Various Artists, Louis XVI and Marie-Antoinette, c.1781, color etching, wash manner, and stipple engraving with gold leaf and hand coloring with silver paint (tarnished) on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2582

Jean-Henri Riesener, Roll-top Desk (Bureau à cylindre), c. 1775/1785, veneered on oak principally with tulipwood and purplewood, with ebony (or wood stained to resemble ebony) and boxwood for stringing; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1570

Japanese, Kogai with Insects in Roundels, late 18th-mid 19th century (Edo), shibuichi and gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.898

Jacques Louis David, Young Woman with a Turban, c. 1780, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130163

Jean-François Janinet, La folie, 1777, color aquatint and etching with roulette work, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2996

Thomas Lynde, Beaker, c. 1775, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/402

Nicolas Delaunay, La Sentinelle en défaut, 1771, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2853

Francesco - Engraver, after MICHELANGELO Bartolozzi, The Risen Christ, c.1775?, Crayon manner engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12497

Ichinomiya Nagatsune, Kozuka with Daikoku with Jewels and Rats, 1770–1787 (Edo), copper alloy with gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.840

Pierre Etienne Moitte, Le confessional, 1777, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2807

Hubert Robert, Römische Ruinen, 1773, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1364

Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776

attributed to John Goddard, Card table, c. 1770, Mahogany with maple, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.29

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900661-0

Jean-François Janinet, L'agreable neglige, 1779, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2992

Louis-Simon Lempereur, Les présents du berger, 1773, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2463

Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, Women picking leaves (from 'Cultivation of the silkworm' series), 1776, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11565

Jean-Michel Moreau the Younger, A Dancer, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2386

Jean-Baptiste Blaise Simonet, L'amant de lui-mesme, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3138

Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480

Jeremiah Theus, Portrait of Marcy Olney (1749 - 1780?), c. 1771, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.402

Antoine Louis Romanet, Le bain, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7295

DR WALL (WORCESTER), Two dishes and bowl:  Fisherman and cormorant, c.1775–83, Soft-paste porcelain, with transfer-printed Fisherman and cormorant pattern in cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2713

Juste Chevillet, Jean Baptiste Simeon Chardin, after 1771, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5951

Katsukawa Shunsho, Portrait of a poet (from 'One hundred poets' series), c.1770, Colour woodblock print on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10651

DR WALL (WORCESTER), Leaf dish: (fancy birds), c.1770–83, Porcelain, soft-paste press-moulded, with birds and butterflies in polychrome colours over blue glaze. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9635

Gilbert Stuart, Portrait of James Ward, 1779, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.2

Nicolas Delaunay, Sophie remettez-vous, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3135

Francois-Robert Ingouf, La soiree d'hyver, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7297

Antoine-Jean Duclos, Frontispiece: Aidé de la sagesse, on se sauve de l'amour dans les bras de la raison, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3115

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900689-1

United States, Secretary bookcase, c. 1770, Mahogany with white pine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.19

Richard Cosway, Self-Portrait, c. 1770–75, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435994

DR WALL (WORCESTER), Mug:  (the bouquets), c.1770–75, Soft-paste porcelain, straight-sided form, with transfer-printed floral bouquet in cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9876

Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471

Antoine-Jean Duclos, Le concert, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3091

Noël Le Mire, Le soufflet, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3118

Benjamin Burt, Coffeepot, c. 1770–80, Silver and wood, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.21.10

Louis-Jacques Cathelin, Marie-Antoinette of France, 1775, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2968

Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862

Katsukawa Shunsho, Osagawa Tsuneyo II as Itsukushima Tennyo in the Kabuki Play “Tokimekuya o-Edo no hatsuyuki”, c. 1780, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31506

ADAM STYLE, Tea urn, c.1770–1800, Sheffield plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1511

Auvrest, Equestrian Portrait of Napoleon, n.d., Pen and black ink, brush and gray wash; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334805

Decorator: François-Joseph Aloncle, Dessert dish from the Rohan service, 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.4

Henry Fuseli, Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso), c. 1781, Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113888

Noël Le Mire, Sans rien comprendre à ce mystère, 1773, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3116

François Godefroy, Annette a l'age de vingt ans (Annette at the Age of Twenty Years), 1772, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2930

