Jean-Michel Moreau the Younger, A Dancer, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2386

Auvrest, Equestrian Portrait of Napoleon, n.d., Pen and black ink, brush and gray wash; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334805

Henri Auguste, Design for a Covered Bowl with Stand, c. 1770–1816, Pen and black ink, brush and gray wash., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334806

Jean-Michel Moreau the Younger, Yes or No, 1778, graphite and red chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2385

Antoine Berjon, Spray of Canterbury Bells, n.d., Purple, blue, black, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334917

Antoine Berjon, Yellow Daisies and Pink Wild Rose, n.d., Green, yellow, black, brown, pink, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334920

Antoine Berjon, Floral Design, n.d., White chalk with graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334915

Louis-Marin Bonnet, Le Rendez-vous, 1771, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2851

William Blake, The Belvedere Torso [verso], probably c. 1779/1780, graphite on two joined sheets, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4868

Louis-Marin Bonnet, Louis-Auguste, Dauphin de France, 1770, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3111

George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Henri Auguste, Design for a Wine Fountain, c. 1770–1816, Pen, black ink with brush and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334807

Auvrest, Equestrian Portrait of Henry IV, late 18th–early 19th century, Pen and black ink, brush and gray wash; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334786

Jakob Philipp Hackert, A Rocky Landscape at Civita Castellana, 1776, Brush and brown wash over graphite; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334882

Henry Fuseli, Odin in the Underworld, 1770/72, Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84469

Antoine Berjon, Floral Design, n.d., Purple, pink, black, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334922

Antoine Berjon, White Hollyhocks, n.d., Black, white, yellow and orange chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334919

George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382

William Blake, St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?, ?c.1779–80, Ink on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00045

James Jefferys, Nude Male Figures Bearing the Bodies of their Dead Companions, c. 1779, Pen and black ink and brush and reddish-brown wash on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238624

Henry Fuseli, Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71, Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151454

Gilles Demarteau the Elder, Young Woman with a Rose, c. 1776, chalk manner printed in green, red, and black on green prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2871

Henri Auguste, Design for a Wine Fountain, c. 1770–1816, Pen and black ink, brush and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334785

Jean-Baptiste-François Bosio, Portrait of Maria Gaet - Agnesi, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334833