Suzuki Harunobu, Jurojin, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6741

Jean Baptiste Huet, Design for Trophy with Gardening Tools, n.d., Red chalk on ivory laid paper, tipped onto tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/114925

Benjamin West, Elizabeth Shewell West and Her Son, Raphael, c. 1770, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109245

John Singleton Copley, Nathaniel Hurd, c. 1765, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/94979

Suzuki Harunobu, Tamonten, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6729

Katsukawa Shunsho, Actor Ichikawa Danzô III as Shôki the Demon-Queller in “Dandyish Design: Lightning Amid Clouds” (“Date moyô kumo ni imazuma”), About 1768, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31779

Suzuki Harunobu, Hotei, from the series "The Seven Gods of Good Luck in Modern Life (Ukiyo shichi fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6722

Anne Vallayer-Coster, Basket of Plums, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146148

Suzuki Harunobu, Daikokuten, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6733

Suzuki Harunobu, Shoki in Love, c. 1768, Color woodblock print, hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89059

Suzuki Harunobu, An Inauspicious Day, c.1769, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89064

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Thomas Gainsborough, Portrait of George Pitt, First Baron Rivers, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145999

Komatsuya Hyakki, The “Chinese” Quartermaster, 1765, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14813

Suzuki Harunobu, Ebisu, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6737

Suzuki Harunobu, Daoist Immortals Spying on a Young Beauty, c. 1768, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23012

Suzuki Harunobu, Fukurokuju, from the series "The Seven Gods of Good Luck in the Floating World (Ukiyo Shichi Fukujin)", c. 1769, Color woodblock print; chuban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/6725

Utagawa Toyoharu, Shoki, the demon-queller, c. 1770, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44384

Torii Kiyomitsu I, The Harugoma Dance, c. 1764, Color woodblock print; o-oban yoko-e, benizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19913

John Singleton Copley, Catherine Greene, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/94966