Louis-Joseph Masquelier, Jusques dans la moindre chose, 1774, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2836

Antoine Louis Romanet, Le lever, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7294

Louis-Joseph Masquelier, Jusques dans la moindre chose, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2837

Nicolas Delaunay, La Bonne Mère, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2962

Benjamin West, Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/569

Nicolas Delaunay, Piqué de ma raillerie, il s'évertue et remporte le prix, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3130

George Romney, Bildnis eines jungen Mannes an seinem Lesetisch, 1775 - c. 1795, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1327

Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137

Ignaz Unterberger, Juno und Flora, c. 1775–1790, Öl auf Marmor, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1272

Jean-Baptiste Blaise Simonet, La soiree des Thuileries, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2857

Henry Fuseli, Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso), Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59989

Nicolas Delaunay, La Sentinelle en défaut, 1771, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2854

Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706

Samuel Hamlin, Basin, 1770–1870, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/341

Kiyotatsu, Tsuba with a Pair of Folding Screens, late 18th century (mid Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.122

Henri Auguste, Design for a Covered Bowl with Stand, c. 1770–1816, Pen and black ink, brush and gray wash., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334806

Jean-Michel Moreau the Younger, Yes or No, 1778, graphite and red chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2385

Various Artists, Seated Woman Embroidering, early 1780s?, color etching, wash manner, and stipple engraving with gold leaf and hand coloring with silver paint (tarnished) on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2584

Jean-Michel Moreau the Younger, Frontispiece: Dictionnaire de musique, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3143

Isidore-Stanislas Helman, Le jardinier galant, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2835

Pierre Adrien Le Beau, Sa taille est ravissante, 1776, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2840

UNKNOWN, George III dining chair, c.1770, Mahogany with embroidered seat, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15986

Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869

Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488

Antoine Berjon, Spray of Canterbury Bells, n.d., Purple, blue, black, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334917

Various Artists, Minerva Crowning the Genius of Fine Arts, early 1780s?, color etching, wash manner, and stipple engraving with gold leaf and hand coloring with silver paint (tarnished) on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2581

Louis Jean Desprez, Tomb with Sphinxes and an Owl, 1779–84, Etching and aquatint in brown on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209884

Nicolas Delaunay, L'heureux moment, 1777, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3038

Henry Fuseli, Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75, Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84473

Nicolas Delaunay, L'heureux moment, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3039

Nicolas Joseph Voyez, La toilette, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7293

Noël Le Mire, Pygmalion, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3140

Designer: John Strykes, Tall case clock, 1773, Mahogany with white oak and English (probably Birmingham) painted dial, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.26

Isidore-Stanislas Helman, Le charlatan allemand, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2908

George Romney, Mrs. Thomas Scott Jackson, c. 1770/1773, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/101

Pierre Etienne Moitte, Le catechisme, 1777, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2806

Patience Wright, Profile Bust of Benjamin Franklin, c. 1775, Wax, glass, wood, paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/501

DR WALL (WORCESTER), Sauceboat:  Strap flute, c.1770–80, Soft-paste porcelain, press-moulded with cobalt underglaze border, floral decoration and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/919

Jacob Jacobse Lansing, Beaker, 1770–90, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/424

Antoine Berjon, Yellow Daisies and Pink Wild Rose, n.d., Green, yellow, black, brown, pink, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334920

Antoine Berjon, Floral Design, n.d., White chalk with graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334915

William Doughty, Samuel Johnson, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6560

DR WALL (WORCESTER), Coffee pot: (famille rose), c.1770–72, Porcelain, soft-paste, baluster shape with overglaze colours in famille rose palette over light blue glaze. Gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9653

Charles Paul Jérôme de Bréa, Benjamin Franklin (1706–1790), after a Painting by Greuze of 1777, 1777, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436109

DR WALL (WORCESTER), Square dessert dish:  Spotted fruit, c.1770, Soft-paste porcelain, press-moulded, cobalt underglaze border with overglaze colours, and gilt caillouté border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1157

Jacques Thouron, Portrait Miniature of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/495

Jean Massard, Le lever, 1771, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2841

Nicolas Joseph Voyez, Le chemin de la fortune, 1778, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2823

