Rose Adélaïde Ducreux, Self-Portrait with a Harp, 1791, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436222 Antoine-Jean Duclos, Fédération Générale de Français, au Champ de Mars, le 14 Juillet 1790, 1791, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9188 Philibert-Louis Debucourt, La Promenade Publique, 1792, color etching and wash manner with aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2897 Clément-Pierre Marillier, La famille du fermier, 1791, etching (and engraving?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2964 Bonnemain (family member), La Rose mal defendue (The Poorly Defended Rose), in or after 1791, etching, stipple, and wash manner with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2899 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Nicolas Delaunay, L'Education fait tout, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2957 Jean-Baptiste Morret, Caffeé des Patriotes - A Patriot's Coffée House, 1792, color etching and wash manner, printed in blue, red, yellow, and black inks, on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3100 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Pierre-Paul Prud'hon, La Sagesse et la Vérité descendent sur la terre et les ténèbres qui la couvrent se dissipent à leur approche, 1794, Schwarze Kreide und Kohle, weiß gehöht, auf blauem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8115 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Antoine-Louis Barye, Study of a Tiger, 1795, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4146 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Antoine-Jean Duclos, Ouverture des Etats-Généraux à Versailles, le 5 mars 1789, 1793, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9185 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Jean-Baptiste Mallet, The Evening Prayer, 1790, Opaque watercolor, over traces of black chalk, on cream laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229972 Louis Hersent, Sophie Crouzet, c. 1801, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123435 Charles Meynier, Apollo, God of Light, Eloquence, Poetry, and the Fine Arts with Urania, Muse of Astronomy, 1798, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/163042 Antoine-Jean Duclos, Pompe funèbre en l'honneur des Martyrs de la journée du 10, dans le Jardin National le 26 Aout 1792, 1794, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9186 Philibert-Louis Debucourt, L'Oiseau privé, 1795, etching, stipple, wash manner, and aquatint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2900 Philibert-Louis Debucourt, Pauvre Annette, 1795, etching and aquatint with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2901 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f Eugène Delacroix, Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?), 1798, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334753 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Eugène Delacroix, Portrait of a Child, 1798, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6492 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Philibert-Louis Debucourt, La Rose mal defendue (The Poorly Defended Rose), 1791, etching, wash manner, stipple, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2756 Philibert-Louis Debucourt, La Rose mal defendue, 1791, color etching, stipple, and wash manner inked à la poupée, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2898 Nicolas Delaunay, L'Education fait tout, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2958 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Nicolas-Toussaint Charlet, L'Aumône, 1792, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5956 Jacques Joseph de Gault, Marie-Thérèse-Charlotte (1778–1851), Daughter of Louis XVI, 1795, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436110 Antoine-Jean Duclos, La Fontaine de la Régénération sur les débris de la Bastille, le 10 Aout 1793, 1796, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9184 Antoine-Jean Duclos, Journée du 10 Aout 1792, 1793, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9183 Louis Léopold Boilly, La Folie du Jour, 1797, Feder in Schwarz über Kreide, aquarelliert, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18444 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Antoine Borel, Le mari confident, 1790, pen and india ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1862 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Nicolas Delaunay, Le Petit prédicateur, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2954 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Jean Martin Renaud, Medallion of Benjamin Franklin, c. 1797, Plaster, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/492 Nicolas Delaunay, La Gaieté de Silène, probably 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2859 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Clément-Pierre Marillier, La famille du fermier, 1791, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2462 Pierre-Michel Alix, Charlotte Corday, 1793, color wash manner on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2976 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Eugène Delacroix, Studies of a Goat, 1798–1863, Graphite on wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334751 Louis-Joseph Lefevre, Nous n'avons pas le patience d'attendre que nous fussions seuls, published 1797, pen and black ink and brush and black ink with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2649 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Antoine Louis Romanet, La famille du fermier, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2965 Jean-François Janinet, Projet d'un monument a ériger pour le roi, 1790, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3010 Frédéric Dubois, Portrait of a Woman, 1793, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436219 Antoine-Jean Duclos, Journée du 16 Octobre 1793 [exécution de Marie-Antoinette], 1794, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9187 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Nicolas Delaunay, Le Petit prédicateur, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2953 Clodion, The Surprise, 1799, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3157 Charles Meynier, Calliope, Muse of Epic Poetry, 1798, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/163043 Charles-Melchior Descourtis, L'Amant surpris, c. 1798–1810, color aquatint and roulette, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2874 Clément-Pierre Marillier, La famille du fermier, 1791, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2963