TANJORE OR TRICHINOPOLY ARTIST, Company painting of an entertainer with monkeys and goats, 1780–86, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36120

Pierre Charles L'Enfant, Badge of the Cincinnati Medal, c. 1783, Gold, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/298

Joseph Mallord William Turner, A Seated Stag, with the Head of Another Deer, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00035

Isidore-Stanislas Helman, Le roman dangereux, 1781, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2734

George - Painter, WARD, William Morland, The coquette at her toilet, 1787, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1695

Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448

Christoph Heinrich Kniep, Bocca di Capri, 1789, Aquarell über Bleistift, allseitige Einfassungslinie in Schwarz, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/6935

Jean-Baptiste-François Bosio, Portrait of Count Vittorio Alfieri, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334830

Jean-Baptiste-François Bosio, Portrait of Thaddeus Kosciuszko, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334809

United States, Corner Table, one of a pair, c. 1780–1800, Mahogany and white pine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.17.5

Antoine Francois Dennel, La Comparison du bouton de rose, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3097

Nicolas Ponce, Le pot au lait, 1787, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2949

Gilbert Stuart, Baron FitzGibbon, 1789, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/100489

Joseph Mallord William Turner, Study of a Dog with Schematic Drawings of Quoining, Windows and Mouldings, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00043

Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987

Pierre Stephan, Figure of Admiral Samuel Hood, c. 1785, Earthenware, basalt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/38

Jean-Baptiste-François Bosio, Portrait of Alexander I, Czar of Russia, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334831

Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953

HOPPNER, John Unknown - Engraver, Portrait (sitter unknown), c.1785, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3159

Manufacturer: Wedgwood, Teapot, c. 1780, Basalt ware (black stoneware), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.8.52a%2C%20b

Louis Le Coeur, The Palais Royal--Garden's Walk / Promenade du Jardin du Palais Royal, 1787, wash manner with etching and engraving, printed in blue, red, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2896

Jean-François Janinet, La Comparaison, 1786, color etching and wash manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2997

William Blake, "And Saul Said unto David, Go, and the Lord be with Thee" [recto], c. 1780/1785, pen and ink over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4869

George - Painter, WARD, William Morland, Suspense, 1788, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3807

John Deare, Venus and Cupid, 1789, Pen and black ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241061

Romain Girard, Valmont and Emilie, 1788, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3058

Joseph Mallord William Turner, Sunningwell Church, from the North-East, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00024

John Opie, Self portrait, c.1780, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9235

Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138

Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766

Francis - Engraver, CLEVELEY, after James Jukes, View of Owyhee, Hawaii with Captain Cook being killed by Natives, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2949

Mather Brown, William Vans Murray, 1787, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/560

Joseph Mallord William Turner, Inscription by Turner: Architectural Notes, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00045

Clodion, (Claude Michel), Pair of Eight Light Candelabra, c. 1785 or 19th century, Patinated and gilded bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24554

J.-Louis Darcis, L'accident imprevu, 1789, stipple etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3021

TANJORE OR TRICHINOPOLY ARTIST, Company painting of two entertainers with monkeys and goats, 1780–86, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36121

Jeanne Deny, Le restaurant, 1782, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3050

Joseph Mallord William Turner, View of Nuneham Courtenay from the Thames, with a Barge in the Foreground, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00022

William Blake, Orlando in a Fury Tearing up Trees, 1783, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6521

Jean-François Janinet, Nina, ou La Folle par amour (Nina, or The Woman Maddened by Love), 1787, etching and wash manner, printed in blue, yellow, red, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3006

British 18th Century, Elisha Doane, c. 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3206

Revere and Son, Andiron, 1787–1810, Brass, iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/115

Joseph Mallord William Turner, Nuneham Courtenay: The House and Park Looking towards Oxford, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00030

Katsukawa Shunsen, Beauty carrying lengths of fabric for kimonos (from 'Four castes' series), c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6379

John Jones, Miss Kemble in a White Dress, 1784, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8070

Francois-Nicolas-Barthelemy Dequevauviller, L'Indiscret, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2868

