Jean Dambrun, La coquette fixee, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2942 Philippe Triere, Lison dormait, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2971 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Jean-François Janinet, Ha! La joli petit chien, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3001 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Jean-François Janinet, La Venus aux colombes, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3004 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c Jean-François Janinet, Les heures du jour, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3017 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 François Hubert Drouais, Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772), 1757, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436213 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Maurice Blot, Le Contrat, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2809 Jean-François Janinet, Modeles de coiffures, 1752, color crayon manner etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3016 Jacques-Philippe Le Bas, La Bonne éducation (The Good Education), 1757, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2780 Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2994 Jacques-Philippe Le Bas, Etude du dessin (The Drawing Lesson), 1757, etching and engraving and laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2786 Jean-François Janinet, Venus desarmant l'amour, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3015 Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2993 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Hubert François Gravelot, Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757, pen and gray ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1878 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Bernard Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1579 Henri Auguste, Design for a Cruet Frame, 1759, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334789 Jean-François Janinet, Venus en reflection, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3014 Jean-François Janinet, Portrait d'une jeune princesse, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3009 Pierre Louis Dumesnil the Younger, Card Players in a Drawing Room, c. 1756–59, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436230 Pierre Migeon II, Lean-to Writing Desk (table à abbattant), c. 1750, veneered on oak with tulipwood, purplewood and kingwood; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1584 Charles-Nicolas Cochin II, Eighth Day, First Story, Madonna Ambruogia Gives Her Husband the Two Hundred Florins She Was Given by Gulfardo in Payment for Her Favors, c. 1757, graphite on wove(?) paper with a border line in pen and brown ink, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1921 Charles-Melchior Descourtis, Le Tambourin, c. 1789, etching and wash manner, printed in blue, red, yellow, white, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2760 Jean-François Janinet, Offrande à l'amour, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3011 Charles-Clement Bervic, La Declaration, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2747 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Jean-François Janinet, L'Oiseau privé, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3008 Jean Robert Ango, The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri, 1759, Black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334766 Hubert François Gravelot, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1883 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Hubert François Gravelot, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1941 Jean-François Janinet, La jeune vestale, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3003 Charles-Melchior Descourtis, La Rixe (The Brawl), c. 1792, etching and wash manner, printed in blue, red, yellow, white, green, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2777 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Hubert François Gravelot, Nine Children Listening to a Girl Tell a Story; A Boy Handing a Purse to a Girl Seated on a Bed, c. 1757, pen and gray ink with brown wash on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1964 Joseph-Marie Vien, Sweet Melancholy, 1756, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159309 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Henri Auguste, Design for a Covered Tureen on a Footed Stand, 1759, Pen and brown ink, brush and gray-brown wash; double framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334790 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Jean-Baptiste Mallet, Le dejeuner de Fanfan, 1759, color stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3107 Jean-Marc Nattier, Portrait of a Woman and her Dog, 1750, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.895 Jean-Louis Anselin, Vous avez la clef, mais il a trouve le serrure, 1754, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2870 Jean Robert Ango, Scene of Martyrdom, after Giovanni Angelo Canini, 1759, Red chalk, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334765 Jean-François Janinet, Le petit conseil, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3002 Charles-Melchior Descourtis, Frederica Sophia Wilhelmina of Prussia, Princess of Orange Nassau, 1753, color mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3106 Louis de Carmontelle, Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres, 1759, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334640 Bernard Vanrisamburgh II, Work and Writing Table (table en chiffonnière), c. 1750/1760, veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1580 Claude Louis D'Aviler, Design for an Altar and Choir Grill, Abbey at Rebais, 1750, Pen and black ink, with brush and black and rose wash over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334792 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Jean-Marc Nattier, Portrait of a Woman as Diana, 1752, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122347 Maurice Blot, Le Verrou, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2755 Charles-Clement Bervic, Le Serment, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2748 Louis de Carmontelle, Portrait of the Chevalier de Lézay, 1756, Red and black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213968 Jean Dambrun, La coquette fixée, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2941 Jacques Couché, La Petite Thérèse, 1750, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2772 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 Jean-Jacques Flipart, Le Dessinateur (The Draughtsman), 1757, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2783 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718