Suzuki Harunobu, Jurojin, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6741 Jean Baptiste Huet, Design for Trophy with Gardening Tools, n.d., Red chalk on ivory laid paper, tipped onto tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114925 UNKNOWN, Equestrian portrait of Rathor Udai Bhanji, c.1760–80, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16951 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499736 SÈVRES, Cup and saucer, c.1760, Soft porcelain body decorated with polychrome sprigs of flowers with gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5362 Jean-Baptiste Oudry, DEUX ETUDES DE CHIEN, 1ère moitié 18e siècle;3e quart 18e siècle, sanguine; craie blanche; papier (gris), Musée Grobet-Labadié, Marseille. https://dartabase.art/cite/joconde/000DE021409 Benjamin West, Elizabeth Shewell West and Her Son, Raphael, c. 1770, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109245 François Hubert Drouais, Boy with a Black Spaniel, c. 1767, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436217 Louis Petit, Que n'y est-il encore?, 1760, color etching and stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2864 United States (Pennsylvania), Strapwork-back Chippendale side chair, c. 1760–70, Mahogany, white pine, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.15.1 John Singleton Copley, Nathaniel Hurd, c. 1765, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/94979 François Boucher, Tête-à-tête, 1764, black chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1835 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Francis Cotes, Admiral Harry Paulet (1719/20–1794), Sixth Duke of Bolton, 1760, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435998 Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink over graphite underdrawing and white wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334853 Pierre Charles Levesque, Le reveil, 1765, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2873 Hubert François Gravelot, Le Connoisseur, 1765, pen and black ink with gray wash and touches of white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2379 Francesco Capella gen. Il Daggiù, Verkündigung, c. 1760–1770, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1434 Joseph de Longueil, Concert Méchanique, 1769, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2910 François Hubert Drouais, Madame Sophie de France (1734–1782), 1762, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436215 Jean-François Leleu, Combined Toilet and Writing Table (toilette à transformations), c. 1764/1775, veneered on oak with tulipwood, kingwood, pearwood, purplewood, sycamore, holly, boxwood, and ebony, some of the woods being originally stained green and other colors; drawers partially of mahogany; sparsely mounted with gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1582 Hamano Yasuyuki, Kozuka with a Man Pulling a Piece of Coral, 1763–1836 (late Edo), shibuichi, copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.636 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Thomas Affleck, Armchair, 1765–75, Mahogany, white oak, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/216 Heinrich Friedrich Füger, Two Warriors in Classical Costume Bending over Two Figures, mid-18th–early 19th century, Black chalk and a few stray lines of black ink in lower left on yellow paper (or paper washed with yellow), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334854 Heinrich Friedrich Füger, Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink, brush and brown wash over black chalk, over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334855 French, Circular Box with Venus and Cupid, 1760–1780, gilt-metal, tortoiseshell, ivory, glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.118 Daniel Henchman, Chafing dish, c. 1760–65, Silver, wood, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.7 Pierre-Francois Courtois, La promenade des remparts de Paris, 1760, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2810 Jean-Baptiste Blaise Simonet, Le couché de la mariée, 1768, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2825 Aert Schouman, Ein Rosalöffler (Platalea ajaja), um 1760–1780, Aquarell, über schwarzem Stift, auf geripptem Büttenpapier; allseitige Einfassungslinie mit der Feder in Dunkelbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17697 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499734 Jean Honoré Fragonard, Nymph Astride a Satyr (Jeune fille a califourchon sur un satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7284 Suzuki Harunobu, Tamonten, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6729 Benjamin Burnham, Desk, 1769, Cherry, white pine, yellow poplar, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/544 Kim Yu-sŏng (also known as Sŏ-am), Landscape, dated 1764, Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5109 Samuel Cotes, Portrait of a Woman, 1767, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435999 Suzuki Harunobu, Untitled (shunga), 1760, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65716 Justus Juncker, Kücheninterieur, 1765, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2966 Katsukawa Shunsho, Actor Ichikawa Danzô III as