Jean Dambrun, La coquette fixee, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2942 Philippe Triere, Lison dormait, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2971 Jean-François Janinet, Ha! La joli petit chien, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3001 Jean-François Janinet, La Venus aux colombes, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3004 Jean-François Janinet, Les heures du jour, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3017 François Hubert Drouais, Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772), 1757, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436213 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Maurice Blot, Le Contrat, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2809 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Jean-François Janinet, Modeles de coiffures, 1752, color crayon manner etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3016 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Jacques-Philippe Le Bas, La Bonne éducation (The Good Education), 1757, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2780 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2994 Jacques-Philippe Le Bas, Etude du dessin (The Drawing Lesson), 1757, etching and engraving and laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2786 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Jean-François Janinet, Venus desarmant l'amour, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3015 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2993 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Hubert François Gravelot, Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757, pen and gray ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1878 Bernard Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1579 Henri Auguste, Design for a Cruet Frame, 1759, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334789 Jean-François Janinet, Venus en reflection, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3014 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Jean-François Janinet, Portrait d'une jeune princesse, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3009 Pierre Louis Dumesnil the Younger, Card Players in a Drawing Room, c. 1756–59, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436230 Pierre Migeon II, Lean-to Writing Desk (table à abbattant), c. 1750, veneered on oak with tulipwood, purplewood and kingwood; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1584 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Charles-Nicolas Cochin II, Eighth Day, First Story, Madonna Ambruogia Gives Her Husband the Two Hundred Florins She Was Given by Gulfardo in Payment for Her Favors, c. 1757, graphite on wove(?) paper with a border line in pen and brown ink, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1921 Charles-Melchior Descourtis, Le Tambourin, c. 1789, etching and wash manner, printed in blue, red, yellow, white, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2760 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Jean-François Janinet, Offrande à l'amour, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3011 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Charles-Clement Bervic, La Declaration, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2747 Jean-François Janinet, L'Oiseau privé, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3008 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Jean Robert Ango, The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri, 1759, Black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334766 Hubert François Gravelot, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1883 Hubert François Gravelot, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1941 Jean-François Janinet, La jeune vestale, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3003 Charles-Melchior Descourtis, La Rixe (The Brawl), c. 1792, etching and wash manner, printed in blue, red, yellow, white, green, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2777 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Hubert François Gravelot, Nine Children Listening to a Girl Tell a Story; A Boy Handing a Purse to a Girl Seated on a Bed, c. 1757, pen and gray ink with brown wash on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1964 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Joseph-Marie Vien, Sweet Melancholy, 1756, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159309 Henri Auguste, Design for a Covered Tureen on a Footed Stand, 1759, Pen and brown ink, brush and gray-brown wash; double framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334790 Jean-Baptiste Mallet, Le dejeuner de Fanfan, 1759, color stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3107 Jean-Marc Nattier, Portrait of a Woman and her Dog, 1750, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.895 Jean-Louis Anselin, Vous avez la clef, mais il a trouve le serrure, 1754, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2870 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Jean Robert Ango, Scene of Martyrdom, after Giovanni Angelo Canini, 1759, Red chalk, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334765 Jean-François Janinet, Le petit conseil, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3002 Charles-Melchior Descourtis, Frederica Sophia Wilhelmina of Prussia, Princess of Orange Nassau, 1753, color mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3106 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Louis de Carmontelle, Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres, 1759, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334640 Bernard Vanrisamburgh II, Work and Writing Table (table en chiffonnière), c. 1750/1760, veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1580 Claude Louis D'Aviler, Design for an Altar and Choir Grill, Abbey at Rebais, 1750, Pen and black ink, with brush and black and rose wash over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334792 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Jean-Marc Nattier, Portrait of a Woman as Diana, 1752, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122347 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Maurice Blot, Le Verrou, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2755 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Charles-Clement Bervic, Le Serment, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2748 Louis de Carmontelle, Portrait of the Chevalier de Lézay, 1756, Red and black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213968 Jean Dambrun, La coquette fixée, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2941 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Jacques Couché, La Petite Thérèse, 1750, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2772 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Jean-Jacques Flipart, Le Dessinateur (The Draughtsman), 1757, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2783