David Roentgen, Writing Table with Mechanical Fittings (table mécanique or schreibtisch), partly c. 1779, partly 19th century, oak carcass; pictorial marquetry principally of sycamore, rosewood, applewood with some traces of coloring, and boxwood; table veneered principally with tulipwood, amboyna, ebony, and boxwood; interior fittings of Cuban mahogany; gilded bronze and brass mounts; steel mechanical fitments, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1576

Louis-Marin Bonnet, Le Rendez-vous, 1771, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2851

Noël Le Mire, Un violent exercice étouffe les sentimens tendres, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3133

Antoine-Jean Duclos, Le bal pare, 1774, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3088

DR WALL (WORCESTER), Trio:  (fluted), c.1770–75, Soft-paste porcelain, slip-cast with clear glaze, turquoise overglaze and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4773

British 18th Century, The Rape of the Sabine Women, c. 1770, oil on paper on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1218

Martin Carlin, Work and Writing Table, c. 1770, veneered with sycamore, tulipwood, purplewood, ebony, boxwood, and various other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1585

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900652-1

Ignaz Unterberger, Jupiter und Hebe, c. 1775–1790, Öl auf Marmor, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1273

Nicolas Delaunay, Ah! Jeune homme à ton bienfaiteur, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3119

SÈVRES, Sauce tureen and fixed stand, c.1775, Soft-paste porcelain oval shaped turneen and cover on fixed stand painted between bands of coloured flowers between gilt foliage reserved on an apple green ground within bands of gilt oeil-de-perdrix and cailloute, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3643

Thomas Gainsborough, Rocky, Wooded Landscape with a Dell and Weir, c. 1782–1783, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152006

British 18th Century, Ornament Plate with Armor and Musical Instruments, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9483

Pierre Adrien Le Beau, Sa taille est ravissante, 1776, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2839

Ippitsusai Buncho, Fan print of a famous kabuki actor from the Nakamura family, c.1770, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7982

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900657-2

William Blake, The Belvedere Torso [verso], probably c. 1779/1780, graphite on two joined sheets, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4868

Charles-Etienne Gaucher, Marie-Antoinette, 1775, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2975

SÈVRES Taillandier - Decorator, Armorial plate (from the Hope Service), c.1775, Soft-paste porcelain, lobel pate with bleu roi border reserving three rectangular segments, two with cameos and the other with a coat of arms above a motto.  Gilt embellishments, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8602

J.K. - Engraver, HODGES, after William Sherwin, The landing at Middleburgh, one of the Friendly Isles, 1777, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10604

Louis-Marin Bonnet, Louis-Auguste, Dauphin de France, 1770, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3111

Richard Crosse, Portrait of a Woman, possibly c. 1780, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436058

Nicolas Delaunay, Discours sur l'égalité des conditions: Il retourne chez ses égaux, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3139

UNKNOWN, Parasurama, c.1770–90, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16953

John Downman, Study after Nature, 1774, Brush and brown wash, varnished, with oil paint, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114496

Nicolas Delaunay, Les Soins tardifs, 1775, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2855

Charles Willson Peale, George Washington at Princeton, c. 1779, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98268

Adam Ludwig d'Argent, Joseph II (1741–1790), Emperor of Austria, c. 1780, Enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436067

David Moseley, Beaker, c. 1780, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/403

China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b

England, Cordial glass, c. 1770–90, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.497

Charles-Nicolas Cochin II, La toilette, 1771, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2842

Matthew Pratt, William Henry Cavendish Bentinck, 3rd Duke of Portland, c. 1774, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3159

Decorator: Fallot, Plateau à deux pots de confiture (tray with preserve pots), 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.5a-c

Swiss, Watch with Crown, c. 1785, gold, silver, diamonds, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.41

Pierre Gillois, Tea caddy, c.1772–73, Silver, raised with cast and pierced decoration in the neo-classic taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/189

Nicolas Joseph Voyez, La visite inattendue, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7296

United States, Mirror, c. 1775, Mahogany veneer with gilding on pine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.18.3

Indian, Krishna Steals the Gopis' Clothing, 1775–1800, opaque watercolor and gold paint on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.863

Jean Massard, La cruche cassee, 1773, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2979

CHELSEA-DERBY, Figurine: Flora, c.1772–95, Porcelain, (soft-paste) slip moulded with the figure of the classical goddess Flora. Polychrome overglaze decoration., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6600