Shôki the Demon-Queller in “Dandyish Design: Lightning Amid Clouds” (“Date moyô kumo ni imazuma”), About 1768, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31779 William Marlow, Castle on the Rhône River, France, c. 1765–80, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.8 William Wood, Portrait of a Woman, 1768–1809, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.45 Charles Monnet, Jupiter couvre la Terre de Nuages pour jouir d'Io, published 1767/1771, pen and black ink and brush and brown ink with brown wash over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2027 Indian, A Deer Hunt, c. 1775, pigments on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.854 JOSIAH WEDGWOOD & CO., Plate, c.1760–62, Earthenware, creamware with feather edge border and moulded rose design in centre. Black transfer print of 'liver birds' in centre and around rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5322 Juste Chevillet, Le Bon Exemple, 1762, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2740 Jean Ouvrier, Les deux confidantes, 1761, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2736 CHELSEA-DERBY, Figurine: Goatherd, c.1769–75, Soft-paste porcelain with polychrome enamels and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/185 Richard Cosway, Marianne Dorothy Harland (1759–1785), Later Mrs. William Dalrymple, 1762, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435993 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499733 Jean Bernard Restout, Sleep, c. 1771, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/139729 Jean Honoré Fragonard, The Satyrs' Dance (Danse de satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2935 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499739 Filippe Morghen, King Charles III of Spain, c. 1760, Engraving on paper; Sheet: 44.7 x 32 cm (17 5/8 x 12 5/8"); Mat: 71.1 x 55.9 cm (28 x 22"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399810922-0 Carl Gustaf Pilo, Carl Alexander von Ungern-Sternberg, Swedish Envoy in Copenhagen, 1760, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360790 Suzuki Harunobu, Hotei, from the series "The Seven Gods of Good Luck in Modern Life (Ukiyo shichi fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6722 Jakob Björck, Carl Gustaf Tessin (1695–1770), Count and Senator, 1761, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106372417 Pierre-Francois Courtois, Tableau des portraits a la mode, 1760, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2811 Anne Vallayer-Coster, Basket of Plums, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146148 Jacques-Firmin Beauvarlet, The Comte d'Artois and His Sister Mademoiselle Clotilde, 1767, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2905 Christian Wilhelm Ernst Dietrich, The Adoration of the Shepherds, 1760s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436200 Charles Monnet, Perseus Turning Phinneas to Stone with the Head of Medusa, 1767, pen and black ink with brown and gray wash over traces of graphite, with double border line by the artist in pen and gray ink, on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2111 UNKNOWN, Tureen, Chinese export porcelain decorated with blue and white vase of flowers and balustrade design. Scroll knop and animal head handles, c.1760–80, Hard paste porcelain with cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1491 Joseph Wright of Derby, Self-Portrait in a Fur Cap, 1765/68, Monochrome pastel (grisaille) on blue-gray laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76295 CHELSEA PORCELAIN WORKS, Candlestick group, c.1760, Soft-paste porcelain modelled with the figure of cupid draped in a yellow-lined floral cloth, kneeling before a floral arbour in overglaze colours (replacement candle nozzle) on a rococo scroll base edged in gilt and green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5677 UNKNOWN, Lantern and stand, 1760–95 (late Ch'ien Lung Period), White fine porcelain with polychrome flowers against a black ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1492 GEORGIAN STYLE, Cream jug, c.1769–70, Silver, with floral scrolls and a squirrel in repousse, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4482 Suzuki Harunobu, Daikokuten, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6733 England, Cordial glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.502 François Hubert Drouais, Portrait of a Young Woman as a Vestal Virgin, 1767, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436216 Jean Honoré Fragonard, Nymph Supported by Two Satyrs (Nymphe s'asseyant sur les mains de deux satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7282 Jean-Baptiste Chapuy, Le petit favori, 1760, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3045 UNKNOWN, Coffeepot, c.1768, Sterling silver with wooden handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10258 The Garvan Carver, Dressing table, c. 1760–80, Mahogany, white pine, and brass (handles), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.21 Charles Eisen, The Great Flood, 1765, graphite on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2015 John Singleton Copley, Portrait of Sarah Allen, née Sargent, c. 1763, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.3 Richard Cosway, Ensign Lionel Robert Tollemache (1774–1793), 1762, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435996 Pierre-François Basan, Ballet at the Opera, 1761, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3096 Jean Honoré Fragonard, The Little Park (Le petit parc), c. 