Japanese, Kogai with Insects in Roundels, late 18th-mid 19th century (Edo), shibuichi and gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.898

Francesco - Engraver, after MICHELANGELO Bartolozzi, The Risen Christ, c.1775?, Crayon manner engraving on thick cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12497

Ichinomiya Nagatsune, Kozuka with Daikoku with Jewels and Rats, 1770–1787 (Edo), copper alloy with gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.840

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, Women picking leaves (from 'Cultivation of the silkworm' series), 1776, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11565

DR WALL (WORCESTER), Two dishes and bowl:  Fisherman and cormorant, c.1775–83, Soft-paste porcelain, with transfer-printed Fisherman and cormorant pattern in cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2713

Katsukawa Shunsho, Portrait of a poet (from 'One hundred poets' series), c.1770, Colour woodblock print on Oriental paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10651

DR WALL (WORCESTER), Leaf dish: (fancy birds), c.1770–83, Porcelain, soft-paste press-moulded, with birds and butterflies in polychrome colours over blue glaze. Gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9635

DR WALL (WORCESTER), Mug:  (the bouquets), c.1770–75, Soft-paste porcelain, straight-sided form, with transfer-printed floral bouquet in cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9876

Josiah Wedgwood, Covered Vase with Women and Children at Worship, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.862

ADAM STYLE, Tea urn, c.1770–1800, Sheffield plate, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1511

Kiyotatsu, Tsuba with a Pair of Folding Screens, late 18th century (mid Edo), iron, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.122

UNKNOWN, George III dining chair, c.1770, Mahogany with embroidered seat, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15986

Josiah Wedgwood, Venus and Putti and Jupiter with a Thunderbolt on Clouds, late 18th century (Neoclassical), jasperware, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.869

DR WALL (WORCESTER), Sauceboat:  Strap flute, c.1770–80, Soft-paste porcelain, press-moulded with cobalt underglaze border, floral decoration and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/919

DR WALL (WORCESTER), Coffee pot: (famille rose), c.1770–72, Porcelain, soft-paste, baluster shape with overglaze colours in famille rose palette over light blue glaze. Gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9653

DR WALL (WORCESTER), Square dessert dish:  Spotted fruit, c.1770, Soft-paste porcelain, press-moulded, cobalt underglaze border with overglaze colours, and gilt caillouté border, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1157

DR WALL (WORCESTER), Trio:  (fluted), c.1770–75, Soft-paste porcelain, slip-cast with clear glaze, turquoise overglaze and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4773

SÈVRES, Sauce tureen and fixed stand, c.1775, Soft-paste porcelain oval shaped turneen and cover on fixed stand painted between bands of coloured flowers between gilt foliage reserved on an apple green ground within bands of gilt oeil-de-perdrix and cailloute, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3643

Ippitsusai Buncho, Fan print of a famous kabuki actor from the Nakamura family, c.1770, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7982

SÈVRES Taillandier - Decorator, Armorial plate (from the Hope Service), c.1775, Soft-paste porcelain, lobel pate with bleu roi border reserving three rectangular segments, two with cameos and the other with a coat of arms above a motto.  Gilt embellishments, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8602

J.K. - Engraver, HODGES, after William Sherwin, The landing at Middleburgh, one of the Friendly Isles, 1777, Engraving, hand-coloured, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10604

UNKNOWN, Parasurama, c.1770–90, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16953

Swiss, Watch with Crown, c. 1785, gold, silver, diamonds, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.41

Pierre Gillois, Tea caddy, c.1772–73, Silver, raised with cast and pierced decoration in the neo-classic taste, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/189

Indian, Krishna Steals the Gopis' Clothing, 1775–1800, opaque watercolor and gold paint on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.863

CHELSEA-DERBY, Figurine: Flora, c.1772–95, Porcelain, (soft-paste) slip moulded with the figure of the classical goddess Flora. Polychrome overglaze decoration., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6600

ARRAS, Monteith, c.1775, Soft-paste porcelain, oval seau à crénelé, the exterior with panels of figures, rural buildings and castles reserved on a mottled deep blue ground. Chiselled gilt decoration of scrolls and birds, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12268

Katsukawa Shunsho, The actor Matsumoto Daishichi (from 'Ehon butai-ogi' album (Picture-book of stage fans)), c.1770, Colour woodblock print on laid Oriental rice paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11650

Thomas Patch, Book of engravings:  The work of Masaccio dedicated to the Hon. Sir Horace Mann, 1770, Book comprising 25 engravings, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2260

UNKNOWN, Lovers on a terrace, c.1770, Ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16959

Adam Weisweiler, Console, late 18th century, rosewood, marble, ormolu, painted tin, ceramic, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.18

Suzuki Harunobu, A secret visit to the pleasure quarters, 1770, Colour woodblock print (chuban) on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6923

J.K. - Engraver, HODGES, after William Sherwin, The landing at Tanna, one of the New Hebrides, 1777, Engraving, hand-coloured on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3420

