Jean Dambrun, La coquette fixee, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2942

William Savery, Armchair, 1750–70, Walnut and white pine with modern upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.14

Philippe Triere, Lison dormait, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2971

Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883

Jean-François Janinet, Ha! La joli petit chien, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3001

CHELSEA PORCELAIN WORKS, Twelve-lobed plate, c.1759–60, Soft-paste porcelain, decorated with polychrome floral sprays and sprigs in overglaze colours, edged in green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9875

British 18th Century, Rearing Horse, late 18th or 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1261

HIROYUKI, Netsuke:  (peasant in a large straw hat), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1266

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824

William Hogarth, England, published 1756, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6459

Jean-François Janinet, La Venus aux colombes, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3004

DR WALL (WORCESTER), Reeded coffee pot, c.1758–60, Hard-paste porcelain slip-cast with reeded exterior and handpainted details in underglaze cobalt blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/69

China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c

Cesar Chelor, Molder made by Cesar Chelor, 1753–1784, wood with iron; H x W x D: 5 1/2 × 9 13/16 × 1 1/8 in. (14 × 25 × 2.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1693319546643-1693319558771-1

Jean-François Janinet, Les heures du jour, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3017

Cesar Chelor, Jack plane made by Cesar Chelor, 1753–1784, wood with iron; H x W x D: 5 5/16 × 2 3/16 × 14 in. (13.5 × 5.5 × 35.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1693319546643-1693319558475-0

Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724

Johann Georg Ziesenis, Bildnis der Marie Sophie Friedericke von Holzhausen (1748-1796), c. 1758, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1732

Johann Georg Trautmann, Die Auferweckung des Lazarus, c. 1750–1765, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3491

François Hubert Drouais, Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772), 1757, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436213

Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811

Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719

Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980

Maurice Blot, Le Contrat, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2809

HANCOCK, Robert Dr Wall (worcester) - Manufacturer, Bell mug:  King of Prussia, c.1757, Soft-paste porcelain, transfer-printed in black, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8950

Le Pin, Watch with an enamel panel of a youth and a woman before an alter, 2nd half 18th century, gold, enamel, stones, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.106

Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965

WEDGWOOD WHEILDON, Plate, c.1754–59, Earthenware, moulded silver shape border with mottled green, black and brown tortoise shell glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6266

Jean-François Janinet, Modeles de coiffures, 1752, color crayon manner etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3016

GEORGIAN STYLE, Candlesticks with drip pans, 1751–52, Silver decorated with cast scrolls and shells on the base, knop and drip pan. Engraved with heraldic crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8610

William Hogarth, The Analysis of Beauty, plate II, 1753, Engraving on wove paper mounted on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12700

Desk and Bookcase, 1750–70, Mahogany, red oak, and white pine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105457

UNKNOWN, Tassel for the Imperial court, c.1750 (Qing dynasty), Silk, embroidery, kesi weave, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16168

Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385

Jacques-Philippe Le Bas, La Bonne éducation (The Good Education), 1757, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2780

Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958

Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979

GILES, attrib. to James Chelsea Porcelain Works - Manufacturer, Pierced dish, c.1755–60, Soft-paste porcelain, moulded and pierced in imitation of basketwork with clear glaze and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10207

Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2994

Jacques-Philippe Le Bas, Etude du dessin (The Drawing Lesson), 1757, etching and engraving and laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2786

Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981

Jean-François Janinet, Venus desarmant l'amour, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3015

Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977

Jean-François Janinet, Ah! Laisse-moi donc voir, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2993

Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823

Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983

Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118

Hubert François Gravelot, Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757, pen and gray ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1878

Paul Sandby, Scottish landscape with a country house, c.1750, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1875

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819

John Skinner, Basin, 1756–85, Pewter, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/347

Bernard  Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1579

Richard Wilson, Trajan's Arch Ancona, c.1750–56, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14622

Henri Auguste, Design for a Cruet Frame, 1759, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334789

Jean-François Janinet, Venus en reflection, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3014

CHELSEA PORCELAIN WORKS, Sauce boat, c.1750–59, Soft-paste porcelain, moulded with bows and flowers, overglaze floral sprigs highlighted in purple, green, yellow, red and blue, rimmed in brown, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9363

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966

Torii Kiyohiro, Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left), c. 1755, Hand-colored woodblock print; uncut hosoban triptych, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19900

Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862

Jean-François Janinet, Portrait d'une jeune princesse, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3009

Pierre Louis Dumesnil the Younger, Card Players in a Drawing Room, c. 1756–59, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436230

UNKNOWN, [Attendant holding a gold cup and rosewater flask], 1750, Brush drawing with watercolour and gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16955

Pierre Migeon II, Lean-to Writing Desk (table à abbattant), c. 1750, veneered on oak with tulipwood, purplewood and kingwood; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1584

Johann Georg Trautmann, Die Verklärung Christi, c. 1750–1765, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3490

Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968

Charles-Nicolas Cochin II, Eighth Day, First Story, Madonna Ambruogia Gives Her Husband the Two Hundred Florins She Was Given by Gulfardo in Payment for Her Favors, c. 1757, graphite on wove(?) paper with a border line in pen and brown ink, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1921

HIROYUKI, Netsuke:  (vendor with a crab), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3909

Charles-Melchior Descourtis, Le Tambourin, c. 1789, etching and wash manner, printed in blue, red, yellow, white, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2760

Jean-François Oeben, Writing and Toilet Table (table mécanique), c. 1750/1755, veneered on oak with marquetry of tulipwood, kingwood, sycamore, ebony, boxwood, and other woods, some of them stained green and with traces of other colors; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1573

William Hogarth, Gin Lane, 1750–51, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3304

Johann Georg Ziesenis, Bildnis des Justinian Theodor Friedrich von Holzhausen (1747-1765), c. 1758, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1691

Sir Joshua Reynolds, Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122349

Gabriel Jacques de Saint-Aubin, The Promenade on the Boulevard, c. 1760, Black chalk, with brush and black, brown and gray wash, heightened with white gouache, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199587

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964

Jean-François Janinet, Offrande à l'amour, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3011

Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963

Charles-Clement Bervic, La Declaration, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2747

Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812

British 18th Century, Cabaret of Ramponaux, c. 1760, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9567

Sir Joshua Reynolds, Lady Elizabeth Hamilton, 1758, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1214

Jean-François Janinet, L'Oiseau privé, 1752, color wash manner and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3008

Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971

Jean Robert Ango, The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri, 1759, Black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334766

GEORGIAN STYLE, Cream jug, c.1759–60, Silver, repousse and engraved with an eagle and floral scroll in the rococo manner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6189

Hubert François Gravelot, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1883

Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723

Hubert François Gravelot, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1941

Jean-François Janinet, La jeune vestale, 1752, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3003

Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842

Charles-Melchior Descourtis, La Rixe (The Brawl), c. 1792, etching and wash manner, printed in blue, red, yellow, white, green, and black inks, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2777

Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b

Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553

Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973

Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509

Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966

Joseph Wright, Head of Judith, from Piazzetta's Judith and Holofernes, 1751, Black chalk heightened with white on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4495

Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983

Hubert François Gravelot, Nine Children Listening to a Girl Tell a Story; A Boy Handing a Purse to a Girl Seated on a Bed, c. 1757, pen and gray ink with brown wash on laid paper, laid down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1964

William Hogarth, The Analysis of Beauty, plate I, 1753, Engraving on cream wove paper mounted on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5352

Joseph Badger, Jeremiah Belknap, c. 1758, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/99443

Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976

Longton Hall Porcelain Factory, Figure of Britannia, c. 1756, soft-paste porcelain, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/97996

Joseph-Marie Vien, Sweet Melancholy, 1756, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159309

Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722

Henri Auguste, Design for a Covered Tureen on a Footed Stand, 1759, Pen and brown ink, brush and gray-brown wash; double framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334790

Johann Georg Ziesenis, Bildnis des Johann Maximilian von Holzhausen (1708-1768), 1758, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1690

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818

Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289

William Hogarth, Crowns, Mitres, Maces, etc., 1754, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5353

Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711

Jean-Baptiste Mallet, Le dejeuner de Fanfan, 1759, color stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3107

Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635

Jean-Marc Nattier, Portrait of a Woman and her Dog, 1750, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.895

Myer Myers, Dish, 1754–70, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/806

Jean-Louis Anselin, Vous avez la clef, mais il a trouve le serrure, 1754, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2870

attributed to Eliakim Smith, Chest of Drawers, c. 1755, Cherry, white pine, and brass (handles), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.66

Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975

Manufacturer: Meissen Porcelain Factory, Cup and saucer, c. 1750, Porcelain with enamel decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.82a%2C%20b

Manufacturer: Meissen Porcelain Factory, Cup and saucer, before 1756 (?), Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.81a%2C%20b

HANCOCK, Robert Dr Wall (worcester) - Manufacturer, Mug:  (King of Prussia), c.1757, Soft-paste porcelain, cylindrical form with strap handle and black transfer-printed decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6512

George Knapton, Portrait of a Gentleman, c. 1750/1755, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1095

Jean Robert Ango, Scene of Martyrdom, after Giovanni Angelo Canini, 1759, Red chalk, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334765

Jean-François Janinet, Le petit conseil, 1752, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3002

William Hogarth, Beer Street, 1750–51, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1147

François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65

Charles-Melchior Descourtis, Frederica Sophia Wilhelmina of Prussia, Princess of Orange Nassau, 1753, color mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3106

UNKNOWN GEORGIAN GLASSMAKER, Goblet, c.1750, Glass, handblown with folded foot rim and engraved with stylised foliate motifs, a crown and "GAV" in monogram, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10996

Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974

William Hogarth, France, published 1756, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6460

Myer Myers, Bobeche, 1755–60, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/549

Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967

Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1

Louis de Carmontelle, Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres, 1759, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334640

UNKNOWN, Box, c.1755, Brass and copper oblong box engraved with rustic scenes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5485

Bernard  Vanrisamburgh II, Work and Writing Table (table en chiffonnière), c. 1750/1760, veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1580

Claude Louis D'Aviler, Design for an Altar and Choir Grill, Abbey at Rebais, 1750, Pen and black ink, with brush and black and rose wash over graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334792

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820

Kitao Shigemasa, The Big Snowman, c. 1764, Color woodblock print; mizu-e hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7578

Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712

Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961

UNKNOWN, A languishing lady, c.1750, Ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16958

William Wynne Ryland, Jupiter and Leda, 1758, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2872

John Singleton Copley, Jane Browne, 1756, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1096

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788

Nathaniel Hurd, Teapot, c. 1755–60, Silver, Wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119326

Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726

Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781

Thai, Standing Buddha, with Both Hands in ""Abhayamudra"", 2nd half 18th century (Ayutthaya), leaded copper, laquer, gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2553

Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119

UNKNOWN, Handbag, c.1750–1850, Silk tapestry, weave with silk warp and silk and wool weft with a scene of a courtship in a landscape, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8030

CHELSEA PORCELAIN WORKS, Tea bowl, octagonal form decorated in Kakiemon design with chrysanthemum and poppies, c.1750–52, Soft-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20743

Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428

Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978

Jean-Marc Nattier, Portrait of a Woman as Diana, 1752, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122347

Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959

Jean Etienne Liotard, Portrait of a Man Holding a Book, Turned to the Right, 1758/62, Black and white chalk, with traces of red chalk, on blue laid paper, rubbed on the verso with vermillion and traced with a stylus, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213969

Manufacturer: Meissen Porcelain Factory, Bowl, c. 1750, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.80

Maurice Blot, Le Verrou, 1753, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2755

Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000

DE VERGULDE BLOEMPOT, Charger, decorated with blue and white Kakiemon design showing a man with a boy attendant with parasol and two women looking across a river, a fisherman in a boat and two birds flying overhead, c.1750, Earthenware, wheelthrown and tin glazed with cobalt decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20738

Charles-Clement Bervic, Le Serment, 1756, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2748

Louis de Carmontelle, Portrait of the Chevalier de Lézay, 1756, Red and black chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/213968

Jean Dambrun, La coquette fixée, 1750, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2941

Thomas Gainsborough, Wooded landscape with buildings, c.1755–59, Pencil on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15448

Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863

Jacques Couché, La Petite Thérèse, 1750, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2772

Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962

Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960

Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969

Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821

Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982

Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612

Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972

Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990

Fuller White, Coffeepot, c.1755–56, Silver, repousse and engraved with floral decoration in a modified rococo style. Ebonised wood handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8029

Samuel Collins, Portrait of a Man, 1755, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435920

Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725

Jakob Philipp Hackert, View of Svenarum in the Province of Småland, Sweden, c. 1764, Brush and gray and brown wash, over faint indications in black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334881

Jean-Jacques Flipart, Le Dessinateur (The Draughtsman), 1757, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2783

Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718