Isidore-Stanislas Helman, Le roman dangereux, 1781, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2734

Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448

Antoine Francois Dennel, La Comparison du bouton de rose, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3097

Nicolas Ponce, Le pot au lait, 1787, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2949

Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953

Louis Le Coeur, The Palais Royal--Garden's Walk / Promenade du Jardin du Palais Royal, 1787, wash manner with etching and engraving, printed in blue, red, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2896

Jean-François Janinet, La Comparaison, 1786, color etching and wash manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2997

Romain Girard, Valmont and Emilie, 1788, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3058

J.-Louis Darcis, L'accident imprevu, 1789, stipple etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3021

Jeanne Deny, Le restaurant, 1782, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3050

William Blake, Orlando in a Fury Tearing up Trees, 1783, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6521

Jean-François Janinet, Nina, ou La Folle par amour (Nina, or The Woman Maddened by Love), 1787, etching and wash manner, printed in blue, yellow, red, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3006

John Jones, Miss Kemble in a White Dress, 1784, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8070

Francois-Nicolas-Barthelemy Dequevauviller, L'Indiscret, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2868

Jean Charles Levasseur, La laitiere, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2980

Nicolas Delaunay, La Consolation de l'absence, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2735

Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950

Nicolas Delaunay, Le Chiffre d'amour, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2940

Philibert-Louis Debucourt, L'Escalade, ou les Adieux du Matin, 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2889

Francois-Nicolas-Barthelemy Dequevauviller, Le coucher des ouvrieres en modes, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3043

Charles François Adrien Macret, La Fuite à dessein (The Pre-Arranged Flight), 1783, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2944

Nicolas Delaunay, La Consolation de l'absence, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3033

Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952

Henry Meyer, Earl Spencer, 1782, mezzotint [trial proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/9195

Valentine Green, Henry Laurens, 1782, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7411

Antoine-François Sergent, It's Too Late (Il est trop tard), 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3098

Nicolas Delaunay, Les Hazards heureux de l'Escarpolettes (The Swing), probably 1782, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2945

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au salon, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3024

Nicolas Delaunay, Les Baignets, probably 1782, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2955

Nicolas Ponce, Le Verre d'eau, 1787, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2950

Valentine Green, George Washington, 1785, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7413

Nicolas Ponce, L'enlevement nocturne, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2828

Valentine Green, Georgiana (Spencer), Duchess of Devonshire, 1780, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7409

William Blake, The Discomfited Duellists, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4983

Nicolas François Regnault, La Fontaine d'Amour (The Fountain of Love), 1785, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2749

Francois-Nicolas-Barthelemy Dequevauviller, Le contretemps, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3034

Philibert-Louis Debucourt, Annette et Lubin, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2883

Robert Pollard, 1st Earl Charles Grey, c. 1782, Engraving on paper; Sheet: 20.5 x 12.3cm (8 1/16 x 4 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810910-0

Gérard Vidal, La balancoire mysterieuse, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3025

Jean-François Janinet, Les Nourrices (The Nurses), 1780, etching and aquatint printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3007

Francois-Nicolas-Barthelemy Dequevauviller, Le lever des ouvrieres en modes, 1784, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3041

Jean-Louis Delignon, Les offres seduisantes, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3044

Philibert-Louis Debucourt, Les Bouquets, ou la Fête de la Grand-Maman, 1788, color etching and wash manner on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2885

Heinrich Guttenberg, Le mercure de France, 1784, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2808

Louis Le Coeur, Colin-maillard, 1789, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3032

Charles-Melchior Descourtis, Foire de Village, 1788, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2775

Jacques Couché, Les sabots, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2773

Jean-Louis Anselin, La Belle Jardinière - Madame de Pompadour, c. 1782–1788, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3110

Pierre-Philippe Choffard, Marchez tout doux, parlez tout bas, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2847

Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957

Thomas Gainsborough, Wooded Landscape with Three Cows at a Pool, c.1785–8, reprinted 1797, Aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00190

Augustin de Saint-Aubin, Comptez sur mes sermens (You May Count on Me!), 1789, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3084

E. Guersant, La  Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2938

Abraham Girardet, Le coup de vent (The Gust of Wind), 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3060

Philibert-Louis Debucourt, L'Oiseau ranime, 1787, color etching and wash manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2894

Anton Graff, Self-Portrait before an Easel, c. 1787, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73500

Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948

Augustin de Saint-Aubin, Derniere heure de la Baronne de Rebecque, 1780, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3087

Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955

Jean-Michel Moreau the Younger, Le bal masqué, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2792

Isidore-Stanislas Helman, Le roman dangereux, 1781, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3054

Nicolas François Regnault, Le Songe d'Amour (Love's Dream), 1785, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2750

Philibert-Louis Debucourt, La Rose, 1788, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2890