George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402

Richard Collins, George Howard (1773–1848), Lord Morpeth, 1775, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435919

Joseph Siffred Duplessis, Madame de Saint-Morys (Eléonore Elisabeth Angélique de Beauterne, 1742–1824), 1776, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436235

Auvrest, Equestrian Portrait of Napoleon as First Consul, n.d., Pen and black ink and gray washes, with brown ink framing lines., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334787

Antoine-Jean Duclos, Le bal pare, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3089

Nicolas Joseph Voyez, Le chemin de la fortune, 1778, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2795

Manufacturer: Sèvres Porcelain Factory, Jatte à glace (ice cream pail) from the Rohan service, 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.8a-c

China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Jean-Antoine Houdon, Louise Brongniart, 1777, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1263

Jean-François Janinet, The Harvesters' Lunch, 1774, color etching and wash manner with roulette work, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3005

Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446

Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482

Joseph Wright, Portrait of a Gentleman, c. 1770–1773, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/570

Jean-François Janinet, L'amour, 1777, color aquatint and etching with roulette work, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2995

ARRAS, Monteith, c.1775, Soft-paste porcelain, oval seau à crénelé, the exterior with panels of figures, rural buildings and castles reserved on a mottled deep blue ground. Chiselled gilt decoration of scrolls and birds, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12268

Jacques Thouron, Plaque Portrait of Benjamin Franklin, 1776–1883, Enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/469

Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489

Georg Melchior Kraus, Familie in einem Dorfwirtshaus, 1770–1774, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1126

Katsukawa Shunsho, The actor Matsumoto Daishichi (from 'Ehon butai-ogi' album (Picture-book of stage fans)), c.1770, Colour woodblock print on laid Oriental rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11650

Thomas Patch, Book of engravings:  The work of Masaccio dedicated to the Hon. Sir Horace Mann, 1770, Book comprising 25 engravings, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2260

Jean-Michel Moreau the Younger, La philosophie endormie, 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2982

Nicolas Delaunay, Le Billet doux, 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3027

Jean-Baptiste Blaise Simonet, Voilà la règle de la nature, pourquoi la contrariez-vous?, 1777/1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3128

Pierre-Philippe Choffard, Chacun respecte le travail des autres, afin que le sein soit en sûreté, 1777/1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3129

Henri Auguste, Design for a Wine Fountain, c. 1770–1816, Pen, black ink with brush and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334807

Auvrest, Equestrian Portrait of Henry IV, late 18th–early 19th century, Pen and black ink, brush and gray wash; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334786

UNKNOWN, Lovers on a terrace, c.1770, Ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16959

Jean-Michel Moreau the Younger, La cinquantaine, 1771, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3071

Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18

Suzuki Harunobu, A secret visit to the pleasure quarters, 1770, Colour woodblock print (chuban) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6923

Charles Louis Lingée, La promenade du matin, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7298

J.K. - Engraver, HODGES, after William Sherwin, The landing at Tanna, one of the New Hebrides, 1777, Engraving, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3420

Jean-Antoine Houdon, Alexandre Brongniart, 1777, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1262

Nicolas Delaunay, L'Epouse indiscrete, 1771, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2830

Various Artists, Seated Woman Sketching a Design for Embroidery and Children Winding Yarn, early 1780s?, color etching, wash manner, and stipple engraving with gold leaf and hand coloring with silver paint (tarnished) on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2583

Joseph Wright of Derby, Portrait of Dorothy Beridge, nèe Gladwin, 1777, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.82

Augustin de Saint-Aubin, Adrienne Sophie Marquise de ***, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3086

Noël Le Mire, La barque, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3123

Georg Melchior Kraus, Familie bei der Mahlzeit, 1770–1774, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1125

Augustin de Saint-Aubin, Le baiser envoyé, 1771, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2985

Nicolas Delaunay, L'Epouse indiscrete, 1771, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2829

Nicolas Delaunay, Le Billet doux, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3028

Nicolas Delaunay, Saint-Preux sort de chez des femmes du monde, 1776, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3120

Worcester Porcelain Works (a.k.a. Royal Worcester Porcelain Company), Teapot, from a tea service, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.6a%2C%20b

Weyller, Plaque Portrait of Benjamin Franklin, 1776–1883, Enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/467