Gainsborough Dupont, Portrait of Mary Anne Jolliffe, after 1788, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122344

Jean-Baptiste-François Bosio, Portrait of P.-A. Caron de Beaumarchais, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334827

Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185

William Blake, ‘Songs of Innocence’: Title-Page, 1789, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00038

Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909

Cousineau Père et Fils, Harp, c. 1787–90, Mahogany, ivory, pigment, gilt, and metal works, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.5

Jean Charles Levasseur, La laitiere, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2980

Johann Heinrich Wilhelm Tischbein, Goethe in der römischen Campagna, 1787, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1148

Nicolas Delaunay, La Consolation de l'absence, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2735

Thomas Gainsborough, John, 4th Earl of Darnley, 1785, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1161

Thomas Gainsborough, Mountain Landscape with Bridge, c. 1783/1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/114

Joseph Mallord William Turner, Radley Hall from the North-East, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00028

Joseph Mallord William Turner, Half-length Écorché Figure, ?1789–90, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00125

Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270

Jean-Baptiste-François Bosio, Portrait of Mark Akenside, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334832

UNKNOWN, Pair of belt purse rings with chrysanthemum design, c.1780, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16160

Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950

Thomas Gainsborough, Georgiana, Duchess of Devonshire, 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/100

Jean-Baptiste-François Bosio, Portrait of Benjamin Franklin, n.d., Pen and ink, and brush and brown and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334845

Jacques Louis David, The Death of Socrates, 1787, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436105

Nicolas Delaunay, Le Chiffre d'amour, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2940

Katsukawa Shunchô, Summer Bush Clover (Natsuhagi), from the series Choicest Odes upon Flowers of the Four Seasons (Shuku awase, shiki no hana), About 1792, Color woodblock print; chūban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22867

Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004

Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673

George Romney, Mrs. Alexander Blair, 1787–1789, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1216

Philibert-Louis Debucourt, L'Escalade, ou les Adieux du Matin, 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2889

Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805

Jean-Baptiste-François Bosio, Portrait of Karl Wilhelm Ferdinand, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334811

Francois-Nicolas-Barthelemy Dequevauviller, Le coucher des ouvrieres en modes, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3043

Charles François Adrien Macret, La Fuite à dessein (The Pre-Arranged Flight), 1783, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2944

Nicolas Delaunay, La Consolation de l'absence, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3033

George Romney, Miss Juliana Willoughby, 1781–1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/111

Henry Fuseli, Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress, 1783, Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116079

Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952

Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982

Joseph Mallord William Turner, Folly Bridge and Bacon’s Tower, Oxford, 1787, Pen and ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00001

UNKNOWN, Wine pot, c.1780–1820, Cast iron with gold and silver foliate inlay, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10682

Attributed to Jean-Jacques Caffieri, Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780, Marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.49

Joseph Mallord William Turner, Two Rows of Buildings Seen in Perspective, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00195

Joseph Mallord William Turner, A Stableman in a Striped Coat with Dog and Saddled Horse in Front of Trees, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00031

Henry Meyer, Earl Spencer, 1782, mezzotint [trial proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/9195

Joseph Mallord William Turner, Study of a Stag Seen from the Front, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00020

Joseph Mallord William Turner, A Sailing Boat, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00039

Valentine Green, Henry Laurens, 1782, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7411

Torii Kiyonaga, Hand-basin, 1787, Colour woodblock pillar print (hashira-e) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8632

Antoine-François Sergent, It's Too Late (Il est trop tard), 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3098

Katsukawa Shunchô, Nihonbashi bridge, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1651

Joseph Mallord William Turner, Blank, c.1789, Tate, London. https://dartabase.art/cite/tate/D00041

Nicolas Delaunay, Les Hazards heureux de l'Escarpolettes (The Swing), probably 1782, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2945

Joseph Mallord William Turner, Part of Nuneham Courtenay, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00036

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au salon, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3024

Johann Heinrich Otto, Birth and baptismal certificate, 1786, Watercolor on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/535

Nicolas Delaunay, Les Baignets, probably 1782, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2955