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2966 Suzuki Harunobu, Shoki in Love, c. 1768, Color woodblock print, hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89059 Justus Juncker, Stillleben mit Birne und Insekten, 1765, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1601 Suzuki Harunobu, An Inauspicious Day, c.1769, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89064 Charles-Louis Clerisseau, Temple of Augustus and Livia at Vienne on the Rhône, c.1767, Watercolour and gouache over pencil on thin cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8517 Charlotte Guerin, Sampler, 1765/66, Linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215917 François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008 Carl Gustaf Pilo, Juliane Marie, Queen of Denmark, 1762, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360847 Charles Eisen, Jupiter and Callisto, 1765, graphite on wove(?) paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2044 John Singleton Copley, Anna Dummer Powell, 1764, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149978 Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1571 Thomas Gainsborough, Portrait of George Pitt, First Baron Rivers, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145999 DR WALL (WORCESTER), Trio: Rich Kakiemon, c.1765–75, Soft-paste porcelain, mazarine ground, reserved panels with polychrome overglaze decoration and gilt detail, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/470 Louis-Marin Bonnet, Tête de Flore, 1769, chalk manner printed in blue, black, and red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2776 Heinrich Friedrich Füger, Man Embracing Woman with Child in Her Arms, mid-18th–early 19th century, Graphite; framing lines in graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334856 Jakob Philipp Hackert, View of Marino in the Alban Hills, c. 1770–1807, Pen and brown ink, brown wash over black chalk., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334879 Katsushika Hokusai 葛飾北斎 (1760-1849), Young Crow and Maple Leaves, 1760–1849, Ink and color on paper; H x W (overall): 21.3 x 45.9 cm (8 3/8 x 18 1/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183153-0 Johan Tobias Sergel, Chryses Imploring the Help of Apollo, from Iliad, Book I, 1765/66, Black chalk on off-white laid paper, tipped onto wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241156 Katsushika Hokusai 葛飾北斎 (1760-1849), Sleeping Man, 1760–1849, Ink on paper; H x W (sheet and image): 23.9 x 10.5 cm (9 7/16 x 4 1/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184895-0 Komatsuya Hyakki, The “Chinese” Quartermaster, 1765, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14813 François Boucher, Aurora and Cephalus, c. 1766, brown chalk with stumping on light beige laid paper, with later framing line in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2156 Jean-Jacques de Boissieu, Vue du pont de la Guillotière à Lyon, 1760, Aquarell über Feder in Braun auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7458 Suzuki Harunobu, Ebisu, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6737 Suzuki Harunobu, Daoist Immortals Spying on a Young Beauty, c. 1768, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23012 Jean-Michel Moreau the Younger, Le couché de la mariée, 1768, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2824 Francesco - Engraver, after GUERCINO Bartolozzi, Saint Francis of Assisi, c.1760?, Etching and engraving on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3332 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 MÖBIUS, Carl Johann - Painter, HÖROLDT, after Johann Gregorius Meissen - Manufacturer, Plate, decorated with blue and white chinoiserie design, c.1765–74, Hard-paste porcelain with blue underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20744 Jean-Michel Moreau the Younger, The Sacrifice of Iphigenia, 1769, pen and brush and black ink with gray wash over traces of graphite with border line by the artist on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2234 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499732 Jean Honoré Fragonard, The Satyr's Family (La famille du satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2933 Cary Dunn, Beaker, c. 1770, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/419 Lorens Pasch the Younger, Gustav Vasa (1496-1560), kung av Sverige, 1768, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106377364 after William - Painter, MILLS, I. Hogarth, Enthusiasm delineated, c.1761, published 1795, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12699 Jacques-Louis Copia, Chit chit, 1764, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3068 Johann Martin Bernigeroth, Lucas Cranach, 1761, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4649 Claude-Donat Jardinier, La tricoteuse endormie, 1765, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2757 