UNKNOWN, Equestrian portrait of Rathor Udai Bhanji, c.1760–80, Opaque watercolour with gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16951

SÈVRES, Cup and saucer, c.1760, Soft porcelain body decorated with polychrome sprigs of flowers with gilt dentil rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5362

Hamano Yasuyuki, Kozuka with a Man Pulling a Piece of Coral, 1763–1836 (late Edo), shibuichi, copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.636

French, Circular Box with Venus and Cupid, 1760–1780, gilt-metal, tortoiseshell, ivory, glass, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.118

Suzuki Harunobu, Untitled (shunga), 1760, Woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/65716

William Wood, Portrait of a Woman, 1768–1809, watercolor on ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/38.45

Indian, A Deer Hunt, c. 1775, pigments on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.854

JOSIAH WEDGWOOD & CO., Plate, c.1760–62, Earthenware, creamware with feather edge border and moulded rose design in centre.  Black transfer print of 'liver birds' in centre and around rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5322

CHELSEA-DERBY, Figurine: Goatherd, c.1769–75, Soft-paste porcelain with polychrome enamels and gilt details, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/185

UNKNOWN, Tureen, Chinese export porcelain decorated with blue and white vase of flowers and balustrade design. Scroll knop and animal head handles, c.1760–80, Hard paste porcelain with cobalt underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1491

CHELSEA PORCELAIN WORKS, Candlestick group, c.1760, Soft-paste porcelain modelled with the figure of cupid draped in a yellow-lined floral cloth, kneeling before a floral arbour in overglaze colours (replacement candle nozzle) on a rococo scroll base edged in gilt and green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5677

UNKNOWN, Lantern and stand, 1760–95 (late Ch'ien Lung Period), White fine porcelain with polychrome flowers against a black ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1492

GEORGIAN STYLE, Cream jug, c.1769–70, Silver, with floral scrolls and a squirrel in repousse, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4482

UNKNOWN, Coffeepot, c.1768, Sterling silver with wooden handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10258

Charles-Louis Clerisseau, Temple of Augustus and Livia at Vienne on the Rhône, c.1767, Watercolour and gouache over pencil on thin cardboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8517

DR WALL (WORCESTER), Trio:  Rich Kakiemon, c.1765–75, Soft-paste porcelain, mazarine ground, reserved panels with polychrome overglaze decoration and gilt detail, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/470

Francesco - Engraver, after GUERCINO Bartolozzi, Saint Francis of Assisi, c.1760?, Etching and engraving on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3332

MÖBIUS, Carl Johann - Painter, HÖROLDT, after Johann Gregorius Meissen - Manufacturer, Plate, decorated with blue and white chinoiserie design, c.1765–74, Hard-paste porcelain with blue underglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20744

after William - Painter, MILLS, I. Hogarth, Enthusiasm delineated, c.1761, published 1795, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12699

Sèvres Porcelain Manufactory, One of a Pair of Vases (Vase à bâtons rompus), 1768, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.624

GILES, James Dr Wall (worcester) - Manufacturer, Trio:  (the golden canary), c.1760, Soft-paste porcelain, wheelthrown with green, brown, yellow and black glaze, overglaze, and gilt rim, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6503

DR WALL (WORCESTER), Bowl:  The precipice, c.1765–75, Soft-paste porcelain, wheelthrown with cobalt brush decoration and clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3686

Samuel Wood, Sugar caster, 1761–62, Silver cast and raised with acorn finial, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4144

SÈVRES Boulanger Sr - Gilder, Footed plate, 1764, Soft-paste porcelain, lobed trefoil shape in bleu roi ground reserving a central circular shape and three kidney shapes painted with floral bunches.  Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8600

Takase Eiju, Fuchi with Yamabushi Monks in the Mountains, c. 1775–1800 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1128

Giovanni Battista Piranesi, Bacchanalian frieze from a vase in the Villa Borghese, 1768–1778, first published 1778, Rome, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12503

CHELSEA PORCELAIN WORKS, Pair of vases, c.1765, Soft-paste porcelain, press-moulded with claret ground overglaze colours and gilt, in the rococo style, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7867

SÈVRES Boulanger Sr - Gilder, Plate, 1764, Soft-paste porcelain, lobed trefoil shape in bleu roi ground reserving a central circular shape and three kidney shapes painted with floral bunches.  Gilt scrolls, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8601

Simon Francois - Engraver, RIJN, Rembrandt van Ravenet I, The shepherds in Arcadia, published 1763, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4829

Giovanni - Engraver, after MAGGIOTTO, Domenico Volpato, L'Astrologo (The astrologer), c.1765–70, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12522

SÈVRES Tandart - Decorator, Cylindrical cup and saucer, 1769, Soft-paste porcelain, cylindrical cup and saucer painted with a bleu celeste scrolled ribbon edged with gilt entwined with flower garlands.  Futher garlands at the base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2927

Suzuki Harunobu, Lovers in the snow, Chuban (reprint), c.1768, Colour woodblock print on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/794