Gilbert Stuart, Portrait of Henry Lambert, 1780–81, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.36

Cary Dunn, Cup, 1784–96, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2788

Jean-Baptiste-François Bosio, Portrait of C.-F. du Perier Dumouriez, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334838

Joseph Mallord William Turner, Lambeth Palace from the South-East, with Cardinal Morton’s Gateway and the Parish Church, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00038

Nicolas Ponce, Le Verre d'eau, 1787, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2950

Joseph Mallord William Turner, Study of the Doorway in the North Front of Radley Hall, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00012

Clodion, Faun Family, c. 1785, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1248

Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515

United States, Card table, c. 1780, Mahogany, white oak and white pine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.17.10

Valentine Green, George Washington, 1785, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7413

Joseph Mallord William Turner, Foliage; a Tree, with a Line of Trees Beyond, c.1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00018

Nicolas Ponce, L'enlevement nocturne, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2828

William Blake, Moses Staying the Plague (?) [recto], c. 1780/1785, pen and ink with wash on two joined sheets, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4867

Valentine Green, Georgiana (Spencer), Duchess of Devonshire, 1780, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7409

Angelica Kauffmann, The deserted Costanza, c.1783–84, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8358

Jean-Baptiste-François Bosio, Portrait of Giovanni Fantoni (or "Labindo"), n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334840

Joseph Mallord William Turner, ?Two Boys Running, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00034

Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689

William Blake, The Discomfited Duellists, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4983

Nicolas François Regnault, La Fontaine d'Amour (The Fountain of Love), 1785, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2749

Joseph Mallord William Turner, Three Cows, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00023

Francois-Nicolas-Barthelemy Dequevauviller, Le contretemps, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3034

Jean-Henri Riesener, Writing Table (table à écrire), c. 1780, veneered on oak with mahogany, sycamore, purplewood, boxwood, ebony, and holly; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1569

TADATOSHI, Netsuke:  (ox), c.1781–1800, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4561

Pierre-Antoine Demachy, The Balloon Flight of Jacques Charles and Nicolas-Louis Robert over the Place de la Concorde, Paris, c. 1783–85, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.22

Joseph Mallord William Turner, A Numbered Grid, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00033

Philibert-Louis Debucourt, Annette et Lubin, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2883

Katsukawa Shunchô, The Tanabata Festival, from the series "Amusements of the Five Festival Days (Gosetsu asobi)", About 1790, Color woodblock print; chūban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22860

Robert Pollard, 1st Earl Charles Grey, c. 1782, Engraving on paper; Sheet: 20.5 x 12.3cm (8 1/16 x 4 13/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810910-0

Henry Fuseli, Portrait of a Woman (Martha Hess), 1781, Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36126

Jean-Baptiste-François Bosio, Portrait of Cesare Bonesana, Marchese di Beccaria, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334826

Jean Honoré Fragonard, Le concours/Kinderszene: Wettbewerb oder Unterweisung im Lesen, c. 1780–1785, Aquarell über schwarzer Kreide, grau und braun laviert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7431

Joseph Mallord William Turner, ?Struggling Figures, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00027

Gérard Vidal, La balancoire mysterieuse, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3025

Sir Joshua Reynolds, Lady Elizabeth Compton, 1780–1782, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/104

Joseph Mallord William Turner, Sunningwell Church from the North-East, c.1789, Pen and ink on paper, Tate, London. https://dartabase.art/cite/tate/D00050

Jean-François Janinet, Les Nourrices (The Nurses), 1780, etching and aquatint printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3007

Francois-Nicolas-Barthelemy Dequevauviller, Le lever des ouvrieres en modes, 1784, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3041

Joseph Mallord William Turner, Old Isleworth Church, from the River, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00040

BOULANGER Sr - Gilder, SÈVRES Aloncle - Decorator, Cylindrical cup and saucer, 1780, Soft-paste porcelain, cylindrical cup painted with a brightly coloured bird perched on a bush, gilt edged and reserved against an uneven blue roi ground with scattered gilt sprigs against a scrolling border.  (On the saucer the bird is perched on a leafy branch), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7086

