Einzug des Königs Rudolf von Habsburg in Basel 1273, 1808–1810, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2746 Philibert-Louis Debucourt, La Jeune Femme, 1807, etching and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2800 Joseph Mallord William Turner, Pembury Mill, Kent, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00934 Charles Balthazar Julien Févret de Saint-Mémin, Thomas Tingey, 1806, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821084-1 Honoré Daumier, The Prodigal Son, 1808, pen and black ink with wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6432 William Russell Birch, The Natural Bridge, Virginia, c. 1805–1808, Watercolor, brown ink, and graphite, squared, on cream wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5243 Honoré Daumier, Le Jour de sortie, 1808, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6257 Honoré Daumier, Two Men Amid Ruins, 1808, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6399 Paul Gavarni, The Masked Ball, 1804, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7335 Karl Bodmer, Stag In The Woods, 19th century, pencil on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2613 Charles Balthazar Julien Févret de Saint-Mémin, Louis Barney, 1804, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821059-0 Charles Balthazar Julien Févret de Saint-Mémin, John Samuel Sherburne, 1805, Engraving and roulette on paper; Image: 5.6 x 5.6 cm. (2 3/16 x 2 3/16 in.); Sheet: 6.4 x 7 cm. (2 1/2 x 2 3/4 in.), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803280-0 John Trumbull, Alexander Hamilton, c. 1806, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/567 Honoré Daumier, Head of a Man, 1808, black, brown, and white crayon on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6428 Joseph Mallord William Turner, Baden, from the Zürich Road, c.1803–8, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04899 Thomas Stothard, [title not known], 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00873 William Blake, Canto IV, Verse 328, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4865 Aoki Harutsura, Kozuka with a Horse and Show Monkey, 1805–1858 (late Edo), nigurome, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.634 William Blake, Canto V, Verse 43, 1803, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5000 Thomas Stothard, Sketch for ‘The Pilgrimage to Canterbury’, with a compositional sketch, a key to the figures, and studies of heads and figures, 1806–7, Ink on paper, Tate, London. https://dartabase.art/cite/tate/A00877 Henry Fuseli, Ugolino and His Sons Starving to Death in the Tower, 1806, Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7566 John Crome, Hautbois Common, Norfolk, probably c. 1810, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436057 William Blake, Sketch for ‘The Four and Twenty Elders Casting their Crowns before the Divine Throne’. Verso: Standing Figure with Arms at his Side, c.1803, c.1805–10, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00033 Joseph Mallord William Turner, Scene on the French Coast, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00917 Joseph Mallord William Turner, Bridge and Cows, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00914 EMPIRE STYLE, Swan cup and saucer, c.1804–09, Hard-paste porcelain cup modelled in the form of a swan entirely gilt except for the wings. The oval saucer gilt except for a white 'feather' border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7496 Honoré Daumier, Head of a Man, 1808, watercolor over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6429 Honoré Daumier, Les Trois petits saints, 1808, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6345 Joseph Mallord William Turner, The Leader Sea-piece, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00950 Joseph Mallord William Turner, The Bridge in Middle Distance, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00935 William Bache, George Washington, c. 1803–04, Cut coated paper mounted on paper; Image (approx): 7.9 × 7 cm (3 1/8 × 2 3/4"); Book closed: 47.3 × 34.9 × 4.8 cm (18 5/8 × 13 3/4"); Book open: 47.3 × 66.7 × 4.8 cm (18 5/8 × 26 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399808992-0 Joseph Mallord William Turner, The Fifth Plague of Egypt, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00941 William Blake, Preliminary Sketch for ‘Christ Girding Himself with Strength’. Verso: Standing Figure with One Arm Raised, c.1805, c.1805–10, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00043 Honoré Daumier, Rest in the Country (Sancho Panza), 1808, crayon and brown, blue, and green watercolor on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6408 Honoré Daumier, Head of a Man, 1808, watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6431 Joseph Mallord William Turner, Drawing of the Clyde, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00946 Charles Balthazar Julien Févret de Saint-Mémin, Jacob Burnet, 1808, Engraving on paper; Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16"); Sheet: 55 × 40 cm (21 5/8 × 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821174-1 Rouzee Family, Invoice for weaving and the hiring of an enslaved woman, Philice, 1805–1807, ink on paper; L x W: 7 x 8 1/8 in. (17.8 x 20.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743793-0 John Molineux, Andiron, c. 1810, Brass, iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/112 Joseph Mallord William Turner, The Farmyard with the Cock, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00943 Joseph Mallord William Turner, Lake of Thun, engraved by Charles Turner, 1808, Etching, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00940 Henry Fuseli, Study for Inquisition, Illustration to Columbiad, c. 1806, Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7577 Gilbert Stuart, William Thornton, 1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1119 after J.M.W. - Painter, TURNER, Charles Turner, Dunstanborough Castle (plate 14 from 'Liber Studiorum'), published 1808, Mezzotint and aquatint on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2946 Honoré Daumier, Don Quixote, 1808, crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6418 Honoré Daumier, Figure of a Man, 1808, black chalk with traces of gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6407 Honoré Daumier, Centaur Carrying Off a Woman, 1808, pen and black ink with wash over crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6417