Francois-Robert Ingouf, L'evenement au bal, 1775, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7290

DR WALL (WORCESTER), Cup and saucer:  (dishevelled birds), c.1770–72, Soft-paste porcelain, with deep blue scale ground, reserved cartouches decorated with exotic birds and insects in overglaze colour.  Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5559

Paul Revere Jr., Andiron, c. 1780, Bell metal, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/119

Nicolas Delaunay, La Complaisance maternelle, 1776, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2969

O'NEALE, Jefferyes Hamett Dr Wall (worcester) - Manufacturer, Lozenge-shaped dish:  (river landscape), c.1770, Soft-paste porcelain, slip-cast scrolled form with deep blue border with river scene in green, blue, brown and purple.  Gilt dentil edge and rich gilt border with greenish glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3480

George Romney, Mrs Yates as the Tragic Muse, Melpomene, 1771, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13522

Noël Le Mire, L'inoculation de l'amour, 1775/1776, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3121

Thomas Gainsborough, The Hon. Mrs. Thomas Graham, c. 1775/1777, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1160

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900660-1

Antoine-Jean Duclos, Le bal paré, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3148

DR WALL (WORCESTER), Trio:  Lord Henry Thynne, c.1775–83, Soft-paste porcelain, cobalt underglaze borders, polychrome landscape scene and fruit motifs, with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3478

Henry Fuseli, Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116101

attrib. to Charles Woodward, Tea urn, c.1770–71, Silver, the swelling body decorated in a modified rococo style with branch handles and foliage. The stand with pierced edge and with cast bird feet. Engraved with heraldic crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7149

Nicolas Ponce, Marton, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2838

Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488

Jean-Baptiste Blaise Simonet, La nature étaloit à nos yeaux toute sa magnificence, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3132

John Clerk, Churchyard trees, c.1770–1812?, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3516

Thomas Gainsborough, Portrait of Mary Wise, c. 1774, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124080

Noël Le Mire, Il en est nâvré, je l'entraine avec peine, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3136

Thomas Gainsborough, Mrs. Paul Cobb Methuen, c. 1776/1777, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1159

Indian, Capture of Demons in Lanka, 1775–1800, pigments and gold on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.877

John I Smart, Portrait of a Man, Possibly Sir Soulden Lawrence, 1770, watercolor on ivory in an amalgam frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119033

Antoine-Jean Duclos, Le concert, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3092

Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018

Jacob Jacobse Lansing, Beaker, 1770–90, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/423

Pietro Fabris, View of Mount Vesuvius from the sea shore;  at Resina, between Portici, and Torre del Greco, 1774, Watercolour and gouache on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8330

Pierre Ozanne, The Bark, 1771/80, Pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190591

Augustin Dubourg, Portrait of a Woman, 1778, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436220

Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445

Nicolas Delaunay, Il appliqua sur cette main un baiser que je sentis sur mon coeur, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3124

SPITALFIELD STYLE, Textile portion, c.1770, Silk damask, the cream ground brocaded with a floral pattern in silk, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7686

Jean-Baptiste-André Gautier-Dagoty, Jeanne Bécu, Comtesse Du Barry, Being Offered a Cup of Coffee by Zamor, 1771, color mezzotint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2904

DR WALL (WORCESTER), Trio:  (fluted floral), c.1772–75, Soft-paste porcelain, slip-cast with clear glaze, cobalt underglaze, overglaze colours, and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3067

Jakob Philipp Hackert, A Rocky Landscape at Civita Castellana, 1776, Brush and brown wash over graphite; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334882

Georges Michel, An Allée of Trees in a Park (recto); The Ruins of a Building on a Hill (verso), n.d., black chalk with touches of gray wash and watercolor (recto); pen and ink over black chalk with gray wash (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334684

François - Artist, CHELSEA PORCELAIN WORKS (Chelsea-Derby) - Manufacturer, STEPHAN, Pierre Boucher, Figurines:  The French seasons, c.1775–80, Soft-paste porcelain, cast and assembled with polychrome overglaze and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12301

Sir Joshua Reynolds, Lady Caroline Howard, 1778, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/113

Robert Delaunay, Les folâtres jeux sont les premiers cuisiniers du monde, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3134