Johann Heinrich Otto, Birth and Baptismal Certificate, 1782, Ink and watercolor on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/534

Edward Savage, The Washington Family, 1789–1796, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/561

In the manner of Pierre Gouthière, Pair of Candelabra, c. 1789, Bronze gilt, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24552

Joseph Mallord William Turner, Nuneham Courtenay: The East Front with the Principal Entrance, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00029

Katsushika Hokusai, Chinese and Tartar Boys Quarreling over a Game of Go, c. 1790, Woodblock print; oban, keyblock proof impression, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86971

William - Engraver, SMITH, John Raphael Ward, Retirement (Mrs Brudenell), 1786, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6641

Jean-Louis Delignon, Les offres seduisantes, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3044

Philibert-Louis Debucourt, Les Bouquets, ou la Fête de la Grand-Maman, 1788, color etching and wash manner on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2885

Joseph Mallord William Turner, Sketch of a Putto with a Lyre, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00037

Henry Fuseli, Thetis Mourning the Body of Achilles, 1780, Brush and brown and brownish-red wash, over graphite, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84471

Jean-Baptiste-François Bosio, Portrait of Jacques Delille, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334835

Heinrich Guttenberg, Le mercure de France, 1784, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2808

Louis Le Coeur, Colin-maillard, 1789, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3032

Charles-Melchior Descourtis, Foire de Village, 1788, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2775

Raku Ryōnyū, Raku Ware Teabowl with Image of Mount Fuji, Late 18th century, Glazed stoneware, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8591

Jacques Couché, Les sabots, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2773

Jean-Louis Anselin, La Belle Jardinière - Madame de Pompadour, c. 1782–1788, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3110

Pierre-Philippe Choffard, Marchez tout doux, parlez tout bas, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2847

Paul Revere Jr., Andiron, c. 1790, Brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/116

Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957

George Romney, Mrs. Davies Davenport, 1782–1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/112

Sir Joshua Reynolds, The Holy Family with the Infant St John, 1788–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00837

Thomas Gainsborough, Wooded Landscape with Three Cows at a Pool, c.1785–8, reprinted 1797, Aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00190

UNKNOWN, The prodigal son, c.1780–1840, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10532

Augustin de Saint-Aubin, Comptez sur mes sermens (You May Count on Me!), 1789, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3084

Denis Colombier, Tumbler, 1789, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/385

E. Guersant, La  Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2938

Joseph Mallord William Turner, Distant View of Oxford from the Abingdon Road (Oxford from South Hinksey), 1789, Ink wash, pen and ink, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00046

William Blake, Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’, c.1786–9, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00040

Joseph Mallord William Turner, View of Nuneham Courtenay from the Thames, 1787, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00002

Abraham Girardet, Le coup de vent (The Gust of Wind), 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3060

UNKNOWN Unknown - Maker, Octagonal plate, Chinese export porcelain decorated with blue and white fishing village design and applied polychrome decoration in red, orange and gold, c.1780–90, Hard-paste porcelain with cobalt underglaze, polychrome overglaze and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3943

Georg Karl Urlaub, Bildnis des Johann Georg von Holzhausen (1771-1846), 1789, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1687

Gotô Shinjô, Box in the Shape of a Teahouse, 1780–1848 (late Edo), copper, gold, silver, and gold alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/53.98

Joseph Mallord William Turner, Radley Hall from the South-East, 1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00049

Joseph Mallord William Turner, Eton College from the River, c.1787, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00003

Gilbert Stuart, Luke White, c. 1787, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1122

Venetian, Ring with Minature Portrait, 1780s, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1753

William Blake, Group of Men Seated in a Circle [recto], c. 1780/1785, pen and black ink with wash over black chalk on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4871

Philibert-Louis Debucourt, L'Oiseau ranime, 1787, color etching and wash manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2894

Joseph Mallord William Turner, A Waterfall Seen through an Arched Opening in a Wall, c.1789, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00042

Giacomo Guardi, Der Markusplatz in Venedig, c. 1780–1810, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1639

