Jacques Louis David, Young Woman with a Turban, c. 1780, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130163

Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776

Katsukawa Shunsho, Osagawa Tsuneyo II as Itsukushima Tennyo in the Kabuki Play “Tokimekuya o-Edo no hatsuyuki”, c. 1780, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31506

Henry Fuseli, Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso), c. 1781, Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113888

Henry Fuseli, Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso), Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59989

Louis Jean Desprez, Tomb with Sphinxes and an Owl, 1779–84, Etching and aquatint in brown on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/209884

Henry Fuseli, Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75, Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84473

Thomas Gainsborough, Rocky, Wooded Landscape with a Dell and Weir, c. 1782–1783, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152006

John Downman, Study after Nature, 1774, Brush and brown wash, varnished, with oil paint, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114496

Charles Willson Peale, George Washington at Princeton, c. 1779, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98268

George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Henry Fuseli, Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116101

Thomas Gainsborough, Portrait of Mary Wise, c. 1774, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124080

John I Smart, Portrait of a Man, Possibly Sir Soulden Lawrence, 1770, watercolor on ivory in an amalgam frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119033

Pierre Ozanne, The Bark, 1771/80, Pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190591

Henry Fuseli, Odin in the Underworld, 1770/72, Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84469

Joseph Wright of Derby, Portrait of Colonel Charles Heathcote, c. 1771–72, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/302209

George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382

James Jefferys, Nude Male Figures Bearing the Bodies of their Dead Companions, c. 1779, Pen and black ink and brush and reddish-brown wash on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238624

Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037

Henry Fuseli, Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71, Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151454