Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990