British 18th Century, Rearing Horse, late 18th or 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1261

Bernard  Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1579

Pierre Migeon II, Lean-to Writing Desk (table à abbattant), c. 1750, veneered on oak with tulipwood, purplewood and kingwood; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1584

Jean-François Oeben, Writing and Toilet Table (table mécanique), c. 1750/1755, veneered on oak with marquetry of tulipwood, kingwood, sycamore, ebony, boxwood, and other woods, some of them stained green and with traces of other colors; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1573

Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553

Bernard  Vanrisamburgh II, Work and Writing Table (table en chiffonnière), c. 1750/1760, veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1580

Samuel Collins, Portrait of a Man, 1755, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435920