Myer Myers, Beaker, 1770–90, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/431

Nicolas Delaunay, Le Billet doux, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3029

Nicolas Delaunay, Le Carquois épuisé (The Empty Quiver), 1775, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2819

Jean-Antoine Houdon, Voltaire, 1778, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1266

Jeann-Antoine Lepine, Mantle clock, c. 1770, Marble, ormulu, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.2

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900689-0

Jacques - Decorator, SÈVRES Micaud, Cylindrical cup and saucer, 1775, Soft-paste porcelain painted in overglaze colours with a vase of flowers on a marbled ledge within an oval gilt panel with vertical bands painted with roses alternating with other flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6664

Jacques Thouron, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/468

Johann Zoffany, The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, c. 1772, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/543981

To-Haku Ai-Hsin, Scroll:  Lit'uh, Kwai, c.1770–1821, Brush, ink and colour on silk on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15183

Henry Fuseli, Odin in the Underworld, 1770/72, Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84469

Joseph Wright of Derby, Portrait of Colonel Charles Heathcote, c. 1771–72, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/302209

Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700

Antoine-Jean Duclos, Elle s'élance après lui, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3125

Richard Gainsborough Dupont, Mrs. John Puget (Catherine Hawkins), 1774, Oil on copper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436240

GEORGIAN STYLE, Jelly glass, c.1770–1800, Lead crystal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15094

Antoine Berjon, Floral Design, n.d., Purple, pink, black, and white chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334922

Antoine-Jean Duclos, La Reine annonçant à Mme Bellegarde, des Juges, et la liberté de son mari en mai 1777, 1779, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2768

Antoine Berjon, White Hollyhocks, n.d., Black, white, yellow and orange chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334919

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, (Courtesans with a bird cage (from the album 'Seiro bijin-awase sugata-kagami' (Collected beauties of the green-houses)), 1776, Woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14620

Nicolas Delaunay, Le Petit Jour, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2972

Cary Dunn, Beaker, c. 1776–96, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/388

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, (Four courtesans, one holding a pipe (from the album 'Seiro bijin-awase sugata-kagami' (Collected beauties of the green-houses)), 1776, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3691

Swiss, Watch with a Guilloché Case with Pearls, c. 1791, gold, enamel, pearl, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.98

François Marie Isidore Queverdo, La jarretière, 1776, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3078

Myer Myers, Beaker, 1770–90, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/430

Jean Martin Renaud, [Untitled], 1776–1883, Plaster, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/494

UNKNOWN, Coffee cup, Chinese export porcelain decorated with blue and white pagoda, c.1770–80, Hard-paste porcelain with cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9262

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900684-0

H. Sanford, Portrait of Benjamin Franklin, 1776–1883, Panel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/485

Decorator: Etienne Evans, Plate from the Rohan service, 1772, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.2

Decorator: Antoine-Joseph Chappuis, Dinner plate from the Rohan service, 1771, Porcelain, enamel, gilding, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.1

Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b

Noël Le Mire, Courons vîte: l'astronomie est bonne à quelque chose, 1778, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3131

Gainsborough Dupont, Anne Elizabeth Cholmley (1769–1788), Later Lady Mulgrave, 1774, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436239

Samuel Drowne, Beaker, 1770–1800, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/387

UNKNOWN, Ehon Kunimi-Yema (Book of pictures of customs (of many lands)) (Vol. 1), c.1770, Woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5370

Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742

Juste Chevillet, Le léger vêtement, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2858

British 18th Century, Horatius Cocles, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9487

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625

Jakob Philipp Hackert, Blick auf Sankt Peter in Rom, 1774, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1537

Decorator: François-Joseph Aloncle, Dessert dish from the Rohan service, 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.3

Augustin de Saint-Aubin, Louise Emilie Baronne de ***, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3085

Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491

Myer Myers, Basket, 1770–76, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/364

Jean-Michel Moreau the Younger, Le modèle honnête, 1770, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2848

Jean-Baptiste Blaise Simonet, Le modèle honnête, 1770/1772, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2850

George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382

O'NEALE, Jefferyes Hamett Dr Wall (worcester) - Manufacturer, Lozenge-shaped dish:  (pair of wolves), c.1770, Soft-paste porcelain, slip-cast scrolled shape with basket weave design, brown and green overglaze, edged with gilt dentil, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1712