Nicolas Delaunay, Le Chiffre d'amour, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2751

Philibert-Louis Debucourt, Mgr. Le duc d'Orléans, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2887

Nicolas Delaunay, La Félicité villageoise, 1784, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3149

Jean-Louis Anselin, La Belle Jardinière - Madame de Pompadour, c.1782–1788, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3109

Jeanne Deny, Le restaurant, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3051

Philibert-Louis Debucourt, The Palais Royal - Gallery's Walk / Promenade de la Galerie du Palais Royal, 1787, color etching and wash manner on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2895

Charles François Adrien Macret, La Fuite à dessein (The Pre-Arranged Flight), 1783, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2770

Abraham Girardet, Le coup de vent (The Gust of Wind), 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3059

Augustin de Saint-Aubin, Au moins soyez discret (At Least Be Discreet!), 1789, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3083

Philibert-Louis Debucourt, La Noce au Chateau, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2893

Jean Dambrun, Le sommeil interrompu, 1787, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3082

E. Guersant, La Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2939

Philibert-Louis Debucourt, Heur et Malheur, ou la Cruche cassée, 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2888

Nicolas Delaunay, Qu'en dit l'Abbé?, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3031

Charles-Etienne Gaucher, Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3073

Jean Gabriel Caquet, L'innocence en danger, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3040

Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au concert, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3023

Francois-Nicolas-Barthelemy Dequevauviller, Le lever des ouvrieres en modes, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3042

Philibert-Louis Debucourt, Le Compliment ou La Matinée du jour de l'an (The Compliment or New Year's Morning), 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2884

Noël Pruneau, L'amour a l'espagnole, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3063

Antoine-François Sergent, The Place to the First Occupier, 1786, etching and wash manner printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3094

Philibert-Louis Debucourt, Le Menuet de la mariee (The Bride's Minuet), 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2892

Charles-Melchior Descourtis, Noce de Village (Village Wedding), 1785, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2774

Jean-Michel Moreau the Younger, Le festin royal, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2791

Nicolas Delaunay, La Félicité villageoise, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2970

Nicolas Delaunay, Les Baignets, probably 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2956

Philibert-Louis Debucourt, La Main, 1788, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2891

William Blake, ‘Songs of Innocence’: Title-Page, 1789, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00039

Auguste-Claude-Simon Legrand, Ma chemise brule, 1789, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2936

William Blake, May-Day in London, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4982

William Blake, John Caspar Lavater, 1787/1801, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4996

Philibert-Louis Debucourt, Les Deux Baisers (The Two Kisses), 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2886

Antoine-François Sergent, The First Come Best Served, 1786, etching and wash manner printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3093

Henry Fuseli, Sleeping Woman with a Cupid, 1780/90, Etching in red-brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/141447

Jean-François Janinet, Les trois graces, 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3012

Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946

Jacques Couché, Les sabots, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3055

Nicolas Delaunay, Dites donc s'il vous plait, probably 1782, etching (and engraving?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2952

Charles-Melchior Descourtis, Noce de Village (Village Wedding), 1785, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3103

Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au salon, 1783, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3147

Jean Antoine Pierron, Le retour trop precipite, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3053

Nicolas Delaunay, Qu'en dit l'Abbé?, 1788, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3030

Gérard Vidal, Le Triomphe de Minette (Triumph of Minette), 1786, color etching and mezzotint inked à la poupée on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2977

Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022

Francois-Nicolas-Barthelemy Dequevauviller, Le contretemps, 1786, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3035

Jean-François Janinet, L'aveu difficile (The Difficult Confession), 1787, etching and wash manner, printed in blue, red, carmine, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2998

Noël Pruneau, L'amour a l'espagnole, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3064

Francois-Nicolas-Barthelemy Dequevauviller, L'Indiscret, 1786, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2867

Nicolas Ponce, L'enlevement nocturne, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2769

Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956

Charles-Melchior Descourtis, Foire de Village, 1788, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3104

Charles-Etienne Gaucher, Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3072

E. Guersant, La  Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2937

Jean-François Janinet, L'Indiscretion, 1788, etching and wash manner, printed in blue, red, carmine, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2999

Jean-François Janinet, A Woman Playing the Guitar, 1788/1789, etching and wash manner, printed in blue, red, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3000

William Blake, The Morning Amusements of her Royal Highness, 1782, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5008

Nicolas Delaunay, Les Hazards heureux de l'Escarpolettes (The Swing), probably 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2946

Jean Jacques Le Veau, J'ai tort, mon cher Valère, et t'en demande excuse, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3144

Gérard Vidal, Les nymphes scrupuleuses, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3026

Jean-Pierre-Marie Jazet, La promenade au Jardin Turc, 1788, hand-colored aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2860

Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954