Jean-Baptiste-François Bosio, Portrait of J.-B. de Boyer, Marquis d'Argens, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334829

Anton Graff, Self-Portrait before an Easel, c. 1787, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73500

George - Painter, WARD, William Morland, The delightful story, 1787, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8002

Ephraim Brasher, Punch Bowl, 1785–1800, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/787

Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948

Jean-Baptiste-François Bosio, Portrait of Charlotte Corday, n.d., Brush and brown washes over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334808

Joseph Mallord William Turner, ?Diagram of the Plan or Elevation of a Building, c.1789, Graphite and pen on paper, Tate, London. https://dartabase.art/cite/tate/D00010

Augustin de Saint-Aubin, Derniere heure de la Baronne de Rebecque, 1780, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3087

Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955

Jean-Baptiste-François Bosio, Portrait of M.-J.-A.-N. de Coritat, Marquis de Condorcet, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334834

SHUN-EI, Ichikawa Yaozo III as a nobleman, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1670

Joseph Mallord William Turner, Study of a Group of Three Trees; ?a Falling Figure, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00015

Jean-Michel Moreau the Younger, Le bal masqué, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2792

Isidore-Stanislas Helman, Le roman dangereux, 1781, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3054

Nicolas François Regnault, Le Songe d'Amour (Love's Dream), 1785, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2750

Wilhelm von Kobell, Studies of Horsewomen, late 18th–mid-19th century, Graphite, heightened with white chalk, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334908

Joseph Mallord William Turner, The Lodge and Gate of Radley Hall, Abingdon Road Entrance, with Part of the Park, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00044

Johann Georg Pforr, Hasenhetze mit einem Falkner, 1786, Öl auf Nussbaumholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/586

Philibert-Louis Debucourt, La Rose, 1788, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2890

Hubert Robert, The Rustic Bridge, Château de Méréville, France, c. 1785, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.14

Georg Karl Urlaub, Bildnis des Friedrich Adolph Carl von Holzhausen (1776-1811), 1789, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1689

Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166

Nicolas Delaunay, Le Chiffre d'amour, 1786, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2751

SHUNKO, The actor Nakamura Nakazo, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9559

Jean-Baptiste-François Bosio, Portrait of Charles Bonnet, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334815

Philibert-Louis Debucourt, Mgr. Le duc d'Orléans, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2887

Nicolas Delaunay, La Félicité villageoise, 1784, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3149

Paul Revere Jr., Andiron, c. 1790, Brass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/117

UNKNOWN, Seal, c.1780–1820, Black jade cylindrical base surmounted by a crouching lion, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15191

Sir Joshua Reynolds, Lady Cornewall, c. 1785–1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1213

Jean-Louis Anselin, La Belle Jardinière - Madame de Pompadour, c.1782–1788, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3109

Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363

Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369

George Romney, Prospero, Miranda, and Caliban, from The Tempest, c. 1786, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116239

Joseph Mallord William Turner, A Partially Draped Figure, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00032

Jeanne Deny, Le restaurant, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3051

Francis - Engraver, CLEVELEY, after James Jukes, View of Matavai Bay, Tahiti, 1788, Aquatint, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6712

Jean-Baptiste-François Bosio, Portrait of G.-L. Leclere, Comte de Buffon, n.d., Brush and brown wash with graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334813

Philibert-Louis Debucourt, The Palais Royal - Gallery's Walk / Promenade de la Galerie du Palais Royal, 1787, color etching and wash manner on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2895

Charles François Adrien Macret, La Fuite à dessein (The Pre-Arranged Flight), 1783, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2770

Joseph Mallord William Turner, ?A Kneeling Figure with a Sword, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00025

Abraham Girardet, Le coup de vent (The Gust of Wind), 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3059

Jakob Philipp Hackert, A Large Tree at Albano, 1782, Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334880

Gilbert Stuart, Sir Joshua Reynolds, 1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1115

Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670

Georg Karl Urlaub, Bildnis der Henriette von Holzhausen (1773-1834), 1789, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1688

