Joseph Mallord William Turner, A Seated Stag, with the Head of Another Deer, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00035 Joseph Mallord William Turner, Study of a Dog with Schematic Drawings of Quoining, Windows and Mouldings, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00043 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 William Blake, "And Saul Said unto David, Go, and the Lord be with Thee" [recto], c. 1780/1785, pen and ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4869 Joseph Mallord William Turner, Sunningwell Church, from the North-East, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00024 Joseph Mallord William Turner, Inscription by Turner: Architectural Notes, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00045 Joseph Mallord William Turner, View of Nuneham Courtenay from the Thames, with a Barge in the Foreground, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00022 William Blake, Orlando in a Fury Tearing up Trees, 1783, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6521 British 18th Century, Elisha Doane, c. 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3206 Joseph Mallord William Turner, Nuneham Courtenay: The House and Park Looking towards Oxford, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00030 John Jones, Miss Kemble in a White Dress, 1784, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8070 Gainsborough Dupont, Portrait of Mary Anne Jolliffe, after 1788, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122344 Thomas Gainsborough, John, 4th Earl of Darnley, 1785, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1161 Thomas Gainsborough, Mountain Landscape with Bridge, c. 1783/1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/114 Joseph Mallord William Turner, Radley Hall from the North-East, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00028 Joseph Mallord William Turner, Half-length Écorché Figure, ?1789–90, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00125 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Thomas Gainsborough, Georgiana, Duchess of Devonshire, 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/100 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 George Romney, Mrs. Alexander Blair, 1787–1789, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1216 George Romney, Miss Juliana Willoughby, 1781–1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/111 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Joseph Mallord William Turner, Folly Bridge and Bacon’s Tower, Oxford, 1787, Pen and ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00001 Joseph Mallord William Turner, Two Rows of Buildings Seen in Perspective, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00195 Joseph Mallord William Turner, A Stableman in a Striped Coat with Dog and Saddled Horse in Front of Trees, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00031 Henry Meyer, Earl Spencer, 1782, mezzotint [trial proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/9195 Joseph Mallord William Turner, Study of a Stag Seen from the Front, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00020 Joseph Mallord William Turner, A Sailing Boat, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00039 Valentine Green, Henry Laurens, 1782, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7411 Joseph Mallord William Turner, Blank, c.1789, Tate, London. https://dartabase.art/cite/tate/D00041 Joseph Mallord William Turner, Part of Nuneham Courtenay, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00036 Joseph Mallord William Turner, Lambeth Palace from the South-East, with Cardinal Morton’s Gateway and the Parish Church, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00038 Joseph Mallord William Turner, Study of the Doorway in the North Front of Radley Hall, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00012 Valentine Green, George Washington, 1785, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7413 Joseph Mallord William Turner, Foliage; a Tree, with a Line of Trees Beyond, c.1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00018 William Blake, Moses Staying the Plague (?) [recto], c. 1780/1785, pen and ink with wash on two joined sheets, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4867 Valentine Green, Georgiana (Spencer), Duchess of Devonshire, 1780, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7409 Joseph Mallord William Turner, ?Two Boys Running, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00034 William Blake, The Discomfited Duellists, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4983 Joseph Mallord William Turner, Three Cows, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00023 Joseph Mallord William Turner, A Numbered Grid, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00033 Joseph Mallord William Turner, ?Struggling Figures, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00027 Sir Joshua Reynolds, Lady Elizabeth Compton, 1780–1782, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/104 Joseph Mallord William Turner, Sunningwell Church from the North-East, c.1789, Pen and ink on paper, Tate, London. https://dartabase.art/cite/tate/D00050 Joseph Mallord William Turner, Old Isleworth Church, from the River, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00040 Joseph Mallord William Turner, Nuneham Courtenay: The East Front with the Principal Entrance, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00029 Joseph Mallord William Turner, Sketch of a Putto with a Lyre, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00037 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 George Romney, Mrs. Davies Davenport, 1782–1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/112 Sir Joshua Reynolds, The Holy Family with the Infant St John, 1788–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00837 Joseph Mallord William Turner, Distant View of Oxford from the Abingdon Road (Oxford from South Hinksey), 1789, Ink wash, pen and ink, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00046 Joseph Mallord William Turner, View of Nuneham Courtenay from the Thames, 1787, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00002 Joseph Mallord William Turner, Radley Hall from the South-East, 1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00049 Joseph Mallord William Turner, Eton College from the River, c.1787, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00003 William Blake, Group of Men Seated in a Circle [recto], c. 1780/1785, pen and black ink with wash over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4871 Joseph Mallord William Turner, A Waterfall Seen through an Arched Opening in a Wall, c.1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00042 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Joseph Mallord William Turner, ?Diagram of the Plan or Elevation of a Building, c.1789, Graphite and pen on paper, Tate, London. https://dartabase.art/cite/tate/D00010 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Joseph Mallord William Turner, Study of a Group of Three Trees; ?a Falling Figure, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00015 Joseph Mallord William Turner, The Lodge and Gate of Radley Hall, Abingdon Road Entrance, with Part of the Park, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00044 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Sir Joshua Reynolds, Lady Cornewall, c. 1785–1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1213 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 George Romney, Prospero, Miranda, and Caliban, from The Tempest, c. 1786, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116239 Joseph Mallord William Turner, A Partially Draped Figure, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00032 Joseph Mallord William Turner, ?A Kneeling Figure with a Sword, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00025 Thomas Gainsborough, Miss Catherine Tatton, 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/106 Joseph Mallord William Turner, Sunningwell Church from the South-East, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00026 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Joseph Mallord William Turner, Distant View of Radley Hall, near Abingdon, from the North, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00021 Joseph Mallord William Turner, View of Nuneham Courtenay, near Abingdon, from the South-West, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00016 Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Daniel Gardner, The Hon. Mrs. Gray, c. 1785/1790, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1212 William Blake, May-Day in London, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4982 William Blake, John Caspar Lavater, 1787/1801, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4996 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Joseph Mallord William Turner, Lacy’s Court, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00014 Joseph Mallord William Turner, Distant View of Oxford from North Hinksey, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00017 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Joseph Mallord William Turner, Wanstead New Church, 1789–90, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00051 Gainsborough Dupont, George IV as Prince of Wales, 1781, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/105 Joseph Mallord William Turner, Radley Hall from the North-West, 1789, Pen and ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00048 British 18th Century, Jane Cutler Doane, c. 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3207 Joseph Mallord William Turner, A Large House with Trees Beyond, c.1787–9, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00053 Joseph Mallord William Turner, A Tree, with a Line of Trees Beyond, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00019 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 George Romney, Lady Arabella Ward, 1783–1788, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1217 William Blake, The Morning Amusements of her Royal Highness, 1782, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5008 Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1785–1787, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/99 Joseph Mallord William Turner, Study of a Group of Buildings, with a Paling Fence: Lacy’s Court, Bath Street, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00013 Joseph Mallord William Turner, Oxford from the South-West, ?1787–8, Graphite, watercolour and pen and ink on paper, Tate, London. https://dartabase.art/cite/tate/D00047 Horace Hone, Portrait of Lady Grace Anna Newenham, 1784, watercolor on ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/121273 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954