Jean Honoré Fragonard, Nymph Astride a Satyr, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334643 Suzuki Harunobu, Fukurokuju, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6725 Benjamin West, Portrait of Diana Mary Barker, 1766, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.39 Alexander Roslin, John Jennings Esq., his Brother and Sister-in-Law, 1769, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q10493941 Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624 GILES, James Dr Wall (worcester) - Manufacturer, Trio: (the golden canary), c.1760, Soft-paste porcelain, wheelthrown with green, brown, yellow and black glaze, overglaze, and gilt rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6503 Louis Le Coeur, Si tu voulais, 1760, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3057 DR WALL (WORCESTER), Bowl: The precipice, c.1765–75, Soft-paste porcelain, wheelthrown with cobalt brush decoration and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3686 Jean-Michel Moreau the Younger, Phaeton au Palais du Soleil ..., 1766, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2037 Hubert Robert, Das Atelier des Künstlers, c. 1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1516 Jean Honoré Fragonard, Nymph Supported by Two Satyrs, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334641 Jacques-Firmin Beauvarlet, La Bascule, 1760, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2752 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 J B Gautier, VUE DU CHATEAU DE VITRE, 3e quart 18e siècle, sanguine; papier, Musée du château, Vitré. https://dartabase.art/cite/joconde/00000063722 Pierre-François Basan, The Tavern, 1761/1762, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2813 Samuel Wood, Sugar caster, 1761–62, Silver cast and raised with acorn finial, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4144 Jean Honoré Fragonard, The Satyrs' Dance, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334644 Jacques-Firmin Beauvarlet, Colin Maillard, 1760, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2753 Per Krafft the Elder, Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg, 1762, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106359513 Anders Eklund, Elisabeth Palm (1756-1786), gift Schön, 1768, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106377360 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499735 SÈVRES Boulanger Sr - Gilder, Footed plate, 1764, Soft-paste porcelain, lobed trefoil shape in bleu roi ground reserving a central circular shape and three kidney shapes painted with floral bunches. Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8600 Jean Valade, Porträtt av man med blå kavaj, 1767, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106369377 Jean Honoré Fragonard, Nymph Astride a Satyr (Jeune fille a califourchon sur un satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2934 Christian Georg Schütz d. Ä., Flusslandschaft, 1765, Mischtechnik auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/18 Hubert Robert, Zeichner in den Ruinen des Palatins, c. 1760–1765, Rötel auf geripptem Büttenpapier, altmontiert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20163 Valentine Green, The Wright Family (The Bradshaw Children), 1769, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7412 Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2 Utagawa Toyoharu, Shoki, the demon-queller, c. 1770, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44384 Justus Juncker, Stillleben mit Apfel und Insekten, 1765, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1600 Christian Georg Schütz d. Ä., Flusslandschaft, 1765, Mischtechnik auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19 Hamilton Mortimer, January and May, c. 1760–79, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499829 Pierre-Michel Alix, Queen Marie-Antoinette, c. 1789, color etching and wash manner on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3061 Joseph de Longueil, Concert Méchanique, 1769, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2911 Januarius Zick, Die Darstellung Christi im Tempel, c. 1765, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1189 Auguste-Claude-Simon Legrand, Le joli chien, 1765, stipple, etching, and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3046 Jean-Jacques Sorg, PORTRAIT DE LOUIS XV, 3e quart 18e siècle, lavis gris; papier (beige); carton; matériaux colles l'un sur l'autre, Cabinet des estampes et des dessins, Strasbourg. https://dartabase.art/cite/joconde/00000067233 Alexander Roslin, The Lady with a Fan, The Artist's Wife, 1768, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q10466368 Louis Binet, La Famine par l'ordre de Cérès vient répandre son venin sur Eresicthon, tandis qu'il dormoit, published 1767/1771, etching and engraving with stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2176 Katsushika Hokusai 葛飾北斎 (1760-1849), A man with a fan, butterflies, and a bowl of water, 1760–1849, Ink and color on paper; H x W (overall): 22.4 x 46.3 cm (8 13/16 x 18 1/4 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183149-0 Jean Honoré Fragonard, The Satyr's Family (La famille du satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7285 