GEORGIAN STYLE, Cream jug, c.1789–90, Silver, ball feet with a simple foliate band engraved around body, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15139

Augustin de Saint-Aubin, Au moins soyez discret (At Least Be Discreet!), 1789, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3083

Kitao Masanobu, Courtesans Takigawa and Tanohgi at Yoshiwara Gate (from 'The autographs of Yoshiwara beauties' series), 1784, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/743

Thomas Gainsborough, Miss Catherine Tatton, 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/106

Kitagawa Utamaro, Shizuka Gozen dancing before the Shogun, Yoritomo, c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2527

Katsukawa Shunsho, The Goddess Benten Holding a Biwa and a Young Man Holding a Shoulder Drum, from the series "Comparing the Smiles of the Lucky Gods (Fukujin egao kurabe)", late 1780s, Color woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31945

Philibert-Louis Debucourt, La Noce au Chateau, 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2893

British School 18th century, Fragment of a Composition: A Ruin beyond a Lake, with Cattle in the Foreground, ?c.1780, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/D00899

Jean-Baptiste-François Bosio, Portrait of Gaetano Filangieri, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334841

Jean Dambrun, Le sommeil interrompu, 1787, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3082

E. Guersant, La Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2939

Philibert-Louis Debucourt, Heur et Malheur, ou la Cruche cassée, 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2888

Joseph Mallord William Turner, Sunningwell Church from the South-East, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00026

Jean-Baptiste-François Bosio, Portrait of Cavaliere Pompeo Batoni, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334828

Nicolas Delaunay, Qu'en dit l'Abbé?, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3031

Jean-Baptiste-François Bosio, Portrait of Sir Benjamin Thompson, Count von Rumford, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334837

Charles-Etienne Gaucher, Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3073

Francis - Engraver, CLEVELEY, after James Jukes, View of Hauheine, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11084

Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92

Jean Gabriel Caquet, L'innocence en danger, 1785, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3040

Indian, Episodes from the Life of Krishna, c. 1800–1850, Opaque watercolor and gold on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.908

Pierre Stephan, Figure of Admiral George Rodney, c. 1785, Earthenware, basalt, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/37

Francis - Engraver, CLEVELEY, after James Jukes, View of Morea, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11280

Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949

Joseph Mallord William Turner, Distant View of Radley Hall, near Abingdon, from the North, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00021

ITALIAN SCHOOL, Mars, Venus and Cupid, c.1780–1800, Pen and brown ink over pencil on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15446

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au concert, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3023

Joseph Mallord William Turner, View of Nuneham Courtenay, near Abingdon, from the South-West, c.1789, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00016

Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574

ITALIAN SCHOOL, Grand Canal, Venice, c.1780–1800, Brush and brown wash over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15415

Jean-Baptiste-François Bosio, Portrait of Antonio Botta-Adorno, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334814

Torii Kiyonaga, (Three courtesans on a verandah) (left-hand panel of triptych), c.1786–92, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12221

Jean-Baptiste-François Bosio, Portrait of Joseph Bonaparte, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334823

Francois-Nicolas-Barthelemy Dequevauviller, Le lever des ouvrieres en modes, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3042

Philibert-Louis Debucourt, Le Compliment ou La Matinée du jour de l'an (The Compliment or New Year's Morning), 1787, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2884

Torii Kiyonaga, Carrying a lantern sponsored by the Kojimachi, from the series "The Festival of the Sanno Shrine (Sanno gosairei)", 1780, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21249

Noël Pruneau, L'amour a l'espagnole, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3063

Antoine-François Sergent, The Place to the First Occupier, 1786, etching and wash manner printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3094

Robert Blake, The Preaching of Warning. Verso: An Old Man Enthroned Between Two Groups of Figures, by ?William Blake, ?c.1785, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00003

Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674

Philibert-Louis Debucourt, Le Menuet de la mariee (The Bride's Minuet), 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2892

Daniel Gardner, The Hon. Mrs. Gray, c. 1785/1790, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1212

Charles-Melchior Descourtis, Noce de Village (Village Wedding), 1785, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2774

