CHELSEA PORCELAIN WORKS, Twelve-lobed plate, c.1759–60, Soft-paste porcelain, decorated with polychrome floral sprays and sprigs in overglaze colours, edged in green, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9875 HIROYUKI, Netsuke: (peasant in a large straw hat), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1266 William Hogarth, England, published 1756, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6459 DR WALL (WORCESTER), Reeded coffee pot, c.1758–60, Hard-paste porcelain slip-cast with reeded exterior and handpainted details in underglaze cobalt blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/69 HANCOCK, Robert Dr Wall (worcester) - Manufacturer, Bell mug: King of Prussia, c.1757, Soft-paste porcelain, transfer-printed in black, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8950 Le Pin, Watch with an enamel panel of a youth and a woman before an alter, 2nd half 18th century, gold, enamel, stones, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.106 WEDGWOOD WHEILDON, Plate, c.1754–59, Earthenware, moulded silver shape border with mottled green, black and brown tortoise shell glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6266 GEORGIAN STYLE, Candlesticks with drip pans, 1751–52, Silver decorated with cast scrolls and shells on the base, knop and drip pan. Engraved with heraldic crest, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8610 William Hogarth, The Analysis of Beauty, plate II, 1753, Engraving on wove paper mounted on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12700 UNKNOWN, Tassel for the Imperial court, c.1750 (Qing dynasty), Silk, embroidery, kesi weave, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16168 GILES, attrib. to James Chelsea Porcelain Works - Manufacturer, Pierced dish, c.1755–60, Soft-paste porcelain, moulded and pierced in imitation of basketwork with clear glaze and overglaze colours, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10207 Paul Sandby, Scottish landscape with a country house, c.1750, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1875 Richard Wilson, Trajan's Arch Ancona, c.1750–56, Pencil on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14622 CHELSEA PORCELAIN WORKS, Sauce boat, c.1750–59, Soft-paste porcelain, moulded with bows and flowers, overglaze floral sprigs highlighted in purple, green, yellow, red and blue, rimmed in brown, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9363 UNKNOWN, [Attendant holding a gold cup and rosewater flask], 1750, Brush drawing with watercolour and gold on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16955 HIROYUKI, Netsuke: (vendor with a crab), c.1750–1850, Carved ivory, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3909 William Hogarth, Gin Lane, 1750–51, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3304 GEORGIAN STYLE, Cream jug, c.1759–60, Silver, repousse and engraved with an eagle and floral scroll in the rococo manner, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6189 Chelsea Porcelain Factory, Inkstand with Sandbox and Cover for Pen Compartment, 1759–1769, gilt on soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.842 Sèvres Porcelain Manufactory, Vase with Gilt-Bronze Mounts, 1755, porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.966 Joseph Wright, Head of Judith, from Piazzetta's Judith and Holofernes, 1751, Black chalk heightened with white on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4495 William Hogarth, The Analysis of Beauty, plate I, 1753, Engraving on cream wove paper mounted on linen, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5352 Giovanni Battista Piranesi, (Untitled) (plate 13 from 'Carceri' (Prisons) series), 1750, Etching (Tirage romain), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7289 William Hogarth, Crowns, Mitres, Maces, etc., 1754, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5353 Sèvres Porcelain Manufactory, One of a Pair of Potpourri Vases (Vase ovale Mercure), c. 1770, soft paste porcelain, gilt on bronze and marble base, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.635 HANCOCK, Robert Dr Wall (worcester) - Manufacturer, Mug: (King of Prussia), c.1757, Soft-paste porcelain, cylindrical form with strap handle and black transfer-printed decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6512 William Hogarth, Beer Street, 1750–51, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1147 François-Gaspard Teuné, Commode with Urns and Flowers, c. 1766, sycamore, tulipwood, other woods, bronze-gilt, brecciated marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.65 UNKNOWN GEORGIAN GLASSMAKER, Goblet, c.1750, Glass, handblown with folded foot rim and engraved with stylised foliate motifs, a crown and "GAV" in monogram, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10996 William Hogarth, France, published 1756, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6460 UNKNOWN, Box, c.1755, Brass and copper oblong box engraved with rustic scenes, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5485 UNKNOWN, A languishing lady, c.1750, Ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16958 Sèvres Porcelain Manufactory, Sugar Bowl, 1750–1759, soft paste porcelain, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.726 Thai, Standing Buddha, with Both Hands in ""Abhayamudra"", 2nd half 18th century (Ayutthaya), leaded copper, laquer, gilding, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.2553 UNKNOWN, Handbag, c.1750–1850, Silk tapestry, weave with silk warp and silk and wool weft with a scene of a courtship in a landscape, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8030 CHELSEA PORCELAIN WORKS, Tea bowl, octagonal form decorated in Kakiemon design with chrysanthemum and poppies, c.1750–52, Soft-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20743 DE VERGULDE BLOEMPOT, Charger, decorated with blue and white Kakiemon design showing a man with a boy attendant with parasol and two women looking across a river, a fisherman in a boat and two birds flying overhead, c.1750, Earthenware, wheelthrown and tin glazed with cobalt decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20738 Thomas Gainsborough, Wooded landscape with buildings, c.1755–59, Pencil on buff laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15448 Fuller White, Coffeepot, c.1755–56, Silver, repousse and engraved with floral decoration in a modified rococo style. Ebonised wood handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8029