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900676-1

Isidore-Stanislas Helman, Le charlatan français, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2907

UNKNOWN (initials BC), Teapot, decorated with blue and white design showing a woman in European dress carrying balance scales in a chinoiserie landscape, 1777, Creamware with blue underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20741

Charles Louis Lingée, Les confidences, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7300

William Blake, St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?, ?c.1779–80, Ink on paper. Verso: graphite on paper, Tate, London. https://dartabase.art/cite/tate/A00045

James Jefferys, Nude Male Figures Bearing the Bodies of their Dead Companions, c. 1779, Pen and black ink and brush and reddish-brown wash on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238624

Augustin de Saint-Aubin, Frontispiece: J.J. Rousseau, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3114

Nicolas Delaunay, La Bonne Mère, 1779, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2961

attrib. to CAUGHLEY, Tea bowls and saucers, c.1775–80, Porcelain, greyish body and tinted blue glaze decorated with Chantilly spring pattern in cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/78

Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638

Unknown 18th Century, Benjamin West, c. 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1133

Nicolas Delaunay, L'heureuse fécondité, 1777, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2959

Decorator: François-Joseph Aloncle, Tass à glace (custard or ice cream cup), 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.6

Antoine-Jean Duclos, La confiance des belles âmes, 1777, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3122

DERBY PORCELAIN WORKS, Figurine of Neptune, c.1770, Soft-paste porcelain figure of Neptune standing in a yellow-lined floral cloak, the mound base moulded with a polychromed dolphin, shells and seaweed surmounting polychromed gilt edged rococo scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5676

Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037

Myer Myers, Beaker, 1770–90, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/429

Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490

Sir Joshua Reynolds, Lady Elizabeth Delmé and Her Children, 1777–1779, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/102

Henry Fuseli, Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71, Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151454

Jean Honoré Fragonard, The Tax Collectors (Les traitants), 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2967

Joseph Siffred Duplessis, Benjamin Franklin (1706–1790), 1778, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436236

John Townsend, Desk and Bookcase, c. 1780–95, "Plum pudding" mahogany, red cedar, chestnut, white pine, brass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170257

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900663-2

Antoine-Jean Duclos, Le concert, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3090

François Godefroy, Annette a l'age de quinze ans  (Annette at the Age of Fifteen Years), 1772, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2929

Thomas Gainsborough, Mrs. John Taylor, c. 1778, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/107

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900697-1

Elisabeth Louise Vigée-LeBrun, Portrait of Jean-Baptiste Lemoyne the Younger, 1774, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169684

Jean Honoré Fragonard, The Armoire, 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2931

DR WALL (WORCESTER), Pair of twelve-lobed bowls, c.1775, Soft-paste porcelain, 'wet blue' border, polychrome overglaze flowers, elaborate gilding, and gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10788

Jean-Baptiste Blaise Simonet, Le modèle honnête, 1770, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2849

Jeremiah Theus, Portrait of Mrs. Gardner Greene, 1770, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.38

Charles Willson Peale, John Philip de Haas, 1772, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1103

after James Gillray, (Street scene of three men escaping from a fight), 1779, Pen, sepia ink and wash on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8236

William - Engraver, PARKINSON, after Sydney Byrne, The Endeavour being careened, c.1773, Reproductive engraving, hand-coloured on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6294

Benjamin Burt, Beaker, 1770–1800, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/384

Augustin de Saint-Aubin, Le duc de Chartres, son epouse et ses enfants, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2794

Jean-Charles Krafft, Bound print, 1771–1802, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900650-1

Gilles Demarteau the Elder, Young Woman with a Rose, c. 1776, chalk manner printed in green, red, and black on green prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2871

Henri Auguste, Design for a Wine Fountain, c. 1770–1816, Pen and black ink, brush and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334785

Jean-Baptiste-François Bosio, Portrait of Maria Gaet - Agnesi, n.d., Brush and brown wash over graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334833

Jean-Baptiste Blaise Simonet, La soiree des Thuileries, 1774, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2856

Robert Delaunay, Iphis, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3142

Continental Painter, Portrait of a Woman, Said to Be Princess Apraxine, 1775, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435933

Nicolas Delaunay, Le Petit Jour, 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2973