Jean-Michel Moreau the Younger, Le festin royal, 1782, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2791

Nicolas Delaunay, La Félicité villageoise, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2970

Johann Georg Pforr, Pferdemarkt, 1786, Öl auf Nussbaumholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/587

United States (Massachusetts), Lolling chair, 1780–1800, Mahogany and ash, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.16.2

Nicolas Delaunay, Les Baignets, probably 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2956

Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415

Christian Georg Schütz d. Ä., Schloss Schönbusch bei Aschaffenburg, 1786, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1836

Carl Fredrik von Breda, Mrs. William Hartigan, 1787/1796, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1109

Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516

Philibert-Louis Debucourt, La Main, 1788, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2891

William Blake, ‘Songs of Innocence’: Title-Page, 1789, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00039

Auguste-Claude-Simon Legrand, Ma chemise brule, 1789, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2936

William Blake, May-Day in London, 1784, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4982

William Blake, John Caspar Lavater, 1787/1801, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4996

Philibert-Louis Debucourt, Les Deux Baisers (The Two Kisses), 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2886

Antoine-François Sergent, The First Come Best Served, 1786, etching and wash manner printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3093

Jean-Baptiste-François Bosio, Portrait of Count Levin August von Bennigsen, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334824

Henry Fuseli, Sleeping Woman with a Cupid, 1780/90, Etching in red-brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/141447

Hosoda Eishi, A standing beauty above a woman bathing a boy, c.1788, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9257

Jacques Louis David, Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), 1788, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436106

Jean-François Janinet, Les trois graces, 1786, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3012

Jean-Baptiste Le Prince, A Woman in Russian Dress, 1780, Red chalk on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199588

Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946

Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352

Francesco - Engraver of figures, BYRNE, William - Engraver of landscape, WEBBER, after John Bartolozzi, The death of Captain Cook, 1785, Engraving and etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7869

Jacques Couché, Les sabots, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3055

Nicolas Delaunay, Dites donc s'il vous plait, probably 1782, etching (and engraving?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2952

Charles-Melchior Descourtis, Noce de Village (Village Wedding), 1785, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3103

Indian, Kali as the Supreme Deity, c. 1800, paint on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.897

Jean-Henri Riesener, Writing Table (table à écrire), 1784, veneered on oak with mahogany, sycamore, ebony, and boxwood, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1567

Joseph Mallord William Turner, Lacy’s Court, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00014

Joseph Mallord William Turner, Distant View of Oxford from North Hinksey, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00017

Torii Kiyonaga, No. 4: Chinese boys playing a raffle game, from the series "Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu)", c. 1791, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22673

Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951

Francois-Nicolas-Barthelemy Dequevauviller, L'assemblee au salon, 1783, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3147

Jean Antoine Pierron, Le retour trop precipite, 1788, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3053

Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947

Joseph Loring, Two-handled Cup, c. 1790, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2790

Nicolas Delaunay, Qu'en dit l'Abbé?, 1788, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3030

Gérard Vidal, Le Triomphe de Minette (Triumph of Minette), 1786, color etching and mezzotint inked à la poupée on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2977

UNKNOWN, Tea bowl and saucer, Chinese export porcelain decorated with famille rose design, c.1780–90, Hard-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9261

Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022

Francois-Nicolas-Barthelemy Dequevauviller, Le contretemps, 1786, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3035

Joseph Mallord William Turner, Wanstead New Church, 1789–90, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00051

Jean-François Janinet, L'aveu difficile (The Difficult Confession), 1787, etching and wash manner, printed in blue, red, carmine, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2998

Noël Pruneau, L'amour a l'espagnole, 1783, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3064

Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915

Gainsborough Dupont, George IV as Prince of Wales, 1781, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/105

Joseph Mallord William Turner, Radley Hall from the North-West, 1789, Pen and ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00048

Jean-Baptiste-François Bosio, Portrait of J. J. Régis de Cambecérès, n.d., Brush and brown washes over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334812

