Jean Baptiste Huet, Design for Trophy with Gardening Tools, n.d., Red chalk on ivory laid paper, tipped onto tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114925

François Boucher, Tête-à-tête, 1764, black chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1835

Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink over graphite underdrawing and white wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334853

Heinrich Friedrich Füger, Two Warriors in Classical Costume Bending over Two Figures, mid-18th–early 19th century, Black chalk and a few stray lines of black ink in lower left on yellow paper (or paper washed with yellow), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334854

Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink, brush and brown wash over black chalk, over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334855

Charles Monnet, Jupiter couvre la Terre de Nuages pour jouir d'Io, published 1767/1771, pen and black ink and brush and brown ink with brown wash over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2027

Charles Monnet, Perseus Turning Phinneas to Stone with the Head of Medusa, 1767, pen and black ink with brown and gray wash over traces of graphite, with double border line by the artist in pen and gray ink, on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2111

Joseph Wright of Derby, Self-Portrait in a Fur Cap, 1765/68, Monochrome pastel (grisaille) on blue-gray laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76295

Charles Eisen, The Great Flood, 1765, graphite on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2015

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Charles Eisen, Jupiter and Callisto, 1765, graphite on wove(?) paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2044

Louis-Marin Bonnet, Tête de Flore, 1769, chalk manner printed in blue, black, and red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2776

Heinrich Friedrich Füger, Man Embracing Woman with Child in Her Arms, mid-18th–early 19th century, Graphite; framing lines in graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334856

Jakob Philipp Hackert, View of Marino in the Alban Hills, c. 1770–1807, Pen and brown ink, brown wash over black chalk., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334879

Johan Tobias Sergel, Chryses Imploring the Help of Apollo, from Iliad, Book I, 1765/66, Black chalk on off-white laid paper, tipped onto wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241156

Katsushika Hokusai 葛飾北斎 (1760-1849), Sleeping Man, 1760–1849, Ink on paper; H x W (sheet and image): 23.9 x 10.5 cm (9 7/16 x 4 1/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184895-0

François Boucher, Aurora and Cephalus, c. 1766, brown chalk with stumping on light beige laid paper, with later framing line in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2156

Jean-Michel Moreau the Younger, The Sacrifice of Iphigenia, 1769, pen and brush and black ink with gray wash over traces of graphite with border line by the artist on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2234

Jean-Michel Moreau the Younger, Phaeton au Palais du Soleil ..., 1766, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2037

Katsushika Hokusai 葛飾北斎 (1760-1849), Summer sake sippers, 1760–1849, Ink on paper; H x W (sheet & image): 23.8 × 32.1 cm (9 3/8 × 12 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184776-0

François Boucher, Venus appuyee sur son cher Adonis ..., 1767, black and white chalk on faded blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2216

Jean Honoré Fragonard, The Supper at Emmaus, 1760/61, Black chalk on ivory laid paper, laid down on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221187

Jean-Michel Moreau the Younger, La Famine par l'ordre de Ceres ..., 1767, pen and black ink and brush and black ink with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2174

Johan Tobias Sergel, Achilles Restrained by Athena in Agamemnon's Tent, from Iliad, Book I, 1765/66, Black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241157