Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 William Blake, The Execution of Breaking on the Rack, 1793, etching and engraving on wove paper mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4995 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 William Blake, Restrike from fragment of cancelled plate for "A Prophecy", 1793, relief etching//restrike, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5029 William Blake, A private Marine of Col. Fourgeoud's Corps, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4987 Antoine-Jean Duclos, Fédération Générale de Français, au Champ de Mars, le 14 Juillet 1790, 1791, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9188 Philibert-Louis Debucourt, La Promenade Publique, 1792, color etching and wash manner with aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2897 Clément-Pierre Marillier, La famille du fermier, 1791, etching (and engraving?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2964 Bonnemain (family member), La Rose mal defendue (The Poorly Defended Rose), in or after 1791, etching, stipple, and wash manner with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2899 William Blake, A Coromantyn Free Negro, or Ranger, armed, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4985 William Blake, Fertilization of Egypt, 1791, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4984 William Blake, The Mecoo & Kisbee Kishee Monkeys, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4988 Charles Balthazar Julien Févret de Saint-Mémin, Joseph McIlvaine, 1799, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 39.9 cm (21 5/8 x 15 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820966-0 James Caldwall, The Witches Appear to Macbeth and Banquo, 1798, Etching on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/154520 William Blake, Songs of Innocence and of Experience: Infant Sorrow, 1794, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00035 Charles Balthazar Julien Févret de Saint-Mémin, Catherine Keteltas Livingston, 1797, Engraving on paper; Image: 5.5 × 5.5cm (2 3/16 × 2 3/16"); Sheet: 55 × 40cm (21 5/8 × 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821254-0 Nicolas Delaunay, L'Education fait tout, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2957 Louis Legoux, Louis XVI, 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2589 John Jones, Edmund Burke, published 1790, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8068 Jean-Baptiste Morret, Caffeé des Patriotes - A Patriot's Coffée House, 1792, color etching and wash manner, printed in blue, red, yellow, and black inks, on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3100 Antoine-Jean Duclos, Ouverture des Etats-Généraux à Versailles, le 5 mars 1789, 1793, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9185 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Antoine-Jean Duclos, Pompe funèbre en l'honneur des Martyrs de la journée du 10, dans le Jardin National le 26 Aout 1792, 1794, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9186 Philibert-Louis Debucourt, L'Oiseau privé, 1795, etching, stipple, wash manner, and aquatint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2900 Philibert-Louis Debucourt, Pauvre Annette, 1795, etching and aquatint with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2901 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Charles Balthazar Julien Févret de Saint-Mémin, Janet Marshall Macomb, 1797, Engraving on paper; Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16"); Sheet: 54.5 × 39.5 cm (21 7/16 × 15 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821281-0 William Blake, The Sculls of Lieut Leppar, & Six of his Men, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4990 Charles Balthazar Julien Févret de Saint-Mémin, Miss Fitch, 1797, Engraving on paper; Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16"); Sheet: 54.5 × 39.5 cm (21 7/16 × 15 9/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821280-0 Philibert-Louis Debucourt, La Rose mal defendue (The Poorly Defended Rose), 1791, etching, wash manner, stipple, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2756 William Blake, March thro' a swamp or Marsh in Terra-firma, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4993 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Philibert-Louis Debucourt, La Rose mal defendue, 1791, color etching, stipple, and wash manner inked à la poupée, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2898 Charles Balthazar Julien Févret de Saint-Mémin, Coddington, 1797, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820905-1 Nicolas Delaunay, L'Education fait tout, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2958 William Russell Birch, New Market, 1799, Hand-colored engraving; Sheet: 44 × 53.5 cm (17 5/16 × 21 1/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821883-0 Charles Balthazar Julien Févret de Saint-Mémin, Jenkins, 1798, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820927-1 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Nicolas-Toussaint Charlet, L'Aumône, 1792, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5956 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Antoine-Jean Duclos, La Fontaine de la Régénération sur les débris de la Bastille, le 10 Aout 1793, 1796, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9184 Antoine-Jean Duclos, Journée du 10 Aout 1792, 1793, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9183 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 William Blake, A Surinam Planter in his Morning Dress, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4992 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 William Blake, A Negro hung alive by the Ribs to a Gallows, 1792, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4986 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Nicolas Delaunay, Le Petit prédicateur, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2954 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 William Blake, ‘Songs of Innocence and of Experience’: ‘Infant Sorrow’, 1794, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00036 Nicolas Delaunay, La Gaieté de Silène, probably 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2859 Charles Balthazar Julien Févret de Saint-Mémin, James Latimer, 1798, Engraving on paper; Image: 5.6 x 5.6 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820932-0 Moritz Steinla, Lucas Cranach, 1791, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9156 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 William Blake, Family of Negro Slaves from Loango, 1793, etching and engraving on wove paper mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4994 Clément-Pierre Marillier, La famille du fermier, 1791, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2462 Louis Legoux, Marie Antoinette d'Autriche (Marie Antoinette of Austria), 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2588 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Edward Savage, The Washington Family, 1798, stipple engraving and engraving on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1136 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Antoine Louis Romanet, La famille du fermier, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2965 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Jean-François Janinet, Projet d'un monument a ériger pour le roi, 1790, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3010 Antoine-Jean Duclos, Journée du 16 Octobre 1793 [exécution de Marie-Antoinette], 1794, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9187 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Charles Balthazar Julien Févret de Saint-Mémin, John Curzon Seton, 1798, Engraving on paper; Image: 5.5 x 5.5 cm (2 3/16 x 2 3/16"); Sheet: 55 x 40 cm (21 5/8 x 15 3/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399820910-0 Charles Balthazar Julien Févret de Saint-Mémin, Eliza Barclay Livingston, 1797, Engraving on paper; Image: 5.5 × 5.5 cm (2 3/16 × 2 3/16"); Sheet: 54.5 × 39.8 cm (21 7/16 × 15 11/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399821029-0 Valentine Green, William Innes, 1790, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7410 Nicolas Delaunay, Le Petit prédicateur, 1791, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2953 William Blake, Group of Negros, as imported to be sold for Slaves, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4989 William Blake, ‘Songs of Innocence and of Experience’: ‘Spring’, 1794, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00037 William Blake, Flagellation of a Female Samboe Slave, 1793, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4991 Charles-Melchior Descourtis, L'Amant surpris, c. 1798–1810, color aquatint and roulette, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2874 Clément-Pierre Marillier, La famille du fermier, 1791, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2963