Francois-Nicolas-Barthelemy Dequevauviller, L'Indiscret, 1786, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2867

attrib. to BOUILLAT Sèvres - Manufacturer, Oval dish, c.1787, Soft-paste porcelain with a wide apple green border of gilt vermicule and a roughly applied gilt border enclosing an extensive river landscape with a man fishing and watermill in polychrome enamels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8605

British 18th Century, Jane Cutler Doane, c. 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3207

Nicolas Ponce, L'enlevement nocturne, 1780, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2769

Christian Georg Schütz d. Ä., Ansicht von Aschaffenburg, 1786, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1835

Joseph Mallord William Turner, Blank, c.1789, Tate, London. https://dartabase.art/cite/tate/D00011

Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845

Benjamin West, George III, 1783, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129300

William Blake, Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings, c.1785, c.?1807, Graphite on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00044

Joseph Mallord William Turner, A Large House with Trees Beyond, c.1787–9, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/D00053

Joseph Mallord William Turner, A Tree, with a Line of Trees Beyond, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00019

Jean-François Janinet, La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3013

Revere and Son, Andiron, 1787–1810, Brass, iron, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/114

Captain John - Cartographer, HARRISON & REID Marshall, A chart of the track of the 'Scarborough' on her homeward passage from Port Jackson on the Et. coast of New South Wales towards China, 1789, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18359

Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956

Charles-Melchior Descourtis, Foire de Village, 1788, etching and engraving printed in color, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3104

Jean-Baptiste-François Bosio, Portrait of Count Heinrich Joseph von Bellegarde, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334825

Charles-Etienne Gaucher, Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3072

Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846

E. Guersant, La  Chemise enlevée, 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2937

Jean-François Janinet, L'Indiscretion, 1788, etching and wash manner, printed in blue, red, carmine, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2999

GEORGIAN STYLE, Cream jug, c.1789–90, Silver, ball feet with body half ridged and with engraved foliate band. Gadrooned lip, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15140

Jean-François Janinet, A Woman Playing the Guitar, 1788/1789, etching and wash manner, printed in blue, red, yellow, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3000

George Romney, Lady Arabella Ward, 1783–1788, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1217

Jean-Baptiste-François Bosio, Portrait of Karl Ludwig Johann, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334810

William Blake, The Morning Amusements of her Royal Highness, 1782, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5008

George - Painter, WARD, William Morland, The disconsolate and her parrot, 1788, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7586

Nicolas Delaunay, Les Hazards heureux de l'Escarpolettes (The Swing), probably 1782, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2946

Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1785–1787, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/99

Ishiguro Masatsune II, Fuchi with Diving Duck, c. 1800–1850 (late Edo), shakudo, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1112

Joseph Mallord William Turner, Study of a Group of Buildings, with a Paling Fence: Lacy’s Court, Bath Street, Abingdon, c.1789, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00013

Jean Jacques Le Veau, J'ai tort, mon cher Valère, et t'en demande excuse, 1782, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3144

Chinese, Gourd-Shaped Vase, 1780–1820 (Qianlong), porcelain with iron oxide ""tea dust"" glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.2059

Gérard Vidal, Les nymphes scrupuleuses, 1784, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3026

Jean-Baptiste-François Bosio, Portrait of Prince Henry of Prussia, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334839

Henrich Dulhauer, Birth and Baptismal Certificate, 1784, Ink and watercolor on paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/532

Jean-Pierre-Marie Jazet, La promenade au Jardin Turc, 1788, hand-colored aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2860

Joseph Mallord William Turner, Oxford from the South-West, ?1787–8, Graphite, watercolour and pen and ink on paper, Tate, London. https://dartabase.art/cite/tate/D00047

John Mckay, Teapot, c.1781–82, Silver, bullet shaped, with foliate knob, embossed with floral swags and engraved with scrolls and crest of the Ivory family.  Bone inset in handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/255

Horace Hone, Portrait of Lady Grace Anna Newenham, 1784, watercolor on ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/121273

Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954

Torii Kiyonaga, The Tenjin Bridge (from 'Sankanotsu suzumi jikkei' series), c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4741