DR WALL (WORCESTER), Cup and saucer:  (dishevelled birds), c.1770–72, Soft-paste porcelain, with deep blue scale ground, reserved cartouches decorated with exotic birds and insects in overglaze colour.  Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5559

O'NEALE, Jefferyes Hamett Dr Wall (worcester) - Manufacturer, Lozenge-shaped dish:  (river landscape), c.1770, Soft-paste porcelain, slip-cast scrolled form with deep blue border with river scene in green, blue, brown and purple.  Gilt dentil edge and rich gilt border with greenish glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3480

George Romney, Mrs Yates as the Tragic Muse, Melpomene, 1771, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13522

DR WALL (WORCESTER), Trio:  Lord Henry Thynne, c.1775–83, Soft-paste porcelain, cobalt underglaze borders, polychrome landscape scene and fruit motifs, with gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3478

attrib. to Charles Woodward, Tea urn, c.1770–71, Silver, the swelling body decorated in a modified rococo style with branch handles and foliage. The stand with pierced edge and with cast bird feet. Engraved with heraldic crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7149

John Clerk, Churchyard trees, c.1770–1812?, Etching on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3516

Indian, Capture of Demons in Lanka, 1775–1800, pigments and gold on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.877

Pietro Fabris, View of Mount Vesuvius from the sea shore;  at Resina, between Portici, and Torre del Greco, 1774, Watercolour and gouache on paper on card, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8330

SPITALFIELD STYLE, Textile portion, c.1770, Silk damask, the cream ground brocaded with a floral pattern in silk, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7686

DR WALL (WORCESTER), Trio:  (fluted floral), c.1772–75, Soft-paste porcelain, slip-cast with clear glaze, cobalt underglaze, overglaze colours, and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3067

François - Artist, CHELSEA PORCELAIN WORKS (Chelsea-Derby) - Manufacturer, STEPHAN, Pierre Boucher, Figurines:  The French seasons, c.1775–80, Soft-paste porcelain, cast and assembled with polychrome overglaze and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12301

Jacques - Decorator, SÈVRES Micaud, Cylindrical cup and saucer, 1775, Soft-paste porcelain painted in overglaze colours with a vase of flowers on a marbled ledge within an oval gilt panel with vertical bands painted with roses alternating with other flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6664

To-Haku Ai-Hsin, Scroll:  Lit'uh, Kwai, c.1770–1821, Brush, ink and colour on silk on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15183

Sèvres Porcelain Manufactory, Shaving Soap Dish (Boîte à savonette), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.700

GEORGIAN STYLE, Jelly glass, c.1770–1800, Lead crystal, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15094

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, (Courtesans with a bird cage (from the album 'Seiro bijin-awase sugata-kagami' (Collected beauties of the green-houses)), 1776, Woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14620

Kitao - Collaborating artist, SHUNSHO, Katsukawa Shigemasa, (Four courtesans, one holding a pipe (from the album 'Seiro bijin-awase sugata-kagami' (Collected beauties of the green-houses)), 1776, Colour woodblock on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3691

Swiss, Watch with a Guilloché Case with Pearls, c. 1791, gold, enamel, pearl, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.98

UNKNOWN, Coffee cup, Chinese export porcelain decorated with blue and white pagoda, c.1770–80, Hard-paste porcelain with cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9262

UNKNOWN, Ehon Kunimi-Yema (Book of pictures of customs (of many lands)) (Vol. 1), c.1770, Woodblock print, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5370

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à feuilles de laurier), 1772, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.625

O'NEALE, Jefferyes Hamett Dr Wall (worcester) - Manufacturer, Lozenge-shaped dish:  (pair of wolves), c.1770, Soft-paste porcelain, slip-cast scrolled shape with basket weave design, brown and green overglaze, edged with gilt dentil, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1712

UNKNOWN (initials BC), Teapot, decorated with blue and white design showing a woman in European dress carrying balance scales in a chinoiserie landscape, 1777, Creamware with blue underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20741

attrib. to CAUGHLEY, Tea bowls and saucers, c.1775–80, Porcelain, greyish body and tinted blue glaze decorated with Chantilly spring pattern in cobalt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/78

DERBY PORCELAIN WORKS, Figurine of Neptune, c.1770, Soft-paste porcelain figure of Neptune standing in a yellow-lined floral cloak, the mound base moulded with a polychromed dolphin, shells and seaweed surmounting polychromed gilt edged rococo scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5676

DR WALL (WORCESTER), Pair of twelve-lobed bowls, c.1775, Soft-paste porcelain, 'wet blue' border, polychrome overglaze flowers, elaborate gilding, and gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10788

after James Gillray, (Street scene of three men escaping from a fight), 1779, Pen, sepia ink and wash on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8236

William - Engraver, PARKINSON, after Sydney Byrne, The Endeavour being careened, c.1773, Reproductive engraving, hand-coloured on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6294