Takase Eiju, Fuchi with Yamabushi Monks in the Mountains, c. 1775–1800 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1128 Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1 Jacques-Louis Copia, Par ici, 1764, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3067 Spikey Leaf Carver, Highboy, c. 1760–80, Mahogany and brass (handles), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.23 Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503 CHELSEA PORCELAIN WORKS, Pair of vases, c.1765, Soft-paste porcelain, press-moulded with claret ground overglaze colours and gilt, in the rococo style, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7867 Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1572 Katsushika Hokusai 葛飾北斎 (1760-1849), Summer sake sippers, 1760–1849, Ink on paper; H x W (sheet & image): 23.8 × 32.1 cm (9 3/8 × 12 5/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184776-0 Juste Chevillet, Mademoiselle Sa Soeur, 1762, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2741 François Boucher, Venus appuyee sur son cher Adonis ..., 1767, black and white chalk on faded blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2216 Jacques Louis David, Head of a Child, 1768, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436108 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Pierre-Francois Courtois, La promenade des remparts de Paris, 1760, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3095 Johan Pasch, Majestas Publica, 1760, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106369565 Richard Brookshaw, Marie-Antoinette, c. 1774, mezzotint and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2572 Pierre-François Basan, Ballet at the Opera, 1761, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2812 SÈVRES Boulanger Sr - Gilder, Plate, 1764, Soft-paste porcelain, lobed trefoil shape in bleu roi ground reserving a central circular shape and three kidney shapes painted with floral bunches. Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8601 England, Wine glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.507 Hubert François Gravelot, Le Mari sylphe, 1765, pen and black ink with gray wash and touches of white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2367 Joseph Blackburn, Portrait of Marchioness Wentworth, 1767, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.37 Torii Kiyomitsu I, The Harugoma Dance, c. 1764, Color woodblock print; o-oban yoko-e, benizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19913 Sebastian Witmer, Bottle, 1763–74, Non-lead glass with enamel decoration, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/633 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Simon Francois - Engraver, RIJN, Rembrandt van Ravenet I, The shepherds in Arcadia, published 1763, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4829 Januarius Zick, Die Anbetung der Hirten, c. 1765, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1188 John Singleton Copley, Catherine Greene, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/94966 Giovanni - Engraver, after MAGGIOTTO, Domenico Volpato, L'Astrologo (The astrologer), c.1765–70, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12522 Jean Honoré Fragonard, The Satyr's Family, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334642 Jean Honoré Fragonard, The Supper at Emmaus, 1760/61, Black chalk on ivory laid paper, laid down on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221187 Cary Dunn, Beaker, c. 1770, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/420 SÈVRES Tandart - Decorator, Cylindrical cup and saucer, 1769, Soft-paste porcelain, cylindrical cup and saucer painted with a bleu celeste scrolled ribbon edged with gilt entwined with flower garlands. Futher garlands at the base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2927 Francesco Panini, Interior View of the Church of St. Peter's in the Vatican, c. 1770, Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/147067 Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581 Jean Honoré Fragonard, The Satyrs' Dance (Danse de satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7283 Jean Honoré Fragonard, Nymph Supported by Two Satyrs (Nymphe s'asseyant sur les mains de deux satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2932 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 François Hubert Drouais, Marie Rinteau, called Mademoiselle de Verrières, 1761, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436214 Jean-Michel Moreau the Younger, La Famine par l'ordre de Ceres ..., 1767, pen and black ink and brush and black ink with gray wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2174 Mary RA Moser, Study of a tulip, c. 1764–1800, Victoria and Albert Museum, London. https://dartabase.art/cite/vam/O499738 Suzuki Harunobu, Lovers in the snow, Chuban (reprint), c.1768, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/794 Auguste-Claude-Simon Legrand, Le cocarde nationale, 1765, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2861 Johan Tobias Sergel, Achilles Restrained by Athena in Agamemnon's Tent, from Iliad, Book I, 1765/66, Black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241157