William Blake, The Holy Family (Christ in the Lap of Truth), c. 1805, black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127561

Jean Michel Moreau, Creusa Pleads with Aeneas as He Leaves for War, 1803, Pen and brown ink, brush and brown wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/182927

Henry Fuseli, A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228999

John I Smart, Self-Portrait, 1802, watercolor on ivory in a gold frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130330

Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259

James Barry, Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229002

Sample book of swatches, 19th c., Sample book of swatches: cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229401

Artist unknown, Peacock Weather Vane, 1800–60, Iron, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77688

Henry Fuseli, Ugolino and His Sons Starving to Death in the Tower, 1806, Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7566

Henry Fuseli, Study for Inquisition, Illustration to Columbiad, c. 1806, Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7577