Henry Fuseli, Milton Dictating to His Daughter, 1794, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44739

William Blake, St. Matthew, 1799, tempera on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/294155

Benjamin West, British Manufactory; A Sketch, 1791, oil on paper mounted on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/99445

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028

James Caldwall, The Witches Appear to Macbeth and Banquo, 1798, Etching on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/154520

Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303

Thomas Hope, Settee, c. 1802–07, gilt-wood, reproduction wool upholstery, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169465

Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895

Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571

Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969

Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657

Gilbert Stuart, Elizabeth Beltzhoover Mason, c. 1803–5, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/103366

Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624

Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872

Thomas Lawrence, Portrait of Catherine Grey, Lady Manners, 1794, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136682

Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944

Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966

Jean-Baptiste Mallet, The Evening Prayer, 1790, Opaque watercolor, over traces of black chalk, on cream laid paper, laid down on card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229972

Louis Hersent, Sophie Crouzet, c. 1801, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123435

Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794

Henry Fuseli, The Spirit of Knowledge, 1798, Black chalk and brush and gray wash on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150038

Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932

Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659

Mme. Peigné, Study of a Bunch of Grapes, 1790/1810, Watercolor over black chalk on pale blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145831

John Deare, Bacchus Feeding a Panther, 1792, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/157162

Adrian Zingg, Corner of the Meadow with Reeds and Other Plants, c. 1800, Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209984

Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446

Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511

Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560

Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261

Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495

Richard Cosway, Portrait of Catherine Clemens and Her Son, John Marcus Clemens, c. 1800, watercolor on ivory in a gold and split pearl frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/120827

Anne-Louis Girodet de Roussy-Trioson, Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus, c. 1801, Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/147061

Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492

Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506

Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568

George Romney, Sketchbook, 1793/94, Book with eleven graphite drawings on cream wove paper, bound in colored marble paperboard cover with brown leather spine and gold stamps, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11883

Baron François-Xavier Fabre, Cléombrote and Léonidas, c. 1795, Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/152033

Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001

Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180

Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888

William Blake, Urizen, 1794, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151451