TANJORE OR TRICHINOPOLY ARTIST, Company painting of an entertainer with monkeys and goats, 1780–86, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36120

George - Painter, WARD, William Morland, The coquette at her toilet, 1787, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1695

HOPPNER, John Unknown - Engraver, Portrait (sitter unknown), c.1785, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3159

George - Painter, WARD, William Morland, Suspense, 1788, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3807

John Opie, Self portrait, c.1780, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9235

Francis - Engraver, CLEVELEY, after James Jukes, View of Owyhee, Hawaii with Captain Cook being killed by Natives, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2949

TANJORE OR TRICHINOPOLY ARTIST, Company painting of two entertainers with monkeys and goats, 1780–86, Watercolour on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/36121

Katsukawa Shunsen, Beauty carrying lengths of fabric for kimonos (from 'Four castes' series), c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6379

William Blake, ‘Songs of Innocence’: Title-Page, 1789, reprinted 1831 or later, Relief etching on paper, Tate, London. https://dartabase.art/cite/tate/A00038

UNKNOWN, Pair of belt purse rings with chrysanthemum design, c.1780, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16160

UNKNOWN, Wine pot, c.1780–1820, Cast iron with gold and silver foliate inlay, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10682

Torii Kiyonaga, Hand-basin, 1787, Colour woodblock pillar print (hashira-e) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8632

Katsukawa Shunchô, Nihonbashi bridge, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1651

Angelica Kauffmann, The deserted Costanza, c.1783–84, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8358

TADATOSHI, Netsuke:  (ox), c.1781–1800, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4561

BOULANGER Sr - Gilder, SÈVRES Aloncle - Decorator, Cylindrical cup and saucer, 1780, Soft-paste porcelain, cylindrical cup painted with a brightly coloured bird perched on a bush, gilt edged and reserved against an uneven blue roi ground with scattered gilt sprigs against a scrolling border.  (On the saucer the bird is perched on a leafy branch), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7086

William - Engraver, SMITH, John Raphael Ward, Retirement (Mrs Brudenell), 1786, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6641

UNKNOWN, The prodigal son, c.1780–1840, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10532

UNKNOWN Unknown - Maker, Octagonal plate, Chinese export porcelain decorated with blue and white fishing village design and applied polychrome decoration in red, orange and gold, c.1780–90, Hard-paste porcelain with cobalt underglaze, polychrome overglaze and gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3943

Gotô Shinjô, Box in the Shape of a Teahouse, 1780–1848 (late Edo), copper, gold, silver, and gold alloy, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/53.98

Venetian, Ring with Minature Portrait, 1780s, gold, enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1753

George - Painter, WARD, William Morland, The delightful story, 1787, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8002

SHUN-EI, Ichikawa Yaozo III as a nobleman, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1670

SHUNKO, The actor Nakamura Nakazo, c.1780, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9559

UNKNOWN, Seal, c.1780–1820, Black jade cylindrical base surmounted by a crouching lion, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15191

Jean Baptiste Jacques Augustin, Portrait of the Duchesse D'Angoulême, c. 1800, watercolor on ivory, gold, diamond and ruby frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.369

Francis - Engraver, CLEVELEY, after James Jukes, View of Matavai Bay, Tahiti, 1788, Aquatint, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6712

GEORGIAN STYLE, Cream jug, c.1789–90, Silver, ball feet with a simple foliate band engraved around body, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15139

Kitao Masanobu, Courtesans Takigawa and Tanohgi at Yoshiwara Gate (from 'The autographs of Yoshiwara beauties' series), 1784, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/743

Kitagawa Utamaro, Shizuka Gozen dancing before the Shogun, Yoritomo, c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2527

Francis - Engraver, CLEVELEY, after James Jukes, View of Hauheine, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11084

Indian, Episodes from the Life of Krishna, c. 1800–1850, Opaque watercolor and gold on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.908

Francis - Engraver, CLEVELEY, after James Jukes, View of Morea, 1788, Aquatint, hand-coloured on wove paper on cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11280

ITALIAN SCHOOL, Mars, Venus and Cupid, c.1780–1800, Pen and brown ink over pencil on cream laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15446

ITALIAN SCHOOL, Grand Canal, Venice, c.1780–1800, Brush and brown wash over pencil on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15415

Torii Kiyonaga, (Three courtesans on a verandah) (left-hand panel of triptych), c.1786–92, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12221

Hosoda Eishi, A standing beauty above a woman bathing a boy, c.1788, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9257

Francesco - Engraver of figures, BYRNE, William - Engraver of landscape, WEBBER, after John Bartolozzi, The death of Captain Cook, 1785, Engraving and etching on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7869

Indian, Kali as the Supreme Deity, c. 1800, paint on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.897

UNKNOWN, Tea bowl and saucer, Chinese export porcelain decorated with famille rose design, c.1780–90, Hard-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9261

attrib. to BOUILLAT Sèvres - Manufacturer, Oval dish, c.1787, Soft-paste porcelain with a wide apple green border of gilt vermicule and a roughly applied gilt border enclosing an extensive river landscape with a man fishing and watermill in polychrome enamels, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8605

Joseph Mallord William Turner, Blank, c.1789, Tate, London. https://dartabase.art/cite/tate/D00011

Captain John - Cartographer, HARRISON & REID Marshall, A chart of the track of the 'Scarborough' on her homeward passage from Port Jackson on the Et. coast of New South Wales towards China, 1789, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18359

Piat Joseph Sauvage, Circular Medallion, c. 1805, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1846

GEORGIAN STYLE, Cream jug, c.1789–90, Silver, ball feet with body half ridged and with engraved foliate band. Gadrooned lip, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15140

George - Painter, WARD, William Morland, The disconsolate and her parrot, 1788, Mezzotint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7586

Ishiguro Masatsune II, Fuchi with Diving Duck, c. 1800–1850 (late Edo), shakudo, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1112

Chinese, Gourd-Shaped Vase, 1780–1820 (Qianlong), porcelain with iron oxide ""tea dust"" glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.2059

John Mckay, Teapot, c.1781–82, Silver, bullet shaped, with foliate knob, embossed with floral swags and engraved with scrolls and crest of the Ivory family.  Bone inset in handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/255

Torii Kiyonaga, The Tenjin Bridge (from 'Sankanotsu suzumi jikkei' series), c.1785, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4741